Wednesday, June 6, 2012

Review: "Over the Hedge" is a Surprising Delight

TRASH IN MY EYE No. 107 (of 2006) by Leroy Douresseaux

Over the Hedge (2006)
Running time: 90 minutes (1 hour, 30 minutes)
MPAA – PG for some rude humor and mild comic action
DIRECTORS: Tim Johnson and Karey Kirkpatrick
WRITERS: Len Blum, Lorne Cameron and David Hoselton, and Karey Kirkpatrick with Chris Poche (based upon characters created by Michael Fry and T. Lewis)
PRODUCER: Bonnie Arnold
EDITOR: John K. Carr
COMPOSER: Rupert Gregson-Williams
SONGS: Ben Folds

ANIMATION/COMEDY/ACTION/FAMILY

Starring: (voices) Bruce Willis, Gary Shandling, Steve Carell, Wanda Sykes, William Shatner, Nick Nolte, Thomas Haden Church, Allison Janney, Eugene Levy, Catherine O’Hara, Avril Lavigne, Omid Djalili, Sami Kirkpatrick, Shane Baumel, and Madison Davenport

The subject of this movie review is Over the Hedge, a 2006 computer-animated film from DreamWorks Animation. This action comedy is based upon the syndicated newspaper comic strip, Over the Hedge, created by Michael Fry and T. Lewis. The film focuses on a raccoon who uses his friends to help him repay a debt.

RJ (Bruce Willis) is an opportunistic raccoon, and his greed causes him to destroy the treasure trove of a dangerous bear named Vincent (Nick Nolte). Vincent gives RJ less than a week to replace his loot. Fortune leads RJ to a sprawling new suburban neighborhood, where he figures he can replace all of Vincent’s things (such as potato chips, a red wagon, a blue ice cooler, etc.).

Meanwhile, Verne (Gary Shandling), a turtle, and the woodland friends that make up his family: a hyperactive squirrel named Hammy (Steve Carell); a sassy, but low on self esteem skunk named Stella (Wanda Sykes); a melodramatic possum named Ozzie (William Shatner) and his daughter, Heather (Avril Lavigne); Lou & Penny (Eugene Levy and Catherine O’Hara), a porcupine couple with three little ones, wake up from their long winter’s nap only to discover that a tall green thing has cropped up in the middle of their forest home. RJ arrives just in time to inform Verne and his group that the “thing” is actually a hedge, and over the hedge is the “gateway to the good life” – a neighborhood full of humans. Humans live to eat (where as the animals eat to live), and they have lots of food and lots of stuff, he tells them – stuff they can take for themselves.

Verne is suspicious and a little jealous of RJ’s assertive nature, but Verne’s woodland band is ready to follow the manipulative raccoon into the domain of their over-indulgent human neighbors. Verne believes that they have more to fear than to gain from humans, and he is right. Gladys (Allison Janney), the president of the neighborhood association, hires a murderous pest exterminator, Dwayne (Thomas Haden Church), to get rid or RJ, Verne, and the rest of the animals. Can RJ and Verne put aside their differences in time to save the group? Will RJ be able to replace Vincent’s things before he shows up to kill the poor raccoon?

Although there were times in DreamWorks Animation’s latest computer animated film, Over the Hedge, when I was sure the filmmakers were simply trying to make another middle of the road, easily digestible family film, there were many more times when I was shocked at how genuinely sly, witty, smart, and lightly subversive this cartoon movie is. The narrative takes the side of the group over the individual, in this case because the group survives best as a unit and not on the whims of an individual prone to always look out for number one. There’s lots of clever commentary on American consumerism and also on how much people waste, and class division comes up in the form of the woodland animals being poor people who are conservative and gather to live, while the humans over the hedge in suburbia are more about gathering things for status. The movie also takes several digs at junk food.

The quality of the computer animation in DreamWorks Animation’s films (produced by PDI) continues to improve with each film, and that’s evident in Over the Hedge. The texture of the animals’ fur, the reflective surfaces, and the sets (the neighborhood lawn grass is good enough to call attention to itself) are all quite impressive. The surface consistency looks more real; it’s as if the animals’ skins, fur, quills, etc are authentic and not rubber suits. Character movement, which took a leap forward for DreamWorks in last year’s Madagascar, improved here. RJ, Hammy, Ozzie & Heather, and the porcupine triplets move with such grace and fluidity. There is a subtlety to their facial expressions that gives a sincere feel to their emotional displays, and when combined with smooth physical movement, makes their performances feel genuine.

If Pixar (now officially owned by the Walt Disney Company, just a few weeks prior to this review) is like Disney in that the studio create animated feature films that focus on story and the art of animation, DreamWorks is like Warner Bros.’ Looney Tunes in that it emphasizes broad comedy (sketch, slapstick, situation, etc.) of varying appeal to adults, and it stresses caricature and cartoon-style drawing in the design of its characters. PDI also goes for the “squash and stretch” animation that marked the work of cartoon short directors like Tex Avery and Chuck Jones, so in many ways DreamWorks’ computer animated films are like Bugs Bunny, Daffy Duck, Road Runner, and Droopy cartoons.

While Over the Hedge occasionally drags in its first half, the voice acting comes together to strengthen both the film’s narrative and its message of family. The acting also makes for some surprisingly strong comedy. Bruce Willis, well known as an action movie hero, first came to fame in the romantic, detective comedy television series, “Moonlighting.” Audiences tend to forget his boyish charm and wit, his sharp sarcasm, and a sense of humor that make him a very good comic actor. It takes a bit of warming up, but he makes a great foil for Gary Shandling’s über-responsible family patriarch. Shandling also takes a bit of warming up to, but that’s true of most of the cast. The film’s writers play well to the actors’ strengths.

Who knew it was possible to get such excellent comedy out of the perception that William Shatner overacted in the original Star Trek TV series and films? Here, his penchant for over dramatizing or melodrama is turned into pure comedy gold. The writers also make good use of Wanda Sykes’ saucy personality and constant sarcasm, as well as her ability create characters that ingratiate themselves to others while still being a smart ass. By the end of the film, my favorite character by far was Steve Carell’s Hammy the squirrel. Carell can do manic, panic, and hyperactivity and can babble with the best. When combined with the superb character animation done on Hammy, Carell creates a memorable cartoon animal character – one worth seeing again.

Over the Hedge is also a good action comedy. The chase that closes its last act is almost as good as the kind of slam-bam showdowns in the Toy Story franchise and could rival a car chase in a Lethal Weapon movie. It’s this facility for action comedy and funny characters that makes Over the Hedge DreamWorks’ best non-Shrek film to date.

7 of 10
A-

Sunday, May 21, 2006

----------------


Tuesday, June 5, 2012

Review: "The Secret World of Arrietty" is a Beautiful World

TRASH IN MY EYE No. 46 (of 2012) by Leroy Douresseaux

The Secret World of Arrietty (2012)
COUNTRY OF ORIGIN: Japan
Original title: Arrietty or Kari-gurashi no Arietti (2010)
Running time: 95 minutes (1 hour, 35 minutes)
MPAA – G
DIRECTOR:
Hiromasa Yonebayashi
WRITERS: Hayao Miyazaki and Keiko Niwa (based on the novel, The Borrowers, by Mary Norton
PRODUCER: Toshio Suzuki
CINEMATOGRAPHER: Atsushi Okui (D.o.P.)
EDITOR: Rie Matsubara
COMPOSER: Cécile Corbel
ANIMATION STUDIO: Studio Ghibli

ANIMATION/FANTASY

Starring: (English dub voices – U.S. release) Bridgit Mendler, David Henrie, Will Arnett, Amy Poehler, Moises Arias, and Carol Burnett

Arrietty (or Kari-gurashi no Arietti) is a 2010 Japanese animated fantasy film produced by Studio Ghibli, best known for the animated films of director Hayao Miyazaki, who co-wrote Arrietty. Walt Disney Pictures released Arrietty earlier this year in the United States as The Secret World of Arrietty. Directed by Hiromasa Yonebayashi, Arrietty is an adaptation of the 1952 children’s fantasy novel, The Borrowers, by Mary Norton. The film focuses on a tiny girl and how her interaction with a human threatens her family’s existence.

The Secret World of Arrietty is set in a rural home that is surrounded by a lush garden and a verdant forest. Under the floorboards of the house lives a family of four-inch-tall people, the Clock Family (although that surname is never used in the film). They are “Borrowers,” tiny people who survive by “borrowing” simple items from the houses in which they live. They avoid humans, whom they call “beans” (a mispronunciation of “human beings”).

The Clocks are the father, Pod (Will Arnett); the mother, Homily (Amy Poehler), and their spirited daughter, Arrietty (Bridgit Mendler). Their lives change when a young man named Shawn (David Henrie) spots Arrietty in the garden. The house in which the Clocks live is the childhood home of Shawn’s mother, and the 18-year-old Shawn is visiting the home where he will rest before having a delicate surgery. Arrietty and Shawn are curious about each other, although Arrietty’s father is adamant that she avoid him. Their mutual fascination becomes dangerous when the house’s caretaker, Haru (Carol Burnett), also becomes curious about the mysterious “little people.”

The art of hand-drawn animation or, as its now known, 2D animation, is really an art in the hands of the highly talented and skilled animators working for Walt Disney Pictures. Over the better part of eight decades, Walt Disney’s 2D animated films proved that. The same can be said about Studio Ghibli and Hayao Miyazaki. Miyazaki is a master and his studio is filled with talented illustrators, designers, painters, etc. who are museum-worthy artists.

In the setting that is The Secret World of Arrietty, Ghibli creates the illusion of space, depth, and presence as well as any 3D computer-animated film. Pixar and DreamWorks Animation don’t have anything over Ghibli in terms of creating layered and textured environments. Such elements as drops of rainwater or tea, thriving and animated plant life, and the everyday-items that fill the Clocks’ home seem solid and real. The paintings used to create the film’s backgrounds recall the paintings of Monet. I could spend all day praising the animation of Studio Ghibli, because hand-drawn animation doesn’t get much better than The Secret World of Arrietty.

The story is the part of The Secret World of Arrietty that doesn’t live up to the quality of the animation. The film is charming and imaginative, but is also surprisingly melancholy, even cynical. Being that the film takes the viewer into an alien world and successfully presents it from the perspective of the aliens (the Borrowers), one would think The Secret World of Arrietty would be about discovery, yet it doesn’t do much discovering. It is an uncomplicated tale of friendship that pales in comparison to its extraordinary setting.

The film only brushes the characters, choosing to emphasize their actions, rather than delve into their personalities and even the mysteries of their pasts. Who are they? What are their wishes and desires? Still, Bridgit Mendler and Will Arnett are excellent in their voice performances and make their characters stand out. Even with my complaints, you’d be surprised that I really think a lot of this film. The Secret World of Arrietty is visual splendor and that makes up for the film’s tepid pace, indifferent drama, and lack of characterization. It must be the magic of Studio Ghibli that always seems to cast a spell on me. I actually want to visit The Secret World of Arrietty again.

8 of 10
A

Sunday, June 03, 2012

Disney's "John Carter" Now on DVD and Blu-ray

A Warrior On Earth Becomes a Hero On Mars

Disney's John Carter

New On Disney Blu-ray™ Combo Pack, Blu-ray 3D™, HD Digital, DVD, and On-Demand June 5th

A Visual Marvel” ––Steven Weintraub, Collider.com

Disney brings to life an iconic hero, John Carter, in a visually stunning new world with heart-pounding action. The heroic epic adventure “John Carter” arrives on Disney Blu-ray Combo Pack, Blu-ray 3D™, HD Digital, DVD and On-Demand June 5, 2012, just in time for Father’s Day!

As a warrior lost on Earth, John Carter is magically transported to Mars, where the fate of the planet and its people ultimately rest in his hands. With surprising new powers, and epic battles, he rises to become the man he is meant to be and the hero he truly is.

From Academy Award®-winning filmmaker Andrew Stanton (Best Animated Film, WALL•E, 2008) “John Carter” is a sweeping action-adventure set on the mysterious and exotic planet of Barsoom (Mars). John Carter is a war-weary, former military captain who’s inexplicably transported to Mars and reluctantly becomes embroiled in an epic conflict. It’s a world on the brink of collapse, and Carter rediscovers his humanity when he realizes the survival of Barsoom and its people rests in his hands. Stunning special effects, great characters and villains — and complete with extraordinary bonus features — “John Carter” is a heroic and inspirational adventure that will thrill audiences beyond imagination.

This ambitious and unforgettable screen adaptation of the classic novel “A Princess of Mars” by Edgar Rice Burroughs, stars heartthrob Taylor Kitsch (“Friday Night Lights,” “X-Men Origins: Wolverine”) in the title role, Lynn Collins (“X-Men Origins: Wolverine,” “The Number 23”) as Dejah Thoris, Willem Dafoe (“The English Patient,” “Spider Man”) as Tars Tarkas, and Dominic West (“300,” “The Wire”) as Sab Than. The screenplay is written by Stanton, Mark Andrews and Michael Chabon.

“John Carter” will be available to own and for in-home viewing as follows:

4-Disc Combo Pack (3D BD + 2D BD + DVD + Digital Copy)

Includes:
Blu-ray bonus features:  Disney Second Screen – Explore John Carter’s journal with this innovative in-world experience and uncover a trove of fascinating details that extend the mythology of the movie. 360 Degrees of John Carter – Experience every aspect of the filmmaking process on one of the movie’s biggest production days. Deleted Scenes with Optional Commentary by Director, Andrew Stanton Barsoom Bloopers Plus all DVD features

DVD bonus features: 100 Years In The Making – Follow the journey of Edgar Rice Burroughs’ story, from its origins as a pulp novel to its arrival onscreen. Audio Commentary with Filmmakers

*The 3D Blu-ray Disc & The Digital Copy Disc do not include bonus features on it

2-Disc Combo Pack (Blu-ray + DVD)

Includes: All Blu-ray bonus features All DVD bonus features:

1-Disc DVD

Includes: All DVD bonus features

Digital 3D High Definition Digital

Does not include bonus features

High Definition Digital

Includes: Life by the Second: The Shanzam Unit (digital premiere) Disney Second Screen Barsoom Bloopers Deleted Scenes with Optional Commentary by Director, Andrew Stanton

Standard Definition Digital

Includes: Life by the Second: The Shanzam Unit (digital premiere) Disney Second Screen Barsoom Bloopers Deleted Scenes with Optional Commentary by Director, Andrew Stanton

On-Demand

Does not include bonus features

DISC SPECIFICATIONS:
Street Date: June 5, 2012

Suggested Retail Prices:
4-Disc Combo Pack = $49.99 U.S./$56.99 Canada
2-Disc Combo Pack = $39.99 U.S./$46.99 Canada
1 Disc DVD = $29.99U.S./$35.99Canada

3D High Definition, High Definition & Standard Definition Digital = Please check with your favorite digital retailer for pricing

On-Demand =Please check with your television provider or favorite digital retailer for pricing

Feature Run Time: 132 minutes

Ratings: U.S.: PG-13 / Canada: PG (bonus material is not rated)

Presentation: Blu-ray 3D & Blu-ray: 1080p High Definition 2.40:1 / DVD: Widescreen 2.40:1

Audio/Languages: Blu-ray 3D & Blu-ray: 7.1 DTS HD-MA; French & Spanish 5.1 Dolby Digital

DVD: English, French & Spanish 5.1 Dolby Digital, English DVS 2.0 Dolby Digital

Subtitles: Blu-ray 3D & Blu-ray = English SDH, French, Spanish

DVD = English SDH, French, Spanish

Social Media:
Stay connected with the latest news and information on Disney’s JOHN CARTER  “Like” the Facebook page at www.Facebook.com/JohnCarterMovie Follow us on Twitter at @JohnCarter View videos at www.YouTube.com/DisneyMovies


About The Walt Disney Studios:
For more than 85 years, The Walt Disney Studios has been the foundation on which The Walt Disney Company was built. Today, the Studio brings quality movies, music and stage plays to consumers throughout the world. Feature films are released under the following banners: Disney, including Walt Disney Animation Studios and Pixar Animation Studios; Disneynature; Marvel Studios; and Touchstone Pictures, the banner under which live-action films from DreamWorks Studios are distributed. The Disney Music Group encompasses the Walt Disney Records and Hollywood Records labels, as well as Disney Music Publishing. The Disney Theatrical Group produces and licenses live events, including Disney on Broadway, Disney On Ice and Disney Live!.

© 2012 Disney


Trademarks JOHN CARTER, JCM Design, JOHN CARTER OF MARS, BARSOOM, and PRINCESS OF MARS, owned by Edgar Rice Burroughs, Inc. and used by permission.


Monday, June 4, 2012

Lucasfilm Has new Co-Chairman: Kathleen Kennedy

(Photographic image of Kathleen Kennedy is courtesy of Business Wire)

Kathleen Kennedy To Become Co-Chair of Lucasfilm Ltd.

SAN FRANCISCO--(BUSINESS WIRE)--Lucasfilm Ltd. today announced that Kathleen Kennedy will become Co-Chair of Lucasfilm. In an effort to move forward with his retirement plans, George Lucas will work with Kathleen Kennedy to transition into her new role. Lucas will become Co-Chairman of the Board of Lucasfilm and continue as CEO. Micheline Chau will remain as President and COO of Lucasfilm, and continue to focus on the day-to-day operations of the business.

“I’ve spent my life building Lucasfilm and as I shift my focus into other directions I wanted to make sure it was in the hands of someone equipped to carry my vision into the future,” said George Lucas. “It was important that my successor not only be someone with great creative passion and proven leadership abilities, but also someone who loves movies. I care deeply about my employees—it is their creativity and hard work that has made this company what it is today. As the company grows and expands I wanted to be sure the employees of Lucasfilm have a strong captain for the ship. I also care deeply about our fans and it was important to have someone who would carry on the passion and care that I’ve given the films over the years. So for me Kathy was the obvious choice, she is a trusted friend and one of the most respected producers and executives in the industry.”

Director Steven Spielberg said, “George's prescience is once again proven by his choice of my long time producing partner, Kathy Kennedy to co-chair Lucasfilm. Kathy has been a member of both of our families going into a fourth decade so it does not feel like she is going to another galaxy far far away. She will get just as much support from me with Lucasfilm as George has given both of us all these years.”

“George is a true visionary,” said Kathleen Kennedy. “I’ve seen him build Lucasfilm from a small rebel unit in Northern California to an international fully integrated entertainment company. I’m excited to have the chance to work with such an extraordinary group of talented people. George and I have talked about the enormous opportunities that lie ahead for the company, and as George moves towards retirement I am honored that he trusts me with taking care of the beloved film franchises. I feel fortunate to have George working with me for the next year or two as I take on this role—it is nice to have Yoda by your side.”

Seven-time Academy Award nominated Kathleen Kennedy is one of the most successful and esteemed producers and executives in the film industry. As a producer she has an impeccable record with a robust filmography working with such filmmakers as Steven Spielberg, Peter Jackson, Martin Scorsese, Robert Zemeckis, Barry Levinson, Clint Eastwood, David Fincher and Gary Ross. As a testament to her standing in the film community, she previously held the position of governor and officer of the Academy of Motion Pictures Arts and Sciences (AMPAS) and currently serves as a member of the board of trustees. She is also a former President of the Producers Guild of America.

Kathleen will step down from her role at The Kennedy/Marshall Company, shifting her responsibilities to partner Frank Marshall. The Kennedy/Marshall Company is currently in post production on LINCOLN, directed by long time collaborator Steven Spielberg whom Kennedy also produced for on the INDIANA JONES and JURASSIC PARK franchises, and THE BOURNE LEGACY, written and directed by Tony Gilroy and produced by Marshall. Under the Kennedy/Marshall banner, the pair has produced such Academy Award nominated Best Picture films as WAR HORSE (six nominations), THE CURIOUS CASE OF BENJAMIN BUTTON (thirteen nominations) THE SIXTH SENSE, (six nominations) and SEABISCUIT (seven nominations), as well as blockbusters including the BOURNE series and THE ADVENTURES OF TINTIN. Marshall will oversee the company’s current slate of projects and continue to expand it via their development deals with DreamWorks and CBS TV Studios.


About Lucasfilm Ltd.
Lucasfilm Ltd. is one of the world's leading film and entertainment companies. Founded by George Lucas in 1971, it is a privately held, fully-integrated entertainment company. In addition to its motion-picture and television production operations, the company's global activities include Industrial Light & Magic and Skywalker Sound, serving the digital needs of the entertainment industry for visual-effects and audio post-production; LucasArts, a leading developer and publisher of interactive entertainment software worldwide; Lucas Licensing, which manages the global merchandising activities for Lucasfilm's entertainment properties; Lucasfilm Animation, which is currently producing content for film and television, including Star Wars: The Clone Wars, a CG-animated half-hour television series; and Lucas Online creates Internet-based content for Lucasfilm's entertainment properties and businesses. Additionally, Lucasfilm Singapore, produces digital animated content for film and television, as well as visual effects for feature films and multi-platform games. Lucasfilm's motion-picture productions include three of the 20 biggest box-office hits of all time and have received 19 Oscars and more than 60 Academy Award nominations. Lucasfilm's television projects have won 12 Emmy Awards. Lucasfilm Ltd. is headquartered in San Francisco, Calif.

Saturday, June 2, 2012

Mark Wahlberg Gets Down and Dirty in Down and Dirty "Contraband"

TRASH IN MY EYE No. 45 (of 2012) by Leroy Douressaux


Contraband (2012)
Running time: 108 minutes (1 hour, 48 minutes)
MPAA – R for violence, pervasive language and brief drug use
DIRECTOR: Baltasar Kormákur
WRITER: Aaron Guzikowski (based on the film, Reykjavik-Rotterdam, from a screenplay by Arnaldur Indriðason and Óskar Jónasson)
PRODUCERS: Tim Bevan, Eric Fellner, Baltasar Kormákur, Stephen Levinson, and Mark Wahlberg
CINEMATOGRAPHER: Barry Ackroyd
EDITOR: Elísabet Ronalds
COMPOSER: Clinton Shorter

CRIME/THRILLER

Starring: Mark Wahlberg, Ben Foster, Kate Beckinsale, Giovanni Ribisi, Lukas Haas, Caleb Landry Jones, J.K. Simmons, Kevin “Lucky” Johnson, Ólafur Darri Ólafsson, David O’Hara, Diego Luna, Connor Hill, Bryce McDaniel, Jaqueline Fleming, Jack Landry, J. Omar Castro, Jason Mitchell, and William Lucking

Contraband is a 2012 crime thriller starring Mark Wahlberg. It is a remake of Reykjavik-Rotterdam, a 2008 film from Iceland. Contraband’s director, Baltasar Kormákur, starred in the original film. Contraband is about a former smuggler who temporarily returns to smuggling in order to protect his brother-in-law from a violent street-level drug lord.

Former smuggler, Chris Farraday (Mark Wahlberg), now runs his own small business installing security alarms. He lives in New Orleans, Louisiana, and enjoys a happy and peaceful life with his wife, Kate (Kate Beckinsale), and their two sons. However, his brother-in-law, Andy (Caleb Landry Jones), recently botched a drug smuggling job for Tim Briggs (Giovanni Ribisi), a ruthless drug lord.

To pay back Andy’s debt to Briggs, Chris sets up an operation to smuggle ten million dollars in high-end counterfeit money out of Panama and back into New Orleans. To protect his family from Briggs’ threats, Chris asks his old partner, Sebastian Abney (Ben Foster), to watch over Kate and the children. However, there are many others players in this game, both in New Orleans and in Panama, and this contraband run will put all of Chris’ smuggling skills to the test.

I consider time spent watching a Mark Wahlberg movie (one in which he is the lead or one of the major characters) to be time well spent, and Contraband was time well spent. I enjoyed the hell out of it. The film is plot heavy with a large cast of characters, and both elements are well done. However, the film focuses on the plot, subplots, and all the twists and turns they take, more than it ever delves into the characters.

That is a shame because there are some good supporting characters and some good supporting performances. I generally like everything Giovanni Ribisi does, and he is Oscar-worthy as the crazy mutha, Tim Briggs. The always-reliable J.K. Simmons is riotous as the butt-hole-ish, Captain Camp. Even Kate Beckinsale manages to eek out some intensity as the wife/female victim, Kate Farraday. With more emphasis on character development and character drama, Contraband could have been a great film. Instead, it is just a really good film. Oh, well.

The focus is, of course, on the star, and Mark Wahlberg is a fine actor and a true movie star. Movie stars carry movies, and Wahlberg’s streetwise, don’t-mess-with-me, don’t-betray-me, screen persona is alluring – at least to me. If you like Mark Wahlberg, you will probably like Contraband. If you like crime thrillers, Contraband is criminally thrilling.

7 of 10
B+

Saturday, June 02, 2012

Friday, June 1, 2012

Beyoncé Headlines 3D Animated Film, EPIC, from Fox and Blue Sky

Twentieth Century Fox Animation and Blue Sky Studios Announce EPIC Casting
 
LOS ANGELES--(BUSINESS WIRE)--Twentieth Century Fox Animation and Blue Sky Studios today announced the voice cast for EPIC, a 3D CG action-adventure comedy that reveals a hidden world unlike any other. From the creators of Ice Age and Rio, EPIC tells the story of an ongoing battle deep in the forest between the forces of good and the forces of evil. When a teenage girl finds herself magically transported into this secret universe, she must band together with a rag-tag team of fun and whimsical characters in order to save their world…and ours.
 
Beyoncé Knowles, one of the most widely recognized and highly respected women in pop culture and star of the upcoming “A Star Is Born,” voices Queen Tara; Colin Farrell (“Total Recall”) is Ronin; Josh Hutcherson (“The Hunger Games”) is Nod; Amanda Seyfried (“Dear John”) portrays Mary Katherine; and Johnny Knoxville (“Jackass”) voices Mandrake.

Aziz Ansari (“Parks and Recreation”) portrays Mub; and rapper Pitbull voices Bufo. Jason Sudeikis (“Horrible Bosses” and the upcoming “The Campaign”) portrays Bomba; and rock legend and “American Idol” judge Steven Tyler is Nim Galuu.

Co-starring are Blake Anderson (“Workaholics”) as Dagda, and Judah Friedlander (“30 Rock”) as Larry.

EPIC charges into theaters everywhere May 24, 2013. The film is directed by Academy Award®-winner Chris Wedge, and produced by Lori Forte (Ice Age: Continental Drift) and Jerry Davis (Robots).

One of the world’s largest producers and distributors of motion pictures, Fox Filmed Entertainment produces, acquires and distributes motion pictures throughout the world. These motion pictures are produced or acquired by the following units of FFE: Twentieth Century Fox, Fox 2000 Pictures, Fox Searchlight Pictures, Fox International Pictures, and Twentieth Century Fox Animation.

Negromancer is Here for Juneteenth 2012

Welcome to Negromancer - June 2012.  Negromancer used to be a movie review website, but I brought it back as a movie review and movie news blog. I’m Leroy Douresseaux, and I also blog at http://ireadsyou.blogspot.com/ and write for the Comic Book Bin (which has smart phones apps and comics).

All images and text appearing on this blog are © copyright and/or trademark their respective owners.