VIZ Cinema Offers "Mobile Suit Gundam" and Yakuza at New People

FUN EVENTS AT NEW PEOPLE AND VIZ CINEMA THROUGHOUT MARCH INCLUDE U.S. Premiere of Mobile Suit Gundam UC, JAPANESE YAKUZA GANGSTER CULTURE AND ARTIST SERIES FILM FESTIVAL


Theatre Announces Many Unique Activities Including NEW PEOPLE Artist Series Festival, Lecture On Anime Icon Hayao Miyazaki, U.S. Premiere Of Gundam UC And Screenings For 2010 San Francisco International Asian American Film Festival

VIZ Cinema, the nation’s only movie theatre dedicated to Japanese film, has announced a variety of notable film screenings, festivals, lectures and other special events to be held throughout the month of March.

Tokyo Scope: The Wild and Crazy World of Japanese Cult Films:

Vol.1 YAKUZA NIGHT FEVER!
New activities kick off on March 5th with Tokyo Scope: The Wild and Crazy World of Japanese Cult Films. Come celebrate the launch of Japanese pop culture critic and Otaku USA Editor-in-Chief Patrick Macias’s new film/lecture series. Also sponsored by SEGA of America, the evening’s events begin at 6:00pm and will include a lecture on the history of Japanese yakuza (gangster) cinema and the debut of SEGA’s highly anticipated new video game, Yakuza 3, for the PlayStation 3. Tickets are only $10.00.


NEW PEOPLE Artist Series Festival
VIZ Cinema will present the NEW PEOPLE Artist Series Festival, a special collection of six insightful documentaries each profiling a unique Japanese contemporary artist. The 4-day festival runs March 6th – 9th and features the U.S. theatrical premieres of several films featuring the Neo-Japanese “Hip-Hop-Samurai” painter Hisashi Tenmyouya, the cynical artistic genius of Makoto Aida, and the life and work of master sculptor Katsura Funakoshi. By popular demand, the festival has announced encore showings of three documentaries on artists Yoshitomo Nara, Yayoi Kusama, and photographer Daido Moriyama. Summaries of each film and a list of screening times are available at: www.vizcinema.com. Special festival passes are available for $30.00 offer access to ANY screening at ANY time during the festival! General admission tickets for individual films are available for $10.00 each, Senior (+62) and Children (under 12) are $8.

NEW PEOPLE Artist Series Festival Films Include:
Hisashi Tenmyouya : Samurai Nouveau: 3/6 Sat, 1:00pm & 3/7 Sun, 3:00pm
Makoto Aida : Cynic in the Playground: 3/6 Sat, 3:00pm & 3/7 Sun, 5:00pm
Katsura Funakoshi: Whispering Gaze: 3/6 Sat, 5:00pm & 3/8 Mon, 7:00pm
Traveling with Yoshitomo Nara: 3/7 Sun, 7:00pm & 3/9 Tue, 5:00pm
Yayoi Kusama: I Love ME: 3/7 Sun, 1:00pm & 3/9 Tue, 7:00pm
Daido Moriyama: Stray Dog of Tokyo: 3/6 Sat, 7:00pm & 3/8 Mon, 5:00pm

The Allure of Hayao Miyazaki
Don’t miss a rare chance to attend a lecture given Fred Schodt and Beth Cary, the translators of Starting Point: 1979-1996, an autobiography written by Academy Award winning film director and anime visionary, Hayao Miyazaki! Hear some interesting stories of these two recognized experts on anime and manga who spent time with Miyazaki and glean deeper insights into his world of incredible imagination. The Allure of Hayao Miyazaki will be held on March 10th at 7:00pm; tickets are $8.00.

San Francisco International Asian American Film Festival

VIZ Cinema also partners with the 28th San Francisco International Asian American Film Festival to present Dear Doctor, by award-winning director Miwa Nishikawa (Sway and Wild Berries). Dear Doctor is a drama centering on a physician that goes missing after moving to his post in a remote village with no other doctors. Notable for exposing the complicated human psyche, this touching film plays for one night only on Wednesday, March 17th at 9:15pm. Information and advance tickets ($12.00) are available at the festival website http://festival.asianamericanmedia.org/2010/.


U.S. Premiere Of Mobile Suit Gundam UC
Anime fans won’t want to miss VIZ Cinema’s just-added week long screening of the Mobile Suit Gundam UC feature film (58 min) running March 19th – 25th. Gundam has been popular for more than 30 years and this brand new story is based on a bestseller written by acclaimed science fiction author Harutoshi Fukui. The film makes a special U.S. debut only one month after its original premiere in Japan and was made possible via a special arrangement with Studio Sunrise.

In the year U.C. 0096, a colony called Industrial 7 is the stage for a young boy named Banagher's encounter with destiny: the white Mobile Suit called the Unicorn Gundam. A mysterious Laplace's Box becomes the basis for a galactic scale battle. Don’t miss this rare opportunity to catch the U.S. theatrical of the latest Gundam movie! Tickets are $8.00; no discounts apply.


VIZ Cinema is the nation’s only movie theatre devoted exclusively to Japanese film and anime. The 143-seat subterranean theatre is located in the basement of the NEW PEOPLE building and features plush seating, digital as well as 35mm projection, and a THX®-certified sound system.

NEW PEOPLE offers the latest films, art, fashion and retail brands from Japan and is the creative vision of the J-Pop Center Project and VIZ Pictures, a distributor and producer of Japanese live action film. Located at 1746 Post Street, the 20,000 square foot structure features a striking 3-floor transparent glass façade that frames a fun and exotic new environment to engage the imagination into the 21st Century. A dedicated web site is also now available at: www.NewPeopleWorld.com.

Michael Moore for President?

In an op-ed for Truthout, writer Robert Naiman discusses all the good things that would happen "If Michael Moore Were to Run for President."  Naiman believes that the progressive movement and the country would benefit because Moore's campaign would force the current administration of President Barack Obama to return to the progressive, populist agenda he promised when he ran for president:

If Obama's advisers knew for certain that they would face an effective progressive challenge in the 2012 primaries and caucuses, it's likely that they would start making different political choices immediately, because everything they fail to accomplish by spring 2012 would be on the table in the primaries and caucuses: health care for all, putting America back to work, ending the war in Afghanistan. Most analysts seem to think that there was a strong correlation between Obama's announcement of July 2011 as the beginning of US troop withdrawals from Afghanistan and the 2012 election cycle; but an effective primary challenge would bring that calculation forward by six months. It's likely that if Obama's advisers knew they faced a spring 2012 deadline for showing that the war was ending, they would stop undermining Afghan efforts to start peace talks. A Moore campaign could save thousands of American and Afghan lives. In contesting Democratic primaries and caucuses against Michael Moore, Obama's advisers wouldn't be able to prevail by deploying mere rhetoric, because now they're in power, and would have to answer for what they are actually doing.

I doubt that it would be that simple, but a Michael Moore run from the presidency would be great.

Review: "Adaptation" is a Film That Boggles the Mind

TRASH IN MY EYE No. 107 (of 2003) by Leroy Douresseaux

Adaptation (2002)
Running time: 114 minutes (1 hour, 54 minutes)
MPAA – R for language, sexuality, some drug use and violent images
DIRECTOR: Spike Jonze
WRITERS: Charlie Kaufman and Donald Kaufman (based upon the novel by Susan Orlean)
PRODUCERS: Jonathan Demme, Vincent Landay, and Edward Saxon
CINEMATOGRAPHER: Lance Acord (D.o.P.)
EDITOR: Eric Zumbrunnen
COMPOSER: Carter Burwell

COMEDY/DRAMA

Starring: Nicolas Cage, Meryl Streep, Chris Cooper, Cara Seymour, Tilda Swinton, Ron Livingston, Brian Cox, Maggie Gyllenhaal, Jim Beaver, Judy Greer, and Litefoot

Charlie Kaufman, a real, living, breathing person, is a well-known screenwriter. You absolutely must see the film made from his most famous script, Being John Malkovich. A few years ago, he struggled with writing a script adaptation of Susan Orlean’s best-selling novel, The Orchid Thief. He met with Ms. Orlean, and explained his troubles. They apparently came to an agreement that Kaufman would write a screenplay that would be in part about him wrestling with the adaptation of the novel and in part about the story in the book.  That screenplay became the movie, Adaptation.

So here’s the plot of the film Adaptation: Charlie Kaufman (Nicolas Cage) is struggling in an attempt to write a screenplay based upon Susan Orlean’s (Meryl Streep) best-selling non-fiction book, The Orchid Thief. His twin brother Donald (Cage, again) moves in with Charlie, and Donald decides to write his own original script. With wild and joyful abandon, Donald takes a seminar and leaps into writing a typical Hollywood thriller about a serial killer, while The Orchid Thief slowly drives Charlie to madness.

Meanwhile, in a subplot, the film carries on and we meet Susan who goes to Florida to write an article for the New Yorker about an orchid thief named John Laroche (Chris Cooper), who’s been recently arresting for poaching plants on a federal reserve. Ms. Orlean is simultaneously fascinated with and repulsed by Laroche, a divorced and lonely man who lost his mother and uncle in an auto accident for which he blames himself.

In the other major subplot: as the film goes on, Donald convinces Charlie that Susan is hiding something, so they track her to Florida to learn the dark secret she shares with Laroche. It mostly ends tragically in a typically Hollywood fashion.

The amazing thing about this film is that it is so good, yet it seems to have almost nothing to do with the director, Spike Jonze, who collaborated with Kaufman on Being John Malkovich. But never doubt Jonze’s prodigious talents, especially if you’ve seen even one of his visionary music videos for acts like Beck or Fatboy Slim. Here he’s almost invisible as he navigates the eccentricities, shifting points of view, and multiple story threads that is Kaufman’s sexy script.

Of course, Kaufman turns out another outstanding script. The film credits list the screenwriters as Charlie Kaufman and Donald Kaufman, but Charlie really doesn’t have a twin brother named Donald. Charlie’s attempt was to write a script about script writing, but he also covered such fertile territory as the necessity of change, human isolation and loneliness, writer’s bloc, the treacherous path that is adapting other people’s work, professional jealousy, sibling relationships, guilt, loss, etc. It’s all wonderfully done, but the part of his story that’s supposed to be the typical Hollywood film adaptation is kinda dull and uninteresting. That’s the joke. For the film’s closing segment, Charlie was able to turn Ms. Orlean’s novel into a conventional thriller, and he shows that that can be simultaneously intriguing and dull. The conventional can often seem exciting, but so often it ends in predictability. Thus, Kaufman does get to make his point about cookie cutter film shockers, but the irony is that even his satire of formula writing and filmmaking seems listless. Am I missing the point? I can go on all day, but the best way to tell you about this film would be to share it with you visually, like telepathy, sending sensory images of Adaptation into your mind. That ain’t gonna happen, and I can almost forgive the filmmakers for an ending that was too smart for its own good.

The performances are excellent, and two of them are spectacular. Cage’s Kaufman is his most inspired, witty, and imaginative performance in almost a decade. It the kind of work where he digs deep into himself to find the character the way he did in Leaving Las Vegas, for which he won an Academy Award. His performance as Charlie Kaufman earned his an Academy Award nomination. The second excellent performance was Chris Cooper’s turn as the flower thief Laroche. The lead in two John Sayles films, Matewan and Lone Star, Cooper won an Oscar for his role as Laroche. He earned it with his ability to show that the character was not only stunningly eccentric, but was also mostly just another guy bummed out by life who is doing his best to roll with the punches. It’s enough to inspire even the most blue of us.

7 of 10
A-

NOTES:
2003 Academy Awards: 1 win: “Best Actor in a Supporting Role” (Chris Cooper); 3 nominations: “Best Actor in a Leading Role” (Nicolas Cage), “Best Actress in a Supporting Role” (Meryl Streep), “Best Writing, Adapted Screenplay” (Charlie Kaufman Donald Kaufman)


2003 BAFTA Awards: 1 win: “Best Screenplay – Adapted” (Charlie Kaufman, Donald Kaufman); 3 nominations “Best Performance by an Actor in a Leading Role” (Nicolas Cage); “Best Performance by an Actor in a Supporting Role” (Chris Cooper), and “Best Performance by an Actress in a Supporting Role” (Meryl Streep)


2003 Golden Globes: 2 wins: “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Chris Cooper) and “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Meryl Streep); 4 nominations: “Best Director - Motion Picture” (Spike Jonze), “Best Motion Picture - Musical or Comedy” “Best Performance by an Actor in a Motion Picture - Musical or Comedy” (Nicolas Cage), and “Best Screenplay - Motion Picture” (Charlie Kaufman, Donald Kaufman)

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George Lopez is Speedy Gonzales - No Kidding!

WENN is reported that the actor, comedian, and talk show host, George Lopez, will provide the voice of Sylvester the Cat nemesis, Speedy Gonzales, in an upcoming film featuring the speedy, politically incorrect rodent.  Lopez promises to clean up the character's stereotypical traits.

Marlon Wayans Ready to Play Richard Pryor

Marlon Wayans will portray Richard Pryor in the biopic, "Richard Pryor: Is it Something I Said," which will begin filming Fall 2010.  In this LA Times piece, Marlon says, in regard to playing Pryor, "I'm ready."

Adam Sandler's Happy Madison production company and Sony Pictures are the entities behind this movie.  Bill Condon (Dreamgirls) will direct the film which will reportedly focus on Pryor's controversial brand of comedy and his drug addiction.

Apparently, Wayans is replacing Eddie Murphy, who was attached to the film because of Condon, his Dreamgirls director.  "Creative differences" with the producers apparently made Murphy drop out.  At one time, Mike Epps was attached to this role.

Conversations at AOL Black Voices has something to say about it.  BV Movies Wilson Morales posted about this story, which has been brewing since last October.

I know people think of White Chicks and Little Man when they think of Marlon.  People hate on those films, both of which I liked.  Still, Requiem for a Dream proved Marlon's dramatic chops.  I highly recommend it.

Mania.com Says Michael Jackson is the Most Influential African-American in Sci-Fi

In honor of Black History Month, Mania.com produced this list: "10 Most Influential African Americans In Sci Fi."

I posted this link here instead of at my other blog, I Reads You, because most of the people on this list are actors:

10. Richard Roundtree
9. Avery Brooks
8. Michael Dorn
7. Dwayne McDuffie
6. Octavia Butler - the late author of Kindred, Fledgling, the series Lilith's Brood, and others.
5. Duane Jones
4. Samuel L. Jackson
3. Will Smith
2. Nichelle Nichols
1. Michael Jackson

I'm too busy right now to comment on this to the extent that I'd like, but I'll come back to it.

Author Samuel Delany is not on this list.

Dwayne McDuffie Talks New Justice League DVD (A Bits & Bites Extra)

Some of you do not know the name Dwayne McDuffie, unless you read comics books.  However, if you have seen animated series like Justice League, Static Shock, Teen Titans, or any of the Ben 10 series, then, you probably have seen McDuffie's work.  This veteran writer and producer of television animation is interviewed at Comic Book Resources about the just-released Justice League: Crisis on Two Earths, a direct to DVD release that is part of Warner Bros. Home Video's "DC Universe Original Animated Movies," which includes Batman: Gotham Knight, and Justice League: The New Frontier, among others.

McDuffie also talks about his comics work.