Comics Review: "KILLADELPHIA #18" - The Revolutions Begins

KILLADELPHIA #18
IMAGE COMICS

STORY: Rodney Barnes
ART: Jason Shawn Alexander
PENCILS: Christopher Mitten (pp. 21-23)
COLORS: Luis Nct
LETTERS: Marshall Dillon
EDITOR: Greg Tumbarello
COVER: Jason Shawn Alexander
VARIANT COVER ARTIST: Simon Bisley
28pp, Colors, 3.99 U.S. (October 2021)

Rated “M/ Mature”

Killadelphia and Elysium Gardens created by Rodney Barnes and Jason Shawn Alexander

“Home is Where the Hatred Is” Part VI: “The End of Things”

Killadelphia is an apocalyptic vampire and dark fantasy comic book series from writer Rodney Barnes and artist Jason Shawn Alexander and is published by Image Comics.  At the center of this series is a police officer caught in a lurid conspiracy in which vampires attempt to rule Philadelphia, “the City of Brotherly Love.”  Colorist Luis Nct and letterer Marshall Dillon complete Killadelphia's creative team.

Killadelphia focuses on James “Jim” Sangster, Jr. and his father, revered Philadelphia homicide detective, James Sangster, Sr., thought to be dead.  He is actually a vampire.  Now father and son lead a ragtag team comprised of a medical examiner, a dead president, and a rebellious, but special young vampire (Tevin Thompkins a.k.a. “See Saw”) in a bid to save Philly from an ambitious and murderous former First Lady.

As Killadelphia #18 (“The End of Things”) opens, Abigail Adams and her vampire hordes and legions are tearing Philadelphia apart and tearing through its human citizens.  Meanwhile, back at the heroes' ranch, Anansi is ready to bounce, but at least he is offering some parting words of wisdom.

James Sr. is determined that Jim Jr. and Jose's unborn child – his grandchild – have a better life than he got and than what he gave Jim Jr.  So, he's off to battle … with a few friends.  There's no way they can survive Abigail Adams, so they need allies...  The reckoning for a city and a nation is finally at hand, but are all the players on the board?

THE LOWDOWN:  Killadelphia's third story arc, “Home is Where the Hatred Is,” comes to an end.  I thought that this would be the story arc that most reveals the complexities and multiple layers of Killadelphia.  I thought it would be the one that reveals this series as more dark fantasy than mere vampire comic book.  And it is.

I think I do need a break from the series.  I have run up against a rhetorical wall.  What more can I say?  Every issue I read impresses me and inspires me to create my own fiction.  So I need a few months breather before I take on the next glorious arc and more Rodney Barnes.  I'll have extra time to mine the dictionary for new words of praise and glorification.  Can you imagine what Barnes' Falcon comic book series would have been if Marvel Comics had not canceled it?

As for artist Jason Shawn Alexander:  Jason’s art continues to astound me.  He is just beyond talented.  Isn't it crazy or coincidental that we feel the say way about Jason, Mr. Barnes?  Seriously, Jason's art in this closer is like the best of elements of 1960s and 70s horror comic books, Hammer Films, and Bill Sienkiewicz – all brought together in a way only Jason can do.

Colorist Luis Nct, who has always done great work on this series, lost his mind and created a comic book coloring masterpiece in Killadelphia #18.  Marshall Dillon's lettering brings peace to the story, or at least enough so that we can read through the madness.  And I credit artist Chris Mitten for bringing his “A game” so that his guest art here blends in without a bump.

I'll end this review by saying that Killadelphia #18 is yet another chance for readers to get in now on the best of the best.  However, even if you get far behind, dear readers, it will be such fun to catch up.

I READS YOU RECOMMENDS:  Fans of vampire comic books and of exceptional dark fantasy will want Killadelphia.

[This issue includes an afterword by Rodney Barnes.]

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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Review: 2021 "DUNE " is Both Tremendous and Tedious

TRASH IN MY EYE No. 63 of 2021 (No. 1801) by Leroy Douresseaux

Dune (2021)
Running time:  155 minutes (2 hours, 35 minutes)
MPAA – PG-13 for sequences of strong violence, some disturbing images and suggestive material
DIRECTOR:  Denis Villeneuve
WRITERS:  Denis Villeneuve, Jon Spaihts, and Eric Roth (based on the novel by Frank Herbert)
PRODUCERS:  Denis Villeneuve, Cale Boyter, Joseph M. Caracciolo, and Mary Parent
CINEMATOGRAPHER:  Greg Fraser (D.o.P.)
EDITOR:  Joe Walker
COMPOSER: Hans Zimmer

SCI-FI

Starring:  Timothée Chalamet, Rebecca Ferguson, Zendaya, Oscar Isaac, Jason Momoa, Stellan Skarsgard, Stephen McKinley Henderson, Josh Brolin, Javier Bardem, Sharon Duncan-Brewster, Chen Chang, Dave Bautista, David Dastmalchian, Charlotte Rampling, Babs Olusanmokun, Benjamine Clementine, and Golda Rosheuvel

Dune is a 2021 science fiction film directed by Denis Villeneuve.  It is based on the 1965 novel, Dune, written by author Frank Herbert.  This the third screen adaptation of Herbert's novel after writer-director David Lynch's 1984 film and writer-director John Harrison's 2000 television miniseries.  Dune 2021 focuses on the male heir to a noble family who finds himself in the middle of conspiracy and prophecy on a desert planet where is found the most vital element in the universe.

Dune opens in the far future in the year 10,191.  The most valuable substance in the universe is “Spice,” which extends human vitality and life and is absolutely necessary for space travel.  Spice is only found on the desert planet, Arrakis.  For over eighty years, House Harkonnen, one of the noble houses of the “Landsraad,” has mined the planet for Spice.

Now, the Emperor of the Known Universe has ordered House Harkonnen to withdraw from the planet.  The Emperor has appointed Duke Leto I (Oscar Isaac) of House Atreides and ruler of the ocean planet, Caladan, as the new fief ruler of Arrakis and the one responsible for the mining of Spice.

However, Paul Atreides (Timothée Chalamet), the son of Leto and his concubine, Lady Jessica (Rebecca Ferguson), is the focus of the Bene Gesserit, a powerful sisterhood who wield advance mental and physical abilities, to which Jessica belongs.  The Bene Gesserit have a prophecy concerning a “superbeing,” called the  “Kwisatz Haderach,” and Paul may be this superbeing because of the machinations of his mother.  Meanwhile, Paul has dreams and visions, most of them set on Arrakis and involving the natives of Arrakis, the “Fremen.”  And of the Fremen, Paul dreams most of a mysterious young woman (Zendaya) with blue in her eyes.  Paul knows that his fate lies on Arrakis, and he will discover it if he survives the plot against his family.

Although the title of this film is “Dune,” when the movie starts the credits read “Dune: Part One.”  That's right, director Denis Villeneuve refused to adapt Frank Herbert's novel as one long film when he preferred to do it as two long films.  I have seen Herbert's novel referred to as “unwieldy” source material, but the truth is that like Robert A. Heinlein's novel, Starship Troopers (1959), which was adapted into a 1997 film, Dune is philosophical and thoughtful.  Much of the narrative takes place in the minds of its major characters, and I don't think that big-budget, event Hollywood films are really good at internal philosophical monologues.

Denis Villeneuve's Dune is visually ambitious.  It is pomp and circumstance.  It focuses on the rituals of the Landsraad (the empire's noble houses) and of the Fremen – to the point of being anthropological.  Dune is costumes, uniforms, makeup, hairdos, and lavish spectacle.  Dune offers some of the most imaginatively designed space crafts, flying contraptions, utility machines, and personal devices outside of the Star Wars films.  It leans towards opulence in its breathtaking landscapes and astonishing vistas.  This visual and design aesthetic creates the kind of overwhelming cinematic sensory experience that is exactly why we need to see some films in movie theaters.

Villeneuve apparently also said that Dune has “power in details,” and his obsession with details, both in terms of visuals and narratives, is a problem for Dune, much in the way it was a problem for his acclaimed 2016 film, The Arrival … to a lesser extent.  For Dune, he builds a big world in pictures and images, and then, he and his co-writers Jon Spaihts and Eric Roth (the ones who are credited onscreen), drag the movie out by drowning every key scene and sequence in detail.  There is no better example of this than the scene with the “Herald of the Change” (Benjamin Clementine), when Duke Leto formerly excepts his assignment to Arrakis.  It was pointless scene about the pointlessness of the Emperor and his rituals.

At one point while watching this film, I checked my phone and realized that there was still an hour to go.  I wasn't sure if I could make.  I could not understand how a film could be so visually dazzling as Dune is and have a story that frustratingly seems to be going somewhere … slowly.  And Dune's wonderful cast goes right along with this, delivering performances that are earnest in their grimness.  Still, the actors didn't make me want to connect with their characters, and Rebecca Ferguson's Lady Jessica is just fucking tiresome.

I am giving this film a B+ because of two things – the sometimes unbelievable visuals and, surprisingly, Hans Zimmer's amazing musical score, for which he supposedly created new musical instruments.  Without his constantly inventive score, this film would put people to sleep.  If I were focusing only on story, I'd give Dune a B- or a B, because there are some characters that are fascinating the few times they are on screen, such as Baron Harkonnen (Stellan Skarsgard) and his nephew, Rabban (Dave Bautista).  There are also a few scenes that resonate.  I really don't know how to recommend a film that will impress you almost as much as it will tire you, but that Denis Villeneuve's Dune in a nutshell.

7 of 10
B+

Friday, October 22, 2021


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Negromancer News Bits and Bites from October 17th to 23rd, 2021 - Update #25

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

BREAKING NEWS - From Deadline:  The Santa Fe Sheriff’s Department confirmed Thursday night that Alec Baldwin “discharged” a prop gun on the New Mexico set of the movie, "Rust."  As a result, one crew member, director of photography Halyna Hutchins, was killed and director Joel Souza was injured and remains in a local hospital - his condition unknown.

From Deadline:  The fatal shooting on the set of "Rust" may have been "recorded" according to detective for Santa Fe Sheriff's Department.

From Deadline:  The production company behind the film, "Rust," will launch an internal safety review after the fatal accident that killed Halyna Hutchins; possible prior gun incidents; and a camera crew walkout.

From CNN:   Crew member yelled "cold gun" as he handed Alec Baldwin prop weapon, court document shows.

From Variety:  Actor Alec Baldwin releases statement on the death of Halyna Hutchins: "There are no words to convey my shock and sadness."

From Variety:  The prop gun that killed “Rust” cinematographer Halyna Hutchins and wounded director Joel Souza on during an on-set accident on Thursday contained a “live single round,” according to an email sent by IATSE Local 44 to its membership.

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TELEVISION - From THR:    CBS has given a full-season pickup to its supernatural comedy, "Ghosts."

AWARDS - From THR:  The nominations for the 2021 Gotham Awards have been announced in both film and TV categories.  The winners will be announced Monday, Nov. 29th.

MOVIES - From Deadline:  Emily Blunt is in talks to join Christopher Nolan's film, "Oppenheimer."

TRAILER - From ETCanada:  There is a new trailer for the film, "Being the Ricardos," starring Nicole Kidman as Lucille Ball and Javier Bardem as Desi Arnaz.  The film, directed by Aaron Sorkin, focuses on a week in the production of the classic television series, "I Love Lucy."  It will be released on "Amazon Prime" on Dec. 21st.

NETFLIX - From Deadline:   Netflix says that its hit, "Squid Game," the Korean sci-fi dystopian series, has been streamed by 142 million households in its first four weeks.

MOVIES - From THR:  Steve McQueen has won the inaugural European Film Award for Innovative Storytelling for "Small Axe," an anthology of five films set between 1969 and 1982 that explore the experiences of London’s West Indian community.

STREAMING - From Variety:  Hulu has ordered "History of the World, Part II," a TV variety series that will act as a sequel to Mel Brooks' classic film comedy, "History of the World, Part I" (1981).  Brooks will be a writer and executive producer on the series.

TELEVISION - From Deadline:  Lionsgate is developing, "The Continental," a three-night, special event TV series that will act as a prequel to the "John Wick" film series.  Actor Mel Gibson is the first star signed to appear in "The Continental," which is set to appear on Starz.

From Variety:  Actor Colin Woodell will play a young "Winston Scott" in Starz's "John Wick" prequel series, "The Continental."  Winston Scott is played by actor Ian McShane in the "John Wick" films.

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MOVIES - From Variety:  Rob Zombie has shared the first cast photo from his film, "The Munsters," which updates or reboots the old 1960s TV series of the same name.  Universal Studios will release the film.

MOVIES - From Variety:  Disney delays the release date of several upcoming films, including "Doctor Strange 2," "Thor 4," Black Panther 2," and "Indiana Jones 5."

BOX OFFICE - From BoxOfficePro:  The winner of the 10/15 to 10/17/2021 weekend box office is "Halloween Kills" with an estimated take of 50.35 million dollars.

LABOR - From Deadline:  The Alliance of Motion Picture and Television Producers and the IATSE (International Alliance of Theatrical Stage Employees) have reached a new film and TV deal that averted the start of a strike by over 60,000 IATSE members on Monday.  This article has the details.

DC FANDOME:

From Variety:  See all the hot trailers for upcoming DC Comics films and TV series from DC FanDome.

From Deadline:  At DC FanDome, director Matt Reeves revealed a new trailer for his film, "The Batman," which is due May 4, 2022.

From Deadline:  A preview of DC Film's "The Flash" gives us a peek at a cameo from a certain Batman...

OBITS:

From TMZ:  Singer and musician, Tommy DeBarge, has died at the age of 64, Thursday, October 21, 2021.  DeBarge was a vocalist and bass player for the R&B/funk band, "Switch," which had it best success in the late 1970s and early 1980s.  Tommy and his brother, the late Bobby DeBarge, were founding members of Switch.  Tommy and Bobby would later leave the group to mentor their younger siblings in the 1980s group, "DeBarge."

From THR:   Cinematographer Halyna Hutchins as died at the age of 42, Thursday, October 21, 2021 after a prop gun incident on the set of the film, "Rust."  Hutchins was known for her work on such indie films as "Archenemy," "Blindfire," and "The Mad Hatter."

From THR:  Actor Peter Scolari has died at the age of 66, Friday, October 22, 2021 after a battle with cancer.  Scolari first game to prominence on the short-lived ABC sitcom, "Bosom Buddies" (1980-82), with friend, Tom Hanks.  Scolari joined the cast of CBS' "Newhart" as a recurring character during the series' second season (1983-84), and then, became a series regular from 1984 until the series' end in 1990.  He won a "Guest Actor" Primetime Emmy for his role on HBO's "Girls."

From YahooNews:   American four-star general, diplomat, and statesman, General Colin Powell, has died at the age of 84, from complications of COVID-19.  He was the first African-American U.S. Secretary of State and a trailblazing figure both in the United States and around the world.  He also served as the 16th United States National Security Advisor from 1987 to 1989 and as the 12th Chairman of the Joint Chiefs of Staff from 1989 to 1993.

From Deadline:  The actress, Betty Lynn, has died at the age of 95, Saturday, October 16, 2021.  Her best known role was as "Betty Lou," the girlfriend of "Deputy Barney Fife" on "The Andy Griffith Show."  Lynn appeared on the series 26 times from 1961 to 1966.  In the 1950s, Lynn appeared in "Cheaper by the Dozen" (1950) and "Meet Me in Las Vegas" (1956).  Lynn also appeared on four episodes of Andy Griffith's series "Matlock" (1986-92).

Comics Review: "GUNSLINGER SPAWN #1" On Target

GUNSLINGER SPAWN #1
IMAGE COMICS/Todd McFarlane Productions

STORY: Todd McFarlane with Alex Kot
PENCILS: Brett Booth with Thomas Nachlik; Philip Tan; Kevin Keane
INKS: Adelso Corona with Daniel Henriques
COLORS: Andrew Dalhouse with Nikos Koutsis; Marcello Iozzoli; Marcelo Maiolo; FCO Plascencia
LETTERS: Tom Orzechowski
EDITOR: Thomas Healy
COVER:  Brett Booth and Todd McFarlane with FCO Plascencia
VARIANT COVER ARTISTS: Todd McFarlane with FCO Plascencia; Greg Capullo with Jonathan Glapion; Jason Shawn Alexander; Robert Kirkman and Todd McFarlane with Nick Koutsis; Tonton Revolver; Brett Booth and Todd McFarlane with FCO Plascencia; Greg Capullo
56pp, Color, $5.99 U.S. (October 2021)

Rated: “T/ Teen”

Spawn created by Todd McFarlane

Spawn is a superhero/antihero character that stars in the long-running comic book series, Spawn.  Created by writer-artist Todd McFarlane, Spawn first appeared in Spawn #1 (cover dated: May 1992).

Spawn was Albert Francis “Al” Simmons.  A career military man who becomes a highly capable assassin and dies a violent death.  He makes a deal with the devil, Malebolgia, in order to return to the living realm to see his wife one last time.  However, Al returns with almost no memories accept that his name is Al Simmons, and he learns that he is now a “Hellspawn” in service of Malebolgia.  Rebelling, Al Simmons, now “Spawn,” finds a new purpose in stopping evil.

Back in February (2021), Todd McFarlane announced his plans to build a larger, multi-character, interconnected, comic book universe based around his Spawn comic book – a “Spawn Universe.”  McFarlane also announced four new comic book titles coming out in 2021, with three of them continuing as regular monthly titles.  The second of the three titles, Gunslinger Spawn, has arrived.

Gunslinger Spawn is written by Todd McFarlane; drawn by Brett Booth (pencils) and Adelso Corona (inks); colored by Andrew Dalhouse; lettered by Tom Orzechowski.  Gunslinger Spawn finds one of the Spawn Universe's most popular characters navigating the world of 2021.

As Gunslinger Spawn #1, Gunslinger Spawn isn't in the mood to answer Spawn's questions.  He takes off on motorcycle, not sure how the thing works.  In need of help with the danged thing, Gunslinger meets Taylor Bartlett, a young gas station attendant.  God's warriors, however, don't wait for bike repair.  Will Gunslinger Spawn's 200-year-old past come back to haunt him as he navigates the strange world of 2021?

THE LOWDOWN:  I read Spawn #1 back in 1992.  I became a fan and followed the series for another five or six years.  2021 finds me reading a Spawn title first-issue for only the second time since I read Curse of the Spawn #1 back in 1996.  [King Spawn was the first]

I find myself quite intrigued by Gunslinger Spawn as a character, and I like that Todd McFarlane introduces someone, Taylor Bartlett, who could become a good supporting character.  As for the art, I have always had mixed feelings about Brett Booth's work.  Here, his compositions are too cluttered, and I don't think that Adelso Corona's inking helps, although Andrew Dalhouse's coloring does.

The first backup story is drawn by Thomas Nachlik, and in it, McFarlane offers a tale of classic, brutal, Spawn justice.  Gunslinger Spawn pays a man back in kind for the murder of another man and woman's sons.  This is a great, five-page short story that actually packs more punch than the main story.  The second story, a dark tale expertly drawn by Philip Tan, details the blood cost Gunslinger pays for the ammunition he needs to slay his non-human enemies.

The third story, drawn by Kevin Keane, opens in 1853, five years after the end of the Mexican-American War.  It is set in Nogales, a town located on territory that was once Mexico's.  Gunslinger protects a 12-year-old boy from an asshole, which may be the start of a longer story.

Despite my few reservations about the main story, I enjoyed Gunslinger Spawn #1 overall, especially because of the short stories.  I'll be back for more.

I READS YOU RECOMMENDS:  Fans of Spawn will want to read Gunslinger Spawn.

[This comic book includes three back-up stories and “Spawning Ground” Presents “The Breakdown,” which features an interview of Brett Booth.]

B+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: 1984 "Dune" Retains its Cult Cinema Charms

TRASH IN MY EYE No. 62 of 2021 (No. 1800) by Leroy Douresseaux

Dune (1984)
Running time:  136 minutes (2 hours, 16 minutes)
MPAA – PG-13
DIRECTOR:  David Lynch
WRITER:  David Lynch (based on the novel by Frank Herbert)
PRODUCER:  Raffaella De Laurentiis
CINEMATOGRAPHER:  Freddie Francis (photographed by)
EDITOR:  Antony Gibbs
COMPOSER: TOTO
Academy Award nominee

SCI-FI

Starring:  Kyle MacLachlan, Francesca Annis, Jürgen Prochnow, José Ferrer, Kenneth McMillan, Sting, Paul Smith, Everett McGill, Sean Young, Patrick Stewart, Siân Phillips, Dean Stockwell, Max von Sydow, Linda Hunt, Richard Jordan, Brad Dourif, Virginia Madsen, and Alicia Witt

Dune is a 1984 science fiction film written and directed by David Lynch.  It is based on the 1965 novel, Dune, written by author Frank Herbert.  Dune the film focuses on a young nobleman who becomes the leader of a band of desert warriors as he attempts to free their planet from the clutches of a despotic galactic emperor.

Dune opens in the far future in the year 10,191.  The known universe is ruled by Padishah Emperor Shaddam the Fourth (José Ferrer). The most valuable substance in the universe is the spice, “melange.”  It is a drug that extends life and expands consciousness, and it is vital to space travel.  An “orange spice gas” gives the navigators of the “Space Guild” the ability to fold space, which permits safe and instantaneous interstellar travel.  The spice is only found on the desert planet, Arrakis, which is also called “Dune.”

The Emperor appoints a noble family of the “Landsraad” (the empire's noble houses) to mine and produce spice on Arrakis.  He fears the growing popularity of Duke Leto Atreides of the House Atreides and also the secret army Leto is supposedly amassing.  He appoints the House Atreides as the new stewards of Arrakis, replacing the current controllers, the House Harkonnen, let by Baron Vladimir Harkonnen (Kenneth McMillan), who is also Leto's enemy.  Ceding control of Arrakis to Duke Leto is just part of a plot by the Emperor and Baron Harkonnen to destroy the House Atreides.

However, Paul Atreides (Kyle MacLachlan), the son of Leto and his concubine, Lady Jessica (Francesca Annis), is the focus of both the Space Guild and the Bene Gesserit, a powerful sisterhood.  For there is a prophecy concerning the “Kwisatz Haderach,” a messiah who will liberate Arrakis and its people, the “Fremen.”  The Bene Gesserit are afraid that Paul is this messiah.  On Arrakis, Paul will find his destiny, and he will find “Muad'Dib,” if he survives the conspiracies against him.

Until recently, I had not watched Dune in its entirety since I first saw it in a movie theater back in Fall 1984.  In spite of its many fault, I still like it.  The film has wonderful, unique, and even eccentric production values, which I can also say about its special effects and sound.  People like Kit West (mechanical special effects), Carlo Rimbaldi (creature creation), Barry Nolan (special photographic effects), Albert J. Whitlock (special effects), Bob Ringwood (costumes), Anthony Masters (production design), (Freddie Frances), and the Grammy Award-winning rock band, Toto (score) all do the work that makes Dune look, feel, and sound like no other film in American cinematic history.  Regardless of my conflicted feelings about the film, dear readers, I want these find artists, craftsman, and technicians to get at least some praise for their work on Dune.

I have read that the producers behind Dune hoped to make it the first of a film series that would be like “Star Wars for adults.”  In a few ways, Dune is as good as Star Wars.  The difference is that Star Wars is an original film story, and its plot, characters, and settings are simple, straightforward, and are narrowly focused for a two-hour film.  Dune is the adaptation of a complex science fiction novel that is packed with plots and subplots.  Dune the novel has settings that span a universe, including several planets, environments, and human habitats.  Star Wars' back story is briefly mentioned, while Dune's back story spans time in blocks – from decades to millennia – and is very important to the story in the present.

Watching Dune the movie the first time, one can feel that a lot of important parts of the story have been left out.  When I first saw Dune, that was obvious to me, although I had, at the time, never read the novel, but I was aware of it and its sequels.  [I would read the original novel about twenty years after I first saw the film]  Dune the movie has a narrator, Princess Irulan, the Emperor's daughter (played by a young Virginia Madsen), and multiple characters speak in voice-overs.  Frequent narration and constant voice-overs basically tell you that this film has too much story for its own good.  In fact, when Dune was first released, movie theaters handed out an information sheet that explained terms and names that would be featured in the film.  My copy of this Dune fact sheet has been lost to time, but I have never received such a sheet for any other film that I've seen in a movie theater.

[I must also note that I liked writer-director John Harrison's “Frank Herbert's Dune,” a three-part, television miniseries adaptation that aired on the Sci Fi Channel in December of 2000.]

As I said, however, there are things about the film that I really like, and even Kyle MacLachlan's amateurish performance as Paul Atreides does not keep me from enjoying Dune.  Actually, several actors deliver good performances in the film, even in small roles.  I watched Dune again in preparation for Warner Bros' new version, directed by acclaimed filmmaker, Denis Villeneuve, for which I have high hopes.  However, I suspect that I will return to David Lynch's Dune again.

6 of 10
B

Tuesday, October 19, 2021


NOTES:
1985 Academy Awards, USA:  1 nomination: “Best Sound” (Bill Varney, Steve Maslow, Kevin O'Connell, and Nelson Stoll)

The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Comics Review: "KING SPAWN #3" Burns with Hellfire

KING SPAWN #3
IMAGE COMICS

STORY: Sean Lewis with Todd McFarlane
PENCILS: Javi Fernandez
COLORS: FCO Plascencia
LETTERS: Andworld Design
EDITOR: Thomas Healy
COVER:  Jonathan Glapion
VARIANT COVER ARTISTS: Todd McFarlane; Javi Fernandez; Bjorn Barends
56pp, Color, $5.99 U.S. (October 2021)

Rated: “T/ Teen”

Spawn created by Todd McFarlane

Spawn is a superhero/antihero character that stars in the long-running comic book series, Spawn.  Created by writer-artist Todd McFarlane, Spawn first appeared in Spawn #1 (cover dated: May 1992).

Spawn was Albert Francis “Al” Simmons.  A career military man who becomes a highly capable assassin and dies a violent death.  He makes a deal with the devil, Malebolgia, in order to return to the living realm to see his wife one last time.  However, Al returns with almost no memories accept that his name is Al Simmons, and he learns that he is now a “Hellspawn” in service of Malebolgia.  Rebelling, Al Simmons, now “Spawn,” finds a new purpose in stopping evil.

Back in February (2021), Todd McFarlane announced his plans to build a larger, multi-character, interconnected, comic book universe based around his Spawn comic book – a “Spawn Universe.”  McFarlane also announced four new comic book titles coming out in 2021, with three of them continuing as regular monthly titles.  The first of the three titles, King Spawn, has arrived.

King Spawn is written by Sean Lewis with Todd McFarlane; drawn by Javi Fernandez; colored by FCO Plascencia; lettered by Andworld Design.  King Spawn finds Spawn battling one of his old adversaries, but it is someone only Spawn knows that exists.  And that someone want to make Spawn a king.

As King Spawn #3 opens, Spawn and Terry talk strategy, but Terry's demands that Spawn reveal the whereabouts of his daughter, Cyan, opens old wounds.  Their feud will have to wait, however, as the world is beginning to come undone at the seams, and the pace is picking up.  The underground religious terrorist group, “Psalms 137,” launches attacks around the globe.

Spawn sends his agents to those hot spots, but he saves one trouble area for himself.  Spawn prepares for a reunion with one of his oldest enemies, Billy Kincaid.  But has Spawn become too enraged to realize that all of this is about making him a king, or is he just too busy slaughtering to give a f**k?

THE LOWDOWN:  When I first read Spawn #1 back in 1992, I thought that it had the potential to be a long-running title, and lo these many years, it is still running through comic book solicitations lists.  I thought that its spin-offs would also have potential, but I never found one that really grabbed onto what made the original Spawn so great.

King Spawn, only in its third issue, is the first Spawn comic book spin-off to really get to the heart of Spawn.  Spawn deals with themes related to redemption, but at its core is a war between dark forces, in which both the “dark” sides and the “light” sides are those very dark forces.  Innocent humans are caught between the warring sides and they suffer greatly.  Their fates are unjust, often resulting in brutal and savage deaths.  Spawn is the force that seeks justice for the suffering and, when necessary, gets bloody vengeance for the dead.

I have been praising the creative team of writer Sean Lewis and artist Javi Fernandez because they have created the first great Spawn comic book to come after the original Spawn.  Lewis's scripts are violent and deranged – gleefully so.  Fernandez draws Lewis' script into comic book art and storytelling that unflinchingly delivers the rage and the anger, but is also as cool as the other side of the pillow.

In a way, I don't like what Sean and Javi have done to me.  Every time I finish an issue, I am ready to turn tricks … if that would just get me the next issue right away.  I'm a King Spawn crack ho, so won't you join me, dear readers.

Seriously, though, King Spawn is one of Image Comics' very best titles.

I READS YOU RECOMMENDS:  Fans of Spawn will want to read King Spawn.

[This comic book includes “Spawning Ground” Presents “The Breakdown,” which features “The Evolution of Redeemer.]

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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Comics Review: RED SONJA Black White Red #4

RED SONJA BLACK WHITE RED #4
DYNAMITE ENTERTAINMENT

STORY: Sanya Anwar; Phillip Kennedy Johnson; Chuck Brown
ART: Sanya Anwar; Steve Beach; Drew Moss
COLORS: Kike J. Diaz; Steve Beach; Drew Moss
LETTERS: Hassan Otsmane-Elhaou
EDITOR: Nate Cosby
COVER: Lucio Parrillo
VARIANT COVER ARTISTS: Cat Staggs; Jae Lee; Lucio Parrillo; Rachel Hollon (cosplay)
32pp, Color, $3.99 U.S. (October 2021)

Rated Teen+

Based on the characters and stories created by Roy Thomas, Barry Windsor-Smith, and Robert E. Howard

Conan the Barbarian #23 (cover dated: February 1973) saw the debut of a high fantasy, sword and sorcery heroine, Red Sonja.  Created by writer Roy Thomas and artist Barry Windsor-Smith, Red Sonja was loosely based on “Red Sonya of Rogatino,” a female character that appeared in the 1934 short story, “The Shadow of the Vulture,” written by Robert E. Howard (1906-1936), the creator of the character, Conan the Cimmerian.

In 2005, Dynamite Entertainment began publishing comic books featuring differing versions of the character.  One of those is Red Sonja Black White and Red, an anthology comic book featuring stories from well known comic book writers and artists, with the art presented in black, white, and red.

Red Sonja Black White and Red #4 is comprised of three stories.  The first is “The Iron Maiden,” and it is written and drawn by Sanya Anwar; colored by Kike J. Diaz; and lettered by Hassan Otsmane-Elahou.  The second story is “The Iron Queen,” and it is written by Phillip Kennedy Johnson; drawn by Steve Beach; and lettered by Hassan Otsmane-Elahou.  The third story is “Cold Monger,” and it is written by Chuck Brown; drawn by Drew Moss; and lettered by Hassan Otsmane-Elahou.   I'll review each story separately.

THE LOWDOWN:   Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of them is Red Sonja Black White and Red #4, which is the third issue of the title that I have read.

“The Iron Maiden” by Sanya Anwar, Kike J. Diaz, and Hassan Otsmane-Elahou:
After being grievously injured, Sonja of Hyrkania passes out.  When she awakens, she is under the care of Oenila, and two more different women there couldn't be.  However, when Sonja later tries to save Oenila, she learns that a women can be a warrior on a different kind of battlefield.

“The Iron Maiden” is a nice story, but I think it doesn't show its power until the very end.  I do like that the story shows that every woman does not have to be a she-devil with a sword in order to be brave in a struggle that she must face.

“The Iron Queen” by Phillip Kennedy Johnson, Steve Beach, and Hassan Otsmane-Elahou:
This a tale of Red Sonja's past and present, one that finds her aged and waiting for the opportunity to be great again.  It takes a young woman who idolizes her to remind the She-Devil that she was and still is a she-devil.

The art for “The Iron Queen” by Steve Beach is beautiful, and has a quality that recalls the “ink-wash” art that could be found in Savage Sword of Conan, the old Marvel Conan comics magazine.  Johnson's story is nice, but I'm sure that I have read something just like it in the past.

“Cold Monger” by Chuck Brown, Drew Moss, and Hassan Otsmane-Elahou:
Red Sonja meets a stranger in a strange, cold land.  He tells her of King Ole VII, “the Cold Monger,” who uses magic to keep the land frozen and him in control of fire.  Can the hot-blooded She-Devil with a Sword melt down the Cold Monger's rule?

I like “Cold Monger.”  It's like a fairy tale with Red Sonja as the unnamed hero who passes through a land, staying only long enough to depose a despot.

It is not hard for me to pick a favorite story of the three offered in Red Sonja Black White and Red #4.  “Cold Monger” by Chuck Brown, Drew Moss, and Hassan Otsmane-Elahou really stands out in this issue, which I must admit that I find to be the weakest issue of this series that I have read, thus far.

I READS YOU RECOMMENDS:  Fans of Red Sonja will want to try Red Sonja Black White and Red.

B

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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