Review: European Actors Shine in Woody Allen's "To Rome with Love"

TRASH IN MY EYE No. 34 (of 2014) by Leroy Douresseaux

To Rome with Love (2012)
Running time:  112 minutes (1 hour, 52 minutes)
MPAA – R for some sexual references
WRITER/DIRECTOR:  Woody Allen
PRODUCERS:  Letty Aronson, Stephen Tenenbaum, Faruk Alatan, and Giampaolo Letta
CINEMATOGRAPHERS:  Darius Khondji
EDITOR:  Alisa Lepselter

ROMANCE/COMEDY with elements of fantasy

Starring:  Woody Allen, Judy Davis, Flavio Parenti, Alison Pill, Fabio Armiliato, Alessandro Tiberi, Alessandra Mastronardi, Penelope Cruz, Antonio Albanese, Jesse Eisenberg, Greta Gerwig, Ellen Page, Alec Baldwin, and Roberto Benigni

To Rome with Love is a 2012 romantic comedy written and directed by Woody Allen.  Like other Allen films, To Rome with Love has magical realist elements.  To Rome with Love follows a small group of visitors and residents of Rome and focuses on their romances and adventures and the predicaments into which they get themselves.

To Rome with Love tells four unrelated stories.  Hayley (Alison Pill), an American tourist, falls in love with Italian pro bono lawyer and Rome resident, Michelangelo (Flavio Parenti), and they become engaged.  Hayley’s parents, Jerry and Phyllis (Woody Allen and Judy Davis), arrive in Rome to meet Michelangelo and his parents.  Jerry, a retired opera director, discovers that Michelangelo’s father, Giancarlo (Fabio Armiliato), has a wonderful operatic voice, so Jerry decides to make Giancarlo an opera star in spite of everyone’s protests against that.

Newlyweds Antonio (Alessandro Tiberi) and Milly (Alessandra Mastronardi) arrive in Rome from their rustic hometown.  They are supposed to meet Antonio’s well-connected and posh uncles who have lined up a fantastic job interview for him.  However, Antonio and Milly get separated.  Antonio is accidentally forced into an encounter with a gorgeous prostitute named Anna (Penelope Cruz).  Milly meets her favorite actor, Luchino “Luca” Salta (Antonio Albanese), who immediately begins to plot to have sex with the young wife.

John Foy (Alec Baldwin) is visiting Rome and meets Jack (Jesse Eisenberg), a young architecture student.  Jack lives with his girlfriend, Sally (Greta Gerwig).  Sally’s friend, Monica (Ellen Page), a pretentious young actress, arrives in Rome to visit them.  John warns Jack about falling in love with Monica…  Finally, ordinary business man, Leopold Pisanello (Roberto Benigni), suddenly gains an extraordinary life.

To Rome with Love is a romantic, comic, and romantic comedy romp through Rome.  It is not by any means a great film, but this movie does have a kind a charm that I cannot explain.  The American actors are mostly stiff, but Allen does not give them particularly flexible characters.  There is, however, this one great moment when Alec Baldwin’s John gives Ellen Page’s Monica a fantastic death stare.  There is something potent, electric, and maybe even dangerous in this one stare that I wish the rest of the John-Jack-Sally-Monica storyline had.

On the opposite side, the European actors sparkle.  Allen gives them the best characters and also better subplots than he gives the Americans.  The Europeans get inside the shallow characters Allen gives them and make them less shallow and more attractive. One example of this is Antonio Albanese.  Bald at the top of his head and somewhat pudgy, Albanese makes Luca Salta an alluring, sexy man, which in turn makes the idea of Salta as a movie star convincing.

Penelope Cruz, who won a supporting actress Oscar for her performance in an earlier Woody Allen film (Vicky Cristina Barcelona), gives To Rome with Love’s best performance.  She deserved another supporting actor Oscar nomination (at least) for her work here.  When her Anna is onscreen, this film seems to sparkle with new energy because that is what Cruz does – enliven things.  She is an excellent actress and is also quite the spitfire.

I will recommend To Rome with Love to fans of both Woody Allen and Penelope Cruz.  It is not great, but it is worth seeing.

6 of 10
B

Tuesday, July 08, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "The Curse of the Jade Scorpion" a Nice Ode to 1940s Era Films

TRASH IN MY EYE No. 255 (of 2006) by Leroy Douresseaux

The Curse of the Jade Scorpion (2001)
Running time:  103 minutes (1 hour, 43 minutes)
MPAA – PG-13 for some sexual content
WRITER/DIRECTOR:  Woody Allen
PRODUCER:  Letty Aronson
CINEMATOGRAPHER:  Zhao Fei
EDITOR:  Alisa Lepselter

COMEDY/CRIME/MYSTERY/ROMANCE

Starring:  Woody Allen, Helen Hunt, Dan Aykroyd, Brian Markinson, Elizabeth Berkley, Wallace Shawn, Charlize Theron, David Ogden Stiers, and Carol Bayeux

The subject of this movie review is The Curse of the Jade Scorpion, a 2001 romance, crime-comedy and mystery film from writer-director Woody Allen.  The film follows an insurance investigator and an efficiency expert, both hypnotized into stealing jewels by a crooked hypnotist using a jade scorpion.

New York City – 1940:  C.W. Briggs (Woody Allen) is the top insurance investigator for North Coast Casualty and Fidelity of New York, and he is his boss, Chris Magruder’s (Dan Aykroyd) go-to-guy when it comes to solving the thefts of high value items that North Coast is insuring.  C.W. has also been sparring with the company’s latest hire, Betty Ann Fitzgerald (Helen Hunt), an efficiency expert with an eye on putting C.W. in his place.

At a dinner party, a crooked hypnotist named Voltan (David Ogden Stiers) uses a jeweled charm, the Jade Scorpion, to hypnotize C.W. and Betty Ann.  Soon, the combative co-workers are babbling like love struck kids.  Their colleagues think this is some kind of clever hypnosis gag, so no one realizes that Voltan has placed C.W. and Betty Ann under a post-hypnotic suggestion.  Voltan controls C.W. and makes the insurance investigator use his professional skills and inside information to steal a fortune in jewels from two prominent families that have insured their treasure with North Coast.  With the police after him for the robberies, will C.W. ever get a clue that he’s a hypnotized dupe?

The Curse of the Jade Scorpion is Woody Allen’s delightful ode to movies from the 1940’s, like his delightful 1987 movie, Radio Days, was.  Jade is a nod to the light mystery films of the 40’s, but here, this material isn’t particularly strong, although the acting is quite good and gives the movie a sense of earnest fun.  The entire cast seems up to recreating both the style and ambience of 40’s era movies and the characters in them, and that’s a credit to Allen’s direction.

Helen Hunt is spicy as Betty Ann Fitzgerald, and she makes an excellent foil for Allen’s C.W. Briggs, who is the typical wisecracking character Allen plays in his comedies.  Charlize Theron glams it up to create the sexy, bold, and randy Laura Kensington, a character with an unfortunately too small part because she gives this flick a much-needed kick in the rear every time she’s on screen.  Brian Markinson, Elizabeth Berkley, and Wallace Shawn also add the right touches to their parts and add flavor to this film.

The Curse of the Jade Scorpion isn’t great Allen, nor is it anywhere nearly as good as Radio Days.  It’s a minor, but good Allen flick that will entertain Allen fans to one extent or another.

6 of 10
B

Saturday, December 23, 2006

Updated:  Monday, May 19, 2014

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

VIZ Media Announces New English Dub Cast for "Sailor Moon"

VIZ MEDIA UNVEILS NEW ENGLISH DUB CAST FOR THE LEGENDARY SAILOR MOON

Pre-Orders Available Soon For Season 1 Part 1 On Special Limited Edition Blu-ray/DVD Combo Pack, Coming November 11th

VIZ Media, LLC (VIZ Media), the largest distributor and licensor of manga and anime in North America, unveiled the brand new English voice cast for SAILOR MOON to a packed audience of enthusiastic fans at the 2014 Anime Expo in Los Angeles. The company also announced that preorders would be available soon for Blu-ray and DVD for the first home media release of the series that hits retailers on November 11th, making these sets an ideal purchase for the coming Holiday season.  

VIZ Media has licensed all 5 seasons of the original SAILOR MOON anime series (rated ‘TV-PG’), spanning 200 episodes, as well as all three feature films and specials. As part of the return of the series, VIZ Media is releasing SAILOR MOON , restored for the modern Blu-ray format, with its original un-cropped 4x3 aspect ratio using the original Japanese character names, story elements and relationships, but with an all-new, uncut English dub approved by the original creator, featuring a English voice cast consisting of fan favorites, seasoned talent and exciting new voices. The new production is produced by Jamie Simone and Rita Majkut, with Suzanne Goldish as Voice Director.

The New SAILOR MOON English Cast Includes:
Usagi Tsukino / Sailor Moon – Stephanie Sheh
Ami Mizuno / Sailor Mercury – Kate Higgins
Rei Hino / Sailor Mars – Christina Vee
Makoto Kino / Sailor Jupiter – Amanda Miller
Minako Aino / Sailor Venus – Cherami Leigh
Mamoru Chiba / Tuxedo Mask – Robbie Daymond

The SAILOR MOON Supporting Cast Includes:
Luna – Michelle Ruff
Artemis – Johnny Yong Bosch
Naru Osaka – Danielle Nicole
Gurio Umino – Ben Diskin
Ikuku Tsukino – Tara Platt
Kenji Tsukino – Keith Silverstein
Shingo Tsukino – Nicolas Roye
Queen Beryl – Cindy Robinson
Jadite – Todd Haberkom
Nephrite – Liam O’Brien
Zoicite – Lucien Dodge
Kunzite – Patrick Seitz

VIZ Media also thrills fans as it presents SAILOR MOON for the first time, uncut and re-mastered, on Blu-ray and DVD. Pre-orders are now available for Season One, Part 1 (Episodes 1-23) of SAILOR MOON in a special Limited Edition Blu-ray/DVD Combo Pack, as well as a Standard Edition DVD-only release. Watch our social media channels for coming information on how you can be among the first to secure your home media order for SAILOR MOON, which will debut on November 11th. Fans who preorder at RightStuf.com and select anime specialty retailers will receive a limited edition collectible memorial coin for Season One Part 1 (while supplies last), first in a series of 5 that features Usagi’s transformation brooch and iconic phrase! The coin is 1.5” diameter in size, and made from sturdy gold-tone metal.   

SAILOR MOON Limited Edition Blu-Ray/DVD Combo Pack Season One Part One · Available November 11 · Preorders Available Soon!

Special set contains 23 episodes on 3 Blu-ray discs and 3 DVDs that are packaged in a premium shimmery rainbow foil-accented chipboard box. Set also includes a collectable full-color 88-page SAILOR MOON booklet filled with art, character profiles, episode guides and more. Episodes are presented in 1080p High Definition with a 4x3 native aspect ratio, and English and Japanese stereo audio and available English subtitles; a ‘signs and songs’ subtitle track will also be included. An interactive art gallery along with an exclusive all-new behind the scenes footage and special SAILOR MOON convention panel footage and trailers are also included. Packaging art will be unveiled soon.  

SAILOR MOON Standard Edition DVD Set Season One Part One · Available November 11 · Preorders Available Soon!

Set features Season One, Part 1 (Episodes 1-23) on 3 DVDs offered in a full-color, elegant foil-accented O-card cover package. English and Japanese stereo audio is available, along with English subtitles and a ‘signs and songs’ subtitle track. Standard DVD set also includes an announcement convention reel. Packaging art will be unveiled soon. 

Also don’t miss brand new remastered episodes of SAILOR MOON, available now on Hulu and NeonAlley.com, VIZ Media’s consolidated online destination for FREE streaming anime content in the U.S.! Two new episodes (subtitled) debut each Monday.

The smash hit SAILOR MOON anime series is inspired by the bestselling manga (graphic novel) series created by Naoko Takeuchi (published in North America by Kodansha). In the series, Usagi Tsukino is a cheerful 14-year-old schoolgirl who often finds herself in unwanted trouble. One day, she saves a talking cat named Luna from some mean kids, and her life is changed forever. Luna gives Usagi a magic brooch that transforms her into Sailor Moon, defender of love and justice! Now Usagi must work with Luna to find the other Sailor Guardians and the Moon Princess, whose Legendary Silver Crystal is Earth’s only hope against the dark forces of the evil Queen Beryl!    

Additional information on Neon Alley is available at: www.NeonAlley.com.

For more information on SAILOR MOON, or other award-winning anime titles from VIZ Media, please visit www.VIZ.com.

About VIZ Media, LLC
Headquartered in San Francisco, California, VIZ Media distributes, markets and licenses the best anime and manga titles direct from Japan.  Owned by three of Japan's largest manga and animation companies, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media has the most extensive library of anime and manga for English speaking audiences in North America, the United Kingdom, Ireland and South Africa. With its popular digital manga anthology WEEKLY SHONEN JUMP and blockbuster properties like NARUTO, BLEACH and INUYASHA, VIZ Media offers cutting-edge action, romance and family friendly properties for anime, manga, science fiction and fantasy fans of all ages.  VIZ Media properties are available as graphic novels, DVDs, animated television series, feature films, downloadable and streaming video and a variety of consumer products.  Learn more about VIZ Media, anime and manga at www.VIZ.com.

Negromancer News Bits and Bites for July 13 to July 19, 2014 - Update #14

MOVIE NEWS:

From Variety:  Paramount Pictures has picked F. Javier Gutierrez to direct "The Ring 3."  No word on the return of Naomi Watts, the star of the The Ring and The Ring Part 2.

-------------------
From EW's InsideMovies:  An oral history of The Terminator, 30 years after its release.  Gwynne Watkins at Yahoo takes a look at that oral history.

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From THR:  What the critics are saying about Cameron Diaz and Jason Segel's Sex Tape.

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From CSMonitor:  Hit-Girl a/k/a Chloe Grace Moretz will provide the voice in the English-language version of the Japanese animated film, "The Tale of the Princess Kaguya."  Due in October of this year, the film is a production of Studio Ghibli and is directed by the studio's co-founder, Isao Takahata.

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From YahooFinance:  Rupert Mudoch wants HBO so badly that he's willing to buy TimeWarner to get it.  And it's also a bid to destroy Netflix.

-----------------
From Variety:  More on the Travis McGee movie with James Mangold directing and maybe with Christian Bale.

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From TheHollywoodReporter:  Once upon a time, maybe 20 years ago, I read on of late author, John D. MacDonald's Travis McGee novels.  I loved it.  So I am somewhat exited to hear that 20th Century Fox is looking to bring the character to the big screen.  I am not that crazy about Christian Bale as McGee, as the actor is in early talks to play the character.  James Mangold as director?  He could do something good with this.

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From TheHollywoodReporter:  ABC is extending its deal with Oscar-winning screenwriter, John Ridley (12 Years a Slave).

-----------------------
From TheWrap:  Legendary will be at Comic-Con International 2014 to tease Guillermo del Toro's 2015 film, "Crimson Peak" about that "breathes, bleeds...and remembers."

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From TheWrap:  Did not know that the 1995 film, 12 Monkeys, is being adapted/re-imagined into a TV series for the Syfy channel.  I'm semi-interested.

--------------------
From CNBC:  Disney could rake in the cash for Guardians of the Galaxy.  I think that if this movie is a big hit, the people who were the decision makers at Sony, rumored to be interested in buying Marvel before Disney did, should be beaten by the stockholders.

--------------------
From eonline:  Yeah, she probably is a bitch and her mama, too!

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From WebProNews:  This leaked photo of a muzzled raptor from "Jurassic World" is making the rounds.

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From TheHollywoodReporter:  Dawn of the Planet of the Apes (20th Century Fox) wins the July 11-13, 2014 box office with an estimated domestic box office take of $73 million.  That is nearly $20 million better than 2011's Rise of the Planet of the Apes (which I loved).  I'm surprised because I wondered if larger number of people would want more Planet of the Apes this soon, if at all.

Meanwhile, North American box office was down from the same weekend in 2013, and is down as a whole from last year.

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From the BBC:  Lindsay Lohan promises to show up for work on time at the West End in London.

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COMIC BOOKS and COMIC BOOK MOVIE NEWS:

From EW's InsideMovies:  Wentworth Miller of "Prison Break" is the villain "Captain Cold" in The CW's Fall series, "The Flash."

----------------
From EW Popwatch:  News on changes for the Avengers in Marvel Comics' "Avengers NOW" event.

----------------
From EW Popwatch:  Marvel Comics is killing Wolverine, beginning this September.

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From Wall Street CheatSheet:  Six DC characters headed to the big screen.

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From Variety:  Deborah Ann Woll of "True Blood" will play Karen Page on Marvel/Netflix's "Daredevil" series.

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From TheBeat:  Heidi on the secret history of girls reading comics.

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From TheWrap:  New writers to polish "Ant-Man" screenplay.

------------------
From TheHollywoodReporter:  I was watching "The View" this morning when Whoopi Goldberg broke the news that Marvel's Thor, a male character, will become a female character.  THR has more details.

------------------
From ComicBookMovie:  Kate Mara, who will play Sue Storm a/k/a Invisible Woman, says that Josh Trank's Fantastic Four reboot will not be based on any existing Fantastic Four comic book story.

------------------
From Hitfix:  Oh, and no "Hellboy 3."


TV NEWS:
Review of "The Strain" - TheHollywoodReporter (apparently the first few episodes).


OBITS:

From Variety:  Tony Award and Emmy Award-winning actress, Elaine Stritch, has died at the age of 89.


MISC:

From Yahoo:  The Hollywood Reporter magazine did a feature on the first former NFL star to come out as gay, David Kopay.  There are apparently plans to rerelease his best-selling memoir, The David Kopay Story (1977) .

From TheVillageVoice: an alternate history of rap and Hip-Hop.

Also from TheVillageVoice:  How Bob Marley became a "Legend."

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From TheHill:  President Obama stresses out the Secret Service

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From ThinkProgress via ReaderSupportedNews: How Deputy Erick Gelhaus got away with killing a child named Andy Lopez.  We knew this would happen, but Nick Flatow talks about how it happened.

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From TheHollywoodReporter:  Radiohead to begin work on 9th album in September.  Last album was "The King of Limbs" in 2011.

Happy Birthday, Neil!

Hope you have a great day, and many, many, many more Happy Birthdays.

Review: 1940 "Pride and Prejudice" is Bubbly (Remembering Jane Austen)

TRASH IN MY EYE No. 243 (of 2006) by Leroy Douresseaux

Pride and Prejudice (1940) – B&W
Running time:  118 minutes (1 hour, 58 minutes)
DIRECTOR:  Robert Z. Leonard
WRITERS:  Aldous Huxley and Jane Murfin (based upon Helen Jerome’s dramatization of Jane Austen’s novel)
PRODUCER:  Hunt Stromberg
CINEMATOGRAPHER:  Karl Freund
EDITOR:  Robert Kern
COMPOSER:  Herbert Stothart
Academy Award winner

COMEDY/DRAMA/ROMANCE

Starring:  Greer Garson, Laurence Olivier, Mary Boland, Edna May Oliver, Maureen O’Sullivan, Ann Rutherford, Frieda Inescort, Edmund Gwenn, Karen Morely, Heather Angel, Marsha Hunt, Bruce Lester, Edward Ashley, and Melville Cooper

The subject of this movie review is Pride and Prejudice, a 1940 comedy, drama, and romance from director Robert Z. Leonard (The Great Ziegfeld).  The film is based on Pride and Prejudice, the novel by Jane Austen that was first published in 1813.

However, the screenplay is adapted from Pride and Prejudice: A Sentimental Comedy Written in Three Acts.  This was a stage adaptation of Austen’s novel that was written by Helen Jerome and was played on Broadway in 1935.  Aldous Huxley, the English writer who is best known for his novel, Brave New World (1932), is one of this film’s two screenwriters.  The 1940 film also deviates from the novel, including a change in the time period in which the story takes place.

Status-conscious Mrs. Bennet (Mary Boland) is eager to marry her five daughters, while Mr. Bennet (Edmund Gwenn) would just love a peaceful home.  The Bennets however are middle class and “penniless,” so when two upper class men become interested in her eldest daughters, Elizabeth (Greer Garson) and Jane (Maureen O’Sullivan), a furious class war begins.

The strong-willed Elizabeth or Lizzy runs up against the proud and arrogant Mr. Darcy (Laurence Olivier), a man with a large fortune.  Jane falls for Charles Bingley (Bruce Lester), whose sister, Caroline (Frieda Inescort), holds the Bennets in disdain.  Although she continuously rebuffs her suitor, Lizzy can’t help but be attracted to the smoldering Darcy, even if she is prejudiced against his prideful ways.

Warner Bros.’s DVD box set of MGM literary adaptation, Motion Picture Masterpieces, offers many delights, and I’ve been waiting a long time for one in particular: Pride and Prejudice, MGM’s adaptation of Jane Austen’s much-loved (and much filmed) novel.  This version is largely unfaithful to Austen’s book (being as the movie is adapted from an adaptation of the original novel), but this is still highly entertaining.  The film is a comic romance and light drama, with Austen’s biting insults turned into witty banter fit for a comedy and romance.  Mannered melodrama also passes as dramatic turmoil and conflict.  Still, this lively movie almost makes one forget literary accuracies.  I found myself thrilling to the amusing twists, childish feuds, and slight class warfare, as I waited for the inevitable happy ending.

Greer Garson plays Lizzy Bennet as a strong and independent woman who can give both severe and playful rebukes.  Initially, Laurence Olivier’s Mr. Darcy comes across as supremely aloof.  That is before he turns the character more benign than petty, and Darcy’s off-putting aloofness becomes delightfully aloof.  Until the 1990’s, Olivier can be considered the supreme cinematic interpreter of an Austen male character.

Surprisingly, MGM, in a bid to keep Pride and Prejudice’s budget modest, reused many of the costumes Walter Plunkett designed for Gone with the Wind, so some of women of Pride and Prejudice look like Southern belles.  However, famed MGM designer Adrian created gowns for the film’s principals, and Gile Steele designed handsome and lavish suits for the men.  Pride and Prejudice won an Oscar for its art direction (for a black and white film), and the movie’s setting and backdrops represent the best of what MGM’s 1930’s-40’s dream factory could do when it came to production values.

So when such gorgeous production values are added to witty repartee, lovable characters, and bubbly comic romance, the viewer usually gets a winner and that is what Pride and Prejudice is – a winner and a personal favorite of mine.

7 of 10
A-

Tuesday, November 28, 2006

Updated:  Friday, July 18, 2014

NOTES:
1941 Academy Awards, USA:  1 win: “Best Art Direction, Black-and-White” (Cedric Gibbons and Paul Groesse)

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

REJECTED! Time Warner's Offical Statement Concerning 21st Century Fox

Time Warner Inc. Rejects Unsolicited Proposal from Twenty-First Century Fox

Board Confident in Time Warner Strategy to Continue Delivering Stockholder Value

NEW YORK--(BUSINESS WIRE)--Time Warner Inc. (NYSE:TWX) today confirmed that it rejected a proposal from Twenty-First Century Fox (NASDAQ:FOXA) to acquire all of the outstanding shares of the Company for a combination of 1.531 of Twenty-First Century Fox Class A non-voting common shares and $32.42 in cash per share (the " Proposal").

The Time Warner Board, after consultation with its financial and legal advisors, determined that it was not in the best interests of Time Warner or its stockholders to accept the Proposal or to pursue any discussions with Twenty-First Century Fox. The Board is confident that continuing to execute its strategic plan will create significantly more value for the Company and its stockholders and is superior to any proposal that Twenty-First Century Fox is in a position to offer.

In making its determination, the Time Warner Board considered, among other things, that:

1.     The execution of Time Warner’s strategic plan will continue to drive significant and sustainable value for Time Warner stockholders;
2.     The unique value of Time Warner’s industry-leading businesses including its portfolio of networks and its film studio and television production business is only going to increase;
3.     There is significant risk and uncertainty as to the valuation of Twenty-First Century Fox’s non-voting stock and Twenty-First Century Fox’s ability to govern and manage a combination of the size and scale of Twenty-First Century Fox and Time Warner; and
4.     There are considerable strategic, operational, and regulatory risks to executing a combination with Twenty-First Century Fox.

Time Warner’s Board also noted the consistent track record of Time Warner’s proven management team in achieving superior returns as well as completing a series of transactions to unlock value in related businesses, including the separation of AOL, Time Warner Cable, and Time Inc. Under its strategic plan, Time Warner has delivered a total shareholder return of more than 150% since 2008, almost tripling the return of the S&P 500 over the same period, as management has pursued a disciplined approach to position the Company as a global leader in media and entertainment while managing its operations and capital structure to maximize shareholder returns.

Citigroup Global Markets Inc. is acting as financial advisor to Time Warner. Cravath, Swaine & Moore LLP is acting as legal advisor to Time Warner.

ABOUT TIME WARNER INC.
Time Warner Inc., a global leader in media and entertainment with businesses in television networks and film and TV entertainment, uses its industry-leading operating scale and brands to create, package and deliver high-quality content worldwide on a multi-platform basis.

CAUTION CONCERNING FORWARD-LOOKING STATEMENTS
This document contains certain forward-looking statements within the meaning of the Private Securities Litigation Reform Act of 1995. These statements are based on management’s current expectations or beliefs, and are subject to uncertainty and changes in circumstances. Actual results may vary materially from those expressed or implied by the statements herein due to changes in economic, business, competitive, technological, strategic and/or regulatory factors and other factors affecting the operation of Time Warner businesses. More detailed information about these factors may be found in filings by Time Warner with the Securities and Exchange Commission, including its most recent Annual Report on Form 10-K and subsequent Quarterly Reports on Form 10-Q. Time Warner is under no obligation, and expressly disclaims any such obligation, to update or alter its forward-looking statements, whether as a result of new information, future events, or otherwise.