WaterTower Music Announces the Release of the Soundtrack from James Gunn's "SUPERMAN"

SUPERMAN (Original Motion Picture Soundtrack) Available Now

MUSIC BY JOHN MURPHY AND DAVID FLEMING 

ORIGINAL SUPERMAN THEME BY JOHN WILLIAMS

AVAILABLE NOW DIGITALLY

2XLP VINYL PRE-ORDER – 7/11

LOS ANGELES--(BUSINESS WIRE)--WaterTower Music has released the highly anticipated Superman (Original Motion Picture Soundtrack), featuring music from composers John Murphy and David Fleming as featured in Superman from director/writer/producer James Gunn and DC Studios, which opens in US theaters July 11, 2025. Mondoshop.com will be starting pre-order of the 2x LP vinyl on July 11th with 2 different color options: - Blue/ Red / White Spinner and - Solid Red / Blue

To meet the scale of Superman, James Gunn turned to longtime collaborator John Murphy, who introduced sweeping new themes for Lois and Clark and Lex Luthor, while reimagining John Williams' iconic Superman melody with a striking electric guitar arrangement. Emmy-winning composer David Fleming later joined the project, contributing bold new orchestral arrangements of the Williams theme alongside fresh, character-driven motifs for the Justice Gang, the Daily Planet, and Krypto. Together, their dynamic score ensures Superman soars for a new generation.

Murphy shares, "From the start, James and I knew we wanted to honor Superman’s legacy while creating something bold and new. There’s such purity in the character, and I wanted that reflected in the music - noble, orchestral, timeless, while still finding moments to experiment and push the boundaries."

Fleming adds, "There’s a deep emotional core to this Superman, and musically it was about tapping into that humanity. Reimagining the iconic theme while building new ones. From The Daily Planet to the Justice Gang, it was a chance to explore his world in a way that felt classic and completely fresh."

Superman (Original Motion Picture Soundtrack) Tracklisting:

1. Home - David Fleming

2. Last Son - David Fleming

3. Hammer of Boravia - David Fleming

4. LuthorCorp - John Murphy

5. The Daily Planet - David Fleming

6. Lois & Clark - John Murphy

7. Eyes Up Here - David Fleming

8. Justice Gang vs. Kaiju - David Fleming

9. Intruders - David Fleming

10. The Message - David Fleming & John Murphy

11. Secret Harem - David Fleming & John Murphy

12. The Real Punk Rock - John Murphy

13. Pocket Universe - David Fleming

14. 5 Years Time - Noah And The Whale

15. Something Like a Sun - David Fleming & John Murphy

16. Jailbreak - David Fleming

17. The River Pi - David Fleming

18. Take the T-Craft - David Fleming & John Murphy

19. Your Choices, Your Actions - David Fleming

20. Raising the Flag - John Murphy

21. The Rift - David Fleming

22. Bases Loaded - David Fleming

23. Speeding Bullet - David Fleming

24. Remote Control - David Fleming & John Murphy

25. Upgrade - David Fleming & John Murphy

26. Driven by Envy - David Fleming & John Murphy

27. Look Up - David Fleming

28. Being Human - David Fleming

29. Luthor the Traitor - John Murphy

30. Metropolis - David Fleming & John Murphy

31. Walking on Air - John Murphy

32. Punkrocker (feat. Iggy Pop) - Teddybears

33. The Mighty Crabjoys Theme - The Mighty Crabjoys

Soundtrack is also available via Amazon Music.

ABOUT SUPERMAN:

Superman, DC Studios’ first feature film to hit the big screen, soars into theaters worldwide this summer from Warner Bros. Pictures. In his signature style, James Gunn takes on the original Super Hero in the newly imagined DC universe with a singular blend of epic action, humor and heart, delivering a Superman who’s driven by compassion and an inherent belief in the goodness of humankind. DC Studios heads Peter Safran and Gunn are producing the film, which Gunn directs from his own screenplay, based on characters from DC, Superman created by Jerry Siegel and Joe Shuster.

When Superman is drawn into conflicts both abroad and at home, his actions to protect humankind are questioned, and his vulnerability allows tech billionaire and master deceiver Lex Luthor to leverage the opportunity to get Superman out of the way for good. Will the Daily Planet’s intrepid reporter Lois Lane, together with the aid of Metropolis’s other metahumans and Superman’s own four-legged companion, Krypto, be able to help Superman before Luthor can completely destroy him?

DC Studios Presents a Troll Court Entertainment/The Safran Company Production, A James Gunn Film, Superman will be in theaters and IMAX® nationwide on July 11, 2025, and internationally beginning July 9, 2025, distributed by Warner Bros. Pictures.

ABOUT JOHN MURPHY:

Liverpool born John Murphy began scoring movies at the age of 25. In 2001, following the success of Lock Stock and Two Smoking Barrels and Snatch, he moved to Los Angeles.

Since then he has worked with some of the industry's most respected and luminary filmmakers, including James Gunn, Michael Mann, Danny Boyle, and Guy Ritchie, producing film scores as prominent and diverse as 28 Days Later, Sunshine, Kick-Ass, The Suicide Squad, and Guardians of the Galaxy Vol. 3.

His movie trailers include Captain America, X-Men, Ready Player One, and Avatar, and his music has been featured in advertising campaigns for Nike, Microsoft, Google, and Apple.

After Kick-Ass Murphy set up the record label Taped Noise and began work on several non-movie projects. His latest film, Superman, released on July 11, is his fourth collaboration with James Gunn.

ABOUT DAVID FLEMING:

David Fleming is an Emmy-winning American composer who has written music for film and television including most recently, Season 2 of HBO’s The Last of Us, collaborating once again with Gustavo Santaolalla, and James Gunn’s upcoming DC film Superman.

David's score for Ron Howard’s Jim Henson: Idea Man earned him a Primetime Emmy Award as well as the ASCAP Composer’s Choice Award for Documentary Score of the Year, with his work on Amazon’s Mr. & Mrs. Smith bringing him a second Emmy nomination. David composed the score for the BBC's acclaimed Blue Planet II alongside Hans Zimmer, which marked the start of a collaborative relationship with the Academy Award-winning composer, encompassing scores for both Dune films and Top Gun: Maverick. David's sweeping orchestral fantasy score for Netflix's Damsel marked his first solo feature, while his dark electronic work alongside Gustavo Santaolla on HBO's The Last of Us won ASCAP's Composer's Choice Award for Television Score of the Year.

In addition, David recently composed the score for A24's Eternity and the neo-western Americana, both of which are slated for 2025 releases.

ABOUT WATERTOWER MUSIC:

WaterTower Music, the in-house label for the Warner Bros Discovery companies, releases recorded music as rich and diverse as the companies themselves. It has been the soundtrack home to many of the world’s most iconic films, television shows and games since 2001.

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Review: "SUPERMAN III" is Good, Bad and Ugly

TRASH IN MY EYE No. 30 of 2025 (No. 2036) by Leroy Douresseaux

Superman III (1983)

Running time:  125 minutes (2 hours, 5 minutes)

MPAA – PG

DIRECTOR:  Richard Lester

WRITERS:  David Newman and Leslie Newman (based characters created by Jerry Siegel and Joe Shuster and on characters appearing in comic books published by DC Comics)

PRODUCER:  Pierre Spengler

CINEMATOGRAPHER:  Robert Paynter (D.o.P.)

EDITOR:  John Victor Smith

COMPOSER:  Ken Thorne

SUPERHERO/FANTASY/COMEDY

Starring:  Christopher Reeve, Richard Pryor, Jackie Cooper, Marc McClure, Annette O'Toole, Robert Vaughn, Annie Ross, Pamela Stephenson, Gavan O'Herlihy, Paul Kaethler, and Margot Kidder

Superman III is a 1983 American superhero film and comic-fantasy from director Richard Lester.  The film is the third in the “Superman” film series, which began with 1978's Superman (also known as Superman: The Movie).  The character, Superman, first appeared in the comic book, Action Comics #1 (on-sale date of April 18, 1938) and was created by writer Jerry Siegel and artist Joe Shuster, who also created other characters and situations related to Superman.  In Superman III, Superman becomes the target of a greedy entrepreneur and a computer genius when they realize that he will obstruct their plans for wealth and world domination.

Superman III opens at an unemployment office in Metropolis.  August “Gus” Gorman (Richard Pryor) has discovered that his employment checks have run out, but by chance he discovers information about a school where he can learn to be a computer programmer.  Soon, Gus is working for the conglomerate, Webscoe Industries, where he uses his amazing computer skills to secretly embezzle over $85,000 from the company payroll.

However, Gus' activities do draw the attention of Webscoe's boss, Ross Webster (Robert Vaughn), and his sister and partner, Vera Webster (Annie Ross).  Ross is obsessed with the idea of using technology in order to gain financial domination over the world.  With the help of Annie and his tawdry mistress, Lorelei Ambrosia (Pamela Stephenson), Ross blackmails Gus into using his fantastic computer skills to begin a series of evil tech schemes.

Meanwhile, over at “The Daily Planet,” Metropolis' top newspaper, Clark Kent/Superman (Christopher Reeve) is preparing to return to his hometown of Smallville for his high school reunion, the Class of 1965.  He wants to use the reunion as the subject of a feature article, so he takes Daily Planet photographer, Jimmy Olsen (Marc McClure), with him.  At the reunion, Clark reconnects with his childhood friend, Lana Lang (Annette O'Toole), much to the chagrin of Clark's former high school bully, Brad Wilson (Gavan O'Herlihy).

While Clark enjoys his time with Lana and also bonds with her young son, Ricky (Paul Kaethler), Ross and Gus have launched their diabolical plans.  Even the Daily Planet's star reporter, Lois Lane (Margot Kidder), ends up being a victim of their moves.  When Ross discovers that Superman be an obstruction to his schemes, he forces Gus to find a way to destroy Superman, and those methods of destruction may come very close defeating the Man of Steel.

Superman III was not nearly the box office success that its predecessors, Superman: The Movie and Superman II (1980) were.  Some fans and critics blamed the film's shortcomings on having Richard Pryor as a cast member.  Some people may remember that Paramount Pictures was considering adding Eddie Murphy as a star of Star Trek IV: The Voyage Home.  Many of the science fiction and comic book fans that I knew at the time insisted that because Richard Pryor “ruined” Superman III, a science fiction film could not have a “Black comedian” in it or it would be similarly ruined.  They predicted doom and gloom for the fourth Star Trek feature film, but Murphy eventually passed on it to star in The Golden Child (1986).  These early fans that I met were racist and stupid, and, at the time, I thought their opinions about “Blacks” in genre films were racist and stupid.  I am glad that my association with them was short-lived.

Anyway, Pryor, one of the most influential American stand-up comedians of all-time, was known for his raunchy, adult-oriented act during the 1970s.  Into the 1980s, however, he became a more cuddly figure, appearing in a number of mainstream and even family-friendly films.  Although I was surprised that Pryor was cast in Superman III, I thought he was one of the few good things about the film when I first saw it in a theater back in 1983.  I still think that.

Superman III is mediocre because the screenplay by David Newman and Leslie Newman, or at least what made it to screen, is awkward and sometimes illogical.  Superman III's director, Richard Lester, was a very capable director during his active career; I am still a fan of his 1973 film, The Three Musketeers.  Lester is controversial a figure in the annals of Superman cinema because of the production of Superman II, which I don't feel like getting into right this moment.  Speaking strictly of Superman III, Lester and the Newmans did get one thing right.

When Superman III focuses on the jovial and genial nature of the film's characters, it is quite lovable.  Clark, Lois, Lana, Ricky, Gus, Jimmy, the Daily Planet editor Perry White (Jackie Cooper), and even the film's ostensible villains:  Brad, Ross, Vera, and Lorelei all come across as endearing.  I enjoyed getting to know them as eccentric characters and character types.  When the focus moves to Superman III's conflict/plot, the film turns simply ridiculous.

Almost a day after watching the entirety of Superman III for the first time in 32 years, I'm still thinking about it.  And yes, I like Richard Pryor in this film as much as I like Christopher Reeve, the star of four Superman films from 1978 to 1987, returning to play his signature role.  I don't mind the comic nature of Superman III, especially as some modern superhero movies are too damn dark.  However, it has too many ideas, and too many of them are handled in the most nonsensical manner.  Still, I can't help but kind of like Superman III because it is full of nice people.

5 of 10

B-

★★½ out of 4 stars

There is a Blu-ray collection of five Superman films, including SUPERMAN III, and it is available at Amazon.

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Advanced Comics Review: "THE MAGIC ORDER 5 #6" - Death Becomes Her

THE MAGIC ORDER V #6 (OF 6)

DARK HORSE COMICS/Netflix

STORY: Mark Millar

ART: Matteo Buffagni

COLORS: Giovanna Niro with Laura Ciondolini

LETTERS: Clem Robins

EDITOR: Daniel Chabon

EDITORIAL: Sarah Unwin

COVER: Matteo Buffagni with Giovanna Niro

VARIANT COVER ARTIST: Matteo Buffagni

32pp, Color, $4.99 U.S. (July 2025)

Rating: 18+

The Magic Order created by Mark Millar at Netflix

“The Death of Cordelia Moonstone”

The Magic Order 5 is a six-issue miniseries from writer Mark Millar and artist Matteo Buffagni.  This is the fifth installment of The Magic Order series, which began with the 2018-19 miniseries written by Millar and drawn by Olivier Coipel.  The Magic Order is a band of sorcerers, magicians, and wizards – with a focus on the Moonstone family and its leader, Cordelia Moonstone – that live ordinary lives by day, but protect humanity from darkness and monsters of impossible sizes by night.  Colorist Giovanna Niro and letterer Clem Robins complete the series creative team.

The Magic Order 5 finds Cordelia preparing for her death – the punishment for using black magic (back in Volume 1).  However, a new case has dropped itself in front of her, but it all may be a front for some really bad people trying to collect the price on Cordelia's head.  Cordelia Moonstone is going to die soon... and there's nothing she can do about it.  The end is coming in a matter of days.

The Magic Order 5 #6 opens in New Jersey where Cordelia battles Grandmaster Samuel Mott, leader of “the Fellowship of the Bell.”  Mott is just a-wringing that “Bell,” which has summoned the Fellowship's ancient gods, a group of Lovecraftian monsters.  And they are almost here.

The saga of The Magic Order concludes, and everything has been building towards “the death of Cordelia Moonstone.”  When she goes, however, there won't be anyone left to protect the world from the forces of darkness that want to consume us.  Can she bring The Magic Order together in time to save the world if not save herself?

THE LOWDOWN:  This is the second time that I have been on any kind of list that provides PDF copies of titles published by Dark Horse Comics.  The latest received is The Magic Order V #6.

It is possible for each issue of The Magic Order 5 to be crazier than the previous issue, but the sixth and final issue of this series is not about the possibilities of craziness, but it is about the destination.  Perhaps, all previous issues of this franchise were about the journey, so now Issue #6 is about the grand finale and the big goodbye.  The Magic Order is Mark Millar's best and most imaginative work, as far as I'm concerned, and along the way, his scripts became glorious comic book storytelling thanks to some really talented artists who brought The Magic Order to life.

Concerning The Magic Order V's brilliant artist-storyteller, Matteo Buffagni, I said the following in my review of Issue #5 of the series:  “Line by line, artist Matteo Buffagni has created in The Magic Order V a world of such fearsome darkness, treacherous magic, and magical treachery that mesmerizes the reader.”  That is true to the end.  Buffagni unleashes the power and the glory, and the gorgeous hues of Giovanna Niro helps with the glory.  As always, Clem Robins uses his lettering to create a soundtrack of destruction, but this time, he adds the sounds of resolution for this outro.

So this is the end of The Magic Order.  Thanks to Mark Millar for this comic book that should serve as a model for DC Comics' Dr. Fate and Marvel Comics' Doctor Strange.  Thanks to Matteo, Giovanna, and Clem for the super-graphics.  Dear readers, if you have not read The Magic Order yet, I suggest do so now.  Or you can invest in Dark Horse Comics' library editions of this series – one of the best comic books about magic ever.

I READS YOU RECOMMENDS:  Fans of Mark Millar and of The Magic Order will want to read The Magic Order V.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

You can preorder THE MAGIC ORDER V trade paperback collection at Amazon.

https://www.mrmarkmillar.com/

https://x.com/mrmarkmillar

https://x.com/netflix

https://x.com/themagicorder

http://www.millarworld.tv/

https://www.darkhorse.com/

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Marvel Knights The World To Come #1 (Of 6)(2nd Printing Cover A Dan Panosian), $5.99

Marvel Knights The World To Come #1 (Of 6)(2nd Printing Cover B Joe Quesada Black & White Full Art Variant), AR

Marvel Studios' Captain America Brave New World The Art Of The Movie Slipcase HC, $100.00

Marvel Swimsuit Special Friends Foes And Rivals #1 (Cover A Adam Hughes Wraparound Variant), $5.99

Marvel Swimsuit Special Friends Foes And Rivals #1 (Cover B Russell Dauterman Wraparound Variant), $5.99

Marvel Swimsuit Special Friends Foes And Rivals #1 (Cover C Taurin Clarke), $5.99

Marvel Swimsuit Special Friends Foes And Rivals #1 (Cover D Pablo Villalobos), $5.99

Marvel Swimsuit Special Friends Foes And Rivals #1 (Cover E Terry Dodson), $5.99

Marvel Swimsuit Special Friends Foes And Rivals #1 (Cover F Lucas Werneck), $5.99

Marvel Swimsuit Special Friends Foes And Rivals #1 (Cover G Mark Brooks Wraparound Variant), $5.99

Marvel Swimsuit Special Friends Foes And Rivals #1 (Cover H Russell Dauterman Full Art Variant), AR

Marvel Swimsuit Special Friends Foes And Rivals #1 (Cover I Pablo Villalobos Full Art Variant), AR

Micronauts Epic Collection The Original Marvel Years Volume 1 They Came From Inner Space TP, $49.99

Miles Morales Spider-Man #35 (Cover A Federico Vicentini), $3.99

Miles Morales Spider-Man #35 (Cover B Logan Lubera 5-Part Connecting Variant), $3.99

Miles Morales Spider-Man #35 (Cover C Pere Perez Retrovision Variant), $3.99

Miles Morales Spider-Man #35 (Cover D Paco Medina), $3.99

Miles Morales Spider-Man #35 (Cover E Simone Di Meo), AR

Predator Black White And Blood #1 (Of 4)(Cover A Simone Di Meo), $5.99

Predator Black White And Blood #1 (Of 4)(Cover B Mahmud Asrar), $5.99

Predator Black White And Blood #1 (Of 4)(Cover C Paolo Villanelli), $5.99

Predator Black White And Blood #1 (Of 4)(Cover D Federico Vicentini), AR

Predator Black White And Blood #1 (Of 4)(Cover E Simone Di Meo Full Art Variant), AR

Predator Vs. Spider-Man #2 (Of 4)(2nd Printing Cover A Paulo Siqueira), $4.99

Predator Vs. Spider-Man #2 (Of 4)(2nd Printing Cover B Ed McGuinness Full Art Variant), AR

Psylocke Volume 1 Guardian TP, $17.99

Red Hulk #6 (Cover A Paulo Siqueira)(One World Under Doom), $3.99

Red Hulk #6 (Cover B Mike Allred Retrovision Variant)(One World Under Doom), $3.99

Red Hulk #6 (Cover C Dan Panosian)(One World Under Doom), AR

Sentinels Necessary Monsters TP, $17.99

Spider-Man By Michelinie And Bagley Omnibus Volume 2 HC (Cover A Mark Bagley Hulk Book Market Variant), $125.00

Spider-Man By Michelinie And Bagley Omnibus Volume 2 HC (Cover B Mark Bagley Enemies Direct Market Variant), $125.00

Star Wars Ewoks TP, $17.99

Star Wars Legacy Of Vader #6 (Cover A Derrick Chew), $3.99

Star Wars Legacy Of Vader #6 (Cover B Chris Sprouse The Force Awakens 10th Anniversary Variant), $3.99

Star Wars Legacy Of Vader #6 (Cover C Simone Di Meo), $3.99

Star Wars Legacy Of Vader #6 (Cover D Josemaria Casanovas), AR

Superior Avengers #4 (Of 6)(Cover A R. B. Silva)(One World Under Doom), $3.99

Superior Avengers #4 (Of 6)(Cover B Kyle Hotz)(One World Under Doom), $3.99

Ultimate Spider-Man Incursion #2 (Of 5)(Cover A Sara Pichelli), $4.99

Ultimate Spider-Man Incursion #2 (Of 5)(Cover B Cafu), $4.99

Ultimate Spider-Man Incursion #2 (Of 5)(Cover C Sanford Greene), $4.99

Ultimate Spider-Man Incursion #2 (Of 5)(Cover D Giuseppe Camuncoli), AR

Ultimate Spider-Man Incursion #2 (Of 5)(Cover E Cafu Full Art Variant), AR

Uncanny X-Men #17 (Cover A David Marquez), $4.99

Uncanny X-Men #17 (Cover B Ron Frenz Retrovision Variant), $4.99

Uncanny X-Men #17 (Cover C Ejikure Mutina), $4.99

Uncanny X-Men #17 (Cover D Ejikure Mutina Full Art Variant), AR

Uncanny X-Men #17 (Cover E Rod Reis), AR

Wolverine And Kitty Pryde #4 (Of 5)(Cover A Alan Davis), $3.99

Wolverine And Kitty Pryde #4 (Of 5)(Cover B Jan Bazaldua), $3.99

X-Men Onslaught Aftermath Omnibus HC (Cover A Adam Kubert Book Market Variant), $100.00

X-Men Onslaught Aftermath Omnibus HC (Cover B Steve Epting Direct Market Variant), $100.00

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