Final Film in Peter Jackson’s “The Hobbit” Trilogy to Be Titled “The Hobbit: The Battle of the Five Armies”
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures, Metro-Goldwyn-Mayer Pictures and New Line Cinema jointly announced today that the much-anticipated final film in Peter Jackson’s trilogy adaptation of the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien, has now been titled “The Hobbit: The Battle of the Five Armies.” The film, previously titled “The Hobbit: There and Back Again,” will be released worldwide December 17, 2014, with select international territories releasing on December 10, 2014.
“The Hobbit: The Battle of the Five Armies.”
Peter Jackson stated, “Our journey to make ‘The Hobbit’ Trilogy has been in some ways like Bilbo’s own, with hidden paths revealing their secrets to us as we’ve gone along. ‘There and Back Again’ felt like the right name for the second of a two-film telling of the quest to reclaim Erebor, when Bilbo’s arrival there, and departure, were both contained within the second film. But with three movies, it suddenly felt misplaced — after all, Bilbo has already arrived ‘there’ in the ‘The Desolation of Smaug.’ When we did the premiere trip late last year, I had a quiet conversation with the studio about the idea of revisiting the title. We decided to keep an open mind until a cut of the film was ready to look at. We reached that point last week, and after viewing the movie, we all agreed there is now one title that feels completely appropriate. And so: ‘The Hobbit: The Battle of the Five Armies’ it is.”
“The Hobbit” Trilogy tells a continuous story set in Middle-earth 60 years before “The Lord of the Rings,” which Academy Award®-winning filmmaker Peter Jackson and his team brought to the big screen in the blockbuster trilogy that culminated with the Oscar®-winning “The Lord of the Rings: The Return of the King.”
Ian McKellen returns as Gandalf the Grey, with Martin Freeman in the central role of Bilbo Baggins, and Richard Armitage as Thorin Oakenshield. The international ensemble cast is led by Evangeline Lilly, Lee Pace, Luke Evans, Benedict Cumberbatch, Stephen Fry, Cate Blanchett, Ian Holm, Christopher Lee, Hugo Weaving, Ken Stott, James Nesbitt, and Orlando Bloom. The film also stars, in alphabetical order, John Bell, Manu Bennett, Jed Brophy, Adam Brown, John Callen, Billy Connolly, Ryan Gage, Mark Hadlow, Peter Hambleton, Stephen Hunter, William Kircher, Lawrence Makoare, Sylvester McCoy, Graham McTavish, Dean O’Gorman, Mikael Persbrandt, and Aidan Turner.
The screenplay for “The Hobbit: The Battle of the Five Armies” is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro, based on the novel by J.R.R. Tolkien. Jackson also produced the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Philippa Boyens and Eileen Moran serving as co-producers.
The creative behind-the-scenes team is led by director of photography Andrew Lesnie, production designer Dan Hennah, editor Jabez Olssen and composer Howard Shore. The costumes are designed by Richard Taylor, Bob Buck and Ann Maskrey. Taylor is also overseeing the design and production of armour, weapons, creatures and special makeup, which are once again being made by the award-winning Weta Workshop. Oscar®-winning visual effects studio Weta Digital is again handling the visual effects for the film, led by senior visual effects supervisor Joe Letteri. The hair and makeup designer is Peter Swords King. The conceptual designers are John Howe and Alan Lee. Eric Saindon is the visual effects supervisor, with David Clayton serving as animation supervisor.
Under Jackson’s direction, “The Hobbit: The Battle of the Five Armies” was shot in 3D 48 frames-per-second and will be released in High Frame Rate 3D (HFR 3D) in select theaters, other 2D and 3D formats, and IMAX®. Production took place at Jackson’s own facilities in Miramar, Wellington, and on location around New Zealand. Post production took place at Park Road Post Production in Wellington.
New Line Cinema and Metro-Goldwyn-Mayer Pictures Present a Wingnut Films Production, “The Hobbit: The Battle of the Five Armies.” As with the first two films in the Trilogy, “The Hobbit: An Unexpected Journey” and “The Hobbit: The Desolation of Smaug,” the final film is a production of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), with New Line managing production. Warner Bros. Pictures is handling worldwide theatrical distribution, with select international territories as well as all international television distribution being handled by MGM. www.thehobbit.com
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Friday, April 25, 2014
The Hobbit "There and Back Again" is Now "The Battle of the Five Armies"
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Review: "Ivanhoe" is a Family-Safe Adventure (Remembering George Sanders)
TRASH IN MY EYE No. 110 (of 2004) by Leroy Douresseaux
Ivanhoe (1952)
Running time: 106 minutes (1 hour, 46 minutes)
DIRECTOR: Richard Thorpe
WRITERS: Noel Langley and Marguerite Roberts, from an adaptation by Æneas McKenzie (based on the novel by Sir Walter Scott)
PRODUCER: Pandro S. Berman
CINEMATOGRAPHER: F.A. Young (D.o.P.)
EDITOR: Frank Clarke
COMPOSER: Miklos Rozsa
Academy Award nominee
ADVENTURE/DRAMA/ROMANCE
Starring: Robert Taylor, Elizabeth Taylor, Joan Fontaine, George Sanders, Emlyn Williams, Robert Douglas, Finlay Currie, Felix Aylmer, Francis De Wolff, Norman Wooland, Basil Sydney, Harold Warrender, Sebastian Cabot, and Guy Rolfe
The subject of this movie review is Ivanhoe, a 1952 historical drama and romantic film from director Richard Thorpe. The film is an adaptation of the novel, Ivanhoe, written by Sir Walter Scott and first published in 1819 (or 1820). Ivanhoe the film is set in 12th century England and follows a knight who seeks to free the captive King Richard and to restore him to the English throne.
Three writers adapted the novel for the 1952 film, although one of them, Marguerite Roberts, originally did not receive screen credit for her contributions to the screenplay. After the House on Un-American Activities Committee blacklisted Roberts, MGM apparently received permission from the Screen Writers Guild not to give Robert’s a screen credit in the film, as was her due.
In the film Ivanhoe, medieval chivalry comes to life in wonderful Technicolor. Returning to England from the Crusades via Europe, Ivanhoe (Robert Taylor) discovers that Richard the Lionhearted (Norman Wooland) is a captive of an Austrian noble. He hurries back to England only to learn that Richard’s brother Prince John (Guy Rolfe) has assumed the throne as if his brother is dead, and Prince John has no intention of paying the huge ransom the Austrian demands for Richard release. Ivanhoe returns to his father Sir Cedric (Finlay Currie), a Saxon Lord, who disowned Ivanhoe for joining the Norman Richard in the Crusades.
Spurned again by his father, Ivanhoe seeks help from Isaac of York (Felix Aylmer), the leader of the Jewish people in England, who rallies his people to raise the ransom for Richard. Meanwhile, Isaac’s daughter Rebecca (Elizabeth Taylor) falls for Ivanhoe, but Rebecca also has a Norman suitor in John’s ally, Sir Brian de Bois-Guilbert (George Sanders). Eventually, John pits Ivanhoe against Sir Bois-Guilbert in a duel to save Rebecca from being burned at the stake as a witch.
Based upon Sir Walter’s Scott’s novel of the same title, Ivanhoe is a tale of courtly love and Saxon honor. If you liked The Adventures of Robin Hood with Errol Flynn, you’ll probably like this film, although it isn’t as good as Robin Hood. It’s an old fashioned romantic adventure with British accents, kooky swordplay, colorful and outlandish theatrical costumes, and an appearance by Locksley (Harold Warrender), otherwise known as Robin Hood. It’s fun, though too often stiff and dull, but there’s an audience for this. It received three Oscar® nominations, including one for “Best Picture” and one for its beautiful and soaring romantic score. People who like films set in “Merry Ole England” will very likely enjoy Ivanhoe, and truthfully, it’s a family safe adventure film for young boys.
5 of 10
B-
NOTES:
1953: Academy Awards, USA: 3 nominations: “Best Picture” (Pandro S. Berman), “Best Cinematography, Color” (Freddie Young), and “Best Music, Scoring of a Dramatic or Comedy Picture” (Miklós Rózsa)
1953 Golden Globes, USA: 2 nominations: “Best Motion Picture Score” (Miklós Rózsa) and “Best Film Promoting International Understanding”
Updates: Friday, April 25, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Ivanhoe (1952)
Running time: 106 minutes (1 hour, 46 minutes)
DIRECTOR: Richard Thorpe
WRITERS: Noel Langley and Marguerite Roberts, from an adaptation by Æneas McKenzie (based on the novel by Sir Walter Scott)
PRODUCER: Pandro S. Berman
CINEMATOGRAPHER: F.A. Young (D.o.P.)
EDITOR: Frank Clarke
COMPOSER: Miklos Rozsa
Academy Award nominee
ADVENTURE/DRAMA/ROMANCE
Starring: Robert Taylor, Elizabeth Taylor, Joan Fontaine, George Sanders, Emlyn Williams, Robert Douglas, Finlay Currie, Felix Aylmer, Francis De Wolff, Norman Wooland, Basil Sydney, Harold Warrender, Sebastian Cabot, and Guy Rolfe
The subject of this movie review is Ivanhoe, a 1952 historical drama and romantic film from director Richard Thorpe. The film is an adaptation of the novel, Ivanhoe, written by Sir Walter Scott and first published in 1819 (or 1820). Ivanhoe the film is set in 12th century England and follows a knight who seeks to free the captive King Richard and to restore him to the English throne.
Three writers adapted the novel for the 1952 film, although one of them, Marguerite Roberts, originally did not receive screen credit for her contributions to the screenplay. After the House on Un-American Activities Committee blacklisted Roberts, MGM apparently received permission from the Screen Writers Guild not to give Robert’s a screen credit in the film, as was her due.
In the film Ivanhoe, medieval chivalry comes to life in wonderful Technicolor. Returning to England from the Crusades via Europe, Ivanhoe (Robert Taylor) discovers that Richard the Lionhearted (Norman Wooland) is a captive of an Austrian noble. He hurries back to England only to learn that Richard’s brother Prince John (Guy Rolfe) has assumed the throne as if his brother is dead, and Prince John has no intention of paying the huge ransom the Austrian demands for Richard release. Ivanhoe returns to his father Sir Cedric (Finlay Currie), a Saxon Lord, who disowned Ivanhoe for joining the Norman Richard in the Crusades.
Spurned again by his father, Ivanhoe seeks help from Isaac of York (Felix Aylmer), the leader of the Jewish people in England, who rallies his people to raise the ransom for Richard. Meanwhile, Isaac’s daughter Rebecca (Elizabeth Taylor) falls for Ivanhoe, but Rebecca also has a Norman suitor in John’s ally, Sir Brian de Bois-Guilbert (George Sanders). Eventually, John pits Ivanhoe against Sir Bois-Guilbert in a duel to save Rebecca from being burned at the stake as a witch.
Based upon Sir Walter’s Scott’s novel of the same title, Ivanhoe is a tale of courtly love and Saxon honor. If you liked The Adventures of Robin Hood with Errol Flynn, you’ll probably like this film, although it isn’t as good as Robin Hood. It’s an old fashioned romantic adventure with British accents, kooky swordplay, colorful and outlandish theatrical costumes, and an appearance by Locksley (Harold Warrender), otherwise known as Robin Hood. It’s fun, though too often stiff and dull, but there’s an audience for this. It received three Oscar® nominations, including one for “Best Picture” and one for its beautiful and soaring romantic score. People who like films set in “Merry Ole England” will very likely enjoy Ivanhoe, and truthfully, it’s a family safe adventure film for young boys.
5 of 10
B-
NOTES:
1953: Academy Awards, USA: 3 nominations: “Best Picture” (Pandro S. Berman), “Best Cinematography, Color” (Freddie Young), and “Best Music, Scoring of a Dramatic or Comedy Picture” (Miklós Rózsa)
1953 Golden Globes, USA: 2 nominations: “Best Motion Picture Score” (Miklós Rózsa) and “Best Film Promoting International Understanding”
Updates: Friday, April 25, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Labels:
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Key Oscar Dates for the 2014-15 Movie Awards Season Revealed
Academy Announces Key Dates For The Oscars®
BEVERLY HILLS, CA – The Academy of Motion Picture Arts and Sciences and the ABC Television Network today announced the dates for the 87th Oscars. The Academy Awards® presentation will air live on ABC on Oscar® Sunday, February 22, 2015.
Key dates for the Awards season are:
Saturday, November 8, 2014
The Governors Awards
Wednesday, December 3, 2014
Official Screen Credits and music submissions due
Monday, December 29, 2014
Nominations voting begins 8 a.m. PT
Thursday, January 8, 2015
Nominations voting ends 5 p.m. PT
Thursday, January 15, 2015
Oscar nominations announced
Monday, February 2, 2015
Oscar Nominees Luncheon
Friday, February 6, 2015
Final voting begins 8 a.m. PT
Saturday, February 7, 2015
Scientific and Technical Awards
Tuesday, February 17, 2015
Final voting ends 5 p.m. PT
Oscar Sunday, February 22, 2015
87th Academy Awards begins 7 p.m. ET/ 4 p.m. PT
The Oscars will be held at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.
BEVERLY HILLS, CA – The Academy of Motion Picture Arts and Sciences and the ABC Television Network today announced the dates for the 87th Oscars. The Academy Awards® presentation will air live on ABC on Oscar® Sunday, February 22, 2015.
Key dates for the Awards season are:
Saturday, November 8, 2014
The Governors Awards
Wednesday, December 3, 2014
Official Screen Credits and music submissions due
Monday, December 29, 2014
Nominations voting begins 8 a.m. PT
Thursday, January 8, 2015
Nominations voting ends 5 p.m. PT
Thursday, January 15, 2015
Oscar nominations announced
Monday, February 2, 2015
Oscar Nominees Luncheon
Friday, February 6, 2015
Final voting begins 8 a.m. PT
Saturday, February 7, 2015
Scientific and Technical Awards
Tuesday, February 17, 2015
Final voting ends 5 p.m. PT
Oscar Sunday, February 22, 2015
87th Academy Awards begins 7 p.m. ET/ 4 p.m. PT
The Oscars will be held at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.
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Thursday, April 24, 2014
"Terminator" Reboot Begins Principal Photography - Opens July 1, 2015
PARAMOUNT PICTURES AND SKYDANCE PRODUCTIONS ANNOUNCE THE START OF PRINCIPAL PHOTOGRAPHY ON THE “TERMINATOR” REBOOT
HOLLYWOOD, CA (April 23, 2014) – Paramount Pictures and Skydance Productions announced today that principal photography is officially underway on the “TERMINATOR” reboot, directed by Alan Taylor (“THOR: THE DARK WORLD,” “Game of Thrones”). The film is shooting in New Orleans.
The new film is written by Laeta Kalogridis (“AVATAR,” “SHUTTER ISLAND”) and Patrick Lussier (“DRIVE ANGRY”). David Ellison and Dana Goldberg (“WORLD WAR Z,” “STAR TREK INTO DARKNESS”) of Skydance Productions are producing. Executive producers are Skydance’s Paul Schwake (“WORLD WAR Z,” “STAR TREK INTO DARKNESS”), Annapurna Pictures’ Megan Ellison (“AMERICAN HUSTLE,” “HER”), Kalogridis and Lussier.
“TERMINATOR” stars Arnold Schwarzenegger (“THE EXPENDABLES 1 & 2,” “TERMINATOR 1, 2 & 3”), Jason Clarke (“THE GREAT GATSBY,” “ZERO DARK THIRTY”), Emilia Clarke (“Game of Thrones”), Jai Courtney (“DIVERGENT,” “JACK REACHER”), J.K. Simmons (“MEN, WOMEN & CHILDREN,” “UP IN THE AIR”), Dayo Okeniyi (“THE HUNGER GAMES,” “THE SPECTACULAR NOW”), and Byung Hun Lee (“RED 2,” “G.I. JOE: RETALIATION”).
The “TERMINATOR” franchise launched in 1984 with Schwarzenegger as the title character and spanned three subsequent films, which have earned more than $1 billion at the worldwide box office.
Paramount will distribute the film worldwide on July 1, 2015.
About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIAB, VIA), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.
About Skydance Productions
Skydance Productions creates and produces elevated event-level commercial entertainment. Skydance’s recent releases include JACK RYAN: SHADOW RECRUIT, from director Kenneth Branagh and starring Chris Pine, WORLD WAR Z, starring Brad Pitt and directed by Marc Forster; J.J. Abrams' STAR TREK: INTO DARKNESS, starring Chris Pine and Zachary Quinto, and G.I. JOE: RETALIATION, starring Bruce Willis, Channing Tatum and Dwayne Johnson. Skydance projects currently in development include the reboot of the TERMINATOR franchise, to be released on July 1, 2015, MISSION: IMPOSSIBLE 5 with Christopher McQuarrie directing and a disaster film on a global scale titled GEOSTORM written by Dean Devlin and Paul Guyot with Devlin also directing. Skydance’s previous projects include the award-winning Coen Brothers film TRUE GRIT, starring Jeff Bridges and Matt Damon; MISSION: IMPOSSIBLE – GHOST PROTOCOL, starring Tom Cruise and Jeremy Renner and Christopher McQuarrie’s JACK REACHER, starring Tom Cruise. Skydance’s new television division recently started production on its first series, Manhattan, to WGN America. From writer Sam Shaw and director Tommy Schlamme, this 13-episode drama is set against the backdrop of the clandestine mission to build the world’s first atomic bomb in Los Alamos, New Mexico and follows the brilliant but flawed scientists and their families as they attempt to co-exist in a world where secrets and lies infiltrate every aspect of their lives.
HOLLYWOOD, CA (April 23, 2014) – Paramount Pictures and Skydance Productions announced today that principal photography is officially underway on the “TERMINATOR” reboot, directed by Alan Taylor (“THOR: THE DARK WORLD,” “Game of Thrones”). The film is shooting in New Orleans.
The new film is written by Laeta Kalogridis (“AVATAR,” “SHUTTER ISLAND”) and Patrick Lussier (“DRIVE ANGRY”). David Ellison and Dana Goldberg (“WORLD WAR Z,” “STAR TREK INTO DARKNESS”) of Skydance Productions are producing. Executive producers are Skydance’s Paul Schwake (“WORLD WAR Z,” “STAR TREK INTO DARKNESS”), Annapurna Pictures’ Megan Ellison (“AMERICAN HUSTLE,” “HER”), Kalogridis and Lussier.
“TERMINATOR” stars Arnold Schwarzenegger (“THE EXPENDABLES 1 & 2,” “TERMINATOR 1, 2 & 3”), Jason Clarke (“THE GREAT GATSBY,” “ZERO DARK THIRTY”), Emilia Clarke (“Game of Thrones”), Jai Courtney (“DIVERGENT,” “JACK REACHER”), J.K. Simmons (“MEN, WOMEN & CHILDREN,” “UP IN THE AIR”), Dayo Okeniyi (“THE HUNGER GAMES,” “THE SPECTACULAR NOW”), and Byung Hun Lee (“RED 2,” “G.I. JOE: RETALIATION”).
The “TERMINATOR” franchise launched in 1984 with Schwarzenegger as the title character and spanned three subsequent films, which have earned more than $1 billion at the worldwide box office.
Paramount will distribute the film worldwide on July 1, 2015.
About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIAB, VIA), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.
About Skydance Productions
Skydance Productions creates and produces elevated event-level commercial entertainment. Skydance’s recent releases include JACK RYAN: SHADOW RECRUIT, from director Kenneth Branagh and starring Chris Pine, WORLD WAR Z, starring Brad Pitt and directed by Marc Forster; J.J. Abrams' STAR TREK: INTO DARKNESS, starring Chris Pine and Zachary Quinto, and G.I. JOE: RETALIATION, starring Bruce Willis, Channing Tatum and Dwayne Johnson. Skydance projects currently in development include the reboot of the TERMINATOR franchise, to be released on July 1, 2015, MISSION: IMPOSSIBLE 5 with Christopher McQuarrie directing and a disaster film on a global scale titled GEOSTORM written by Dean Devlin and Paul Guyot with Devlin also directing. Skydance’s previous projects include the award-winning Coen Brothers film TRUE GRIT, starring Jeff Bridges and Matt Damon; MISSION: IMPOSSIBLE – GHOST PROTOCOL, starring Tom Cruise and Jeremy Renner and Christopher McQuarrie’s JACK REACHER, starring Tom Cruise. Skydance’s new television division recently started production on its first series, Manhattan, to WGN America. From writer Sam Shaw and director Tommy Schlamme, this 13-episode drama is set against the backdrop of the clandestine mission to build the world’s first atomic bomb in Los Alamos, New Mexico and follows the brilliant but flawed scientists and their families as they attempt to co-exist in a world where secrets and lies infiltrate every aspect of their lives.
Labels:
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Remembering Clyde Geronomi: "Lady and the Tramp"
TRASH IN MY EYE No. 62 (of 2006) by Leroy Douresseaux
Lady and the Tramp (1955) – animation
Running time: 76 minutes (1 hour 16 minutes)
DIRECTORS: Clyde Geronomi, Wilfred Jackson, and Hamilton Luske
WRITERS: Erdman Penner, Joe Rinaldi, Ralph Wright, and Don DaGradi (based upon the story Happy Dan, the Whistling Dog by Ward Greene)
PRODUCERS: Walt Disney with Erdman Penner
EDITOR: Don Halliday
COMPOSER: Oliver Wallace
BAFTA Award nominee
ANIMATION/COMEDY/MUSICAL/ROMANCE with elements of drama
Starring: (voices) Peggy Lee, Barbara Luddy, Larry Roberts, Bill Thompson, Bill Baucom, Stan Freberg, Verna Felton, and Lee Millar
Lady and the Tramp is a 1955 animated romantic film from Walt Disney Pictures. It was the 15th full-length animated feature film from Disney. The film is based in part on "Happy Dan, the Whistling Dog" by Ward Greene, a short story originally published in Cosmopolitan Magazine. The film centers on the growing romantic relationship between two dogs, a female American Cocker Spaniel, who is from an upper middle-class family, and a male mutt who is a stray.
Because of drama and turmoil in her owners’ home, Lady (Barbara Luddy), a pampered and sheltered cocker spaniel, wanders away from the safety of her neighborhood and meets Tramp (Larry Roberts), a jolly, freedom-loving, and streetwise mutt with a heart of gold. They share romantic adventures that occasionally imperil their safety while they move towards an inevitable union. Memorable songs (written by Sonny Burke and Peggy Lee) and memorable characters including the twin Pekingese cats, Si and Am (Peggy Lee), highlight this classic, Disney’s fifteenth animated feature.
Lady and the Tramp remains Walt Disney’s signature romantic animated film; although romance often plays a part in their full-length animated films; this is the Disney animated love story. It exemplifies two particular elements that really stand out in a Disney animated features – the art of beauty and technical skills. The character animation is beautifully drawn making even characters meant to be ugly or villainous quite gorgeous and handsome eye candy. The background art, backdrops, and sets are also elegant, even stunning. The technical virtuosity on display is simply dazzling; this is text book work on animating animals. Characters move with such grace and precision that the film looks, on one hand, like museum quality high art, and, on the other hand, has such striking realism in terms of movement and rhythm.
Lady and the Tramp is probably best known for its romantic heart. A melodic score, charming and adorable songs, and the star-crossed pair of Lady and the Tramp make this an animated film that captures the romantic in the hearts of young and old viewers. That’s why this film is so memorable and also well-remembered by adults who first saw it as a child – a true Disney classic.
9 of 10
A+
Sunday, April 2, 2006
NOTES:
1956 BAFTA Awards: 1 nomination: “Best Animated Film” (USA)
Updated: Thursday, April 24, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Lady and the Tramp (1955) – animation
Running time: 76 minutes (1 hour 16 minutes)
DIRECTORS: Clyde Geronomi, Wilfred Jackson, and Hamilton Luske
WRITERS: Erdman Penner, Joe Rinaldi, Ralph Wright, and Don DaGradi (based upon the story Happy Dan, the Whistling Dog by Ward Greene)
PRODUCERS: Walt Disney with Erdman Penner
EDITOR: Don Halliday
COMPOSER: Oliver Wallace
BAFTA Award nominee
ANIMATION/COMEDY/MUSICAL/ROMANCE with elements of drama
Starring: (voices) Peggy Lee, Barbara Luddy, Larry Roberts, Bill Thompson, Bill Baucom, Stan Freberg, Verna Felton, and Lee Millar
Lady and the Tramp is a 1955 animated romantic film from Walt Disney Pictures. It was the 15th full-length animated feature film from Disney. The film is based in part on "Happy Dan, the Whistling Dog" by Ward Greene, a short story originally published in Cosmopolitan Magazine. The film centers on the growing romantic relationship between two dogs, a female American Cocker Spaniel, who is from an upper middle-class family, and a male mutt who is a stray.
Because of drama and turmoil in her owners’ home, Lady (Barbara Luddy), a pampered and sheltered cocker spaniel, wanders away from the safety of her neighborhood and meets Tramp (Larry Roberts), a jolly, freedom-loving, and streetwise mutt with a heart of gold. They share romantic adventures that occasionally imperil their safety while they move towards an inevitable union. Memorable songs (written by Sonny Burke and Peggy Lee) and memorable characters including the twin Pekingese cats, Si and Am (Peggy Lee), highlight this classic, Disney’s fifteenth animated feature.
Lady and the Tramp remains Walt Disney’s signature romantic animated film; although romance often plays a part in their full-length animated films; this is the Disney animated love story. It exemplifies two particular elements that really stand out in a Disney animated features – the art of beauty and technical skills. The character animation is beautifully drawn making even characters meant to be ugly or villainous quite gorgeous and handsome eye candy. The background art, backdrops, and sets are also elegant, even stunning. The technical virtuosity on display is simply dazzling; this is text book work on animating animals. Characters move with such grace and precision that the film looks, on one hand, like museum quality high art, and, on the other hand, has such striking realism in terms of movement and rhythm.
Lady and the Tramp is probably best known for its romantic heart. A melodic score, charming and adorable songs, and the star-crossed pair of Lady and the Tramp make this an animated film that captures the romantic in the hearts of young and old viewers. That’s why this film is so memorable and also well-remembered by adults who first saw it as a child – a true Disney classic.
9 of 10
A+
Sunday, April 2, 2006
NOTES:
1956 BAFTA Awards: 1 nomination: “Best Animated Film” (USA)
Updated: Thursday, April 24, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Labels:
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Musical,
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short story adaptation,
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Wednesday, April 23, 2014
Review: Visually Splendid "The Merchant of Venice" is Soft on Story (Happy B'day, Shakespeare)
TRASH IN MY EYE No. 93 (of 2006) by Leroy Douresseaux
The Merchant of Venice (2004)
COUNTRY OF ORIGIN: U.K., Italy, Luxembourg
Running time: 131 minutes (2 hours, 11 minutes)
MPAA – R for some nudity
DIRECTOR: Michael Radford
WRITER: Michael Radford (based upon the play by William Shakespeare)
PRODUCERS: Cary Brokaw, Michael Lionello Cowan, Barry Navidi, Jason Piette,
CINEMATOGRAPHER: Benoît Delhomme
EDITOR: Lucia Zucchetti
COMPOSER: Jocelyn Pook
BAFTA Awards nominee
DRAMA with elements of romance
Starring: Al Pacino, Jeremy Irons, Joseph Fiennes, Lynn Collins, Zuleikha Robinson, Kris Marshall, Charlie Cox, Heather Goldenhersh, and David Harewood
The subject of this movie review is The Merchant of Venice, a 2004 romantic drama from writer-director Michael Radford. The film is based upon the comedy play, The Merchant of Venice, written by William Shakespeare around 1596. Radford’s film adaptation is apparently the first full-length, theatrical, sound film version of The Merchant of Venice. The Merchant of Venice the film is set in 16th century Venice and finds a merchant having to pay a gruesome price after he must default on a large loan he borrowed from a Jewish moneylender for a friend.
William Shakespeare is once again brought to the screen, this time in The Merchant of Venice, another film adaptation of his play about passion, justice, and anti-Semitism. Set in late 16th century Venice, the story finds Bassanio (Joseph Fiennes) lacking money to woo an heiress, Portia of Belmont (Lynn Collins), because his lavish lifestyle has left him deeply in debt. So he turns to his merchant friend, Antonio (Jeremy Irons), for the money. Antonio, however, has his cash tied up in ships and overseas trade, so he secures a loan of 3,000 ducats from Shylock (Al Pacino), a Jew.
In Venice, Jews cannot own property, and they are forced to live in a “geto” (a walled-off section of the city), having only limited access to the city. Antonio has publicly abused Shylock and other Jews for the practice of usury – money lending. Spiteful and bitter, Shylock is glad to have Antonio in his debt. In order to secure the money he wants to give Bassanio, Antonio promises that if he defaults on the loan, he’ll pay Shylock with a pound of flesh – literally.
Bassanio leaves with his friend Gratanio (Kris Marshall) to woo his love, but finds that Portia and her lady-in-waiting, Nerissa (Heather Goldenhersh), have been entertaining other suitors. Like them, Bassanio must engage in a game of chance (blindly choosing which of three caskets holds the prize that earns Portia’s hand). However, Jessica (Zuleikha Robinson), Shylock’s daughter, elopes with Bassanio’s friend, Lorenzo (Charlie Cox), and takes a large amount of her father’s personal wealth with her. Wounded to his very soul, Shylock focuses on Antonio’s debt to him, and when Antonio does default on the loan, Shylock demands his pound of flesh.
I’ve never seen a previous film version of Shakespeare’s The Merchant of Venice (such as the 1973 version starring Laurence Olivier), and I’m only familiar with the text in passing, having never read the entire work. Thus, I can only judge this film on its contents or merits. Michael Radford’s version is a somber narrative with occasional explosions of passionate arguments about prejudice, bigotry, and discriminations, and only a few moments of genuinely harmonious scenes of romantic love. Despite a diverse range of elegant and sumptuous costumes (for which costume designer Sammy Sheldon earned a 2005 BAFTA Award nomination), evocative sets, and stunning locales set on sunny isles (Venice, Italy), Radford’s film is marred by mumbled dialogue, dour characters, and an air of mean-spiritedness that permeates even the most pleasant moments.
The performances are adequate for transforming Shakespeare to the screen, but only Pacino gives a memorable performance as the righteous and wronged Shylock. If you, dear reader, need to cheat for an English lit class, Cliff Notes would be better than this. The film merits as a visual treat, but limps as a narrative.
5 of 10
C+
Saturday, May 06, 2006
NOTES:
2005 BAFTA Awards: 1 nomination: “Best Costume Design” (Sammy Sheldon)
Updated: Wednesday, April 23, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
The Merchant of Venice (2004)
COUNTRY OF ORIGIN: U.K., Italy, Luxembourg
Running time: 131 minutes (2 hours, 11 minutes)
MPAA – R for some nudity
DIRECTOR: Michael Radford
WRITER: Michael Radford (based upon the play by William Shakespeare)
PRODUCERS: Cary Brokaw, Michael Lionello Cowan, Barry Navidi, Jason Piette,
CINEMATOGRAPHER: Benoît Delhomme
EDITOR: Lucia Zucchetti
COMPOSER: Jocelyn Pook
BAFTA Awards nominee
DRAMA with elements of romance
Starring: Al Pacino, Jeremy Irons, Joseph Fiennes, Lynn Collins, Zuleikha Robinson, Kris Marshall, Charlie Cox, Heather Goldenhersh, and David Harewood
The subject of this movie review is The Merchant of Venice, a 2004 romantic drama from writer-director Michael Radford. The film is based upon the comedy play, The Merchant of Venice, written by William Shakespeare around 1596. Radford’s film adaptation is apparently the first full-length, theatrical, sound film version of The Merchant of Venice. The Merchant of Venice the film is set in 16th century Venice and finds a merchant having to pay a gruesome price after he must default on a large loan he borrowed from a Jewish moneylender for a friend.
William Shakespeare is once again brought to the screen, this time in The Merchant of Venice, another film adaptation of his play about passion, justice, and anti-Semitism. Set in late 16th century Venice, the story finds Bassanio (Joseph Fiennes) lacking money to woo an heiress, Portia of Belmont (Lynn Collins), because his lavish lifestyle has left him deeply in debt. So he turns to his merchant friend, Antonio (Jeremy Irons), for the money. Antonio, however, has his cash tied up in ships and overseas trade, so he secures a loan of 3,000 ducats from Shylock (Al Pacino), a Jew.
In Venice, Jews cannot own property, and they are forced to live in a “geto” (a walled-off section of the city), having only limited access to the city. Antonio has publicly abused Shylock and other Jews for the practice of usury – money lending. Spiteful and bitter, Shylock is glad to have Antonio in his debt. In order to secure the money he wants to give Bassanio, Antonio promises that if he defaults on the loan, he’ll pay Shylock with a pound of flesh – literally.
Bassanio leaves with his friend Gratanio (Kris Marshall) to woo his love, but finds that Portia and her lady-in-waiting, Nerissa (Heather Goldenhersh), have been entertaining other suitors. Like them, Bassanio must engage in a game of chance (blindly choosing which of three caskets holds the prize that earns Portia’s hand). However, Jessica (Zuleikha Robinson), Shylock’s daughter, elopes with Bassanio’s friend, Lorenzo (Charlie Cox), and takes a large amount of her father’s personal wealth with her. Wounded to his very soul, Shylock focuses on Antonio’s debt to him, and when Antonio does default on the loan, Shylock demands his pound of flesh.
I’ve never seen a previous film version of Shakespeare’s The Merchant of Venice (such as the 1973 version starring Laurence Olivier), and I’m only familiar with the text in passing, having never read the entire work. Thus, I can only judge this film on its contents or merits. Michael Radford’s version is a somber narrative with occasional explosions of passionate arguments about prejudice, bigotry, and discriminations, and only a few moments of genuinely harmonious scenes of romantic love. Despite a diverse range of elegant and sumptuous costumes (for which costume designer Sammy Sheldon earned a 2005 BAFTA Award nomination), evocative sets, and stunning locales set on sunny isles (Venice, Italy), Radford’s film is marred by mumbled dialogue, dour characters, and an air of mean-spiritedness that permeates even the most pleasant moments.
The performances are adequate for transforming Shakespeare to the screen, but only Pacino gives a memorable performance as the righteous and wronged Shylock. If you, dear reader, need to cheat for an English lit class, Cliff Notes would be better than this. The film merits as a visual treat, but limps as a narrative.
5 of 10
C+
Saturday, May 06, 2006
NOTES:
2005 BAFTA Awards: 1 nomination: “Best Costume Design” (Sammy Sheldon)
Updated: Wednesday, April 23, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Labels:
2004,
Al Pacino,
BAFTA nominee,
international cinema,
Italy,
Jeremy Irons,
Luxemboug,
Movie review,
Sony Pictures Classics,
United Kingdom,
William Shakespeare
Tuesday, April 22, 2014
Elizabeth Martel Grumbles for Indiegogo
Labels:
Comics,
Crowdsource,
Digital-Web-MultiPlatform
Monday, April 21, 2014
Review: Disney's "Frozen" is Pixar Good
TRASH IN MY EYE No. 20 (of 2014) by Leroy Douresseaux
Frozen (2013)
Running time: 102 minutes (1 hour, 42 minutes)
MPAA – PG for some action and mild rude humor
DIRECTORS: Chris Buck and Jennifer Lee
WRITERS: Jennifer Lee; from a story by Jennifer Lee, Chris Buck, and Shane Morris (based on the story “The Snow Queen” by Hans Christian Andersen)
PRODUCER: Peter Del Vecho
EDITOR: Jeff Draheim
COMPOSER: Christophe Beck
SONGS: Kristen Anderson-Lopez and Robert Lopez
Academy Award winner
ANIMATION/FANTASY/ADVENTURE and COMEDY/FAMILY
Starring: (voices) Kristin Bell, Idina Menzel, Jonathan Groff, Josh Gad, Santino Fontana, Alan Tudyk, Ciaran Hinds, Chris Williams, Stephen J. Anderson, Eva Bell, Spencer Lacey Ganus, Tyree Brown, and June Christopher
Frozen is a 2013 computer-animated musical, comedy, and fantasy film directed by Chris Buck and Jennifer Lee. Produced by Walt Disney Animation Studios, Frozen was released theatrically in 3D. Frozen is based on Hans Christian Andersen’s fairy tale, “The Snow Queen,” which was first published in 1844. Frozen focuses on a young woman trying to break the curse of eternal winter, a curse started by the Snow Queen, who is her sister.
In the kingdom of Arendelle, the King and Queen have two daughters. The older sister, Elsa, has the magical ability to create ice and snow. The younger daughter, Anna, accidentally becomes a victim of her older sister’s power, causing a rift between the two formerly close siblings. Years later, Elsa (Idina Menzel), is about to be crowned Queen of Arendelle. Anna (Kristin Bell) is excited about her sister’s coronation, which will open the castle to the outside world for the first time in years. At the coronation, a dispute between the sisters leads to Elsa loosing control of her now immense powers. She inadvertently puts Arendelle in a deep freeze, before running away.
Anna is determined to find Elsa, now known as the “Snow Queen,” and to reconcile their relationship. She befriends Kristoff (Jonathan Groff), a mountain man, and his reindeer, Sven, who decide to help her find the reclusive Elsa. They are eventually joined by Olaf (Josh Gad), a joyous snowman. Their journey is epic, but if Anna cannot reach Elsa, Arendelle will be cursed to suffer an eternal winter.
Frozen is one of the truly great animated films from Walt Disney Pictures. It is the first computer-animated film from Walt Disney Animation Studios that is artistically and technically equal to the best computer-animated films from Pixar Animation Studios (now a subsidiary of The Walt Disney Company). In fact, Pixar’s John Lasseter was an executive producer on and a guiding hand behind Frozen. Everything fantastic, wonderful, magical, joyous, and poignant that people expect of the best Disney and Pixar films is more than plentiful in Frozen, one of the finest films of 2013.
The voice cast, top to bottom, is excellent. Honestly, every voice performance seems to be superb. Kristin Bell and Idina Menzel give bravura performances individually and together; they have the kind of screen chemistry of which many casts can only dream of having. Of course, Menzel is a standout singing Frozen’s signature song, the Oscar-winning “Let It Go.” Josh Gad is scene-stealing gold as the comic-relief snowman, Olaf. I have to admit that I’d like to see Olaf again.
Frozen’s song and musical score also make it the best Disney animated musical film since The Little Mermaid, Beauty and the Beast, and Aladdin. Kristen Anderson-Lopez and Robert Lopez’s songs for Frozen recall both the Broadway-styled numbers in Beauty and the Beast and the comic fantasy tunes of Aladdin.
Once upon a time, Walt Disney’s animated films were called “instant classics;” Frozen is an instant classic. Also, the resolution of Elsa and Anna’s relationship separates Frozen from Disney’s other female-centric animated features. For me, Frozen is now a personal favorite that I plan to watch repeatedly.
10 of 10
Monday, April 21, 2014
NOTES:
2014 Academy Awards, USA: 2 wins: “Best Animated Feature Film of the Year” (Chris Buck, Jennifer Lee, and Peter Del Vecho) and “Best Achievement in Music Written for Motion Pictures, Original Song” (Kristen Anderson-Lopez and Robert Lopez for the song “Let It Go”)
2014 Golden Globes, USA: 1 win: “Best Animated Feature Film” and 1 nomination: “Best Original Song - Motion Picture” (Kristen Anderson-Lopez and Robert Lopez for the song, “Let It Go”)
2014 BAFTA Awards: 1 win: “Best Animated Film” (Chris Buck and Jennifer Lee)
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Frozen (2013)
Running time: 102 minutes (1 hour, 42 minutes)
MPAA – PG for some action and mild rude humor
DIRECTORS: Chris Buck and Jennifer Lee
WRITERS: Jennifer Lee; from a story by Jennifer Lee, Chris Buck, and Shane Morris (based on the story “The Snow Queen” by Hans Christian Andersen)
PRODUCER: Peter Del Vecho
EDITOR: Jeff Draheim
COMPOSER: Christophe Beck
SONGS: Kristen Anderson-Lopez and Robert Lopez
Academy Award winner
ANIMATION/FANTASY/ADVENTURE and COMEDY/FAMILY
Starring: (voices) Kristin Bell, Idina Menzel, Jonathan Groff, Josh Gad, Santino Fontana, Alan Tudyk, Ciaran Hinds, Chris Williams, Stephen J. Anderson, Eva Bell, Spencer Lacey Ganus, Tyree Brown, and June Christopher
Frozen is a 2013 computer-animated musical, comedy, and fantasy film directed by Chris Buck and Jennifer Lee. Produced by Walt Disney Animation Studios, Frozen was released theatrically in 3D. Frozen is based on Hans Christian Andersen’s fairy tale, “The Snow Queen,” which was first published in 1844. Frozen focuses on a young woman trying to break the curse of eternal winter, a curse started by the Snow Queen, who is her sister.
In the kingdom of Arendelle, the King and Queen have two daughters. The older sister, Elsa, has the magical ability to create ice and snow. The younger daughter, Anna, accidentally becomes a victim of her older sister’s power, causing a rift between the two formerly close siblings. Years later, Elsa (Idina Menzel), is about to be crowned Queen of Arendelle. Anna (Kristin Bell) is excited about her sister’s coronation, which will open the castle to the outside world for the first time in years. At the coronation, a dispute between the sisters leads to Elsa loosing control of her now immense powers. She inadvertently puts Arendelle in a deep freeze, before running away.
Anna is determined to find Elsa, now known as the “Snow Queen,” and to reconcile their relationship. She befriends Kristoff (Jonathan Groff), a mountain man, and his reindeer, Sven, who decide to help her find the reclusive Elsa. They are eventually joined by Olaf (Josh Gad), a joyous snowman. Their journey is epic, but if Anna cannot reach Elsa, Arendelle will be cursed to suffer an eternal winter.
Frozen is one of the truly great animated films from Walt Disney Pictures. It is the first computer-animated film from Walt Disney Animation Studios that is artistically and technically equal to the best computer-animated films from Pixar Animation Studios (now a subsidiary of The Walt Disney Company). In fact, Pixar’s John Lasseter was an executive producer on and a guiding hand behind Frozen. Everything fantastic, wonderful, magical, joyous, and poignant that people expect of the best Disney and Pixar films is more than plentiful in Frozen, one of the finest films of 2013.
The voice cast, top to bottom, is excellent. Honestly, every voice performance seems to be superb. Kristin Bell and Idina Menzel give bravura performances individually and together; they have the kind of screen chemistry of which many casts can only dream of having. Of course, Menzel is a standout singing Frozen’s signature song, the Oscar-winning “Let It Go.” Josh Gad is scene-stealing gold as the comic-relief snowman, Olaf. I have to admit that I’d like to see Olaf again.
Frozen’s song and musical score also make it the best Disney animated musical film since The Little Mermaid, Beauty and the Beast, and Aladdin. Kristen Anderson-Lopez and Robert Lopez’s songs for Frozen recall both the Broadway-styled numbers in Beauty and the Beast and the comic fantasy tunes of Aladdin.
Once upon a time, Walt Disney’s animated films were called “instant classics;” Frozen is an instant classic. Also, the resolution of Elsa and Anna’s relationship separates Frozen from Disney’s other female-centric animated features. For me, Frozen is now a personal favorite that I plan to watch repeatedly.
10 of 10
Monday, April 21, 2014
NOTES:
2014 Academy Awards, USA: 2 wins: “Best Animated Feature Film of the Year” (Chris Buck, Jennifer Lee, and Peter Del Vecho) and “Best Achievement in Music Written for Motion Pictures, Original Song” (Kristen Anderson-Lopez and Robert Lopez for the song “Let It Go”)
2014 Golden Globes, USA: 1 win: “Best Animated Feature Film” and 1 nomination: “Best Original Song - Motion Picture” (Kristen Anderson-Lopez and Robert Lopez for the song, “Let It Go”)
2014 BAFTA Awards: 1 win: “Best Animated Film” (Chris Buck and Jennifer Lee)
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Labels:
2013,
animated film,
BAFTA winner,
Fantasy,
Golden Globe winner,
John Lasseter,
Movie review,
Musical,
Oscar winner,
short story adaptation,
Walt Disney Animation Studios
Sunday, April 20, 2014
Dark Horse Comics Announces "The Art of The Venture Bros."
DARK HORSE TO PUBLISH THE ART OF THE VENTURE BROS.
HIT CARTOON SERIES GOES BEHIND THE SCENES!
As rumored at San Diego Comic-Con 2013, Dark Horse Books proudly announces it will publish The Art of The Venture Bros.!
This massive coffee table book includes original artwork, character designs, storyboards, painted backgrounds, and props from every episode of The Venture Bros. to date, with accompanying commentary on the development of the series from co-creators Jackson Publick and Doc Hammer.
Check out the earliest sketches of all your favorite Venture Bros. characters and the genesis of the ideas that became some of the show’s funniest episodes.
To top it off, comedian Patton Oswalt pens a very special foreword!
The Art of The Venture Bros. is on sale October 22! Preorder your copy today at Amazon.
HIT CARTOON SERIES GOES BEHIND THE SCENES!
As rumored at San Diego Comic-Con 2013, Dark Horse Books proudly announces it will publish The Art of The Venture Bros.!
This massive coffee table book includes original artwork, character designs, storyboards, painted backgrounds, and props from every episode of The Venture Bros. to date, with accompanying commentary on the development of the series from co-creators Jackson Publick and Doc Hammer.
Check out the earliest sketches of all your favorite Venture Bros. characters and the genesis of the ideas that became some of the show’s funniest episodes.
To top it off, comedian Patton Oswalt pens a very special foreword!
The Art of The Venture Bros. is on sale October 22! Preorder your copy today at Amazon.
"Berserk: The Advent" Anime On DVD and Blu-ray
VIZ MEDIA LETS SLIP THE DOGS OF WAR FOR THE DVD AND BLU-RAY RELEASE OF BERSERK: THE GOLDEN AGE ARC III – THE ADVENT
Lone Mercenary Guts Returns To The Band Of The Hawk For A Final Quest In The Exciting Climax To The Epic Medieval Anime Action Feature Film Trilogy
VIZ Media, LLC (VIZ Media), the largest distributor and licensor of anime and manga in North America, offers the action-packed, bloody conclusion to the BERSERK anime feature film trilogy as it announces the release of BERSERK: THE GOLDEN AGE ARC III - THE ADVENT on DVD and Blu-ray, available now.
The new release is rated ‘M’ for Mature Audiences and will carry a DVD MSRP of $19.98 U.S. / $24.98 CAN and a Blu-ray MSRP of $24.98 U.S. / $27.50 CAN. The DVD edition features Japanese and English 5.1 audio with both subbed and subtitled dialogue options. The Blu-ray version features crisp 1080p HD resolution along with Japanese and English DTS-HD audio and subbed and subtitled dialogue options.
DVD bonus features include a production art gallery, theatrical trailers, original Japanese TV spots and the ending theme, “breakthrough.” The Blu-ray edition also includes all DVD features with additional content, including a special highlight reel for the U.S. theatrical premiere of BERSERK: THE GOLDEN AGE ARC II – THE BATTLE FOR DOLDREY, outtakes from THE ADVENT and THE EGG OF THE KING, and an interview with Eiko Tanaka, President of Studio 4ºC, which produced the entire BERSERK anime trilogy.
In BERSERK: THE GOLDEN AGE ARC III - THE ADVENT, the horrifying conclusion to the Golden Age unfolds in a magnificently violent nightmare, signifying the birth of a new era. It’s been a year since Griffith’s imprisonment by the Kingdom of Midland. Once praised as the saviors of the Midland, the Band of the Hawk has been on the run and is on the brink of breaking apart. Much to everyone’s surprise, Guts returns to the Hawks, and the search for Griffith begins!
“The drama and on-screen action reaches a feverish climax in the stunning finale to the BERSERK: THE GOLDEN AGE ARC trilogy,” says Charlene Ingram, Senior Manager, Animation Marketing. “Audiences will not want to miss even a second of this stirring adventure, depicted in a lush blend of traditional and CGI animation, as the events set in motion in the previous two movies come to a head! Anime and action fans everywhere are going to delight in the violent but satisfying conclusion to the acclaimed trilogy.”
Also catch BERSERK: THE GOLDEN AGE ARC I – THE EGG OF THE KING and BERSERK: THE GOLDEN AGE ARC II- THE BATTLE FOR DOLDREY available now on DVD and Blu-ray from VIZ Media.
The BERSERK manga series, by Kentarou Miura, debuted in Japan in 1989 and quickly drew a devoted following, going on to sell more than 30 million copies worldwide. The series, still ongoing in Japan, has been published in North America and the UK, as well as in France, Germany, Italy, Spain, Russia, and Latin America. The BERSERK manga has also inspired a popular anime television series and has spawned a variety of related video games, collectable figures and toys, and music soundtracks, as well as the current BERSERK: THE GOLDEN AGE ARC film trilogy.
For more information on the BERSERK: THE GOLDEN AGE ARC film trilogy, please visit the official Facebook page at: www.facebook.com/BerserkFilm.
About VIZ Media, LLC
Headquartered in San Francisco, California, VIZ Media distributes, markets and licenses the best anime and manga titles direct from Japan. Owned by three of Japan's largest manga and animation companies, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media has the most extensive library of anime and manga for English speaking audiences in North America, the United Kingdom, Ireland and South Africa. With its popular digital manga anthology WEEKLY SHONEN JUMP and blockbuster properties like NARUTO, BLEACH and INUYASHA, VIZ Media offers cutting-edge action, romance and family friendly properties for anime, manga, science fiction and fantasy fans of all ages. VIZ Media properties are available as graphic novels, DVDs, animated television series, feature films, downloadable and streaming video and a variety of consumer products.
Lone Mercenary Guts Returns To The Band Of The Hawk For A Final Quest In The Exciting Climax To The Epic Medieval Anime Action Feature Film Trilogy
VIZ Media, LLC (VIZ Media), the largest distributor and licensor of anime and manga in North America, offers the action-packed, bloody conclusion to the BERSERK anime feature film trilogy as it announces the release of BERSERK: THE GOLDEN AGE ARC III - THE ADVENT on DVD and Blu-ray, available now.
The new release is rated ‘M’ for Mature Audiences and will carry a DVD MSRP of $19.98 U.S. / $24.98 CAN and a Blu-ray MSRP of $24.98 U.S. / $27.50 CAN. The DVD edition features Japanese and English 5.1 audio with both subbed and subtitled dialogue options. The Blu-ray version features crisp 1080p HD resolution along with Japanese and English DTS-HD audio and subbed and subtitled dialogue options.
DVD bonus features include a production art gallery, theatrical trailers, original Japanese TV spots and the ending theme, “breakthrough.” The Blu-ray edition also includes all DVD features with additional content, including a special highlight reel for the U.S. theatrical premiere of BERSERK: THE GOLDEN AGE ARC II – THE BATTLE FOR DOLDREY, outtakes from THE ADVENT and THE EGG OF THE KING, and an interview with Eiko Tanaka, President of Studio 4ºC, which produced the entire BERSERK anime trilogy.
In BERSERK: THE GOLDEN AGE ARC III - THE ADVENT, the horrifying conclusion to the Golden Age unfolds in a magnificently violent nightmare, signifying the birth of a new era. It’s been a year since Griffith’s imprisonment by the Kingdom of Midland. Once praised as the saviors of the Midland, the Band of the Hawk has been on the run and is on the brink of breaking apart. Much to everyone’s surprise, Guts returns to the Hawks, and the search for Griffith begins!
“The drama and on-screen action reaches a feverish climax in the stunning finale to the BERSERK: THE GOLDEN AGE ARC trilogy,” says Charlene Ingram, Senior Manager, Animation Marketing. “Audiences will not want to miss even a second of this stirring adventure, depicted in a lush blend of traditional and CGI animation, as the events set in motion in the previous two movies come to a head! Anime and action fans everywhere are going to delight in the violent but satisfying conclusion to the acclaimed trilogy.”
Also catch BERSERK: THE GOLDEN AGE ARC I – THE EGG OF THE KING and BERSERK: THE GOLDEN AGE ARC II- THE BATTLE FOR DOLDREY available now on DVD and Blu-ray from VIZ Media.
The BERSERK manga series, by Kentarou Miura, debuted in Japan in 1989 and quickly drew a devoted following, going on to sell more than 30 million copies worldwide. The series, still ongoing in Japan, has been published in North America and the UK, as well as in France, Germany, Italy, Spain, Russia, and Latin America. The BERSERK manga has also inspired a popular anime television series and has spawned a variety of related video games, collectable figures and toys, and music soundtracks, as well as the current BERSERK: THE GOLDEN AGE ARC film trilogy.
For more information on the BERSERK: THE GOLDEN AGE ARC film trilogy, please visit the official Facebook page at: www.facebook.com/BerserkFilm.
About VIZ Media, LLC
Headquartered in San Francisco, California, VIZ Media distributes, markets and licenses the best anime and manga titles direct from Japan. Owned by three of Japan's largest manga and animation companies, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media has the most extensive library of anime and manga for English speaking audiences in North America, the United Kingdom, Ireland and South Africa. With its popular digital manga anthology WEEKLY SHONEN JUMP and blockbuster properties like NARUTO, BLEACH and INUYASHA, VIZ Media offers cutting-edge action, romance and family friendly properties for anime, manga, science fiction and fantasy fans of all ages. VIZ Media properties are available as graphic novels, DVDs, animated television series, feature films, downloadable and streaming video and a variety of consumer products.
Labels:
animation news,
anime news,
DVD news,
International Cinema News,
Japan,
movie news,
press release,
VIZ Media
Saturday, April 19, 2014
Grumble Digital Comics Indiegogo Campaign Update April 19, 2014
Labels:
Comics,
Digital-Web-MultiPlatform,
Personal
Amy Berg's "Deliver Us from Evil" is Powerful and Pointed
TRASH IN MY EYE No. 90 (of 2007) by Leroy Douresseaux
Deliver Us from Evil (2006)
Running time: 103 minutes (1 hour, 43 minutes)
MPAA – (Not rated)
WRITER/DIRECTOR: Amy Berg
PRODUCERS: Amy Berg, Matthew Cooke, Frank Donner, and Hermas Lassalle
CINEMATOGRAPHERS: Jacob Kusk and Jens Schlosser
EDITOR: Matthew Cooke
COMPOSERS: Joseph Arthur and Mick Harvey
2007 Academy Award nominee
DOCUMENTARY – Religion and Crime
Starring: Oliver O’Grady, Thomas Doyle, Jane Degroot, Case Degroot, Anne Jyono, Bob Jyono, Marie Jyono, and Nancy Sloan
Deliver Us from Evil is a 2006 Oscar-nominated documentary film from writer-director, Amy Berg. The film focuses on a Catholic priest whom the Catholic Church relocated to various parishes around the United States for the better part of two decades in order to cover up his rape of dozens of children.
Berg has recently gained notoriety because of a documentary film upon which she is currently working. The unnamed film reportedly contains sex abuse allegations made against director Bryan Singer. Singer is best known for his work on 20th Century Fox’s X-Men film franchise and for the Oscar-winning film, The Usual Suspects.
From the late 1960s to the mid-1980s, Catholic priest, Father Oliver O’Grady moved about Northern California molesting and raping countless children. With her unsettling documentary, Deliver Us from Evil, director Amy Berg exposes the corruption inside the Catholic Church that allowed O’Grady to abuse children (and sometimes their parents). Berg conducts a series of disturbing interviews with the pedophile priest that seek to provide a window for the viewer into the mind of this deeply troubled man, and Berg also mixes that with his victims’ stories.
Deliver Us from Evil attempts to construct a portrait of O’Grady as a spiritual leader who moved from church parish to church parish and gained the trust of various congregations, only to later betray so many of them by abusing their children. Berg thoroughly investigates O’Grady’s past as a priest and speaks with many of his victims and parishioners, as well as participants involved in O’Grady’s legal cases. Later in the film, she broadens her approach to take a look at clergy abuse of children in Boston, and she interviews people who believe that the problem of abuse is international and may have begun as early as the fourth century. Experts on theology and law speak to the doctrinal, legal, and theological issues that establish an environment for abuse.
Although the film seems to lose focus the last 20 minutes or so, Deliver Us from Evil is as mesmerizing as any great film thriller or as riveting and frightening as any great horror movie, and it exposes evil that is widespread and even more destructive.
8 of 10
A
NOTES:
2007 Academy Awards: 1 nomination for “Best Documentary, Features” (Amy Berg and Frank Donner)
Monday, June 11, 2007
Updated: Saturday, April 19, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Deliver Us from Evil (2006)
Running time: 103 minutes (1 hour, 43 minutes)
MPAA – (Not rated)
WRITER/DIRECTOR: Amy Berg
PRODUCERS: Amy Berg, Matthew Cooke, Frank Donner, and Hermas Lassalle
CINEMATOGRAPHERS: Jacob Kusk and Jens Schlosser
EDITOR: Matthew Cooke
COMPOSERS: Joseph Arthur and Mick Harvey
2007 Academy Award nominee
DOCUMENTARY – Religion and Crime
Starring: Oliver O’Grady, Thomas Doyle, Jane Degroot, Case Degroot, Anne Jyono, Bob Jyono, Marie Jyono, and Nancy Sloan
Deliver Us from Evil is a 2006 Oscar-nominated documentary film from writer-director, Amy Berg. The film focuses on a Catholic priest whom the Catholic Church relocated to various parishes around the United States for the better part of two decades in order to cover up his rape of dozens of children.
Berg has recently gained notoriety because of a documentary film upon which she is currently working. The unnamed film reportedly contains sex abuse allegations made against director Bryan Singer. Singer is best known for his work on 20th Century Fox’s X-Men film franchise and for the Oscar-winning film, The Usual Suspects.
From the late 1960s to the mid-1980s, Catholic priest, Father Oliver O’Grady moved about Northern California molesting and raping countless children. With her unsettling documentary, Deliver Us from Evil, director Amy Berg exposes the corruption inside the Catholic Church that allowed O’Grady to abuse children (and sometimes their parents). Berg conducts a series of disturbing interviews with the pedophile priest that seek to provide a window for the viewer into the mind of this deeply troubled man, and Berg also mixes that with his victims’ stories.
Deliver Us from Evil attempts to construct a portrait of O’Grady as a spiritual leader who moved from church parish to church parish and gained the trust of various congregations, only to later betray so many of them by abusing their children. Berg thoroughly investigates O’Grady’s past as a priest and speaks with many of his victims and parishioners, as well as participants involved in O’Grady’s legal cases. Later in the film, she broadens her approach to take a look at clergy abuse of children in Boston, and she interviews people who believe that the problem of abuse is international and may have begun as early as the fourth century. Experts on theology and law speak to the doctrinal, legal, and theological issues that establish an environment for abuse.
Although the film seems to lose focus the last 20 minutes or so, Deliver Us from Evil is as mesmerizing as any great film thriller or as riveting and frightening as any great horror movie, and it exposes evil that is widespread and even more destructive.
8 of 10
A
NOTES:
2007 Academy Awards: 1 nomination for “Best Documentary, Features” (Amy Berg and Frank Donner)
Monday, June 11, 2007
Updated: Saturday, April 19, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Labels:
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Friday, April 18, 2014
VIZ Media's Neon Alley Has "Gargantia on the Verdurous Planet" Anime Series
VIZ MEDIA’S NEON ALLEY LAUNCHES THE BEAUTIFULLY ANIMATED SCI-FI ACTION SERIES GARGANTIA ON THE VERDUROUS PLANET
Catch The Entire Subtitled 13-Episode Series FOR FREE On Neon Alley Online Anime Streaming Platform!
VIZ Media, LLC (VIZ Media), the largest publisher, distributor and licensor of manga and anime in North America, brings the intergalactic action drama – GARGANTIA ON THE VERDUROUS PLANET – to its new Neon Alley FREE online streaming anime platform.
The lushly animated 13-episode adventure was created by the famed animation studio Production I.G. and is available today in its entirety at NeonAlley.com. For $7.99 a month, U.S. fans can also access GARGANTIA ON THE VERDUROUS PLANET on mobile and digital devices through the subscription-based Hulu Plus Video-On-Demand service. The premiere of a dubbed version will follow later in the year.
In the distant future, Ledo, a young soldier from space wakes up and finds himself marooned on an ocean planet. Growing up in space, and knowing nothing but battle, he is a stranger in a strange land, full of odd customs and a foreign language, but he’s not alone. Starting a new journey on this verdurous planet, Ledo must find a way to survive and reconcile the fact that he may never be able to return home!
“GARGANTIA ON THE VERDUROUS PLANET is a gorgeous story charting young pilot Ledo’s journey of self discovery as he visits a strange and nature-filled planet ‘Earth’ for the very first time,” says Charlene Ingram, Senior Manager, Animation Marketing. “The evocative adventure delivers a substantial plot, intriguing characters and beautifully rendered animation created by Japan’s most famous anime studios. With the flexibility of the free Neon Alley streaming platform, fans can dive in and marathon the entire series at their leisure!”
Neon Alley delivers the hottest in subbed and dubbed digital anime series, simulcast world premieres, exclusive on-demand access, and a massive legacy catalog of new as well as classic favorites (in HD when available). NeonAlley.com is a premier on-demand, online destination for streaming anime content in the U.S. The service is available for FREE online and also anytime, anywhere across a wide array of different devices, including PS4, PS3, Xbox One, Xbox 360, Roku, Chromecast, and a variety of other mobile devices through the subscription-based Hulu Plus Video-On-Demand service. Additional details on Hulu Plus-enabled devices can be found at http://www.hulu.com/plus/devices.
Additional information on Neon Alley is available at: www.NeonAlley.com.
For more information on anime titles from VIZ Media, please visit: www.VIZ.com.
About VIZ Media, LLC
Headquartered in San Francisco, California, VIZ Media distributes, markets and licenses the best anime and manga titles direct from Japan. Owned by three of Japan's largest manga and animation companies, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media has the most extensive library of anime and manga for English speaking audiences in North America, the United Kingdom, Ireland and South Africa. With its popular digital manga anthology WEEKLY SHONEN JUMP and blockbuster properties like NARUTO, BLEACH and INUYASHA, VIZ Media offers cutting-edge action, romance and family friendly properties for anime, manga, science fiction and fantasy fans of all ages. VIZ Media properties are available as graphic novels, DVDs, animated television series, feature films, downloadable and streaming video and a variety of consumer products.
Labels:
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Thursday, April 17, 2014
Review: "High Fidelity" is Endearing, Refreshing (Happy B'day, Nick Hornby)
TRASH IN MY EYE No. 68 (of 2003) by Leroy Douresseaux
High Fidelity (2000)
Running time: 113 minutes (1 hour, 53 minutes)
MPAA – R for language and some sexuality
DIRECTOR: Stephen Frears
WRITERS: D.V. DeVincentis, Steve Pink, John Cusack, and Scott Rosenberg (based upon the book by Nick Hornby)
PRODUCERS: Tim Bevan and Rudd Simmons
CINEMATOGRAPHER: Seamus McGarvey
EDITOR: Mick Audsley
COMPOSER: Howard Shore
BAFTA Award nominee
COMEDY/DRAMA/ROMANCE
Starring: John Cusack, Iben Hejejle, Todd Louiso, Jack Black, Lisa Bonet, Catherine Zeta-Jones, Joan Cusack, Tim Robbins, Shannon Stillo, Joelle Carter, Lili Taylor, Alex Desert, and Bruce Springsteen
The subject of this movie review is High Fidelity, a 2000 comedy, drama, and romance from director Stephen Frears. The film is based on the 1995 novel, High Fidelity, from author Nick Hornby. High Fidelity focuses on a record store owner, who is a compulsive list maker, as he recounts his top five breakups, including the one that just occurred.
After seeing Identity, I decided to go back and see some John Cusack movies that I hadn’t seen. I can call them “John Cusack movies” in the sense that Cusack’s personality pretty much dominates almost any film in which he stars. He’s presence is simply quite dynamic and magnetic. When he first came on the scene, many predicted that he’d be a huge star, and for some reason, his star isn’t as big as it should be. However, few actors of his generation have a combination of tremendous acting talent and the sense about him that the camera loves. Some have one or the other, but having both is rare.
In High Fidelity, John is Rob Gordon, owner of Championship Vinyl, a record store the specializes in collectible LP’s, emphasizing vinyl over compact disc, although the store does have a selection of hip and cool cd’s. As the movie begins, his current girlfriend, Laura Lydon (Iben Hejejle) is leaving him. So Rob, the film’s very dominate character and a compulsive list maker recounts his top five breakups, all the while trying to regain Laura’s companionship.
The film is based on a novel by Nick Hornby (the film About a Boy is also from one of his novels) and co-written by four writers including Cusack. Although the film has a director with a pedigree, Stephen Frears (Dangerous Liaisons, The Grifters), and a Hollywood hotshot as one of its screenwriters Scott Rosenberg (Con Air), this is John Cusack’s show. In the beginning, the character Rob is a little hard to take. It’s easy to see why he’d have problems with women, although Rob seems to think that his problems stem from his girlfriends. Cusack builds Rob Gordon slowly, layer upon layer, before our eyes. Rob talks a lot, and quite a bit of him is a mystery, but Cusack brings us in really close. He totally breaks the mythical fourth wall between fictional character/performer and viewer, and though Rob remains something of an enigma, we learn enough about him to love him and to root for him.
There are quite a few interesting characters in the film that we don’t see more of because this is Rob’s show. They might strengthen the story, but the storytelling is still excellent solely because of Cusack’s Rob. Laura remains as elusive as Rob is, so we might need her version of High Fidelity to get her side of the relationship.
The film is funny, touching, and in its own quirky way, very romantic. The supporting performances give Cusack’s Rob room to do his thing and give us enough to make Rob’s environment beyond his musings interesting. High Fidelity could have been a disaster because in many ways, Rob ain’t going anywhere. He doesn’t have any plans, and he is unsatisfied with his life, but not enough to do something – to act, so we could have brushed him off as a loser. I didn’t because I want to hear every word he has to say. Kudos to Cusack for making Rob so endearing and this film so refreshing.
7 of 10
A-
NOTES:
2001 Golden Globes, USA: 1 nomination: “Best Performance by an Actor in a Motion Picture - Comedy/Musical” (John Cusack)
2001 BAFTA Awards: 1 nominations: “Best Screenplay – Adapted” (D.V. DeVincentis, Steve Pink, John Cusack, and Scott Rosenberg)
2001 Black Reel Awards: 1 nomination: “Theatrical - Best Supporting Actress” (Lisa Bonet)
Updated: Thursday, April 17, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
High Fidelity (2000)
Running time: 113 minutes (1 hour, 53 minutes)
MPAA – R for language and some sexuality
DIRECTOR: Stephen Frears
WRITERS: D.V. DeVincentis, Steve Pink, John Cusack, and Scott Rosenberg (based upon the book by Nick Hornby)
PRODUCERS: Tim Bevan and Rudd Simmons
CINEMATOGRAPHER: Seamus McGarvey
EDITOR: Mick Audsley
COMPOSER: Howard Shore
BAFTA Award nominee
COMEDY/DRAMA/ROMANCE
Starring: John Cusack, Iben Hejejle, Todd Louiso, Jack Black, Lisa Bonet, Catherine Zeta-Jones, Joan Cusack, Tim Robbins, Shannon Stillo, Joelle Carter, Lili Taylor, Alex Desert, and Bruce Springsteen
The subject of this movie review is High Fidelity, a 2000 comedy, drama, and romance from director Stephen Frears. The film is based on the 1995 novel, High Fidelity, from author Nick Hornby. High Fidelity focuses on a record store owner, who is a compulsive list maker, as he recounts his top five breakups, including the one that just occurred.
After seeing Identity, I decided to go back and see some John Cusack movies that I hadn’t seen. I can call them “John Cusack movies” in the sense that Cusack’s personality pretty much dominates almost any film in which he stars. He’s presence is simply quite dynamic and magnetic. When he first came on the scene, many predicted that he’d be a huge star, and for some reason, his star isn’t as big as it should be. However, few actors of his generation have a combination of tremendous acting talent and the sense about him that the camera loves. Some have one or the other, but having both is rare.
In High Fidelity, John is Rob Gordon, owner of Championship Vinyl, a record store the specializes in collectible LP’s, emphasizing vinyl over compact disc, although the store does have a selection of hip and cool cd’s. As the movie begins, his current girlfriend, Laura Lydon (Iben Hejejle) is leaving him. So Rob, the film’s very dominate character and a compulsive list maker recounts his top five breakups, all the while trying to regain Laura’s companionship.
The film is based on a novel by Nick Hornby (the film About a Boy is also from one of his novels) and co-written by four writers including Cusack. Although the film has a director with a pedigree, Stephen Frears (Dangerous Liaisons, The Grifters), and a Hollywood hotshot as one of its screenwriters Scott Rosenberg (Con Air), this is John Cusack’s show. In the beginning, the character Rob is a little hard to take. It’s easy to see why he’d have problems with women, although Rob seems to think that his problems stem from his girlfriends. Cusack builds Rob Gordon slowly, layer upon layer, before our eyes. Rob talks a lot, and quite a bit of him is a mystery, but Cusack brings us in really close. He totally breaks the mythical fourth wall between fictional character/performer and viewer, and though Rob remains something of an enigma, we learn enough about him to love him and to root for him.
There are quite a few interesting characters in the film that we don’t see more of because this is Rob’s show. They might strengthen the story, but the storytelling is still excellent solely because of Cusack’s Rob. Laura remains as elusive as Rob is, so we might need her version of High Fidelity to get her side of the relationship.
The film is funny, touching, and in its own quirky way, very romantic. The supporting performances give Cusack’s Rob room to do his thing and give us enough to make Rob’s environment beyond his musings interesting. High Fidelity could have been a disaster because in many ways, Rob ain’t going anywhere. He doesn’t have any plans, and he is unsatisfied with his life, but not enough to do something – to act, so we could have brushed him off as a loser. I didn’t because I want to hear every word he has to say. Kudos to Cusack for making Rob so endearing and this film so refreshing.
7 of 10
A-
NOTES:
2001 Golden Globes, USA: 1 nomination: “Best Performance by an Actor in a Motion Picture - Comedy/Musical” (John Cusack)
2001 BAFTA Awards: 1 nominations: “Best Screenplay – Adapted” (D.V. DeVincentis, Steve Pink, John Cusack, and Scott Rosenberg)
2001 Black Reel Awards: 1 nomination: “Theatrical - Best Supporting Actress” (Lisa Bonet)
Updated: Thursday, April 17, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Labels:
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New Dwayne Johnson Movie "San Andreas" Preps for June 2015 Release
Production Begins on Action Thriller “San Andreas,” Starring Dwayne Johnson
BURBANK, Calif.--(BUSINESS WIRE)--Principal photography begins Tuesday, April 22, on location in Australia for “San Andreas,” starring Dwayne Johnson. The action thriller from New Line Cinema and Village Roadshow Pictures reunites Johnson with director Brad Peyton and producer Beau Flynn, following their collaboration on the global hit “Journey 2: The Mysterious Island.”
After the infamous San Andreas Fault finally gives, triggering a magnitude 9 earthquake in California, a search and rescue helicopter pilot (Johnson) and his estranged wife make their way together from Los Angeles to San Francisco to save their only daughter. But their treacherous journey north is only the beginning, and when they think the worst may be over…it’s just getting started.
The film also stars Carla Gugino (“Night at the Museum,” TV’s “Entourage”), Alexandra Daddario (“Percy Jackson: Sea of Monsters,” TV’s “True Detective”) and Archie Panjabi (TV’s “The Good Wife”), as well as Hugo Johnstone-Burt (Australian TV’s “Home and Away”) and Art Parkinson (TV’s “Game of Thrones”).
“San Andreas” is being produced by Beau Flynn (“Hercules,” “Journey 2: The Mysterious Island”). Tripp Vinson (“Red Dawn”) will also serve as producer. Richard Brener, Samuel J. Brown, Michael Disco, Rob Cowan and Bruce Berman are the executive producers, and Hiram Garcia is co-producer. The screenplay is by Carlton Cuse and Chad Hayes & Carey Hayes, story by Jeremy Passmore & Andre Fabrizio.
The creative filmmaking team includes director of photography Steve Yedlin (“Looper”), production designer Barry Chusid (“The Day After Tomorrow”), editor Bob Ducsay (upcoming “Godzilla”), VFX producer Randall Starr (upcoming “Into the Storm”), VFX supervisor Colin Strause (“The Avengers”), and costume designer Wendy Chuck (“Twilight”).
“San Andreas” is slated to open in theatres on Friday, June 5, 2015.
The film will be shot on location in The Gold Coast and Brisbane, Queensland, Australia, and in Los Angeles and San Francisco.
A New Line Cinema presentation, in association with Village Roadshow Pictures, “San Andreas” is a FlynnPictureCo. Production. It will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.
BURBANK, Calif.--(BUSINESS WIRE)--Principal photography begins Tuesday, April 22, on location in Australia for “San Andreas,” starring Dwayne Johnson. The action thriller from New Line Cinema and Village Roadshow Pictures reunites Johnson with director Brad Peyton and producer Beau Flynn, following their collaboration on the global hit “Journey 2: The Mysterious Island.”
After the infamous San Andreas Fault finally gives, triggering a magnitude 9 earthquake in California, a search and rescue helicopter pilot (Johnson) and his estranged wife make their way together from Los Angeles to San Francisco to save their only daughter. But their treacherous journey north is only the beginning, and when they think the worst may be over…it’s just getting started.
The film also stars Carla Gugino (“Night at the Museum,” TV’s “Entourage”), Alexandra Daddario (“Percy Jackson: Sea of Monsters,” TV’s “True Detective”) and Archie Panjabi (TV’s “The Good Wife”), as well as Hugo Johnstone-Burt (Australian TV’s “Home and Away”) and Art Parkinson (TV’s “Game of Thrones”).
“San Andreas” is being produced by Beau Flynn (“Hercules,” “Journey 2: The Mysterious Island”). Tripp Vinson (“Red Dawn”) will also serve as producer. Richard Brener, Samuel J. Brown, Michael Disco, Rob Cowan and Bruce Berman are the executive producers, and Hiram Garcia is co-producer. The screenplay is by Carlton Cuse and Chad Hayes & Carey Hayes, story by Jeremy Passmore & Andre Fabrizio.
The creative filmmaking team includes director of photography Steve Yedlin (“Looper”), production designer Barry Chusid (“The Day After Tomorrow”), editor Bob Ducsay (upcoming “Godzilla”), VFX producer Randall Starr (upcoming “Into the Storm”), VFX supervisor Colin Strause (“The Avengers”), and costume designer Wendy Chuck (“Twilight”).
“San Andreas” is slated to open in theatres on Friday, June 5, 2015.
The film will be shot on location in The Gold Coast and Brisbane, Queensland, Australia, and in Los Angeles and San Francisco.
A New Line Cinema presentation, in association with Village Roadshow Pictures, “San Andreas” is a FlynnPictureCo. Production. It will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.
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Wednesday, April 16, 2014
Review: "Testament" Still Testifies (Happy B'day, Lukas Haas)
Testament (1983)
Running time: 89 minutes (1 hour, 29 minutes)
MPAA – PG
DIRECTOR: Lynne Littman
WRITER: John Sacret Young (based upon the short story, “The Last Testament” by Carol Amen)
PRODUCERS: John Bernstein and Lynne Littman
CINEMATOGRAPHER: Steven Poster
EDITOR: Suzanne Pettit
COMPOSER: James Horner
Academy Award nominee
Starring: Jane Alexander, William Devane, Rossie Harris, Roxana Zal, Lukas Haas, Philip Anglim, Lilia Skala, Leon Ames, Lurene Tuttle, Rebecca De Mornay, Kevin Costner, Mako, Mico Olmos, and Gerry Murillo
DRAMA
The subject of this movie review is Testament, a 1983 post-apocalyptic drama. The film is based on the short story, “The Last Testament,” which first appeared in print in 1981 and was written by Carol Amen. Testament the film focuses on a woman and her small suburban American family as they struggle to survive after a nuclear attack.
Talk about a time capsule movie, I hadn’t seen the anti-nuclear war/proliferation or anti-nukes film, Testament, in 21 years, and found it quite by accident on Internet rental service, Netflix. Back in the early 80’s, Testament really fit in with a time when so many people thought the U.S. and the USSR were going to destroy the world in an inevitable nuclear world war, each side seemingly primed for mutually assured destruction. Still, the film’s drama remains potent because its story of a community devastated by a man-made horror is timeless.
Testament is the story of Carol Wetherly (Jane Alexander), who becomes the family matriarch and leader when nuclear bombs are detonated across the country, and her husband, Tom (William Devane), doesn’t make it home to their suburb of Hamlin from his job in San Francisco. As neighbors and members of her family begin to die from the fallout, Carol takes in orphans and tries to keep what’s left of her family together. When it seems that everyone’s fate is sealed by radiation poison and it seems that they’re cut off from the rest of the world (or what still exists of civilization), she tries to teach her children adult matters that they will never live to learn.
Testament was originally a made-for-TV movie that impressed executives at Paramount Pictures enough to get it released theatrically. The fact that it played in theatres made Jane Alexander eligible for post-season film awards, and she earned 1984 Oscar and Golden Globe nominations for best actress. She dominates this film, and the tragic post-war existence of the survivors is etched in her performance.
There are some moments in this film that will stay with me forever, such as Carol washing her youngest child, Scottie (Lukas Haas), who has profuse bleeding in his stool – totally heart wrenching. Even at an hour and a half running time, the film seems a bit long, as if it makes its point halfway through the film and everything else is just morbid piling on. Still, the film gets across two points – humans will struggle to survive, even under the most adverse conditions. Secondly, we humans will hurt ourselves more than anything else on the planet could. Although I think that leaders who make the decision to go to war don’t give a damn about such movies, Testament is good enough for those of us who do.
7 of 10
B+
Friday, April 8, 2005
Updated: Wednesday, April 16, 2014
NOTES:
1984 Academy Awards, USA: 1 nomination: “Best Actress in a Leading Role” (Jane Alexander)
1984 Golden Globes, USA: 1 nomination: “Best Performance by an Actress in a Motion Picture – Drama” (Jane Alexander)
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Labels:
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Tuesday, April 15, 2014
New Tom Cruise Movie "Edge of Tomorrow" Headed for Bookshelves
VIZ MEDIA’S HAIKASORU IMPRINT ANNOUNCES EDGE OF TOMORROW OFFICIAL MOVIE TIE-IN NOVEL AND ALL YOU NEED IS KILL ORIGINAL GRAPHIC NOVEL RELEASE
Two New Science Fiction Action Titles Timed To Release With The Summer Blockbuster Movie EDGE OF TOMORROW Starring Tom Cruise And Emily Blunt
VIZ Media’s Haikasoru literary imprint supports the upcoming release of the gripping sci-fi action film, Edge of Tomorrow with the release of an official movie tie-in novel on April 29th. The new EDGE OF TOMORROW paperback release will carry an MSRP of $7.99 U.S. / $9.99 CAN. The book features a cover with the official movie poster featuring Tom Cruise and Emily Blunt in their title roles from the film. The EDGE OF TOMORROW novel was written by Japanese author Hiroshi Sakurazaka, and was previously published as ALL YOU NEED IS KILL.
The Haikasoru imprint has also announced the May 6th release of the ALL YOU NEED IS KILL official graphic novel adaptation. Written by Haikasoru editor and noted sci-fi author, Nick Mamatas, and featuring full-color artwork by popular comic book artist Lee Ferguson (Green Arrow, Miranda Mercury), the new graphic novel offers a single-volume retelling of the original ALL YOU NEED IS KILL novel that inspired the EDGE OF TOMORROW movie. The graphic novel carries an MSRP of $14.99 U.S. / $17.99 CAN, and features an oversized North American graphic novel trim size of 6 5/8" x 10 ¼”. An eBook edition will also be available worldwide for $8.99 (U.S. / CAN) for the Amazon Kindle, Apple’s iBooks Store, Barnes & Noble’s Nook Book Store, and the Kobo eBooks Store. North American fans can also access the graphic novel digitally on the VIZ Manga App as well as through VIZManga.com.
The Edge of Tomorrow feature film is slated for U.S. release from Warner Bros. Pictures on June 6th, and will be presented in 3D and 2D in select theaters, and 3D IMAX. The movie is directed by Doug Liman and stars Tom Cruise, Emily Blunt and Bill Paxton.
The story is set in the future when aliens called Mimics invade. Keiji Kiriya is just one of many recruits shoved into a suit of battle armor called a Jacket and sent out to kill. But he dies on the battlefield after only a few minutes, only to be reborn each morning to fight and die again and again. On his 158th iteration, he gets a message from a mysterious ally – the female soldier known as the Full Metal Bitch. Is she the key to Keiji's escape or his final death?
In 2009, ALL YOU NEED IS KILL served as the launch title for Haikasoru, a unique imprint developed by VIZ Media dedicated to publishing the most compelling contemporary Japanese science fiction and fantasy for English-speaking audiences. New York Times best-selling author John Scalzi declared ALL YOU NEED IS KILL to be a novel that, "reads fast, kicks ass, and keeps on coming," and it has proven to be one of Haikasoru's most popular titles. Sakurazaka's other novels include Characters (co-written with Hiroki Azuma) and SLUM ONLINE, which was published in English by Haikasoru in 2010.
“Live…die…repeat. ALL YOU NEED IS KILL / EDGE OF TOMORROW delivers a nightmarish, action-packed spin on reliving one’s own triumphs, and failures,” says Nick Mamatas, Editor, Haikasoru. “Catch the original story that inspired the gripping movie with the official movie tie-in edition and in the Western comic book mode with the ALL YOU NEED IS KILL official graphic novel. Both of these debuts are perfect reads leading up to the highly anticipated theatrical debut of Edge of Tomorrow this summer!”
"The ALL YOU NEED TO KILL graphic novel stays very true to the original source novel," says Joel Enos, editor for the new comic. "We made a conscious effort to create something unique that could stand on it's own away from both the original novel, the film and the upcoming manga, but would nicely complement and pay respects to all three! Lee's retro-futuristic art style especially puts ALL YOU NEED TO KILL as a comic into it's own orbit!"
Author Hiroshi Sakurazaka was born in Tokyo in 1970 and published his first novel, Modern Magic Made Simple, in 2003 with Super Dash Bunko, a popular young adult light novel imprint. There are now seven volumes in the series, and it was adapted as a manga in 2008 and became a television anime series in 2009. His 2004 short story, "Saitama Chainsaw Massacre," also won the 16th SF Magazine Reader's Award. Sakurazaka published All You Need Is Kill with Super Dash Bunko in 2004 and earned his first Seiun Award nomination for best of the year honors in Japanese science fiction. In 2010, Sakurazaka started an experimental digital magazine AiR with fellow author Junji Hotta. He remains one of Japan's most energetic writers of both light novels and adult science fiction.
Haikasoru’s Nick Mamatas is the author of several novels, including The Damned Highway (with Brian Keene) and Love is the Law. His short fiction has appeared in Asimov's Science Fiction, Tor.com, Weird Tales, and numerous other venues. He's also written comics for Media Blasters and the Squid Works! Collective and has been nominated for the Hugo, World Fantasy, Bram Stoker, and Shirley Jackson awards.
Artist Lee Ferguson has worked in comics since 2001, when he broke in at Marvel on the 9/11 Heroes tribute book, followed by work on the company's X-Men titles. Since then, he's worked at DC, IDW, and Dynamite, while also putting out Freak, his creator-owned project from Image Comics. His newest book is The Many Adventures of Miranda Mercury, co-created with Brandon Thomas and published through Archaia Comics. In 2012, Miranda Mercury was on YALSA’s Best Graphic Novels for Teens list and was also nominated for four Glyph Awards, including Best Artist.
For more information on EDGE OF TOMORROW / ALL YOU NEED IS KILL and the Haikasoru imprint, please visit www.haikasoru.com.
For more information on other titles available from VIZ Media, please visit www.VIZ.com.
About VIZ Media, LLC
Headquartered in San Francisco, California, VIZ Media distributes, markets and licenses the best anime and manga titles direct from Japan. Owned by three of Japan's largest manga and animation companies, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media has the most extensive library of anime and manga for English speaking audiences in North America, the United Kingdom, Ireland, Australia, New Zealand and South Africa. With its popular digital manga anthology WEEKLY SHONEN JUMP and blockbuster properties like NARUTO, BLEACH and INUYASHA, VIZ Media offers cutting-edge action, romance and family friendly properties for anime, manga, science fiction and fantasy fans of all ages. VIZ Media properties are available as graphic novels, DVDs, animated television series, feature films, downloadable and streaming video and a variety of consumer products. Learn more about VIZ Media, anime and manga at www.VIZ.com.
Two New Science Fiction Action Titles Timed To Release With The Summer Blockbuster Movie EDGE OF TOMORROW Starring Tom Cruise And Emily Blunt
VIZ Media’s Haikasoru literary imprint supports the upcoming release of the gripping sci-fi action film, Edge of Tomorrow with the release of an official movie tie-in novel on April 29th. The new EDGE OF TOMORROW paperback release will carry an MSRP of $7.99 U.S. / $9.99 CAN. The book features a cover with the official movie poster featuring Tom Cruise and Emily Blunt in their title roles from the film. The EDGE OF TOMORROW novel was written by Japanese author Hiroshi Sakurazaka, and was previously published as ALL YOU NEED IS KILL.
The Haikasoru imprint has also announced the May 6th release of the ALL YOU NEED IS KILL official graphic novel adaptation. Written by Haikasoru editor and noted sci-fi author, Nick Mamatas, and featuring full-color artwork by popular comic book artist Lee Ferguson (Green Arrow, Miranda Mercury), the new graphic novel offers a single-volume retelling of the original ALL YOU NEED IS KILL novel that inspired the EDGE OF TOMORROW movie. The graphic novel carries an MSRP of $14.99 U.S. / $17.99 CAN, and features an oversized North American graphic novel trim size of 6 5/8" x 10 ¼”. An eBook edition will also be available worldwide for $8.99 (U.S. / CAN) for the Amazon Kindle, Apple’s iBooks Store, Barnes & Noble’s Nook Book Store, and the Kobo eBooks Store. North American fans can also access the graphic novel digitally on the VIZ Manga App as well as through VIZManga.com.
The Edge of Tomorrow feature film is slated for U.S. release from Warner Bros. Pictures on June 6th, and will be presented in 3D and 2D in select theaters, and 3D IMAX. The movie is directed by Doug Liman and stars Tom Cruise, Emily Blunt and Bill Paxton.
The story is set in the future when aliens called Mimics invade. Keiji Kiriya is just one of many recruits shoved into a suit of battle armor called a Jacket and sent out to kill. But he dies on the battlefield after only a few minutes, only to be reborn each morning to fight and die again and again. On his 158th iteration, he gets a message from a mysterious ally – the female soldier known as the Full Metal Bitch. Is she the key to Keiji's escape or his final death?
In 2009, ALL YOU NEED IS KILL served as the launch title for Haikasoru, a unique imprint developed by VIZ Media dedicated to publishing the most compelling contemporary Japanese science fiction and fantasy for English-speaking audiences. New York Times best-selling author John Scalzi declared ALL YOU NEED IS KILL to be a novel that, "reads fast, kicks ass, and keeps on coming," and it has proven to be one of Haikasoru's most popular titles. Sakurazaka's other novels include Characters (co-written with Hiroki Azuma) and SLUM ONLINE, which was published in English by Haikasoru in 2010.
“Live…die…repeat. ALL YOU NEED IS KILL / EDGE OF TOMORROW delivers a nightmarish, action-packed spin on reliving one’s own triumphs, and failures,” says Nick Mamatas, Editor, Haikasoru. “Catch the original story that inspired the gripping movie with the official movie tie-in edition and in the Western comic book mode with the ALL YOU NEED IS KILL official graphic novel. Both of these debuts are perfect reads leading up to the highly anticipated theatrical debut of Edge of Tomorrow this summer!”
"The ALL YOU NEED TO KILL graphic novel stays very true to the original source novel," says Joel Enos, editor for the new comic. "We made a conscious effort to create something unique that could stand on it's own away from both the original novel, the film and the upcoming manga, but would nicely complement and pay respects to all three! Lee's retro-futuristic art style especially puts ALL YOU NEED TO KILL as a comic into it's own orbit!"
Author Hiroshi Sakurazaka was born in Tokyo in 1970 and published his first novel, Modern Magic Made Simple, in 2003 with Super Dash Bunko, a popular young adult light novel imprint. There are now seven volumes in the series, and it was adapted as a manga in 2008 and became a television anime series in 2009. His 2004 short story, "Saitama Chainsaw Massacre," also won the 16th SF Magazine Reader's Award. Sakurazaka published All You Need Is Kill with Super Dash Bunko in 2004 and earned his first Seiun Award nomination for best of the year honors in Japanese science fiction. In 2010, Sakurazaka started an experimental digital magazine AiR with fellow author Junji Hotta. He remains one of Japan's most energetic writers of both light novels and adult science fiction.
Haikasoru’s Nick Mamatas is the author of several novels, including The Damned Highway (with Brian Keene) and Love is the Law. His short fiction has appeared in Asimov's Science Fiction, Tor.com, Weird Tales, and numerous other venues. He's also written comics for Media Blasters and the Squid Works! Collective and has been nominated for the Hugo, World Fantasy, Bram Stoker, and Shirley Jackson awards.
Artist Lee Ferguson has worked in comics since 2001, when he broke in at Marvel on the 9/11 Heroes tribute book, followed by work on the company's X-Men titles. Since then, he's worked at DC, IDW, and Dynamite, while also putting out Freak, his creator-owned project from Image Comics. His newest book is The Many Adventures of Miranda Mercury, co-created with Brandon Thomas and published through Archaia Comics. In 2012, Miranda Mercury was on YALSA’s Best Graphic Novels for Teens list and was also nominated for four Glyph Awards, including Best Artist.
For more information on EDGE OF TOMORROW / ALL YOU NEED IS KILL and the Haikasoru imprint, please visit www.haikasoru.com.
For more information on other titles available from VIZ Media, please visit www.VIZ.com.
About VIZ Media, LLC
Headquartered in San Francisco, California, VIZ Media distributes, markets and licenses the best anime and manga titles direct from Japan. Owned by three of Japan's largest manga and animation companies, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media has the most extensive library of anime and manga for English speaking audiences in North America, the United Kingdom, Ireland, Australia, New Zealand and South Africa. With its popular digital manga anthology WEEKLY SHONEN JUMP and blockbuster properties like NARUTO, BLEACH and INUYASHA, VIZ Media offers cutting-edge action, romance and family friendly properties for anime, manga, science fiction and fantasy fans of all ages. VIZ Media properties are available as graphic novels, DVDs, animated television series, feature films, downloadable and streaming video and a variety of consumer products. Learn more about VIZ Media, anime and manga at www.VIZ.com.
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Animated "The Book of Life" Gets Art Book
TWENTIETH CENTURY FOX CONSUMER PRODUCTS AND DARK HORSE ANNOUNCE A NEW PROJECT BASED ON THE UPCOMING FILM THE BOOK OF LIFE
Dark Horse, a premier publisher of creator-owned and licensed content, today announces a partnership with Twentieth Century Fox Consumer Products: an upcoming project based on this year’s highly anticipated film from Fox Animation Studios, The Book of Life. In September 2014, Dark Horse will release The Art of The Book of Life, a behind-the-scenes look at the making of the film.
The Art of The Book of Life is an inspirational behind-the-scenes look at the making of the animated feature film. Packed with production art, stills, and more, this is an essential companion to the film.
The Art of The Book of Life arrives on sale on September 3, 2014.
About The Book of Life
From visionary producer Guillermo del Toro (Pan’s Labyrinth) and director Jorge R. Gutierrez (El Tigre: The Adventures of Manny Rivera), this upcoming feature length film is a celebration of the power of friendship and family, told through stunning visuals.
The Book of Life is the journey of Manolo, a young man who is torn between fulfilling the expectations of his family and following his heart. Before choosing which path to follow, he embarks on an incredible adventure that spans three fantastical worlds where he must face his greatest fears. Rich with a fresh take on pop music favorites, The Book of Life encourages us to celebrate the past while looking forward to the future.
About Dark Horse
Founded in 1986 by Mike Richardson, Dark Horse Comics has proven to be a solid example of how integrity and innovation can help broaden a unique storytelling medium and establish a small, homegrown company as an industry giant. The company is known for the progressive and creator-friendly atmosphere it provides for writers and artists. In addition to publishing comics from top talent such as Frank Miller, Mike Mignola, Neil Gaiman, Brian Wood, Gerard Way, Geof Darrow, and Guillermo del Toro, and comics legends such as Will Eisner, Neal Adams, and Jim Steranko, Dark Horse has developed its own successful properties, including The Mask, Ghost, Timecop, and SpyBoy. Its successful line of comics and products based on popular properties includes Star Wars, Mass Effect, Buffy the Vampire Slayer, Aliens, Conan, Avatar: The Last Airbender, Halo, Serenity, The Legend of Zelda, Game of Thrones, and Domo. Today Dark Horse Comics is the largest independent comic book publisher in the US and is recognized as one of the world’s leading publishers of both creator-owned content and licensed comics material.
About Twentieth Century Fox Consumer Products
A division of 21st Century Fox and recognized industry leader, Twentieth Century Fox Consumer Products licenses and markets properties worldwide on behalf of Twentieth Century Fox Film Corporation, Twentieth Century Fox Television and Fox Broadcasting Company, as well as third party lines. The division is aligned with Twentieth Century Fox Television, the flagship studio leading the industry in supplying award-winning and blockbuster primetime television programming and entertainment content.
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Monday, April 14, 2014
"The Hunger Games: Catching Fire" Leads 2014 MTV Movie Award Winners (Complete List)
by Amos Semien
The nominations for the 2014 MTV Movie Awards were revealed on Thursday, March 6, 2014. The 2014 MTV Movie Awards ceremony was held on Sunday, April 13, 2014 at 9:00 p.m. ET/PT. The ceremony was hosted by Conan O'Brien.
The 2013 MTV Movie Awards winners:
MOVIE OF THE YEAR
• "The Hunger Games: Catching Fire"
BEST FEMALE PERFORMANCE
• Jennifer Lawrence — "The Hunger Games: Catching Fire"
BEST MALE PERFORMANCE
• Josh Hutcherson — "The Hunger Games: Catching Fire"
BREAKTHROUGH PERFORMANCE
• Will Poulter— "We're the Millers"
BEST KISS
• Emma Roberts, Jennifer Aniston and Will Poulter — "We're the Millers"
BEST FIGHT
• "The Hobbit: The Desolation of Smaug" — Orlando Bloom and Evangeline Lilly vs. Orcs
BEST COMEDIC PERFORMANCE
• Jonah Hill — "The Wolf of Wall Street"
BEST SCARED-AS-S**T PERFORMANCE
• Brad Pitt — "World War Z"
BEST ON-SCREEN DUO
• Vin Diesel and Paul Walker — "Fast & Furious 6"
BEST SHIRTLESS PERFORMANCE
• Zac Efron — "That Awkward Moment"
#WTF MOMENT
• The Lude Scene — "The Wolf of Wall Street"
BEST VILLAIN
• Mila Kunis — "Oz The Great and Powerful"
BEST ON-SCREEN TRANSFORMATION
• Jared Leto — "Dallas Buyers Club"
BEST MUSICAL MOMENT
• Backstreet Boys, Jay Baruchel, Seth Rogen and Craig Robinson Peform in Heaven — "This is the End"
BEST CAMEO PERFORMANCE
• Rihanna — "This is the End"
BEST HERO
• Henry Cavill as Clark Kent — "Man of Steel"
FAVORITE CHARACTER:
Tris from the film "Divergent" and performed by Shailene Woodley
MTV GENERATION AWARD:
Mark Wahlberg
MTV TRAILBLAZER AWARD:
Channing Tatum
-----------------
The nominations for the 2014 MTV Movie Awards were revealed on Thursday, March 6, 2014. The 2014 MTV Movie Awards ceremony was held on Sunday, April 13, 2014 at 9:00 p.m. ET/PT. The ceremony was hosted by Conan O'Brien.
The 2013 MTV Movie Awards winners:
MOVIE OF THE YEAR
• "The Hunger Games: Catching Fire"
BEST FEMALE PERFORMANCE
• Jennifer Lawrence — "The Hunger Games: Catching Fire"
BEST MALE PERFORMANCE
• Josh Hutcherson — "The Hunger Games: Catching Fire"
BREAKTHROUGH PERFORMANCE
• Will Poulter— "We're the Millers"
BEST KISS
• Emma Roberts, Jennifer Aniston and Will Poulter — "We're the Millers"
BEST FIGHT
• "The Hobbit: The Desolation of Smaug" — Orlando Bloom and Evangeline Lilly vs. Orcs
BEST COMEDIC PERFORMANCE
• Jonah Hill — "The Wolf of Wall Street"
BEST SCARED-AS-S**T PERFORMANCE
• Brad Pitt — "World War Z"
BEST ON-SCREEN DUO
• Vin Diesel and Paul Walker — "Fast & Furious 6"
BEST SHIRTLESS PERFORMANCE
• Zac Efron — "That Awkward Moment"
#WTF MOMENT
• The Lude Scene — "The Wolf of Wall Street"
BEST VILLAIN
• Mila Kunis — "Oz The Great and Powerful"
BEST ON-SCREEN TRANSFORMATION
• Jared Leto — "Dallas Buyers Club"
BEST MUSICAL MOMENT
• Backstreet Boys, Jay Baruchel, Seth Rogen and Craig Robinson Peform in Heaven — "This is the End"
BEST CAMEO PERFORMANCE
• Rihanna — "This is the End"
BEST HERO
• Henry Cavill as Clark Kent — "Man of Steel"
FAVORITE CHARACTER:
Tris from the film "Divergent" and performed by Shailene Woodley
MTV GENERATION AWARD:
Mark Wahlberg
MTV TRAILBLAZER AWARD:
Channing Tatum
-----------------
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Monday Morning Grumble #2 Reminder
The campaign rolls on:
Review: "Eragon" Lacks Fire (Happy B'day, Robert Carlyle)
TRASH IN MY EYE No. 258 (of 2006) by Leroy Douresseaux
Eragon (2006)
Running time: 104 minutes (1 hour, 44 minutes)
MPAA – PG for fantasy violence, intense battle sequences, and some frightening images
DIRECTOR: Stefan Fangmeier
WRITER: Peter Buchman (based upon the novel by Christopher Paolini)
PRODUCERS: John Davis, Adam Goodman, and Wyck Godfrey
CINEMATOGRAPHER: Hugh Johnson (D.o.P.)
EDITORS: Roger Barton, Masahiro Hirakubo, and Chris Lebenzon
COMPOSER: Patrick Doyle
FANTASY/ACTION
Starring: Ed Speleers, Jeremy Irons, Sienna Guillory, Robert Carlyle, Djimon Hounsou, Garrett Hedlund, Rachel Weisz (voice) and John Malkovich, Alun Armstrong, Chris Egan, Gary Lewis, Richard Rifkin, Steve Speirs, Joss Stone, and Caroline Chikezie
The subject of this movie review is Eragon, a 2006 action-fantasy film. It is based on the 2002 novel, Eragon, by Christopher Paolini. Eragon the film follows a farm boy whose discovery of a dragon’s egg leads him on a predestined journey to defend his homeland from an evil king.
When he was a teenager, Christopher Paolini wrote the novel Eragon, which went from being privately published by his parents to being a worldwide bestseller published by Alfred A. Knopf. Now, a film adaptation arrives with hopes of capturing much of the audience that devoured The Lord of the Rings film trilogy and Disney/Walden Media’s 2005 The Chronicles of Narnia movie adaptation.
Once upon a time in the land of Alagaësia, Dragon Riders brought peace and prosperity, and the Dragons gave their Riders magical powers. They were unbeaten until one of their own, a Rider named Galbatorix (John Malkovich), rebelled against the other Riders and destroyed them so that he could have all the power for himself. Now, King Galbatorix rules Alagaësia, and no one can stop him.
There is, however, another dragon egg, and it is in the possession of Arya (Sienna Guillory). Using a spell and a prayer, her magic sends the egg where a young farm boy named Eragon (Ed Speleers) finds it. Unsure of what this shiny stone is, Eragon watches as the egg hatches and out pops a dragon he names Saphira (voice of Rachel Weisz). With the help of a mentor named Brom (Jeremy Irons), Eragon begins the journey to become one with Saphira as she grows more mature and passes more magical power onto him. Eragon will need it to defeat a Shade (sorcerer) named Durza (Robert Carlyle), a minion of Galbatorix’s. Eragon joins with the rebel group, the Varden and their leader, Ajihad (Djimon Hounsou), for a coming battle against Galbatorix’s forces. Will Eragon and Saphira have bonded together enough to match the dark magic of Durza when it counts most?
On a recent talk show appearance near the time the film, Eragon, was released, the host asked Christopher Paolini point black if the young author liked the film adaptation of his best-selling and acclaimed children’s book. Paolini dodged the question twice saying that he was thrilled to see his characters and hear dialogue he wrote on screen. It only takes a few minutes into this movie to understand the young author’s misgivings.
Eragon has a mediocre script, no one, from the director to the cast, rises above it. The movie only comes to life when Eragon and Saphira together or Saphira alone are on screen. Director Stefan Fangmeier spent over 20 years working in companies that provided visual effects and computer effects for films, so his affinity with this film seems completely directed at the biggest computer effect in Eragon, the dragon Saphira. The rest of the time, Eragon is just as awkward and clumsy as a run of the mill Sci-Fi Channel fantasy flick.
Eragon has the same quality acting as that of a middling TV movie, but with movie star names. Jeremy Irons, who has spent a small part of the decade and a half since winning an Oscar, slumming as a serious-thespian-for-hire in various popcorn movies (Die Hard with a Vengeance) and costume drama/action movies (Kingdom of Heaven). There is no doubt that Christopher Paolini created the character Irons plays, Brom, to be Eragon’s Obi-Wan Kenobi, but for all the effort Irons gives, Brom is more Yogi Bear than Obi-Wan.
Ed Speleers looks the part of Eragon – a boy determined to take on a task bigger and older than he is, but getting the look right is as far as Speleers goes. His performance ranges for flat to just flat-out overacting. Rachel Weisz’s voice performance as Saphira is weak and isn’t befitting of an actress of her skill. Besides, she sounds more like Minnie Driver than herself.
By using two of Hollywood’s most honored visual effects houses, WETA Digital (The Lord of the Rings, King Kong) and Industrial Light and Magic (the Star Wars franchise and Jurassic Park), the producers of this film hoped to reach their stated goal of creating a photo-real dragon in Saphira. She’s not quite that. The CGI and computer rendering created a fantastical creature in Saphira, a computer generated beast with marvelous simulated skin texture. The dragon looks as if she had really been there on location with the live actors during principal photography.
It’s clear that the works of J.R.R. Tolkien and George Lucas played a big part in the creation of Paolini’s original novel, yet the film comes across as a weak-kneed knock off Tolkien with a few tattered borrowings from Lucas. If not for the CGI dragon and the climatic battle scene (created by WETA), Eragon would be one of the saddest fantasy movies in recent memory. Only the stunningly beautiful locales where it was filmed (Hungary and Slovakia), some lavish costumes, and a sweet blend of action, fantasy and CGI make Eragon worth watching… at home.
5 of 10
C+
Thursday, December 28, 2006
Update: Monday, April 14, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Eragon (2006)
Running time: 104 minutes (1 hour, 44 minutes)
MPAA – PG for fantasy violence, intense battle sequences, and some frightening images
DIRECTOR: Stefan Fangmeier
WRITER: Peter Buchman (based upon the novel by Christopher Paolini)
PRODUCERS: John Davis, Adam Goodman, and Wyck Godfrey
CINEMATOGRAPHER: Hugh Johnson (D.o.P.)
EDITORS: Roger Barton, Masahiro Hirakubo, and Chris Lebenzon
COMPOSER: Patrick Doyle
FANTASY/ACTION
Starring: Ed Speleers, Jeremy Irons, Sienna Guillory, Robert Carlyle, Djimon Hounsou, Garrett Hedlund, Rachel Weisz (voice) and John Malkovich, Alun Armstrong, Chris Egan, Gary Lewis, Richard Rifkin, Steve Speirs, Joss Stone, and Caroline Chikezie
The subject of this movie review is Eragon, a 2006 action-fantasy film. It is based on the 2002 novel, Eragon, by Christopher Paolini. Eragon the film follows a farm boy whose discovery of a dragon’s egg leads him on a predestined journey to defend his homeland from an evil king.
When he was a teenager, Christopher Paolini wrote the novel Eragon, which went from being privately published by his parents to being a worldwide bestseller published by Alfred A. Knopf. Now, a film adaptation arrives with hopes of capturing much of the audience that devoured The Lord of the Rings film trilogy and Disney/Walden Media’s 2005 The Chronicles of Narnia movie adaptation.
Once upon a time in the land of Alagaësia, Dragon Riders brought peace and prosperity, and the Dragons gave their Riders magical powers. They were unbeaten until one of their own, a Rider named Galbatorix (John Malkovich), rebelled against the other Riders and destroyed them so that he could have all the power for himself. Now, King Galbatorix rules Alagaësia, and no one can stop him.
There is, however, another dragon egg, and it is in the possession of Arya (Sienna Guillory). Using a spell and a prayer, her magic sends the egg where a young farm boy named Eragon (Ed Speleers) finds it. Unsure of what this shiny stone is, Eragon watches as the egg hatches and out pops a dragon he names Saphira (voice of Rachel Weisz). With the help of a mentor named Brom (Jeremy Irons), Eragon begins the journey to become one with Saphira as she grows more mature and passes more magical power onto him. Eragon will need it to defeat a Shade (sorcerer) named Durza (Robert Carlyle), a minion of Galbatorix’s. Eragon joins with the rebel group, the Varden and their leader, Ajihad (Djimon Hounsou), for a coming battle against Galbatorix’s forces. Will Eragon and Saphira have bonded together enough to match the dark magic of Durza when it counts most?
On a recent talk show appearance near the time the film, Eragon, was released, the host asked Christopher Paolini point black if the young author liked the film adaptation of his best-selling and acclaimed children’s book. Paolini dodged the question twice saying that he was thrilled to see his characters and hear dialogue he wrote on screen. It only takes a few minutes into this movie to understand the young author’s misgivings.
Eragon has a mediocre script, no one, from the director to the cast, rises above it. The movie only comes to life when Eragon and Saphira together or Saphira alone are on screen. Director Stefan Fangmeier spent over 20 years working in companies that provided visual effects and computer effects for films, so his affinity with this film seems completely directed at the biggest computer effect in Eragon, the dragon Saphira. The rest of the time, Eragon is just as awkward and clumsy as a run of the mill Sci-Fi Channel fantasy flick.
Eragon has the same quality acting as that of a middling TV movie, but with movie star names. Jeremy Irons, who has spent a small part of the decade and a half since winning an Oscar, slumming as a serious-thespian-for-hire in various popcorn movies (Die Hard with a Vengeance) and costume drama/action movies (Kingdom of Heaven). There is no doubt that Christopher Paolini created the character Irons plays, Brom, to be Eragon’s Obi-Wan Kenobi, but for all the effort Irons gives, Brom is more Yogi Bear than Obi-Wan.
Ed Speleers looks the part of Eragon – a boy determined to take on a task bigger and older than he is, but getting the look right is as far as Speleers goes. His performance ranges for flat to just flat-out overacting. Rachel Weisz’s voice performance as Saphira is weak and isn’t befitting of an actress of her skill. Besides, she sounds more like Minnie Driver than herself.
By using two of Hollywood’s most honored visual effects houses, WETA Digital (The Lord of the Rings, King Kong) and Industrial Light and Magic (the Star Wars franchise and Jurassic Park), the producers of this film hoped to reach their stated goal of creating a photo-real dragon in Saphira. She’s not quite that. The CGI and computer rendering created a fantastical creature in Saphira, a computer generated beast with marvelous simulated skin texture. The dragon looks as if she had really been there on location with the live actors during principal photography.
It’s clear that the works of J.R.R. Tolkien and George Lucas played a big part in the creation of Paolini’s original novel, yet the film comes across as a weak-kneed knock off Tolkien with a few tattered borrowings from Lucas. If not for the CGI dragon and the climatic battle scene (created by WETA), Eragon would be one of the saddest fantasy movies in recent memory. Only the stunningly beautiful locales where it was filmed (Hungary and Slovakia), some lavish costumes, and a sweet blend of action, fantasy and CGI make Eragon worth watching… at home.
5 of 10
C+
Thursday, December 28, 2006
Update: Monday, April 14, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
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Sunday, April 13, 2014
Negromancer News Bits and Bites: "Batman-Superman" Flick Jumps Ahead of Captain America 3
by Leroy Douresseaux
Just found this from Saturday on Forbes:
The untitled Batman/Superman movie may still plan to duke it out with Captain America 3 at the box office on May 6, 2016. However, Warner Bros. has moved the Superman-Batman team-up flick one week ahead, April 29, 2016 for its release in the United Kingdom.
Just found this from Saturday on Forbes:
The untitled Batman/Superman movie may still plan to duke it out with Captain America 3 at the box office on May 6, 2016. However, Warner Bros. has moved the Superman-Batman team-up flick one week ahead, April 29, 2016 for its release in the United Kingdom.
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Saturday, April 12, 2014
Filmmaker Kevin Smith Joins Batman Celebration at WonderCon 2014
DC Entertainment Celebrates 75 Years of Batman at WonderCon 2014 with Stellar Collection of Talent and Events
All-Star Batman 75th Anniversary Panel includes Jim Lee, Kevin Smith, Kevin Conroy, Bruce Timm, Ralph Garman And Peter Girardi
BURBANK, Calif.--(BUSINESS WIRE)--DC Entertainment (DCE) will mark the 75th anniversary of its iconic Batman character at WonderCon 2014 with an impressive line-up of can’t-miss reveals and exclusives sure to thrill fans of the world’s most popular Super Hero.
A special highlight of DCE’s WonderCon activities will be the Batman 75th Anniversary Panel scheduled for Saturday, April 19 at 4 pm. The exclusive event brings together a stunning collection of superstar talent heavily influenced by the legendary Dark Knight and his rich 75-year history. DCE co-publisher and renowned Batman artist Jim Lee will join the all-star celebrity duo and writers of the forthcoming BATMAN ’66 MEETS THE GREEN HORNET mini-series Kevin Smith (Clerks, Mallrats) and Ralph Garman (Family Guy, KROQ radio personality), the legendary voice of Batman Kevin Conroy (Batman: The Animated Series, Batman: Arkham Knight), Peter Girardi, SVP – Creative Affairs, Warner Bros Animation and groundbreaking Batman animator Bruce Timm (Batman: The Animated Series) in a fascinating discussion about the celebrated Super Hero. The must-see panel will also feature an exclusive premiere of an animated short from Darwyn Cooke, inspired by the Batman Beyond series.
In addition, DCE will join Warner Bros. Home Entertainment and Warner Bros. Animation for special events including:
The world premiere of Son of Batman, the landmark 20th entry in the ongoing series of DC Universe Animated Original Movies. Taking place Friday at 6:00 pm, the screening precedes a star-studded panel including the voice of Batman, Jason O'Mara (Terra Nova, Life on Mars).
A special screening of an all-new episode of Teen Titans Go! scheduled for Friday at 2:00 pm. Go behind the scenes of the fan-favorite series with a panel featuring the show’s producers and members of the voice cast.
Son of Batman and Teen Titans Go! select voice cast signings will be held at the DCE booth (wristbands required). The Teen Titans Go! signing will take place on Friday at 1:30pm and signings for Son of Batman will take place on Friday at 3:30pm.
Fans attending WonderCon also have the chance to pick-up three exclusive variant comic books at the Graphitti Designs booth (#301) including:
The debut issue of the new blockbuster weekly BATMAN: ETERNAL #1
The latest “Riddler” themed cover of BATMAN #29 in a location-specific hue of blue from artist Greg Capullo
The must-own debut issue of THE SANDMAN: OVERTURE #1 featuring an exclusive 3-D motion cover, never before seen and only available at the Con
Home to the most talented writers and artists in the business, DCE’s interactive 1200 square foot booth (#401) will serve as a hub for its stellar collection of appearances, announcements and events at WonderCon 2014.
Can’t make the Con? DC Entertainment’s website (http://www.dccomics.com/) is the go-to place for behind the scenes coverage and in-depth interviews. Also, look out for a WonderCon 2014 special edition of DC All Access webseries premiering on Tuesday, April 22 at 10am PST.
Download the DC Entertainment Events App on Apple’s App Store (https://itunes.apple.com/us/app/dc-entertainment-events/id632275356?ls=1&mt=8) or the Google Play Store to stay up to speed on all DC Entertainment signings and panels at WonderCon.
About DC Entertainment:
DC Entertainment, home to iconic brands DC Comics (Superman, Batman, Green Lantern, Wonder Woman, The Flash), Vertigo (Sandman, Fables) and MAD, is the creative division charged with strategically integrating its content across Warner Bros. Entertainment and Time Warner. DC Entertainment works in concert with many key Warner Bros. divisions to unleash its stories and characters across all media, including but not limited to film, television, consumer products, home entertainment and interactive games. Publishing thousands of comic books, graphic novels and magazines each year, DC Entertainment is the largest English-language publisher of comics in the world.
All-Star Batman 75th Anniversary Panel includes Jim Lee, Kevin Smith, Kevin Conroy, Bruce Timm, Ralph Garman And Peter Girardi
BURBANK, Calif.--(BUSINESS WIRE)--DC Entertainment (DCE) will mark the 75th anniversary of its iconic Batman character at WonderCon 2014 with an impressive line-up of can’t-miss reveals and exclusives sure to thrill fans of the world’s most popular Super Hero.
A special highlight of DCE’s WonderCon activities will be the Batman 75th Anniversary Panel scheduled for Saturday, April 19 at 4 pm. The exclusive event brings together a stunning collection of superstar talent heavily influenced by the legendary Dark Knight and his rich 75-year history. DCE co-publisher and renowned Batman artist Jim Lee will join the all-star celebrity duo and writers of the forthcoming BATMAN ’66 MEETS THE GREEN HORNET mini-series Kevin Smith (Clerks, Mallrats) and Ralph Garman (Family Guy, KROQ radio personality), the legendary voice of Batman Kevin Conroy (Batman: The Animated Series, Batman: Arkham Knight), Peter Girardi, SVP – Creative Affairs, Warner Bros Animation and groundbreaking Batman animator Bruce Timm (Batman: The Animated Series) in a fascinating discussion about the celebrated Super Hero. The must-see panel will also feature an exclusive premiere of an animated short from Darwyn Cooke, inspired by the Batman Beyond series.
In addition, DCE will join Warner Bros. Home Entertainment and Warner Bros. Animation for special events including:
The world premiere of Son of Batman, the landmark 20th entry in the ongoing series of DC Universe Animated Original Movies. Taking place Friday at 6:00 pm, the screening precedes a star-studded panel including the voice of Batman, Jason O'Mara (Terra Nova, Life on Mars).
A special screening of an all-new episode of Teen Titans Go! scheduled for Friday at 2:00 pm. Go behind the scenes of the fan-favorite series with a panel featuring the show’s producers and members of the voice cast.
Son of Batman and Teen Titans Go! select voice cast signings will be held at the DCE booth (wristbands required). The Teen Titans Go! signing will take place on Friday at 1:30pm and signings for Son of Batman will take place on Friday at 3:30pm.
Fans attending WonderCon also have the chance to pick-up three exclusive variant comic books at the Graphitti Designs booth (#301) including:
The debut issue of the new blockbuster weekly BATMAN: ETERNAL #1
The latest “Riddler” themed cover of BATMAN #29 in a location-specific hue of blue from artist Greg Capullo
The must-own debut issue of THE SANDMAN: OVERTURE #1 featuring an exclusive 3-D motion cover, never before seen and only available at the Con
Home to the most talented writers and artists in the business, DCE’s interactive 1200 square foot booth (#401) will serve as a hub for its stellar collection of appearances, announcements and events at WonderCon 2014.
Can’t make the Con? DC Entertainment’s website (http://www.dccomics.com/) is the go-to place for behind the scenes coverage and in-depth interviews. Also, look out for a WonderCon 2014 special edition of DC All Access webseries premiering on Tuesday, April 22 at 10am PST.
Download the DC Entertainment Events App on Apple’s App Store (https://itunes.apple.com/us/app/dc-entertainment-events/id632275356?ls=1&mt=8) or the Google Play Store to stay up to speed on all DC Entertainment signings and panels at WonderCon.
About DC Entertainment:
DC Entertainment, home to iconic brands DC Comics (Superman, Batman, Green Lantern, Wonder Woman, The Flash), Vertigo (Sandman, Fables) and MAD, is the creative division charged with strategically integrating its content across Warner Bros. Entertainment and Time Warner. DC Entertainment works in concert with many key Warner Bros. divisions to unleash its stories and characters across all media, including but not limited to film, television, consumer products, home entertainment and interactive games. Publishing thousands of comic books, graphic novels and magazines each year, DC Entertainment is the largest English-language publisher of comics in the world.
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Friday, April 11, 2014
Peter Dinklage Joins Chris Columbus' "Pixels"
SONY PICTURES ENTERTAINMENT SLATES "PIXELS" FOR SUMMER 2015
Principal Photography Begins in June on Iconic Video Game Action Comedy Starring Adam Sandler, Kevin James, Michelle Monaghan, Peter Dinklage and Josh Gad, directed by Chris Columbus
Michelle Monaghan and Peter Dinklage have joined Adam Sandler, Kevin James, and Josh Gad in the cast of Sony Pictures Entertainment’s Pixels, which will be directed by Chris Columbus and released in the Summer of 2015. Principal photography will begin in June of this year on the Happy Madison/1492 Pictures production, which was written by Tim Herlihy and Timothy Dowling, based on the short film directed by Patrick Jean and produced by One More Production. Pixels will be produced by Happy Madison’s Adam Sandler and Allen Covert, and 1492 Pictures’ Chris Columbus, Michael Barnathan and Mark Radcliffe. Executive producers are Barry Bernardi, Jack Giarraputo, Tim Herlihy, Heather Parry and Seth Gordon.
In the film, when aliens misinterpret video-feeds of classic arcade games as a declaration of war against them, they attack the Earth, using the games as models for their various assaults. President Will Cooper has to call on his childhood best friend, ’80s video game champion Jules Brenner, now a home theater installer, to lead a team of old-school arcaders to defeat the aliens and save the planet.
Columbus and the studio are working with many of the 1980s’ most iconic videogame brands in an effort to bring together on the big screen the characters from the decade’s quintessential games. "By combining the visceral power of 80’s arcade games with state-of-the-art visual effects, Pixels will take the audience to a place they’ve never been before," stated Columbus.
Commenting on the announcement, Doug Belgrad, president of Columbia Pictures said, "Working together, Adam Sandler and Chris Columbus have created a story that will deliver truly unique action, comedy and special effects, and bring back beloved arcade game characters in a delightfully original manner. Pixels is the perfect showcase for Adam's brand of all-audience comedy."
About Sony Pictures:
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Entertainment Inc., a subsidiary of Tokyo-based Sony Corporation. SPE's global operations encompass motion picture production, acquisition and distribution; television production, acquisition and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. For additional information, go to http://www.sonypictures.com
Principal Photography Begins in June on Iconic Video Game Action Comedy Starring Adam Sandler, Kevin James, Michelle Monaghan, Peter Dinklage and Josh Gad, directed by Chris Columbus
Michelle Monaghan and Peter Dinklage have joined Adam Sandler, Kevin James, and Josh Gad in the cast of Sony Pictures Entertainment’s Pixels, which will be directed by Chris Columbus and released in the Summer of 2015. Principal photography will begin in June of this year on the Happy Madison/1492 Pictures production, which was written by Tim Herlihy and Timothy Dowling, based on the short film directed by Patrick Jean and produced by One More Production. Pixels will be produced by Happy Madison’s Adam Sandler and Allen Covert, and 1492 Pictures’ Chris Columbus, Michael Barnathan and Mark Radcliffe. Executive producers are Barry Bernardi, Jack Giarraputo, Tim Herlihy, Heather Parry and Seth Gordon.
In the film, when aliens misinterpret video-feeds of classic arcade games as a declaration of war against them, they attack the Earth, using the games as models for their various assaults. President Will Cooper has to call on his childhood best friend, ’80s video game champion Jules Brenner, now a home theater installer, to lead a team of old-school arcaders to defeat the aliens and save the planet.
Columbus and the studio are working with many of the 1980s’ most iconic videogame brands in an effort to bring together on the big screen the characters from the decade’s quintessential games. "By combining the visceral power of 80’s arcade games with state-of-the-art visual effects, Pixels will take the audience to a place they’ve never been before," stated Columbus.
Commenting on the announcement, Doug Belgrad, president of Columbia Pictures said, "Working together, Adam Sandler and Chris Columbus have created a story that will deliver truly unique action, comedy and special effects, and bring back beloved arcade game characters in a delightfully original manner. Pixels is the perfect showcase for Adam's brand of all-audience comedy."
About Sony Pictures:
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Entertainment Inc., a subsidiary of Tokyo-based Sony Corporation. SPE's global operations encompass motion picture production, acquisition and distribution; television production, acquisition and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. For additional information, go to http://www.sonypictures.com
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