ADVANCE SCREENING OF MARVEL’S “IRON MAN 3” WILL KICK OFF THE ENTERTAINMENT WEEKLY CAPETOWN FILM FESTIVAL SPONSORED BY TNT’s FALLING SKIES AT THE EGYPTIAN THEATRE ON APRIL 30TH
Screening Offers Festival Goers a Sneak Preview of Marvel’s Highly Anticipated Iron Man 3
Entertainment Weekly announced that a complimentary advance screening of Marvel’s “Iron Man 3” will kick off the EW CapeTown Film Festival (CapeTown) at the Egyptian Theatre in Los Angeles on Tuesday, April 30. The inaugural film festival, co-presented by Entertainment Weekly and American Cinematheque, and sponsored by TNT’s Falling Skies, will host a screening of Marvel’s “Iron Man 3” before the film opens in theaters on May 3. Following the screening, there will be a Q&A session with Kevin Feige, producer of Marvel’s “Iron Man 3” and Marvel Studios’ President.
Marvel’s “Iron Man 3” pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy's hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?
Starring Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale with Jon Favreau and Ben Kingsley, Marvel’s “Iron Man 3” is directed by Shane Black from a screenplay by Drew Pearce & Shane Black and is based on Marvel’s iconic Super Hero Iron Man, who first appeared on the pages of “Tales of Suspense” (#39) in 1963 and had his solo comic book debut with “The Invincible Iron Man” (#1) in May of 1968.
Marvel’s “Iron Man 3” is presented by Marvel Studios in association with Paramount Pictures and DMG Entertainment. Marvel Studios’ President Kevin Feige is producing and Jon Favreau, Louis D’Esposito, Charles Newirth, Victoria Alonso, Stephen Broussard, Alan Fine, Stan Lee and Dan Mintz are executive producers. The film releases May 3, 2013, and is distributed by Walt Disney Studios Motion Pictures.
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Tuesday, April 30
8:00pm Marvel’s “Iron Man 3” Complimentary Fan Appreciation Screening
Special guest: Kevin Feige
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Saturday, April 20, 2013
"Iron Man 3" Kicks Off Capetown Film Fest
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Review: "Dirty Harry" is a Famous Mediocre Film (Remembering Don Siegel)
TRASH IN MY EYE No. 126 (of 2005) by Leroy Douresseaux
Dirty Harry (1971)
Running time: 102 minutes (1 hour, 42 minutes)
MPAA – R
PRODUCER/DIRECTOR: Don Siegel
WRITERS: Harry Julian Fink & R.M. Fink and Dean Reisner, from a story by Harry Julian Fink and R.M. Fink
CINEMATOGRAPHER: Bruce Surtees
EDITOR: Carl Pingitore
COMPOSER: Lalo Schifrin
DRAMA/CRIME/THRILLER
Starring: Clint Eastwood, Harry Guardino, Reni Santoni, John Vernon, Andy Robinson, John Larch, and John Mitchum
The subject of this movie review is Dirty Harry, a 1971 crime film from director Don Siegel. The film stars Clint Eastwood in what would become a signature role for him, that of San Francisco Police Department Inspector Harry Callahan A.K.A. “Dirty Harry.” Dirty Harry would yield four sequels, beginning with 1973’s Magnum Force. Writers Jo Heims contributed to the story and John Milius contributed to the screenplay, but respectively did not receive screen credits.
After a decade of political assassinations, the Vietnam War/conflict, social upheaval, rising crime rates, etc., perhaps America was ready for Dirty Harry, the police thriller starring Clint Eastwood in his seminal role as Inspector Harry Callahan, also known as “Dirty Harry.” Harry is a tough-talking, streetwise, pop-a-cap-first homicide detective who is a far-right wet dream. In this first film in the (thus far) five-part “Dirty Harry” series, Inspector Callahan must learn the identity of a rooftop sniper known as the Scorpio Killer (Andy Robinson), who has killed two people. Scorpio eventually buries a young woman alive and threatens to let her suffocate if the city of San Francisco doesn’t pay him a $200,000 ransom. Harry is determined to nail the killer – even if he has to break some police rules and violate some inconvenient Constitutional rights.
The film plays loosely and sloppily with police procedures and what are the rights of criminal suspects and the accused, doing what most films do – change real life facts for dramatic impact. The screenwriters (and for all I know the director and star) go to ludicrous extremes to show that murderers can get away with murder if an aggressive cop doesn’t get a warrant or read some criminal “his rights.” When Clint Eastwood says the word “rights,” it’s like he has fecal matter on his sneaky tongue. Less than a decade later, presidential candidate and later President Ronald Reagan (via his speechwriters and puppet masters) would play up the idea that criminals had more rights than victims to good effect, as the U.S. public just sits back and watches the country increasingly become a police state.
As for the film, it’s neither a good police procedural nor an effective right wing political screed simply because the script is garbage in spite of its good central concept. The characters (with such well-thought out monikers as The Mayor and The Chief) are wispy, and Harry, except for a few revealing moments, is little more than a cipher. In fact, it is Andy Robinson’s intense, passionate, and crazy performance as Scorpio that gives life to the cop/suspect dynamic. Eastwood handles his half of the cop/villain conflict with his signature acting style for this film – a snarl and half-whispered lines delivered through bad teeth – lines that usually end with the word “punk.” Don Siegel’s direction doesn’t help much; the first half of the film is a listless detective film, while the second half struggles drunkenly to be a good police thriller, which it occasionally is.
Although Eastwood’s best work as an actor is in westerns, a genre for which he seems tailor made, Dirty Harry is the role for which many film fans still fondly remember him. However, this first Dirty Harry film is little more than a cultural curiosity and a sign of its times. Except for a few moments that stand out as exceptional, Dirty Harry is a famous, but mediocre film.
4 of 10
C
NOTES:
2012 National Film Preservation Board, USA: National Film Registry
Dirty Harry (1971)
Running time: 102 minutes (1 hour, 42 minutes)
MPAA – R
PRODUCER/DIRECTOR: Don Siegel
WRITERS: Harry Julian Fink & R.M. Fink and Dean Reisner, from a story by Harry Julian Fink and R.M. Fink
CINEMATOGRAPHER: Bruce Surtees
EDITOR: Carl Pingitore
COMPOSER: Lalo Schifrin
DRAMA/CRIME/THRILLER
Starring: Clint Eastwood, Harry Guardino, Reni Santoni, John Vernon, Andy Robinson, John Larch, and John Mitchum
The subject of this movie review is Dirty Harry, a 1971 crime film from director Don Siegel. The film stars Clint Eastwood in what would become a signature role for him, that of San Francisco Police Department Inspector Harry Callahan A.K.A. “Dirty Harry.” Dirty Harry would yield four sequels, beginning with 1973’s Magnum Force. Writers Jo Heims contributed to the story and John Milius contributed to the screenplay, but respectively did not receive screen credits.
After a decade of political assassinations, the Vietnam War/conflict, social upheaval, rising crime rates, etc., perhaps America was ready for Dirty Harry, the police thriller starring Clint Eastwood in his seminal role as Inspector Harry Callahan, also known as “Dirty Harry.” Harry is a tough-talking, streetwise, pop-a-cap-first homicide detective who is a far-right wet dream. In this first film in the (thus far) five-part “Dirty Harry” series, Inspector Callahan must learn the identity of a rooftop sniper known as the Scorpio Killer (Andy Robinson), who has killed two people. Scorpio eventually buries a young woman alive and threatens to let her suffocate if the city of San Francisco doesn’t pay him a $200,000 ransom. Harry is determined to nail the killer – even if he has to break some police rules and violate some inconvenient Constitutional rights.
The film plays loosely and sloppily with police procedures and what are the rights of criminal suspects and the accused, doing what most films do – change real life facts for dramatic impact. The screenwriters (and for all I know the director and star) go to ludicrous extremes to show that murderers can get away with murder if an aggressive cop doesn’t get a warrant or read some criminal “his rights.” When Clint Eastwood says the word “rights,” it’s like he has fecal matter on his sneaky tongue. Less than a decade later, presidential candidate and later President Ronald Reagan (via his speechwriters and puppet masters) would play up the idea that criminals had more rights than victims to good effect, as the U.S. public just sits back and watches the country increasingly become a police state.
As for the film, it’s neither a good police procedural nor an effective right wing political screed simply because the script is garbage in spite of its good central concept. The characters (with such well-thought out monikers as The Mayor and The Chief) are wispy, and Harry, except for a few revealing moments, is little more than a cipher. In fact, it is Andy Robinson’s intense, passionate, and crazy performance as Scorpio that gives life to the cop/suspect dynamic. Eastwood handles his half of the cop/villain conflict with his signature acting style for this film – a snarl and half-whispered lines delivered through bad teeth – lines that usually end with the word “punk.” Don Siegel’s direction doesn’t help much; the first half of the film is a listless detective film, while the second half struggles drunkenly to be a good police thriller, which it occasionally is.
Although Eastwood’s best work as an actor is in westerns, a genre for which he seems tailor made, Dirty Harry is the role for which many film fans still fondly remember him. However, this first Dirty Harry film is little more than a cultural curiosity and a sign of its times. Except for a few moments that stand out as exceptional, Dirty Harry is a famous, but mediocre film.
4 of 10
C
NOTES:
2012 National Film Preservation Board, USA: National Film Registry
Labels:
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Clint Eastwood,
Crime,
Drama,
Movie review,
National Film Registry,
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Friday, April 19, 2013
New "Star Trek Into Darkness" Kirk Poster - April 16 2013
IN SELECT THEATERS IN IMAX 3D MAY 15th
IN THEATERS EVERYHWERE MAY 17th
WWW.STARTREKMOVIE.COM
#StarTrek #IntoDarkness
In the wake of a shocking act of terror from within their own organization, the crew of The Enterprise is called back home to Earth. In defiance of regulations and with a personal score to settle, Captain Kirk leads his crew on a manhunt to capture an unstoppable force of destruction and bring those responsible to justice.
As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.
Labels:
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Paramount Pictures,
press release,
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"High School of the Dead" Arrives on Neon Alley
VIZ MEDIA PARTNERS WITH SENTAI FILMWORKS TO PREMIERE HIGH SCHOOL OF THE DEAD ON NEON ALLEY
This Friday, Hordes Of Flesh-Eating Zombies Descend Upon North America’s 24-Hour Console-Based Anime Channel For PS3 And Playstation® Network, And Xbox 360® And Xbox Live®
San Francisco, CA, April 18, 2013 – VIZ Media, LLC (VIZ Media), the largest publisher, distributor and licensor of manga and anime in North America, partners with Sentai Filmworks to unleash a frightening new world of the living dead as it premieres the zombie action of HIGH SCHOOL OF THE DEAD on Neon Alley this Friday, April 19th. Episode 1 (English dubbed) of the high-octane anime action series will debut in High Definition at 10PM EST / 7PM PST, replaying at 2AM EST / 11PM PST, and will air again throughout the week. New episodes will premiere every Friday. Check the Neon Alley program guide or NeonAlley.com for more information and additional airtimes.
Based on the ultra-violent manga (graphic novel) originally created by Daisuke Sato, directed by Tetsuro Araki (Death Note, Black Lagoon) and produced by the internationally famed studio MADHOUSE (Death Note, Ninja Scroll, Vampire Hunter D-Bloodlust, Wicked City) HIGH SCHOOL OF THE DEAD (rated TV-MA) is distributed in North America by Sentai Filmworks and combines hordes of flesh-eating zombies with state of the art animation to deliver one of the most action packed anime series ever!
A deadly new disease is ravaging the world, turning the populace into mindless zombies and the number of infected victims is skyrocketing by the second. As their fellow classmates and teachers succumb to the infection around them, a small group of students at Fujimi High School must fight for their lives after surviving the initial outbreak. It’s up to Takashi Komuro to unite the group of weary survivors and try to escape the horrors that surround them. In this new world of the living dead...will they escape?
“We’re thrilled to welcome Sentai Filmworks as a content partner for our innovative anime content delivery service, Neon Alley,” says Brian Ige, VIZ Media Vice President, Animation. “HIGH SCHOOL OF THE DEAD is the newest anime series to join Neon Alley’s expansive schedule for Spring 2013, and fans won’t want to miss this action-packed tale of survival when it debuts Friday!”
“HIGH SCHOOL OF THE DEAD is a riveting story that combines plenty of visceral action with compelling, multi-faceted characters and some sexy fan service,” says David Del Rio, VP of Licensing, Sentai Filmworks. “We look forward to the series finding a brand new audience of avid fans on Neon Alley and to viewers joining Takashi Komuro and his cohorts as they face a stark and dangerous world.”
Neon Alley is VIZ Media’s 24-hour, subscription-based anime channel available for the PS3 game console and Playstation® Network, and Xbox 360 and Xbox Live®. The platform features the world’s best titles (dubbed in English and uncut), presented in HD (when available), for a low monthly subscription rate of $6.99, and a limited time only, a one-week free trial is available to all fans that sign up at NeonAlley.com.
Neon Alley’s schedule includes a dynamic mix of action, adventure, sci-fi, supernatural, fantasy, and horror anime, including new debuts this season of weekly exclusive episodes of ACCEL WORLD, FATE/ZERO and ZETMAN. Fans also can catch other favorite blockbuster anime series from the beginning, including BLUE EXORCIST, DEATH NOTE, NARUTO SHIPPUDEN, ONE PIECE, TIGER & BUNNY, VAMPIRE KNIGHT and more.
Neon Alley is specially designed to be studio agnostic, featuring titles from other anime producers and content distributors, including Aniplex, FUNimation, NTV, Taiseng, and Anime News Network. Members can also share real-time thoughts and status updates using social media technology from Tout (Tout.com), some of which will air on the network.
More information on Neon Alley is available at NeonAlley.com.
Additional information on Sentai Filmworks HIGHSCHOOL OF THE DEAD is available at: http://www.sentai-filmworks.com.
About Sentai Filmworks
Sentai Filmworks celebrates its 5th Anniversary as one of the fastest-growing anime companies in North America, producing hit series like Persona 4, Girls und Panzer, Devil Survivor 2, Bodacious Space Pirates, Majestic Prince and High School of the Dead as well as high profile theatrical films such as Grave of the Fireflies, K-ON! and Appleseed. Sentai Filmworks’ programs are distributed through Ingram Entertainment, Diamond Comic Distributors, Section23Films and Waxworks through retailers Amazon, Best Buy, Fry’s, FYE, Hastings, Sam Goody, Suncoast, The Right Stuf, Wal-Mart and other good and fine stores.
Digital product offerings may be found at Amazon, Anime Network, Crunchyroll, Google Play, Hulu, iTunes, Netflix, PlayStation Network, Rovi, Vudu, XBOX Marketplace and YouTube.
About VIZ Media, LLC
Headquartered in San Francisco, California, VIZ Media distributes, markets and licenses the best anime and manga titles direct from Japan. Owned by three of Japan's largest manga and animation companies, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media has the most extensive library of anime and manga for English speaking audiences in North America, the United Kingdom, Ireland and South Africa. With its popular digital manga anthology WEEKLY SHONEN JUMP ALPHA and blockbuster properties like NARUTO, BLEACH and INUYASHA, VIZ Media offers cutting-edge action, romance and family friendly properties for anime, manga, science fiction and fantasy fans of all ages. VIZ Media properties are available as graphic novels, DVDs, animated television series, feature films, downloadable and streaming video and a variety of consumer products. Learn more about VIZ Media, anime and manga at www.VIZ.com.
This Friday, Hordes Of Flesh-Eating Zombies Descend Upon North America’s 24-Hour Console-Based Anime Channel For PS3 And Playstation® Network, And Xbox 360® And Xbox Live®
San Francisco, CA, April 18, 2013 – VIZ Media, LLC (VIZ Media), the largest publisher, distributor and licensor of manga and anime in North America, partners with Sentai Filmworks to unleash a frightening new world of the living dead as it premieres the zombie action of HIGH SCHOOL OF THE DEAD on Neon Alley this Friday, April 19th. Episode 1 (English dubbed) of the high-octane anime action series will debut in High Definition at 10PM EST / 7PM PST, replaying at 2AM EST / 11PM PST, and will air again throughout the week. New episodes will premiere every Friday. Check the Neon Alley program guide or NeonAlley.com for more information and additional airtimes.
Based on the ultra-violent manga (graphic novel) originally created by Daisuke Sato, directed by Tetsuro Araki (Death Note, Black Lagoon) and produced by the internationally famed studio MADHOUSE (Death Note, Ninja Scroll, Vampire Hunter D-Bloodlust, Wicked City) HIGH SCHOOL OF THE DEAD (rated TV-MA) is distributed in North America by Sentai Filmworks and combines hordes of flesh-eating zombies with state of the art animation to deliver one of the most action packed anime series ever!
A deadly new disease is ravaging the world, turning the populace into mindless zombies and the number of infected victims is skyrocketing by the second. As their fellow classmates and teachers succumb to the infection around them, a small group of students at Fujimi High School must fight for their lives after surviving the initial outbreak. It’s up to Takashi Komuro to unite the group of weary survivors and try to escape the horrors that surround them. In this new world of the living dead...will they escape?
“We’re thrilled to welcome Sentai Filmworks as a content partner for our innovative anime content delivery service, Neon Alley,” says Brian Ige, VIZ Media Vice President, Animation. “HIGH SCHOOL OF THE DEAD is the newest anime series to join Neon Alley’s expansive schedule for Spring 2013, and fans won’t want to miss this action-packed tale of survival when it debuts Friday!”
“HIGH SCHOOL OF THE DEAD is a riveting story that combines plenty of visceral action with compelling, multi-faceted characters and some sexy fan service,” says David Del Rio, VP of Licensing, Sentai Filmworks. “We look forward to the series finding a brand new audience of avid fans on Neon Alley and to viewers joining Takashi Komuro and his cohorts as they face a stark and dangerous world.”
Neon Alley is VIZ Media’s 24-hour, subscription-based anime channel available for the PS3 game console and Playstation® Network, and Xbox 360 and Xbox Live®. The platform features the world’s best titles (dubbed in English and uncut), presented in HD (when available), for a low monthly subscription rate of $6.99, and a limited time only, a one-week free trial is available to all fans that sign up at NeonAlley.com.
Neon Alley’s schedule includes a dynamic mix of action, adventure, sci-fi, supernatural, fantasy, and horror anime, including new debuts this season of weekly exclusive episodes of ACCEL WORLD, FATE/ZERO and ZETMAN. Fans also can catch other favorite blockbuster anime series from the beginning, including BLUE EXORCIST, DEATH NOTE, NARUTO SHIPPUDEN, ONE PIECE, TIGER & BUNNY, VAMPIRE KNIGHT and more.
Neon Alley is specially designed to be studio agnostic, featuring titles from other anime producers and content distributors, including Aniplex, FUNimation, NTV, Taiseng, and Anime News Network. Members can also share real-time thoughts and status updates using social media technology from Tout (Tout.com), some of which will air on the network.
More information on Neon Alley is available at NeonAlley.com.
Additional information on Sentai Filmworks HIGHSCHOOL OF THE DEAD is available at: http://www.sentai-filmworks.com.
About Sentai Filmworks
Sentai Filmworks celebrates its 5th Anniversary as one of the fastest-growing anime companies in North America, producing hit series like Persona 4, Girls und Panzer, Devil Survivor 2, Bodacious Space Pirates, Majestic Prince and High School of the Dead as well as high profile theatrical films such as Grave of the Fireflies, K-ON! and Appleseed. Sentai Filmworks’ programs are distributed through Ingram Entertainment, Diamond Comic Distributors, Section23Films and Waxworks through retailers Amazon, Best Buy, Fry’s, FYE, Hastings, Sam Goody, Suncoast, The Right Stuf, Wal-Mart and other good and fine stores.
Digital product offerings may be found at Amazon, Anime Network, Crunchyroll, Google Play, Hulu, iTunes, Netflix, PlayStation Network, Rovi, Vudu, XBOX Marketplace and YouTube.
About VIZ Media, LLC
Headquartered in San Francisco, California, VIZ Media distributes, markets and licenses the best anime and manga titles direct from Japan. Owned by three of Japan's largest manga and animation companies, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media has the most extensive library of anime and manga for English speaking audiences in North America, the United Kingdom, Ireland and South Africa. With its popular digital manga anthology WEEKLY SHONEN JUMP ALPHA and blockbuster properties like NARUTO, BLEACH and INUYASHA, VIZ Media offers cutting-edge action, romance and family friendly properties for anime, manga, science fiction and fantasy fans of all ages. VIZ Media properties are available as graphic novels, DVDs, animated television series, feature films, downloadable and streaming video and a variety of consumer products. Learn more about VIZ Media, anime and manga at www.VIZ.com.
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Zombie
New "Star Trek Into Darkness" John Harrison Poster April 15 2013
IN SELECT THEATERS IN IMAX 3D MAY 15th
IN THEATERS EVERYHWERE MAY 17th
WWW.STARTREKMOVIE.COM
#StarTrek #IntoDarkness
In the wake of a shocking act of terror from within their own organization, the crew of The Enterprise is called back home to Earth. In defiance of regulations and with a personal score to settle, Captain Kirk leads his crew on a manhunt to capture an unstoppable force of destruction and bring those responsible to justice.
As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.
Neon Alley Launches New Season - Spring 2013
VIZ MEDIA LAUNCHES AN EXCITING SPRING SEASON OF HOT NEW ANIME PROGRAMMING ON NEON ALLEY
Innovative 24/7 Anime Channel To Premiere ACCEL WORLD, BLEACH, FATE/ZERO and ZETMAN, With New Seasons of Favorite Hits Also Debuting
VIZ Media, LLC (VIZ Media), the largest publisher, distributor and licensor of manga and anime in North America, has unveiled its new spring programming line-up for Neon Alley with 7 exciting premieres for the innovative anime channel available for the Xbox 360® and Xbox LIVE® as well as for the PlayStation®3 (PS3™) gaming system and the PlayStation®Network.
Set to premiere on Friday, April 19th will be ACCEL WORLD, FATE/ZERO, and the Season 2 opening episode of LAGRANGE – THE FLOWER OF RIN-NE. Saturday, April 20th offers the Neon Alley debut of BLEACH Season 1, as well as the exclusive English dub premiere of new NARUTO SHIPPUDEN episodes, the start of Season 2 of NURA: RISE OF THE YOKAI CLAN, and the launch of the intense action series, ZETMAN. Check NeonAlley.com for specific airtimes in your geographical area.
Neon Alley is VIZ Media’s 24-hour, console-based anime channel that features a variety of the world’s best titles (dubbed in English and uncut) and presented in HD (when available) for a low monthly subscription rate of only $6.99. For a limited time only, the service is also offering a one-week free trial available to all fans that sign up at NeonAlley.com.
“The new schedule of spring anime premieres is the most exciting we’ve launched on Neon Alley,” says Charlene Ingram, Senior Manager, Animation Marketing. “From continuing action anime favorites like NARUTO SHIPPUDEN, and NURA: RISE OF THE YOKAI CLAN, to brand new series such as ZETMAN, ACCEL WORLD, the highly acclaimed FATE/ZERO, and the addition of one of the most popular anime of all time, BLEACH, there will be plenty of reasons to tune into Neon Alley this month. We look forward to lots of North American anime fans experiencing this exciting way to enjoy some of the best in animated entertainment from Japan!”
ACCEL WORLD • Rated “TV-14” • Premieres Friday April 19th
The year is 2046. Haruyuki Arita is a young boy who finds himself on the lowest social rungs of his school. Ashamed of his miserable life, Haruyuki can only cope by indulging in virtual games. But that all changes when Kuroyukihime, the most popular girl in school, introduces him to a mysterious program called Brain Burst and a virtual reality called the Accel World. Please watch the sneak peek at http://www.youtube.com/watch?v=yhPZdp1OLFM.
FATE/ZERO • Rated “TV-14” • Premieres Friday April 19th
FATE/ZERO is based on a popular Japanese light novel, written by Gen Urobuchi and illustrated by Takashi Takeuchi. This is the story that goes back to zero, back to the beginning. The ultimate battle royal, in which seven Masters vying for control of the miracle-granting Holy Grail summon seven Servants and fight until only one remains... The Holy Grail War! Catch the trailer at http://www.youtube.com/watch?v=Ql_bWLNPIjo.
LAGRANGE – THE FLOWER OF RIN-NE, SEASON 2 • Rated “TV-MA” • Premieres Friday April 19th
Thousands of years ago, mankind was at the height of its glory, an advanced civilization extending into the far reaches of space. To defend against its galactic enemies, mankind developed giant humanoid robots called “Vox,” never anticipating that the powerful robots would lead to the destruction of their own civilization. Fearing their infinite power, the Space Federation known as Polyhedron hid away the existence of the Vox and Earth itself from the rest of the galaxy. Now, the Vox are a mere legend, and in Kamogawa, Japan, robots are the furthest thing from Madoka Kyono’s mind. She’s an energetic high school girl who just wants to help people in need. But Earth is under threat once more, and when a mysterious girl named Lan asks Madoka to pilot a resurrected Vox robot, her life will never be the same!
BLEACH • Rated “TV-14” • Premieres Saturday, April 20th
Catch the epic supernatural action series based on the smash hit manga series by Tite Kubo from the very beginning! For as long as he can remember, 15 year-old Ichigo Kurosaki has always been able to see ghosts. But when he suddenly meets Rukia, a Soul Reaper from the Soul Society who battles evil spirits known as Hollows, his life will change forever. Now, with a newfound wealth of spiritual energy, Ichigo discovers his true calling – to protect the living and the dead from evil at all costs!
NARUTO SHIPPUDEN (Latest Episodes) • Rated “TV-14” • Premieres Saturday, April 20th
Catch the latest action-packed NARUTO SHIPPUDEN adventures beginning with Episode 188! Naruto Uzumaki is back! After a long training journey with the Legendary Sannin, Jiraiya, Naruto has returned older, a little bit wiser, and a lot stronger! Sakura's been studying under another of the Sannin, Tsunade, and is now an accomplished medical ninja with a few new battle skills of her own. To show off their new skills, Naruto and Sakura team up to take on their old master, Kakashi. While the three battle it out, the Village Hidden in the Sand is infiltrated by the Akatsuki, who are after Naruto's old rival and the newest Kazekage of the Sand – Gaara!
NURA: RISE OF THE YOKAI CLAN, SEASON 2 • Rated “TV-14” • Premieres Saturday, April 20th
Rikuo Nura looks like your typical junior high student, but in reality, he is a quarter yokai and is the grandson of Nurarihyon, the leader of all yokai! As the Third Heir to the Nura Clan, Rikuo has successfully brought an end to the territory conflict against the Shikoku yokai. Now, Rikuo must face his most powerful enemies yet—the Hagoromo-Gitsune and her Kyoto yokai! With her absolute power and charisma, the Hagoromo-Gitsune is taking the ancient capital of Kyoto by storm in a quest to fulfill her four-hundred-year-old wish. Joined by the Oshu-Tono Family yokai and the Keikain Clan Onmyoji, Rikuo and his Nura Clan will take on the Hagoromo-Gitsune for an epic showdown!
ZETMAN • Rated “TV-MA” • Premieres Saturday, April 20th
“ZET” is the one who is entrusted with the future of mankind. “ALPHAS” are the ones searching for the meaning of true justice. They will be the ones who will change the world. Is it coincidence or fate that brings these two heroes together? Soon, the two will learn what fate has in mind for them…
Neon Alley’s schedule includes a dynamic mix of action, adventure, sci-fi, supernatural, fantasy, and horror anime. Other current shows include TIGER & BUNNY, BLUE EXORCIST, DEATH NOTE, NARUTO and NARUTO SHIPPUDEN, ONE PIECE, INUYASHA, KEKKAISHI, BUSO RENKIN, and VAMPIRE KNIGHT.
Neon Alley is specially designed to be studio agnostic, featuring titles from other anime producers and content distributors, including Aniplex, FUNimation, NTV, Taiseng, and Anime News Network. Members can also share real-time thoughts and status updates using social media technology from Tout (Tout.com), some of which will air on the network.
For more information on Neon Alley, please visit www.NeonAlley.com.
About VIZ Media, LLC
Headquartered in San Francisco, California, VIZ Media distributes, markets and licenses the best anime and manga titles direct from Japan. Owned by three of Japan's largest manga and animation companies, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media has the most extensive library of anime and manga for English speaking audiences in North America, the United Kingdom, Ireland and South Africa. With its popular digital manga anthology WEEKLY SHONEN JUMP and blockbuster properties like NARUTO, BLEACH and INUYASHA, VIZ Media offers cutting-edge action, romance and family friendly properties for anime, manga, science fiction and fantasy fans of all ages. VIZ Media properties are available as graphic novels, DVDs, animated television series, feature films, downloadable and streaming video and a variety of consumer products. Learn more about VIZ Media, anime and manga at www.VIZ.com.
Innovative 24/7 Anime Channel To Premiere ACCEL WORLD, BLEACH, FATE/ZERO and ZETMAN, With New Seasons of Favorite Hits Also Debuting
VIZ Media, LLC (VIZ Media), the largest publisher, distributor and licensor of manga and anime in North America, has unveiled its new spring programming line-up for Neon Alley with 7 exciting premieres for the innovative anime channel available for the Xbox 360® and Xbox LIVE® as well as for the PlayStation®3 (PS3™) gaming system and the PlayStation®Network.
Set to premiere on Friday, April 19th will be ACCEL WORLD, FATE/ZERO, and the Season 2 opening episode of LAGRANGE – THE FLOWER OF RIN-NE. Saturday, April 20th offers the Neon Alley debut of BLEACH Season 1, as well as the exclusive English dub premiere of new NARUTO SHIPPUDEN episodes, the start of Season 2 of NURA: RISE OF THE YOKAI CLAN, and the launch of the intense action series, ZETMAN. Check NeonAlley.com for specific airtimes in your geographical area.
Neon Alley is VIZ Media’s 24-hour, console-based anime channel that features a variety of the world’s best titles (dubbed in English and uncut) and presented in HD (when available) for a low monthly subscription rate of only $6.99. For a limited time only, the service is also offering a one-week free trial available to all fans that sign up at NeonAlley.com.
“The new schedule of spring anime premieres is the most exciting we’ve launched on Neon Alley,” says Charlene Ingram, Senior Manager, Animation Marketing. “From continuing action anime favorites like NARUTO SHIPPUDEN, and NURA: RISE OF THE YOKAI CLAN, to brand new series such as ZETMAN, ACCEL WORLD, the highly acclaimed FATE/ZERO, and the addition of one of the most popular anime of all time, BLEACH, there will be plenty of reasons to tune into Neon Alley this month. We look forward to lots of North American anime fans experiencing this exciting way to enjoy some of the best in animated entertainment from Japan!”
ACCEL WORLD • Rated “TV-14” • Premieres Friday April 19th
The year is 2046. Haruyuki Arita is a young boy who finds himself on the lowest social rungs of his school. Ashamed of his miserable life, Haruyuki can only cope by indulging in virtual games. But that all changes when Kuroyukihime, the most popular girl in school, introduces him to a mysterious program called Brain Burst and a virtual reality called the Accel World. Please watch the sneak peek at http://www.youtube.com/watch?v=yhPZdp1OLFM.
FATE/ZERO • Rated “TV-14” • Premieres Friday April 19th
FATE/ZERO is based on a popular Japanese light novel, written by Gen Urobuchi and illustrated by Takashi Takeuchi. This is the story that goes back to zero, back to the beginning. The ultimate battle royal, in which seven Masters vying for control of the miracle-granting Holy Grail summon seven Servants and fight until only one remains... The Holy Grail War! Catch the trailer at http://www.youtube.com/watch?v=Ql_bWLNPIjo.
LAGRANGE – THE FLOWER OF RIN-NE, SEASON 2 • Rated “TV-MA” • Premieres Friday April 19th
Thousands of years ago, mankind was at the height of its glory, an advanced civilization extending into the far reaches of space. To defend against its galactic enemies, mankind developed giant humanoid robots called “Vox,” never anticipating that the powerful robots would lead to the destruction of their own civilization. Fearing their infinite power, the Space Federation known as Polyhedron hid away the existence of the Vox and Earth itself from the rest of the galaxy. Now, the Vox are a mere legend, and in Kamogawa, Japan, robots are the furthest thing from Madoka Kyono’s mind. She’s an energetic high school girl who just wants to help people in need. But Earth is under threat once more, and when a mysterious girl named Lan asks Madoka to pilot a resurrected Vox robot, her life will never be the same!
BLEACH • Rated “TV-14” • Premieres Saturday, April 20th
Catch the epic supernatural action series based on the smash hit manga series by Tite Kubo from the very beginning! For as long as he can remember, 15 year-old Ichigo Kurosaki has always been able to see ghosts. But when he suddenly meets Rukia, a Soul Reaper from the Soul Society who battles evil spirits known as Hollows, his life will change forever. Now, with a newfound wealth of spiritual energy, Ichigo discovers his true calling – to protect the living and the dead from evil at all costs!
NARUTO SHIPPUDEN (Latest Episodes) • Rated “TV-14” • Premieres Saturday, April 20th
Catch the latest action-packed NARUTO SHIPPUDEN adventures beginning with Episode 188! Naruto Uzumaki is back! After a long training journey with the Legendary Sannin, Jiraiya, Naruto has returned older, a little bit wiser, and a lot stronger! Sakura's been studying under another of the Sannin, Tsunade, and is now an accomplished medical ninja with a few new battle skills of her own. To show off their new skills, Naruto and Sakura team up to take on their old master, Kakashi. While the three battle it out, the Village Hidden in the Sand is infiltrated by the Akatsuki, who are after Naruto's old rival and the newest Kazekage of the Sand – Gaara!
NURA: RISE OF THE YOKAI CLAN, SEASON 2 • Rated “TV-14” • Premieres Saturday, April 20th
Rikuo Nura looks like your typical junior high student, but in reality, he is a quarter yokai and is the grandson of Nurarihyon, the leader of all yokai! As the Third Heir to the Nura Clan, Rikuo has successfully brought an end to the territory conflict against the Shikoku yokai. Now, Rikuo must face his most powerful enemies yet—the Hagoromo-Gitsune and her Kyoto yokai! With her absolute power and charisma, the Hagoromo-Gitsune is taking the ancient capital of Kyoto by storm in a quest to fulfill her four-hundred-year-old wish. Joined by the Oshu-Tono Family yokai and the Keikain Clan Onmyoji, Rikuo and his Nura Clan will take on the Hagoromo-Gitsune for an epic showdown!
ZETMAN • Rated “TV-MA” • Premieres Saturday, April 20th
“ZET” is the one who is entrusted with the future of mankind. “ALPHAS” are the ones searching for the meaning of true justice. They will be the ones who will change the world. Is it coincidence or fate that brings these two heroes together? Soon, the two will learn what fate has in mind for them…
Neon Alley’s schedule includes a dynamic mix of action, adventure, sci-fi, supernatural, fantasy, and horror anime. Other current shows include TIGER & BUNNY, BLUE EXORCIST, DEATH NOTE, NARUTO and NARUTO SHIPPUDEN, ONE PIECE, INUYASHA, KEKKAISHI, BUSO RENKIN, and VAMPIRE KNIGHT.
Neon Alley is specially designed to be studio agnostic, featuring titles from other anime producers and content distributors, including Aniplex, FUNimation, NTV, Taiseng, and Anime News Network. Members can also share real-time thoughts and status updates using social media technology from Tout (Tout.com), some of which will air on the network.
For more information on Neon Alley, please visit www.NeonAlley.com.
About VIZ Media, LLC
Headquartered in San Francisco, California, VIZ Media distributes, markets and licenses the best anime and manga titles direct from Japan. Owned by three of Japan's largest manga and animation companies, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media has the most extensive library of anime and manga for English speaking audiences in North America, the United Kingdom, Ireland and South Africa. With its popular digital manga anthology WEEKLY SHONEN JUMP and blockbuster properties like NARUTO, BLEACH and INUYASHA, VIZ Media offers cutting-edge action, romance and family friendly properties for anime, manga, science fiction and fantasy fans of all ages. VIZ Media properties are available as graphic novels, DVDs, animated television series, feature films, downloadable and streaming video and a variety of consumer products. Learn more about VIZ Media, anime and manga at www.VIZ.com.
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Thursday, April 18, 2013
News Corp. Announces 21st Century Fox
News Corporation Announces 21st Century Fox as New Name for Independent Media and Entertainment Company
NEW YORK--(BUSINESS WIRE)--News Corporation (NASDAQ: NWS, NWSA; ASX: NWS, NWSLV) today announced that 21st Century Fox will be the new name of the independent media and entertainment company created by the proposed separation of its businesses. The name, which will be effective with the separation, draws on the Company’s creative heritage, while also speaking to the future as well as the innovation that defines its portfolio of businesses. 21st Century Fox replaces the previously announced name Fox Group.
Reaching more than a billion people in 100 local languages every day, the proposed 21st Century Fox will be home to a global portfolio of cable and broadcasting networks and properties, including FOX, FX, FXX, FS1, Fox News Channel, Fox Business Network, Fox Sports, Fox Sports Network, National Geographic Channels, Fox Pan American Sports, MundoFox and STAR; film studio Twentieth Century Fox Film; and television production studios Twentieth Century Fox Television and Shine Group. The proposed Company will also provide premium content to millions of subscribers through its pay-television services in Europe and Asia, including Sky Deutschland, Sky Italia and its equity interests in BSkyB and Tata Sky.
Rupert Murdoch, who will serve as Chairman and CEO of the proposed 21st Century Fox, commented on the Company’s new name:
“Over the years, we have built a global portfolio of companies that has consistently defied conventional wisdom, and succeeded where others have failed because we are driven by a steadfast belief in great ideas, the power of imagination and the desire to thrill and engage audiences with enduring stories and experiences. 21st Century Fox is a name that draws upon the rich creative heritage of our film studio, while also speaking to the innovation and dynamism that define all of our global media and entertainment businesses and will guide us into the future.”
Chase Carey, the future company’s President and Chief Operating Officer, commented, “Together, as 21st Century Fox, we will have the global footprint and creative bench that give us a competitive edge across more than 50 countries. We believe that the 21st Century Fox name captures the power of our legacy as well as the vast opportunities for our consumers, businesses and investors as we look forward.”
News Corporation Separation
On June 28, 2012, News Corporation announced its intent to pursue the separation of its business into two separate independent companies, one of which will hold the Company’s global media and entertainment businesses and the other which will hold the businesses comprising News Corporation’s newspapers, information services and integrated marketing services, digital real estate services, book publishing, digital education and sports programming and pay-TV distribution in Australia. In addition to final approval from the Board of Directors and stockholder approval of certain amendments to the Company’s Restated Certificate of Incorporation, the completion of the separation will be subject to receipt of regulatory approvals, opinions from tax counsel and favorable rulings from certain tax jurisdictions regarding the tax-free nature of the transaction to the Company and to its stockholders, further due diligence as appropriate, the execution of certain agreements relating to the distribution, and the filing and effectiveness of appropriate filings with the SEC. There can be no assurances given that the separation of the Company's businesses as described will occur.
About News Corporation
News Corporation (NASDAQ: NWS, NWSA; ASX: NWS, NWSLV) had total assets as of December 31, 2012 of approximately US$63 billion and total annual revenues of approximately US$34 billion. News Corporation is a diversified global media company with operations in six industry segments: cable network programming; filmed entertainment; television; direct broadcast satellite television; publishing; and other. The activities of News Corporation are conducted principally in the United States, Continental Europe, the United Kingdom, Australia, Asia and Latin America.
Cautionary Statement Concerning Forward-Looking Statements
This document contains certain "forward-looking statements" within the meaning of the Private Securities Litigation Reform Act of 1995. These statements are based on management's views and assumptions regarding future events and business performance, including its expectations with respect to the proposed transaction. Actual results may differ materially from these expectations due to changes in global economic, business, competitive market and regulatory factors. In addition, actual plans, actions and results relating to the proposed transaction may differ materially from current expectations as a result of certain risks and uncertainties, including but not limited to: unanticipated developments that delay or negatively impact the proposed transaction; changes in market conditions; disruption to business operations as a result of the proposed transaction; the inability to retain key personnel; and the other risks and uncertainties described from time to time in our filings with the Securities and Exchange Commission. More detailed information about these and other factors that could affect future results is contained in our filings with the Securities and Exchange Commission. There can be no assurance that the proposed transaction will be completed as anticipated or at all. The "forward-looking statements" included in this document are made only as of the date of this document and we do not have any obligation to publicly update any "forward-looking statements" to reflect subsequent events or circumstances, except as required by law.
Participants in the Solicitation
The Company and its executive officers and directors may be deemed to be participants in the solicitation of proxies from the stockholders of News Corporation in connection with the proposed transaction, if pursued. Information about the executive officers and directors of News Corporation and their ownership of News Corporation common stock is set forth in the Schedule 14A preliminary proxy statement for News Corporation's special meeting, which was filed with the Securities and Exchange Commission on April 4, 2013.
NEW YORK--(BUSINESS WIRE)--News Corporation (NASDAQ: NWS, NWSA; ASX: NWS, NWSLV) today announced that 21st Century Fox will be the new name of the independent media and entertainment company created by the proposed separation of its businesses. The name, which will be effective with the separation, draws on the Company’s creative heritage, while also speaking to the future as well as the innovation that defines its portfolio of businesses. 21st Century Fox replaces the previously announced name Fox Group.
Reaching more than a billion people in 100 local languages every day, the proposed 21st Century Fox will be home to a global portfolio of cable and broadcasting networks and properties, including FOX, FX, FXX, FS1, Fox News Channel, Fox Business Network, Fox Sports, Fox Sports Network, National Geographic Channels, Fox Pan American Sports, MundoFox and STAR; film studio Twentieth Century Fox Film; and television production studios Twentieth Century Fox Television and Shine Group. The proposed Company will also provide premium content to millions of subscribers through its pay-television services in Europe and Asia, including Sky Deutschland, Sky Italia and its equity interests in BSkyB and Tata Sky.
Rupert Murdoch, who will serve as Chairman and CEO of the proposed 21st Century Fox, commented on the Company’s new name:
“Over the years, we have built a global portfolio of companies that has consistently defied conventional wisdom, and succeeded where others have failed because we are driven by a steadfast belief in great ideas, the power of imagination and the desire to thrill and engage audiences with enduring stories and experiences. 21st Century Fox is a name that draws upon the rich creative heritage of our film studio, while also speaking to the innovation and dynamism that define all of our global media and entertainment businesses and will guide us into the future.”
Chase Carey, the future company’s President and Chief Operating Officer, commented, “Together, as 21st Century Fox, we will have the global footprint and creative bench that give us a competitive edge across more than 50 countries. We believe that the 21st Century Fox name captures the power of our legacy as well as the vast opportunities for our consumers, businesses and investors as we look forward.”
News Corporation Separation
On June 28, 2012, News Corporation announced its intent to pursue the separation of its business into two separate independent companies, one of which will hold the Company’s global media and entertainment businesses and the other which will hold the businesses comprising News Corporation’s newspapers, information services and integrated marketing services, digital real estate services, book publishing, digital education and sports programming and pay-TV distribution in Australia. In addition to final approval from the Board of Directors and stockholder approval of certain amendments to the Company’s Restated Certificate of Incorporation, the completion of the separation will be subject to receipt of regulatory approvals, opinions from tax counsel and favorable rulings from certain tax jurisdictions regarding the tax-free nature of the transaction to the Company and to its stockholders, further due diligence as appropriate, the execution of certain agreements relating to the distribution, and the filing and effectiveness of appropriate filings with the SEC. There can be no assurances given that the separation of the Company's businesses as described will occur.
About News Corporation
News Corporation (NASDAQ: NWS, NWSA; ASX: NWS, NWSLV) had total assets as of December 31, 2012 of approximately US$63 billion and total annual revenues of approximately US$34 billion. News Corporation is a diversified global media company with operations in six industry segments: cable network programming; filmed entertainment; television; direct broadcast satellite television; publishing; and other. The activities of News Corporation are conducted principally in the United States, Continental Europe, the United Kingdom, Australia, Asia and Latin America.
Cautionary Statement Concerning Forward-Looking Statements
This document contains certain "forward-looking statements" within the meaning of the Private Securities Litigation Reform Act of 1995. These statements are based on management's views and assumptions regarding future events and business performance, including its expectations with respect to the proposed transaction. Actual results may differ materially from these expectations due to changes in global economic, business, competitive market and regulatory factors. In addition, actual plans, actions and results relating to the proposed transaction may differ materially from current expectations as a result of certain risks and uncertainties, including but not limited to: unanticipated developments that delay or negatively impact the proposed transaction; changes in market conditions; disruption to business operations as a result of the proposed transaction; the inability to retain key personnel; and the other risks and uncertainties described from time to time in our filings with the Securities and Exchange Commission. More detailed information about these and other factors that could affect future results is contained in our filings with the Securities and Exchange Commission. There can be no assurance that the proposed transaction will be completed as anticipated or at all. The "forward-looking statements" included in this document are made only as of the date of this document and we do not have any obligation to publicly update any "forward-looking statements" to reflect subsequent events or circumstances, except as required by law.
Participants in the Solicitation
The Company and its executive officers and directors may be deemed to be participants in the solicitation of proxies from the stockholders of News Corporation in connection with the proposed transaction, if pursued. Information about the executive officers and directors of News Corporation and their ownership of News Corporation common stock is set forth in the Schedule 14A preliminary proxy statement for News Corporation's special meeting, which was filed with the Securities and Exchange Commission on April 4, 2013.
Labels:
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Review: "Dragon" is Martial Arty
TRASH IN MY EYE No. 28 (of 2013) by Leroy Douresseaux
Dragon (2011)
Wu xia – original title
COUNTRY OF ORIGIN: China/Hong Kong; Language: Mandarin
Running time: 98 minutes; (1 hour, 38 minutes)
MPAA – R for violence
DIRECTOR: Peter Chan
WRITER: Oi Wah Lam
PRODUCERS: Peter Chan and Jojo Yuet-Chun Hui
CINEMATOGRAPHERS: Yiu-Fai Lai (D.o.P.) and Jake Pollock (D.o.P.)
EDITOR: Derek Hui
COMPOSERS: Kwong Wing Chan, Peter Kam, and Chatchai Pongprapaphan
MARTIAL ARTS/ACTION/DRAMA/HISTORICAL
Starring: Donnie Yen, Takeshi Kaneshiro, Wei Tang, Jimmy Wang Yu, Zheng Wei, Li Jiamin, Kara Hui, Li Xiaoran, Yu Kang, and Wan To-shing
Wu Xia is a 2011 Hong Kong martial arts film and historical drama from director Peter Chan. The film stars Donnie Yen as a sinful man who is leading a new life until his former master and a determined detective begin hunting him. Yen is also the film’s “action director.” Wu Xia, which was originally just under two-hours long, was edited down to 98 minutes and released in the United States as Dragon, late last year (2012).
Dragon is set in 1917 and takes place mostly at Liu Village on the border of Yunnan on the southwest edge of China. Liu Jin-Xi (Donnie Yen) is a village craftsman and papermaker who lives with his wife, Yu (Wei Tang), and his sons, the older Fangzheng (Zheng Wei) and the younger Xiaotian (Li Jiamin). Jin-Xi’s quiet life is irrevocably shattered by the arrival of two gangsters who attempt to rob the local general store.
Jin-Xi stops them, but one of the criminals is the notorious Yan Dongsheng (Yu Kang). Xu Bai-jiu (Takeshi Kaneshiro), a detective sent to investigate the case, is shocked that a local village craftsman could single-handedly stop two hardened criminals, especially Dongsheng, an escaped convict and trained killer. Bai-jiu suspects that Jin-Xi is actually a martial arts master and perhaps, a member of one of the region’s most vicious gangs, the 72 Devils. The detective doggedly pursues the shy villager, but he is unaware that his investigation has drawn the attention of China’s criminal underworld.
For fans of martial arts films, Dragon has many spectacular fights scenes, and some of them are spectacular because they look so odd. But it is all good and also stimulating for lovers of martial arts battles in movies. Sometimes, I found my mind being bended by what I saw, to the point that my imagination seemed inspired by the fighting.
There is, however, an art house sensibility to director Peter Chan’s film, as if Chan refused to allow Dragon to be only fists, fingers, feet, and elbows of fury. Chan takes Oi Wah Lam’s superbly layered script and turns the film into a rumination on nature vs. nurture, the character of the law, and the vigor and influence of human emotions. Chan structures the story in order to ask a few questions. If blood always leaves a trail that one can trace back to a man’s past, then, is that man a slave to the dictates of his blood relations? Is it by tradition, genetics, or both? Is the execution of law more important than acts of humanity? Can man control or alter his emotions?
There is also a mythological strain in Dragon. For its universal father versus son conflict, Dragon offers a sire whose voice and exclamations can rouse thunder, so it is not a stretch to think of the final battle as a brawl between Odin-All-Father and Thor-Son. In fact, this may be the sire-vs.-the-fruit-of-his-loins clash with the most at stake since Darth Vader fought Luke Skywalker over the forest moon of Endor in Return of the Jedi (1983).
Dragon has many excellent performances, but Donnie Yen and Takeshi Kaneshiro are the standouts. As Liu Jin-xi, Yen is a force of nature; physically, he is brilliant – his face capable of assuming and conveying myriad emotions and thoughts. His performance is all outwards, and not internal, so he confronts the viewers and makes them engage with the character he is playing. Kaneshiro as Bai-jiu offers a performance that is more interior. His performance sends out intriguing bits of information about the implacable detective in a way that makes the character as charming as an old friend.
As the director of the film’s action, Yen makes Dragon exhilarating and mesmerizing martial arts entertainment. As the director, Peter Chan tickles the brain, as he tackles dynamic human themes and conflicts. By any name, Dragon or Wu Xia is a dragon, a fire-breathing beast that is too smart to be just another Chinese fight movie.
9 of 10
A
Monday, April 15, 2013
Dragon (2011)
Wu xia – original title
COUNTRY OF ORIGIN: China/Hong Kong; Language: Mandarin
Running time: 98 minutes; (1 hour, 38 minutes)
MPAA – R for violence
DIRECTOR: Peter Chan
WRITER: Oi Wah Lam
PRODUCERS: Peter Chan and Jojo Yuet-Chun Hui
CINEMATOGRAPHERS: Yiu-Fai Lai (D.o.P.) and Jake Pollock (D.o.P.)
EDITOR: Derek Hui
COMPOSERS: Kwong Wing Chan, Peter Kam, and Chatchai Pongprapaphan
MARTIAL ARTS/ACTION/DRAMA/HISTORICAL
Starring: Donnie Yen, Takeshi Kaneshiro, Wei Tang, Jimmy Wang Yu, Zheng Wei, Li Jiamin, Kara Hui, Li Xiaoran, Yu Kang, and Wan To-shing
Wu Xia is a 2011 Hong Kong martial arts film and historical drama from director Peter Chan. The film stars Donnie Yen as a sinful man who is leading a new life until his former master and a determined detective begin hunting him. Yen is also the film’s “action director.” Wu Xia, which was originally just under two-hours long, was edited down to 98 minutes and released in the United States as Dragon, late last year (2012).
Dragon is set in 1917 and takes place mostly at Liu Village on the border of Yunnan on the southwest edge of China. Liu Jin-Xi (Donnie Yen) is a village craftsman and papermaker who lives with his wife, Yu (Wei Tang), and his sons, the older Fangzheng (Zheng Wei) and the younger Xiaotian (Li Jiamin). Jin-Xi’s quiet life is irrevocably shattered by the arrival of two gangsters who attempt to rob the local general store.
Jin-Xi stops them, but one of the criminals is the notorious Yan Dongsheng (Yu Kang). Xu Bai-jiu (Takeshi Kaneshiro), a detective sent to investigate the case, is shocked that a local village craftsman could single-handedly stop two hardened criminals, especially Dongsheng, an escaped convict and trained killer. Bai-jiu suspects that Jin-Xi is actually a martial arts master and perhaps, a member of one of the region’s most vicious gangs, the 72 Devils. The detective doggedly pursues the shy villager, but he is unaware that his investigation has drawn the attention of China’s criminal underworld.
For fans of martial arts films, Dragon has many spectacular fights scenes, and some of them are spectacular because they look so odd. But it is all good and also stimulating for lovers of martial arts battles in movies. Sometimes, I found my mind being bended by what I saw, to the point that my imagination seemed inspired by the fighting.
There is, however, an art house sensibility to director Peter Chan’s film, as if Chan refused to allow Dragon to be only fists, fingers, feet, and elbows of fury. Chan takes Oi Wah Lam’s superbly layered script and turns the film into a rumination on nature vs. nurture, the character of the law, and the vigor and influence of human emotions. Chan structures the story in order to ask a few questions. If blood always leaves a trail that one can trace back to a man’s past, then, is that man a slave to the dictates of his blood relations? Is it by tradition, genetics, or both? Is the execution of law more important than acts of humanity? Can man control or alter his emotions?
There is also a mythological strain in Dragon. For its universal father versus son conflict, Dragon offers a sire whose voice and exclamations can rouse thunder, so it is not a stretch to think of the final battle as a brawl between Odin-All-Father and Thor-Son. In fact, this may be the sire-vs.-the-fruit-of-his-loins clash with the most at stake since Darth Vader fought Luke Skywalker over the forest moon of Endor in Return of the Jedi (1983).
Dragon has many excellent performances, but Donnie Yen and Takeshi Kaneshiro are the standouts. As Liu Jin-xi, Yen is a force of nature; physically, he is brilliant – his face capable of assuming and conveying myriad emotions and thoughts. His performance is all outwards, and not internal, so he confronts the viewers and makes them engage with the character he is playing. Kaneshiro as Bai-jiu offers a performance that is more interior. His performance sends out intriguing bits of information about the implacable detective in a way that makes the character as charming as an old friend.
As the director of the film’s action, Yen makes Dragon exhilarating and mesmerizing martial arts entertainment. As the director, Peter Chan tickles the brain, as he tackles dynamic human themes and conflicts. By any name, Dragon or Wu Xia is a dragon, a fire-breathing beast that is too smart to be just another Chinese fight movie.
9 of 10
A
Monday, April 15, 2013
Labels:
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international cinema,
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Movie review
Wednesday, April 17, 2013
Will and Jaden Smith to Be Newspapermen for a Day
Will Smith and Jaden Smith to Be Special Guests of Metro Newspapers
NEW YORK--(BUSINESS WIRE)--Metro US ("Metro") will feature famous father-and-son team Will and Jaden Smith as Special Guests on Monday April 22, 2013 both in-paper and online at www.metro.us, in advance of their action film “After Earth,” premiering June 7, 2013.
As Special Guests, Jaden and Will Smith will imagine what the Earth will look like hundreds of years from now; including environmental impact, advances in technology and transport, and media. The pair will sit for an exclusive Q&A with Metro. All content will run in Metro’s print and digital editions around the world.
“Metro strives to bring exciting exclusive content to readers both in print and online,” said Tony Metcalf, Metro US Editor-in-Chief, “to have Will and Jaden Smith, creating exclusive content just for Metro? No doubt Metro will be a very hot commodity on Apr 22nd. It’s an outstanding opportunity for advertisers, as well.”
In “After Earth,” a crash landing leaves teenager Kitai Raige (Jaden Smith) and his legendary father Cypher (Will Smith) stranded on Earth 1,000 years after cataclysmic events forced humanity’s escape. With Cypher critically injured, Kitai must embark on a perilous journey to signal for help, facing uncharted terrain, evolved animal species that now rule the planet, and an unstoppable alien creature that escaped during the crash. Father and son must work together and trust one another if they want to return home.
Check out the “After Earth” trailer on www.metro.us.
ABOUT METRO
Metro is the world’s largest newspaper – attracting a young, active audience of over 20 million daily in more than 100 cities worldwide. In the US, Metro was launched in 1999 and is now the #1 most read free daily nationwide with 1.3 million daily readers. Designed for a 20-minute read, Metro delivers news and entertainment to commuters Monday through Friday. Local, national and international news and features are presented without bias, showcasing a metropolitan attitude and style. To learn more, visit: www.metro.us
NEW YORK--(BUSINESS WIRE)--Metro US ("Metro") will feature famous father-and-son team Will and Jaden Smith as Special Guests on Monday April 22, 2013 both in-paper and online at www.metro.us, in advance of their action film “After Earth,” premiering June 7, 2013.
As Special Guests, Jaden and Will Smith will imagine what the Earth will look like hundreds of years from now; including environmental impact, advances in technology and transport, and media. The pair will sit for an exclusive Q&A with Metro. All content will run in Metro’s print and digital editions around the world.
“Metro strives to bring exciting exclusive content to readers both in print and online,” said Tony Metcalf, Metro US Editor-in-Chief, “to have Will and Jaden Smith, creating exclusive content just for Metro? No doubt Metro will be a very hot commodity on Apr 22nd. It’s an outstanding opportunity for advertisers, as well.”
In “After Earth,” a crash landing leaves teenager Kitai Raige (Jaden Smith) and his legendary father Cypher (Will Smith) stranded on Earth 1,000 years after cataclysmic events forced humanity’s escape. With Cypher critically injured, Kitai must embark on a perilous journey to signal for help, facing uncharted terrain, evolved animal species that now rule the planet, and an unstoppable alien creature that escaped during the crash. Father and son must work together and trust one another if they want to return home.
Check out the “After Earth” trailer on www.metro.us.
ABOUT METRO
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Review: "13 Going on 30" is a Pleasant Star Vehicle (Happy B'day, Jennifer Garner)
TRASH IN MY EYE No. 189 (of 2004) by Leroy Douresseaux
13 Going on 30 (2004)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – PG-13 for some sexual content and brief drug references
DIRECTOR: Gary Winick
WRITERS: Josh Goldsmith and Cathy Yuspa
PRODUCERS: Susan Arnold, Gina Matthews, and Donna Arkoff Roth
CINEMATOGRAPHER: Don Burgess (D.o.P.)
EDITOR: Susan Littenberg
COMPOSER: Theodore Shapiro
FANTASY/COMEDY/DRAMA/ROMANCE
Starring: Jennifer Garner, Mark Ruffalo, Judy Greer, Andy Serkis, Kathy Baker, Phil Reeves, Samuel Ball, Marcia DeBonis, Christa B. Allen, Sean Marquette, Jim Gaffigan, and Swoop Whitebear
The subject of this movie review is 13 Going on 30, a 2004 romantic comedy and fantasy film from director Gary Winick (Letters to Juliet). The film stars Jennifer Garner as a 13-year-old girl who wakes up as a 30-year-old woman.
Thirteen-year old Jenna Rink (Christa B. Allen) hates her life and hates everybody, so on her 13th birthday, she makes a wish that she was grown up. After playing a game in her closet that came to an unhappy conclusion, she falls asleep as magic dust falls on her head, and later awakens to find that she is a 30-year old, hotshot magazine editor. However, there is a lot about her life that the 30-year old Jenna (Jennifer Garner) doesn’t like. She ignores her parents, steals other people’s magazine ideas, and in one tragic instance with a co-worker’s spouse, she is “the other woman.”
Having a hard time, catching onto her adult life, she turns to the one friend she remembers, Matt Flamhaff (Mark Ruffalo), but in the 17 years since her magical 13th birthday party, she’s ignored Matt. Jenna is as cool and as popular as she wanted to be when she was a kid, and she has lots of expensive clothes and a swanky NYC Fifth Avenue apartment. She is, however, forced to realize that she’s been living the high life of which she has no idea and can’t remember, and that her and Matt went their separate ways long ago. Now, she needs him and wants to be the girl she was when 13-year old Matt (Sean Marquette) was her best friend, but can she rebuild that close relationship in the fortnight before Matt’s impending marriage?
I have not been a fan of Jennifer Garner’s work, neither her body of small film roles nor of the popular TV series, “Alias,” in which she has starred since 2001. That was until I saw 13 Going on 30. The film is a puff piece, a re-imagining of the Tom Hanks favorite, Big (1988), in which Hanks plays a boy who gets his wish (sort of) and his body is transformed to adulthood while his personality and mind remain that of a boy. Plot and concept holes fill 13 Going on 30, such as Jenna forgetting the last 17 years of her life, but pretty much remembering how to edit a magazine. Still, it’s Ms. Garner’s charm and her ability to both summon the personality of a child and to expertly portray the child dealing with adult interpersonal relationships: professional, personal, and intimate. 13 Going on 30 may be a flimsy star vehicle (the kind of soft films in which a studio places a rising star in hopes of raising his star power or testing his star potential), but it’s Jennifer Garner who makes this clunky bucket an attractive program model.
7 of 10
B+
13 Going on 30 (2004)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – PG-13 for some sexual content and brief drug references
DIRECTOR: Gary Winick
WRITERS: Josh Goldsmith and Cathy Yuspa
PRODUCERS: Susan Arnold, Gina Matthews, and Donna Arkoff Roth
CINEMATOGRAPHER: Don Burgess (D.o.P.)
EDITOR: Susan Littenberg
COMPOSER: Theodore Shapiro
FANTASY/COMEDY/DRAMA/ROMANCE
Starring: Jennifer Garner, Mark Ruffalo, Judy Greer, Andy Serkis, Kathy Baker, Phil Reeves, Samuel Ball, Marcia DeBonis, Christa B. Allen, Sean Marquette, Jim Gaffigan, and Swoop Whitebear
The subject of this movie review is 13 Going on 30, a 2004 romantic comedy and fantasy film from director Gary Winick (Letters to Juliet). The film stars Jennifer Garner as a 13-year-old girl who wakes up as a 30-year-old woman.
Thirteen-year old Jenna Rink (Christa B. Allen) hates her life and hates everybody, so on her 13th birthday, she makes a wish that she was grown up. After playing a game in her closet that came to an unhappy conclusion, she falls asleep as magic dust falls on her head, and later awakens to find that she is a 30-year old, hotshot magazine editor. However, there is a lot about her life that the 30-year old Jenna (Jennifer Garner) doesn’t like. She ignores her parents, steals other people’s magazine ideas, and in one tragic instance with a co-worker’s spouse, she is “the other woman.”
Having a hard time, catching onto her adult life, she turns to the one friend she remembers, Matt Flamhaff (Mark Ruffalo), but in the 17 years since her magical 13th birthday party, she’s ignored Matt. Jenna is as cool and as popular as she wanted to be when she was a kid, and she has lots of expensive clothes and a swanky NYC Fifth Avenue apartment. She is, however, forced to realize that she’s been living the high life of which she has no idea and can’t remember, and that her and Matt went their separate ways long ago. Now, she needs him and wants to be the girl she was when 13-year old Matt (Sean Marquette) was her best friend, but can she rebuild that close relationship in the fortnight before Matt’s impending marriage?
I have not been a fan of Jennifer Garner’s work, neither her body of small film roles nor of the popular TV series, “Alias,” in which she has starred since 2001. That was until I saw 13 Going on 30. The film is a puff piece, a re-imagining of the Tom Hanks favorite, Big (1988), in which Hanks plays a boy who gets his wish (sort of) and his body is transformed to adulthood while his personality and mind remain that of a boy. Plot and concept holes fill 13 Going on 30, such as Jenna forgetting the last 17 years of her life, but pretty much remembering how to edit a magazine. Still, it’s Ms. Garner’s charm and her ability to both summon the personality of a child and to expertly portray the child dealing with adult interpersonal relationships: professional, personal, and intimate. 13 Going on 30 may be a flimsy star vehicle (the kind of soft films in which a studio places a rising star in hopes of raising his star power or testing his star potential), but it’s Jennifer Garner who makes this clunky bucket an attractive program model.
7 of 10
B+
----------------
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New "Star Trek Into Darkness" Spock Poster April 14 2013
IN SELECT THEATERS IN IMAX 3D MAY 15th
IN THEATERS EVERYHWERE MAY 17th
WWW.STARTREKMOVIE.COM
#StarTrek #IntoDarkness
In the wake of a shocking act of terror from within their own organization, the crew of The Enterprise is called back home to Earth. In defiance of regulations and with a personal score to settle, Captain Kirk leads his crew on a manhunt to capture an unstoppable force of destruction and bring those responsible to justice.
As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.
"Star Trek Into Darkness" Uhura Poster - April 13 2013
IN SELECT THEATERS IN IMAX 3D MAY 15th
IN THEATERS EVERYHWERE MAY 17th
WWW.STARTREKMOVIE.COM
#StarTrek #IntoDarkness
In the wake of a shocking act of terror from within their own organization, the crew of The Enterprise is called back home to Earth. In defiance of regulations and with a personal score to settle, Captain Kirk leads his crew on a manhunt to capture an unstoppable force of destruction and bring those responsible to justice.
As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.
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Saturday, April 13, 2013
New "Star Trek Into Darkness" Poster - April 12 2013
IN SELECT THEATERS IN IMAX 3D MAY 15th
IN THEATERS EVERYHWERE MAY 17th
WWW.STARTREKMOVIE.COM
#StarTrek #IntoDarkness
Synopsis: In the wake of a shocking act of terror from within their own organization, the crew of The Enterprise is called back home to Earth. In defiance of regulations and with a personal score to settle, Captain Kirk leads his crew on a manhunt to capture an unstoppable force of destruction and bring those responsible to justice.
As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.
Friday, April 12, 2013
2013 MTV Movie Awards - Complete Nominations List
by Leroy Douresseaux
The MTV Movie Awards began in 1992. I cared as much then as I do now, and that’s very little. I’ve probably watched less than half an hour combined of all the award telecasts. Anyway, the 2013 edition of these awards has arrived.
“Django Unchained” and “Ted” are 2013’s top nominees with seven nominations each, and both films were nominated in the “Movie of the Year” category. The other best-picture contenders are “The Dark Knight Rises,” “Marvel’s The Avengers,” and “Silver Linings Playbook.”
The 22nd annual MTV Movie Awards will be presented Sunday, April 14, 2013. The awards ceremony will be broadcast live on MTV.
The 2013 MTV Movie Awards complete list of nominees:
MOVIE OF THE YEAR
"Django Unchained"
"Silver Linings Playbook"
"Ted"
"Marvel's The Avengers"
"The Dark Knight Rises"
BEST FEMALE PERFORMANCE
Anne Hathaway — "Les Misérables"
Mila Kunis — "Ted"
Jennifer Lawrence — "Silver Linings Playbook"
Emma Watson — "The Perks of Being a Wallflower"
Rebel Wilson — "Pitch Perfect"
BEST MALE PERFORMANCE
Ben Affleck — "Argo"
Bradley Cooper — "Silver Linings Playbook"
Daniel Day-Lewis — "Lincoln"
Jamie Foxx — "Django Unchained"
Channing Tatum — "Magic Mike"
BREAKTHROUGH PERFORMANCE
Ezra Miller — "The Perks of Being a Wallflower"
Eddie Redmayne — "Les Misérables"
Suraj Sharma — "Life of Pi"
Quvenzhané Wallis — "Beasts of the Southern Wild"
Rebel Wilson — "Pitch Perfect"
BEST SCARED-AS-S**T PERFORMANCE
Jessica Chastain — "Zero Dark Thirty"
Alexandra Daddario — "Texas Chainsaw 3D"
Martin Freeman — "The Hobbit: An Unexpected Journey"
Jennifer Lawrence — "House at the End of the Street"
Suraj Sharma — "Life of Pi"
BEST ON-SCREEN DUO
Leonardo DiCaprio and Samuel L. Jackson — "Django Unchained"
Bradley Cooper and Jennifer Lawrence — "Silver Linings Playbook"
Mark Wahlberg and Seth MacFarlane as Ted — "Ted"
Robert Downey Jr. and Mark Ruffalo — "Marvel's The Avengers"
Will Ferrell and Zach Galifianakis — "The Campaign"
BEST SHIRTLESS PERFORMANCE
Christian Bale — "The Dark Knight Rises"
Daniel Craig — "Skyfall"
Taylor Lautner — "The Twilight Saga: Breaking Dawn — Part 2"
Seth MacFarlane as Ted — "Ted"
Channing Tatum — "Magic Mike"
BEST FIGHT
Jamie Foxx vs. Candieland Henchmen — "Django Unchained"
Daniel Craig vs. Ola Rapace — "Skyfall"
Mark Wahlberg vs. Seth MacFarlane as Ted — "Ted"
Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson and Jeremy Renner vs. Tom Hiddleston — "Marvel's The Avengers"
Christian Bale vs. Tom Hardy — "The Dark Knight Rises"
BEST KISS
Kerry Washington and Jamie Foxx — "Django Unchained"
Kara Hayward and Jared Gilman — "Moonrise Kingdom"
Jennifer Lawrence and Bradley Cooper — "Silver Linings Playbook"
Mila Kunis and Mark Wahlberg — "Ted"
Emma Watson and Logan Lerman — "The Perks of Being a Wallflower"
BEST WTF MOMENT
Jamie Foxx and Samuel L. Jackson — "Candieland Gets Smoked" in "Django Unchained"
Denzel Washington — "Final Descent" in Flight"
Anna Camp — "Hack-Appella" in Pitch Perfect"
Javier Bardem — "Oops... There Goes His Face" in Skyfall"
Seth MacFarlane as Ted — "Ted Gets Saucy" in Ted"
BEST VILLAIN
Javier Bardem — "Skyfall"
Leonardo DiCaprio — "Django Unchained"
Marion Cotillard — "The Dark Knight Rises"
Tom Hardy — "The Dark Knight Rises"
Tom Hiddleston — "Marvel's The Avengers
BEST MUSICAL MOMENT
Anne Hathaway — "Les Misérables"
Channing Tatum, Matt Bomer, Joe Manganiello, Kevin Nash and Adam Rodriguez — "Magic Mike"
Anna Kendrick, Rebel Wilson, Anna Camp, Brittany Snow, Alexis Knapp, Ester Dean and Hana Mae Lee — "Pitch Perfect"
Bradley Cooper and Jennifer Lawrence — "Silver Linings Playbook"
Emma Watson, Logan Lerman and Ezra Miller — "The Perks of Being a Wallflower"
See the list of nominees at http://www.mtv.com/news/articles/1703068/2013-mtv-movie-awards-nominees.jhtml
The MTV Movie Awards began in 1992. I cared as much then as I do now, and that’s very little. I’ve probably watched less than half an hour combined of all the award telecasts. Anyway, the 2013 edition of these awards has arrived.
“Django Unchained” and “Ted” are 2013’s top nominees with seven nominations each, and both films were nominated in the “Movie of the Year” category. The other best-picture contenders are “The Dark Knight Rises,” “Marvel’s The Avengers,” and “Silver Linings Playbook.”
The 22nd annual MTV Movie Awards will be presented Sunday, April 14, 2013. The awards ceremony will be broadcast live on MTV.
The 2013 MTV Movie Awards complete list of nominees:
MOVIE OF THE YEAR
"Django Unchained"
"Silver Linings Playbook"
"Ted"
"Marvel's The Avengers"
"The Dark Knight Rises"
BEST FEMALE PERFORMANCE
Anne Hathaway — "Les Misérables"
Mila Kunis — "Ted"
Jennifer Lawrence — "Silver Linings Playbook"
Emma Watson — "The Perks of Being a Wallflower"
Rebel Wilson — "Pitch Perfect"
BEST MALE PERFORMANCE
Ben Affleck — "Argo"
Bradley Cooper — "Silver Linings Playbook"
Daniel Day-Lewis — "Lincoln"
Jamie Foxx — "Django Unchained"
Channing Tatum — "Magic Mike"
BREAKTHROUGH PERFORMANCE
Ezra Miller — "The Perks of Being a Wallflower"
Eddie Redmayne — "Les Misérables"
Suraj Sharma — "Life of Pi"
Quvenzhané Wallis — "Beasts of the Southern Wild"
Rebel Wilson — "Pitch Perfect"
BEST SCARED-AS-S**T PERFORMANCE
Jessica Chastain — "Zero Dark Thirty"
Alexandra Daddario — "Texas Chainsaw 3D"
Martin Freeman — "The Hobbit: An Unexpected Journey"
Jennifer Lawrence — "House at the End of the Street"
Suraj Sharma — "Life of Pi"
BEST ON-SCREEN DUO
Leonardo DiCaprio and Samuel L. Jackson — "Django Unchained"
Bradley Cooper and Jennifer Lawrence — "Silver Linings Playbook"
Mark Wahlberg and Seth MacFarlane as Ted — "Ted"
Robert Downey Jr. and Mark Ruffalo — "Marvel's The Avengers"
Will Ferrell and Zach Galifianakis — "The Campaign"
BEST SHIRTLESS PERFORMANCE
Christian Bale — "The Dark Knight Rises"
Daniel Craig — "Skyfall"
Taylor Lautner — "The Twilight Saga: Breaking Dawn — Part 2"
Seth MacFarlane as Ted — "Ted"
Channing Tatum — "Magic Mike"
BEST FIGHT
Jamie Foxx vs. Candieland Henchmen — "Django Unchained"
Daniel Craig vs. Ola Rapace — "Skyfall"
Mark Wahlberg vs. Seth MacFarlane as Ted — "Ted"
Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson and Jeremy Renner vs. Tom Hiddleston — "Marvel's The Avengers"
Christian Bale vs. Tom Hardy — "The Dark Knight Rises"
BEST KISS
Kerry Washington and Jamie Foxx — "Django Unchained"
Kara Hayward and Jared Gilman — "Moonrise Kingdom"
Jennifer Lawrence and Bradley Cooper — "Silver Linings Playbook"
Mila Kunis and Mark Wahlberg — "Ted"
Emma Watson and Logan Lerman — "The Perks of Being a Wallflower"
BEST WTF MOMENT
Jamie Foxx and Samuel L. Jackson — "Candieland Gets Smoked" in "Django Unchained"
Denzel Washington — "Final Descent" in Flight"
Anna Camp — "Hack-Appella" in Pitch Perfect"
Javier Bardem — "Oops... There Goes His Face" in Skyfall"
Seth MacFarlane as Ted — "Ted Gets Saucy" in Ted"
BEST VILLAIN
Javier Bardem — "Skyfall"
Leonardo DiCaprio — "Django Unchained"
Marion Cotillard — "The Dark Knight Rises"
Tom Hardy — "The Dark Knight Rises"
Tom Hiddleston — "Marvel's The Avengers
BEST MUSICAL MOMENT
Anne Hathaway — "Les Misérables"
Channing Tatum, Matt Bomer, Joe Manganiello, Kevin Nash and Adam Rodriguez — "Magic Mike"
Anna Kendrick, Rebel Wilson, Anna Camp, Brittany Snow, Alexis Knapp, Ester Dean and Hana Mae Lee — "Pitch Perfect"
Bradley Cooper and Jennifer Lawrence — "Silver Linings Playbook"
Emma Watson, Logan Lerman and Ezra Miller — "The Perks of Being a Wallflower"
See the list of nominees at http://www.mtv.com/news/articles/1703068/2013-mtv-movie-awards-nominees.jhtml
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Review: "Scary Movie 4" Just as Bad, but Less Funny
TRASH IN MY EYE No. 72 (of 2006) by Leroy Douresseaux
Scary Movie 4 (2006)
Running time: 83 minutes (1 hour, 23 minutes)
MPAA – PG-13 for crude and sexual humor throughout, some comic violence and language
DIRECTOR: David Zucker
WRITERS: Craig Mazin, Pat Proft, and Jim Abrams; from a story by Craig Mazin
PRODUCERS: Craig Mazin and Robert K. Weiss
CINEMATOGRAPHER: Thomas E. Ackerman
EDITORS: Craig Herring and Tom Lewis
COMPOSER: James L. Venable
Razzie Award winner
COMEDY/HORROR
Starring: Anna Faris, Regina Hall, Craig Bierko, Anthony Anderson, Kevin Hart, Leslie Nielsen, DeRay Davis, Charlie Sheen, Chris Elliot, Molly Shannon, Michael Madsen, Carmen Electra, Dr. Phil McGraw, and Shaquille O’Neal
The subject of this movie review is Scary Movie 4, a 2006 comedy and parody film of science fiction and horror films. It is the fourth film in the Scary Movie franchise and a direct sequel to Scary Movie 3. Scary Movie 4 also ends the story arc that began in the original film, Scary Movie.
Cindy Campbell (Anna Faris), Brenda Meeks (Regina Hall), and the rest of the Scary Movie gang are back. Using a parody of the Steven Spielberg/Tom Cruise version of War of the Worlds (2005) as a framework, the gang sends-up movies like The Grudge (2004), Brokeback Mountain, The Village (2004), Saw and Saw II, and Million Dollar Baby along with other films, music and current events. Cindy has to solve the mystery of a little boy’s murder if she is going to stop the alien invasion and reclaim the new love of her life, Tom Ryan (Craig Bierko, spoofing Cruise in War of the Worlds).
Scary Movie 4 isn’t as funny as Scary Movie 3, not having nearly the same number of belly laughs 3 had. Director David Zucker, known for his work on such lampoon movies as Airplane! and the Naked Gun franchise, gives Scary Movie 4 a more coherent narrative than he gave the third film. This one actually has a story that attempts to make sense while at the same time satirizing of so many other films and pop culture. However, the determination to “make sense” tames any of the jokes that have potential for being really raucous humor.
The audience with which I saw this film was obviously uncomfortable with or not familiar with Brokeback Mountain, so the gay love jokes fell flat. However, the scenes satirizing The Grudge succeed because they capture that film’s scary weirdness. Still, I’ll never understand why the Wayans Brothers were summarily dismissed from the franchise, because Zucker’s films (3 and 4) are not nearly as good or as funny as Scary Movie and Scary Movie 2. Ultimately, Scary Movie 4 is a lame film that is nothing more than a cheesy video rental.
3 of 10
C-
Saturday, April 15, 2006
NOTES:
2007 Razzie Awards: 1 win: “Worst Supporting Actress” (Carmen Electra, also for Date Movie-2006)
Scary Movie 4 (2006)
Running time: 83 minutes (1 hour, 23 minutes)
MPAA – PG-13 for crude and sexual humor throughout, some comic violence and language
DIRECTOR: David Zucker
WRITERS: Craig Mazin, Pat Proft, and Jim Abrams; from a story by Craig Mazin
PRODUCERS: Craig Mazin and Robert K. Weiss
CINEMATOGRAPHER: Thomas E. Ackerman
EDITORS: Craig Herring and Tom Lewis
COMPOSER: James L. Venable
Razzie Award winner
COMEDY/HORROR
Starring: Anna Faris, Regina Hall, Craig Bierko, Anthony Anderson, Kevin Hart, Leslie Nielsen, DeRay Davis, Charlie Sheen, Chris Elliot, Molly Shannon, Michael Madsen, Carmen Electra, Dr. Phil McGraw, and Shaquille O’Neal
The subject of this movie review is Scary Movie 4, a 2006 comedy and parody film of science fiction and horror films. It is the fourth film in the Scary Movie franchise and a direct sequel to Scary Movie 3. Scary Movie 4 also ends the story arc that began in the original film, Scary Movie.
Cindy Campbell (Anna Faris), Brenda Meeks (Regina Hall), and the rest of the Scary Movie gang are back. Using a parody of the Steven Spielberg/Tom Cruise version of War of the Worlds (2005) as a framework, the gang sends-up movies like The Grudge (2004), Brokeback Mountain, The Village (2004), Saw and Saw II, and Million Dollar Baby along with other films, music and current events. Cindy has to solve the mystery of a little boy’s murder if she is going to stop the alien invasion and reclaim the new love of her life, Tom Ryan (Craig Bierko, spoofing Cruise in War of the Worlds).
Scary Movie 4 isn’t as funny as Scary Movie 3, not having nearly the same number of belly laughs 3 had. Director David Zucker, known for his work on such lampoon movies as Airplane! and the Naked Gun franchise, gives Scary Movie 4 a more coherent narrative than he gave the third film. This one actually has a story that attempts to make sense while at the same time satirizing of so many other films and pop culture. However, the determination to “make sense” tames any of the jokes that have potential for being really raucous humor.
The audience with which I saw this film was obviously uncomfortable with or not familiar with Brokeback Mountain, so the gay love jokes fell flat. However, the scenes satirizing The Grudge succeed because they capture that film’s scary weirdness. Still, I’ll never understand why the Wayans Brothers were summarily dismissed from the franchise, because Zucker’s films (3 and 4) are not nearly as good or as funny as Scary Movie and Scary Movie 2. Ultimately, Scary Movie 4 is a lame film that is nothing more than a cheesy video rental.
3 of 10
C-
Saturday, April 15, 2006
NOTES:
2007 Razzie Awards: 1 win: “Worst Supporting Actress” (Carmen Electra, also for Date Movie-2006)
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Review: "Scary Movie 3" Quite Bad, but Funny
TRASH IN MY EYE No. 158 (of 2003)
Scary Movie 3 (2003)
Running time: 84 minutes (1 hour, 24 minutes)
MPAA – PG-13 for pervasive crude and sexual humor, language, comic violence and drug references
DIRECTOR: David Zucker
WRITERS: Craig Mazin and Pat Proft (based upon characters created by Shawn Wayans, Marlon Wayans, Buddy Johnson, Phil Beauman, Jason Friedberg, and Aaron Seltzer)
PRODUCER: Robert K. Weiss
CINEMATOGRAPHER: Mark Irwin (D.o.P.)
EDITOR: Malcolm Campbell and Jon Poll
COMPOSER: James L. Venable
COMEDY with elements of fantasy, horror, and sci-fi
Starring: Anna Faris, Simon Rex, Regina Hall, Anthony Anderson, Pamela Anderson, Jenny McCarthy, Marny Eng, Charlie Sheen, Jeremy Piven, Camryn Manheim, Queen Latifah, Eddie Griffin, Leslie Nielsen, D.L. Hughley, Ja Rule, George Carlin, Master P, Macy Gray, Redman, Method Man, Raekwon, RZA, Fat Joe, and Simon Cowell
The subject of this movie review is Scary Movie 3, a 2003 comedy film and parody of science fiction and horror films. It is the first film in the Scary Movie franchise not to feature members of the Wayans family.
Scary Movie 3 has loads and loads of belly laughs, but it is shockingly lame, dull, and an all out boring film, which gets worse as its nearly incomprehensible story lethargically crawls to the end. This installment of the franchise mainly targets The Ring and Signs for a good skewering or is that screwing? The Matrix and 8 Mile also fall in for a manhandling; the former parody is mildly funny while the latter is surprisingly sprightly and hilarious. The film, however, is one long gag reel superimposed over a deplorably bad movie.
The story this time, as it may be, has Cindy (Anna Faris) and her lame heartthrob George (Simon Rex) investigating crop circles and a killer ghost from a haunted videocassette. Somehow, it’s all tied together, and Cindy also has to help President Harris (Leslie Nielsen) stop an alien invasion.
If this doesn’t sound like much, it’s because Scary Movie 3 isn’t very much. The presence of so many stars in small roles and cameos is very nice, and some, like Anthony Anderson, Pamela Anderson, and Jenny McCarthy, actually make the film worth seeing. The cast, like the raunchy humor and endless sight gags, don’t exactly save the movie, but they can make you laugh, and in the end, those laughs might be the only reason to justify seeing this lame duck. David Zucker, part of the team responsible for Airplane and Naked Gun, lavishes Scary Movie 3 with his trademark gag-a-minute style, and it works to an extent.
I must really emphasize that this film can cause some hard and deep laughing, but I was also very shocked at how often tasteless and tactless the film was. Jokes that involve violating a corpse at a wake and pedophilia on the part of Catholic priest cross the line. It’s not so much that this kind of humor seems desperate; it’s that the filmmakers seem so willfully shameless and tasteless. Some things are not funny. They are sacred or taboo for reasons that are important to a society. It’s not that such things cannot be discussed; it’s how they are discussed. To use them as jokes is the sign of a weak, unimaginative mind – a selfish and immature person determined and desperate to get what he wants at any cost.
That said – I laughed a lot, and I cringed behind my arms almost as much. Scary Movie 3 won’t ever be listed among the great comedies. At best, it’s a temporary and exasperating thrill that is forgotten as soon as the film fades to black.
3 of 10
C-
Scary Movie 3 (2003)
Running time: 84 minutes (1 hour, 24 minutes)
MPAA – PG-13 for pervasive crude and sexual humor, language, comic violence and drug references
DIRECTOR: David Zucker
WRITERS: Craig Mazin and Pat Proft (based upon characters created by Shawn Wayans, Marlon Wayans, Buddy Johnson, Phil Beauman, Jason Friedberg, and Aaron Seltzer)
PRODUCER: Robert K. Weiss
CINEMATOGRAPHER: Mark Irwin (D.o.P.)
EDITOR: Malcolm Campbell and Jon Poll
COMPOSER: James L. Venable
COMEDY with elements of fantasy, horror, and sci-fi
Starring: Anna Faris, Simon Rex, Regina Hall, Anthony Anderson, Pamela Anderson, Jenny McCarthy, Marny Eng, Charlie Sheen, Jeremy Piven, Camryn Manheim, Queen Latifah, Eddie Griffin, Leslie Nielsen, D.L. Hughley, Ja Rule, George Carlin, Master P, Macy Gray, Redman, Method Man, Raekwon, RZA, Fat Joe, and Simon Cowell
The subject of this movie review is Scary Movie 3, a 2003 comedy film and parody of science fiction and horror films. It is the first film in the Scary Movie franchise not to feature members of the Wayans family.
Scary Movie 3 has loads and loads of belly laughs, but it is shockingly lame, dull, and an all out boring film, which gets worse as its nearly incomprehensible story lethargically crawls to the end. This installment of the franchise mainly targets The Ring and Signs for a good skewering or is that screwing? The Matrix and 8 Mile also fall in for a manhandling; the former parody is mildly funny while the latter is surprisingly sprightly and hilarious. The film, however, is one long gag reel superimposed over a deplorably bad movie.
The story this time, as it may be, has Cindy (Anna Faris) and her lame heartthrob George (Simon Rex) investigating crop circles and a killer ghost from a haunted videocassette. Somehow, it’s all tied together, and Cindy also has to help President Harris (Leslie Nielsen) stop an alien invasion.
If this doesn’t sound like much, it’s because Scary Movie 3 isn’t very much. The presence of so many stars in small roles and cameos is very nice, and some, like Anthony Anderson, Pamela Anderson, and Jenny McCarthy, actually make the film worth seeing. The cast, like the raunchy humor and endless sight gags, don’t exactly save the movie, but they can make you laugh, and in the end, those laughs might be the only reason to justify seeing this lame duck. David Zucker, part of the team responsible for Airplane and Naked Gun, lavishes Scary Movie 3 with his trademark gag-a-minute style, and it works to an extent.
I must really emphasize that this film can cause some hard and deep laughing, but I was also very shocked at how often tasteless and tactless the film was. Jokes that involve violating a corpse at a wake and pedophilia on the part of Catholic priest cross the line. It’s not so much that this kind of humor seems desperate; it’s that the filmmakers seem so willfully shameless and tasteless. Some things are not funny. They are sacred or taboo for reasons that are important to a society. It’s not that such things cannot be discussed; it’s how they are discussed. To use them as jokes is the sign of a weak, unimaginative mind – a selfish and immature person determined and desperate to get what he wants at any cost.
That said – I laughed a lot, and I cringed behind my arms almost as much. Scary Movie 3 won’t ever be listed among the great comedies. At best, it’s a temporary and exasperating thrill that is forgotten as soon as the film fades to black.
3 of 10
C-
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Review: "Scary Movie 2" Bad and Funny
TRASH IN MY EYE No. 9 (of 2002) by Leroy Douresseaux
Scary Movie 2 (2001)
Running time: 83 minutes (1 hour, 23 minutes)
MPAA – R for strong sexual and gross humor, graphic language and some drug content
DIRECTOR: Keenan Ivory Wayans
WRITERS: Shawn Wayans, Marlon Wayans, Alyson Fouse, Greg Grabianski, Dave Polsky, Michael Anthony Snowden, and Craig Wayans (based upon characters created by Shawn and Marlon Wayans, Buddy Johnson, Phil Beauman, Jason Friedberg, Aaron Seltzer)
PRODUCER: Eric L. Gold
CINEMATOGRAPHER: Steven Bernstein (D.o.P.)
EDITORS: Tom Nordberg, Richard Pearson, and Peter Teschner
COMPOSERS: Mark McGrath
COMEDY/HORROR
Starring: Anna Faris, Marlon Wayans, James DeBello, Shawn Wayans, David Cross, Regina Hall, Christopher Masterson, Tim Curry, Kathleen Robertson, Chris Elliot, James Woods, Andy Richter, Tori Spelling, and Natasha Lyonne
The subject of this movie review is Scary Movie 2, a 2001 comedy and parody film. Directed by Keenan Ivory Wayans, this movie is a sequel to the 2001 hit film, Scary Movie, and is a spoof of horror-thriller films.
The four survivors from the first Scary Movie: heroine Cindy Campbell (Anna Faris), gay jock Ray Wilkins (Shawn Wayans), pot head Shorty Meeks (Marlon Wayans), and his sister Brenda (Regina Hall) endanger themselves again when a college instructor, Professor Oldman (Tim Curry), and his wheelchair bound assistant, Dwight Hartman (David Cross), recruit them to spend the weekend in an old mansion called Hell House for a research project on insomnia. Cindy’s new admirer Buddy (Christopher Kennedy Masterson), Theo (Tori Spelling), and hottie Jamie Lee Curtisto (Kathleen Robertson) join them for the hijinks.
If a really bad movie can be really hilarious, this one is. How bad is it, one might ask? Well, that wouldn’t be a rhetorical question. The filmmakers nearly discard story and plot and replace them with dumb sight gags and gross humor, primarily of the bodily functions and bodily fluids type.
Directed by Keenan Ivory Wayans, Scary Movie 2 is at times quite funny, even hilarious; at other times, it is embarrassing in it over reliance on bodily fluids and sex jokes. After seeing a masturbation scene, simulated oral sex, an appearance by Lester “Beetlejuice” Green, one can only wonder if the filmmakers used a single 13-year-old American boy’s brain to create this film and passed it around during production.
Director Wayans specializes in taking scenes from other movies and parodying them with visual puns and gags, and he continues that here. He has become over time more skilled at stringing together longer strands of gags in lieu of story in his movies. He isn’t a strong storyteller. When the jokes run out, his movies rapidly run out of energy, as was the case in the I'm Gonna Git You Sucka.
Utilizing as many joke and gag writers as Walt Disney does for its animated films, Wayans turns his movie into a dirty joke book, and certainly doesn’t get the smart and sassy results Disney gets in one of its films. The plot, about a weekend experiment in proving life after death or some such lie, is merely a weak idea upon which to hang this film’s nasty proceedings. The story, if written, would only be a few lines in length, and the plot is merely a path by which Wayans and his accomplices laid out the yucks and giggles.
Small roles by James Woods and Chris Elliot are painfully embarrassing to watch, so filled with vileness and sickness as they are. Still, this movie has moments that are truly uproariously funny, and this makes the movie slyly attractive. The filmmakers certainly succeeded in making a funny movie, but they chase off many viewers with their determination to be hardcore funky. Most of the cast is actually up to the task of making the movie be what it’s supposed to be. Do we dare call that good acting?
What else is there to say? Scary Movie 2 is really bad and really funny. But beware; it is a humor that turns off many viewers.
5 of 10
B-
Scary Movie 2 (2001)
Running time: 83 minutes (1 hour, 23 minutes)
MPAA – R for strong sexual and gross humor, graphic language and some drug content
DIRECTOR: Keenan Ivory Wayans
WRITERS: Shawn Wayans, Marlon Wayans, Alyson Fouse, Greg Grabianski, Dave Polsky, Michael Anthony Snowden, and Craig Wayans (based upon characters created by Shawn and Marlon Wayans, Buddy Johnson, Phil Beauman, Jason Friedberg, Aaron Seltzer)
PRODUCER: Eric L. Gold
CINEMATOGRAPHER: Steven Bernstein (D.o.P.)
EDITORS: Tom Nordberg, Richard Pearson, and Peter Teschner
COMPOSERS: Mark McGrath
COMEDY/HORROR
Starring: Anna Faris, Marlon Wayans, James DeBello, Shawn Wayans, David Cross, Regina Hall, Christopher Masterson, Tim Curry, Kathleen Robertson, Chris Elliot, James Woods, Andy Richter, Tori Spelling, and Natasha Lyonne
The subject of this movie review is Scary Movie 2, a 2001 comedy and parody film. Directed by Keenan Ivory Wayans, this movie is a sequel to the 2001 hit film, Scary Movie, and is a spoof of horror-thriller films.
The four survivors from the first Scary Movie: heroine Cindy Campbell (Anna Faris), gay jock Ray Wilkins (Shawn Wayans), pot head Shorty Meeks (Marlon Wayans), and his sister Brenda (Regina Hall) endanger themselves again when a college instructor, Professor Oldman (Tim Curry), and his wheelchair bound assistant, Dwight Hartman (David Cross), recruit them to spend the weekend in an old mansion called Hell House for a research project on insomnia. Cindy’s new admirer Buddy (Christopher Kennedy Masterson), Theo (Tori Spelling), and hottie Jamie Lee Curtisto (Kathleen Robertson) join them for the hijinks.
If a really bad movie can be really hilarious, this one is. How bad is it, one might ask? Well, that wouldn’t be a rhetorical question. The filmmakers nearly discard story and plot and replace them with dumb sight gags and gross humor, primarily of the bodily functions and bodily fluids type.
Directed by Keenan Ivory Wayans, Scary Movie 2 is at times quite funny, even hilarious; at other times, it is embarrassing in it over reliance on bodily fluids and sex jokes. After seeing a masturbation scene, simulated oral sex, an appearance by Lester “Beetlejuice” Green, one can only wonder if the filmmakers used a single 13-year-old American boy’s brain to create this film and passed it around during production.
Director Wayans specializes in taking scenes from other movies and parodying them with visual puns and gags, and he continues that here. He has become over time more skilled at stringing together longer strands of gags in lieu of story in his movies. He isn’t a strong storyteller. When the jokes run out, his movies rapidly run out of energy, as was the case in the I'm Gonna Git You Sucka.
Utilizing as many joke and gag writers as Walt Disney does for its animated films, Wayans turns his movie into a dirty joke book, and certainly doesn’t get the smart and sassy results Disney gets in one of its films. The plot, about a weekend experiment in proving life after death or some such lie, is merely a weak idea upon which to hang this film’s nasty proceedings. The story, if written, would only be a few lines in length, and the plot is merely a path by which Wayans and his accomplices laid out the yucks and giggles.
Small roles by James Woods and Chris Elliot are painfully embarrassing to watch, so filled with vileness and sickness as they are. Still, this movie has moments that are truly uproariously funny, and this makes the movie slyly attractive. The filmmakers certainly succeeded in making a funny movie, but they chase off many viewers with their determination to be hardcore funky. Most of the cast is actually up to the task of making the movie be what it’s supposed to be. Do we dare call that good acting?
What else is there to say? Scary Movie 2 is really bad and really funny. But beware; it is a humor that turns off many viewers.
5 of 10
B-
Labels:
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Thursday, April 11, 2013
Review: "Scooby-Doo! Mask of the Blue Falcon" is Superhero Scooby Fun
TRASH IN MY EYE No. 27 (of 2013) by Leroy Douresseaux
Scooby-Doo! Mask of the Blue Falcon (2012) – Video
Running time: 75 minutes (1 hour, 15 minutes)
DIRECTOR: Michael Gougen
WRITER: Michael Ryan; from a story b y Marly Halpern-Graser
PRODUCER: James Tucker
EDITOR: Kyle Stafford
COMPOSERS: Kristopher Carter, Michael McCuistion, and Lolita Ritmanis
ANIMATION STUDIO: Digital eMation, Inc.
ANIMATION/FANTASY/FAMILY and ACTION/COMEDY/MYSTERY
Starring: (voices) Frank Welker, Matthew Lillard, Grey DeLisle, Mindy Cohn, Diedrich Bader, Dee Bradley Baker, Jeff Bennett, Gregg Berger, John DiMaggio, Nika Futterman, Kevin Michael Richardson, Tara Strong, Fred Tatasciore, Mindy Sterling, and Billy West
Scooby-Doo! Mask of the Blue Falcon is the 19th movie in the Scooby-Doo straight-to-video series from Warner Bros. Animation. This series began in 1998 with Scooby-Doo on Zombie Island. In Mask of the Blue Falcon, Scooby-Doo and friends attend a comic book convention where they confront a monster terrorizing the convention.
Scooby-Doo! Mask of the Blue Falcon finds Mystery Inc.: Shaggy Rogers (Matthew Lillard), Fred Jones (Frank Welker), Daphne Blake (Grey DeLisle), Velma Dinkley (Mindy Cohn), and, of course, Scooby-Doo (Frank Welker) solving their latest case. Shaggy and Scooby-Doo are ready to take a break from mystery-solving and from being chased by monsters. Their destination of choice is the Mega Mondo Pop! Comic ConApalozza in San Pedro, California. Shaggy and Scooby plan to enter the convention’s costume contest, dressed as their favorite superheroes, the Blue Falcon (Shaggy) and Dynomutt the Dog Wonder (Scooby).
The gang arrives at the San Pedro Convention Center and finds the place packed with attendees in costumes, vendors with merchandise to sell, and even a bitter, faded actor. Owen Garrison (Jeff Bennett) was the original Blue Falcon, and he is angry that fans have forgotten him. Producer/director, Jennifer Severin (Nika Futterman) is re-launching the Blue Falcon franchise with an updated and darker movie, “The Blue Falcon Reborn: Dynomutt’s Revenge.” There is a new actor, Brad Adams (Diedrich Bader), starring as the Blue Falcon.
Meanwhile, one of the original Blue Falcon’s enemies, Mr. Hyde (John DiMaggio), begins terrorizing the convention and threatening to stop the premiere of the new Blue Falcon movie. Suspicion is directed at Garrison as the identity of the diabolical Hyde, but Shaggy and Scooby don’t believe it. Can this dynamic duo solve the mystery of Mr. Hyde or will they just end up being laughingstocks?
The Scooby-Doo animated television franchise is probably the signature creation of Hanna-Barbera Productions, Inc., the former American animation studio that dominated American television animation for decades. Scooby-Doo! Mask of the Blue Falcon is like a reunion of old Hanna-Barbera characters and shows, especially those that appeared on Saturday morning network television in the 1960s and 70s. Of course, Blue Falcon and Dynomutt the Dog Wonder were the stars of Dynomutt, Dog Wonder, a half-hour segment of The Scooby Doo/Dynomutt Hour, which originally aired during the 1976-77 television season.
In fact, in one form or another, several Hanna-Barbera characters appear in Scooby-Doo! Mask of the Blue Falcon, including The Flintstones, Frankenstein, Jr., The Herculoids, Space Ghost, and Speed Buggy, among many. That may be why I like Mask of the Blue Falcon so much. While it is not great, I do think this movie is one of the better recent Scooby-Doo direct-to-DVD films. I am giving it a rating of 8 (of 10), which I translate to a grade of “A.” Perhaps, I should be a bit more conservative here, but I like this film enough that I could not see myself going to anything below a 7. That’s a Hanna-Barbera fan for you!
Anyway, Mask of the Blue Falcon’s animation is nice and has sharp colors (which is generally true of the series these last few years). The character animation is good, and while the characters’ motion is not as good as it is in feature animation, they never look clunky and clumsy.
What makes Mask of the Blue Falcon stand out is characterization. Mystery Inc. and many of the supporting characters have personalities, desires, goals, conflicts, etc. There is Scooby-Doo’s need to be a hero like Dynomutt, and Owen Garrison’s bitterness. Daphne’s obsession with a toy line, the “Littlest Fuzzies,” is a nice change of pace for the character. I did notice something peculiar. Whenever, Mayor Ron Starlin of San Pedro (Kevin Michael Richardson) was on-screen, the background music changed to some kind of gospel-inflected organ music. Was this to indicate that the mayor, who is African-American, is some kind of stereotypical, Black religious leader-type politician? A Rev. Jesse Jackson or Rev. Al Sharpton type, hmm?
As character development and personality go, this is minute, simple material, but it’s a step-up from recent Scooby-Doo movies. So it’s not just nostalgia that makes me love this movie; Scooby-Doo! Mask of the Blue Falcon is quite good… even if it is not as good as I think it is. And I do want more like it.
8 of 10
A
Wednesday, April 10, 2013
Scooby-Doo! Mask of the Blue Falcon (2012) – Video
Running time: 75 minutes (1 hour, 15 minutes)
DIRECTOR: Michael Gougen
WRITER: Michael Ryan; from a story b y Marly Halpern-Graser
PRODUCER: James Tucker
EDITOR: Kyle Stafford
COMPOSERS: Kristopher Carter, Michael McCuistion, and Lolita Ritmanis
ANIMATION STUDIO: Digital eMation, Inc.
ANIMATION/FANTASY/FAMILY and ACTION/COMEDY/MYSTERY
Starring: (voices) Frank Welker, Matthew Lillard, Grey DeLisle, Mindy Cohn, Diedrich Bader, Dee Bradley Baker, Jeff Bennett, Gregg Berger, John DiMaggio, Nika Futterman, Kevin Michael Richardson, Tara Strong, Fred Tatasciore, Mindy Sterling, and Billy West
Scooby-Doo! Mask of the Blue Falcon is the 19th movie in the Scooby-Doo straight-to-video series from Warner Bros. Animation. This series began in 1998 with Scooby-Doo on Zombie Island. In Mask of the Blue Falcon, Scooby-Doo and friends attend a comic book convention where they confront a monster terrorizing the convention.
Scooby-Doo! Mask of the Blue Falcon finds Mystery Inc.: Shaggy Rogers (Matthew Lillard), Fred Jones (Frank Welker), Daphne Blake (Grey DeLisle), Velma Dinkley (Mindy Cohn), and, of course, Scooby-Doo (Frank Welker) solving their latest case. Shaggy and Scooby-Doo are ready to take a break from mystery-solving and from being chased by monsters. Their destination of choice is the Mega Mondo Pop! Comic ConApalozza in San Pedro, California. Shaggy and Scooby plan to enter the convention’s costume contest, dressed as their favorite superheroes, the Blue Falcon (Shaggy) and Dynomutt the Dog Wonder (Scooby).
The gang arrives at the San Pedro Convention Center and finds the place packed with attendees in costumes, vendors with merchandise to sell, and even a bitter, faded actor. Owen Garrison (Jeff Bennett) was the original Blue Falcon, and he is angry that fans have forgotten him. Producer/director, Jennifer Severin (Nika Futterman) is re-launching the Blue Falcon franchise with an updated and darker movie, “The Blue Falcon Reborn: Dynomutt’s Revenge.” There is a new actor, Brad Adams (Diedrich Bader), starring as the Blue Falcon.
Meanwhile, one of the original Blue Falcon’s enemies, Mr. Hyde (John DiMaggio), begins terrorizing the convention and threatening to stop the premiere of the new Blue Falcon movie. Suspicion is directed at Garrison as the identity of the diabolical Hyde, but Shaggy and Scooby don’t believe it. Can this dynamic duo solve the mystery of Mr. Hyde or will they just end up being laughingstocks?
The Scooby-Doo animated television franchise is probably the signature creation of Hanna-Barbera Productions, Inc., the former American animation studio that dominated American television animation for decades. Scooby-Doo! Mask of the Blue Falcon is like a reunion of old Hanna-Barbera characters and shows, especially those that appeared on Saturday morning network television in the 1960s and 70s. Of course, Blue Falcon and Dynomutt the Dog Wonder were the stars of Dynomutt, Dog Wonder, a half-hour segment of The Scooby Doo/Dynomutt Hour, which originally aired during the 1976-77 television season.
In fact, in one form or another, several Hanna-Barbera characters appear in Scooby-Doo! Mask of the Blue Falcon, including The Flintstones, Frankenstein, Jr., The Herculoids, Space Ghost, and Speed Buggy, among many. That may be why I like Mask of the Blue Falcon so much. While it is not great, I do think this movie is one of the better recent Scooby-Doo direct-to-DVD films. I am giving it a rating of 8 (of 10), which I translate to a grade of “A.” Perhaps, I should be a bit more conservative here, but I like this film enough that I could not see myself going to anything below a 7. That’s a Hanna-Barbera fan for you!
Anyway, Mask of the Blue Falcon’s animation is nice and has sharp colors (which is generally true of the series these last few years). The character animation is good, and while the characters’ motion is not as good as it is in feature animation, they never look clunky and clumsy.
What makes Mask of the Blue Falcon stand out is characterization. Mystery Inc. and many of the supporting characters have personalities, desires, goals, conflicts, etc. There is Scooby-Doo’s need to be a hero like Dynomutt, and Owen Garrison’s bitterness. Daphne’s obsession with a toy line, the “Littlest Fuzzies,” is a nice change of pace for the character. I did notice something peculiar. Whenever, Mayor Ron Starlin of San Pedro (Kevin Michael Richardson) was on-screen, the background music changed to some kind of gospel-inflected organ music. Was this to indicate that the mayor, who is African-American, is some kind of stereotypical, Black religious leader-type politician? A Rev. Jesse Jackson or Rev. Al Sharpton type, hmm?
As character development and personality go, this is minute, simple material, but it’s a step-up from recent Scooby-Doo movies. So it’s not just nostalgia that makes me love this movie; Scooby-Doo! Mask of the Blue Falcon is quite good… even if it is not as good as I think it is. And I do want more like it.
8 of 10
A
Wednesday, April 10, 2013
-----------------
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Tuesday, April 9, 2013
"The Godfather" Returns for Cinemark's Classic Series
ACADEMY AWARD WINNING ‘THE GODFATHER’ RETURNS TO SCREENS FOR CINEMARK’S CLASSIC SERIES ON WEDNESDAY, APRIL 10, 2013
Next Round of Cinemark’s Classic Series Films to Feature ‘RAGING BULL’, and ‘THE GRADUATE’
Plano, TX (April 8, 2013) – Cinemark Holdings, Inc. (NYSE: CNK), one of the world’s largest motion picture exhibitors, is pleased to announce the final film in the Best Picture Classic Series. The 1972 Academy Award Winner for Best Motion Picture, THE GODFATHER, will play in over 120 Cinemark theatres across the country, including on the Cinemark XD - Extreme Digital Cinema screens where available. Ranked #2 on the 2007 American Film Institute’s 100 Greatest Movies of All Time, the film is scheduled to play on Wednesday, April 10, 2013, at two separate show times, 2 pm and 7pm.
"There is no greater iconic film than “The Godfather,” states James Meredith, VP, Head of Marketing and Communications at Cinemark. “It has set the standard for story-telling, launched a generation of great actors, and provided movie-goers an unparalleled experience. ”
“The Godfather,” Francis Ford Coppola's epic masterpiece features Marlon Brando in his Oscar©-winning role as the patriarch of the Corleone family. Director Coppola paints a chilling portrait of the Sicilian clan's rise and near fall from power in America, masterfully balancing the story between the Corleone's family life and the ugly crime business in which they are engaged. Based on Mario Puzo's best-selling novel and featuring career-making performances by Al Pacino, James Cann and Robert Duvall, this searing and brilliant film garnered eleven Academy Award® nominations, and won three including Best Picture in 1972. It is considered by many to be one of the greatest American films ever made. Cinemark will show the 40th Anniversary restoration version of the film, which is rated R by the MPAA.
Cinemark is also pleased to announce that the next set of “Classic Series” films will feature four diverse and groundbreaking films. All Classics will show at 2pm and 7pm on the following days:
April 24: Raging Bull (1980) R
May 1: The Graduate (1967) PG
May 8: Alien (1979) R
May 15: Blazing Saddles (1974) R
“Four very distinctive directors are showcased in this round of classic films,” Meredith adds. “From Martin Scorsese and Mike Nichols to Ridley Scott and Mel Brooks, you cannot find four other directors who bring unparalleled styles to both the visual and acting aspects of their movies.”
Tickets for Cinemark’s Classic Series, including a specially priced bundled package of $20 for all four movies, are now available at www.cinemark.com or at the participating theatre box office. For a full list of participating Cinemark locations, advance ticket purchases and show time information go to the Cinemark web site.
About Cinemark Holdings, Inc.
Cinemark is a leading domestic and international motion picture exhibitor, operating 465 theatres with 5,240 screens in 39 U.S. states, Brazil, Mexico, Argentina and 10 other Latin American countries as of December 31, 2012. For more information go to www.cinemark.com.
Next Round of Cinemark’s Classic Series Films to Feature ‘RAGING BULL’, and ‘THE GRADUATE’
Plano, TX (April 8, 2013) – Cinemark Holdings, Inc. (NYSE: CNK), one of the world’s largest motion picture exhibitors, is pleased to announce the final film in the Best Picture Classic Series. The 1972 Academy Award Winner for Best Motion Picture, THE GODFATHER, will play in over 120 Cinemark theatres across the country, including on the Cinemark XD - Extreme Digital Cinema screens where available. Ranked #2 on the 2007 American Film Institute’s 100 Greatest Movies of All Time, the film is scheduled to play on Wednesday, April 10, 2013, at two separate show times, 2 pm and 7pm.
"There is no greater iconic film than “The Godfather,” states James Meredith, VP, Head of Marketing and Communications at Cinemark. “It has set the standard for story-telling, launched a generation of great actors, and provided movie-goers an unparalleled experience. ”
“The Godfather,” Francis Ford Coppola's epic masterpiece features Marlon Brando in his Oscar©-winning role as the patriarch of the Corleone family. Director Coppola paints a chilling portrait of the Sicilian clan's rise and near fall from power in America, masterfully balancing the story between the Corleone's family life and the ugly crime business in which they are engaged. Based on Mario Puzo's best-selling novel and featuring career-making performances by Al Pacino, James Cann and Robert Duvall, this searing and brilliant film garnered eleven Academy Award® nominations, and won three including Best Picture in 1972. It is considered by many to be one of the greatest American films ever made. Cinemark will show the 40th Anniversary restoration version of the film, which is rated R by the MPAA.
Cinemark is also pleased to announce that the next set of “Classic Series” films will feature four diverse and groundbreaking films. All Classics will show at 2pm and 7pm on the following days:
April 24: Raging Bull (1980) R
May 1: The Graduate (1967) PG
May 8: Alien (1979) R
May 15: Blazing Saddles (1974) R
“Four very distinctive directors are showcased in this round of classic films,” Meredith adds. “From Martin Scorsese and Mike Nichols to Ridley Scott and Mel Brooks, you cannot find four other directors who bring unparalleled styles to both the visual and acting aspects of their movies.”
Tickets for Cinemark’s Classic Series, including a specially priced bundled package of $20 for all four movies, are now available at www.cinemark.com or at the participating theatre box office. For a full list of participating Cinemark locations, advance ticket purchases and show time information go to the Cinemark web site.
About Cinemark Holdings, Inc.
Cinemark is a leading domestic and international motion picture exhibitor, operating 465 theatres with 5,240 screens in 39 U.S. states, Brazil, Mexico, Argentina and 10 other Latin American countries as of December 31, 2012. For more information go to www.cinemark.com.
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Disney Icon Annette Funicello Dies at Age 70
Photograph of Annette Funicello as a Disney Mouseketeer is copyright The Walt Disney Company
Beloved Disney Mouseketeer and Iconic Teen Star Annette Funicello Dies at Age 70
BURBANK, Calif.--(BUSINESS WIRE)--Actress Annette Funicello, long-time Disney and Beach Party star, passed away on Monday April 8 at Mercy Southwest Hospital in Bakersfield, CA, at the age of 70. She died peacefully from complications due to Multiple Sclerosis, a disease she battled for over 25 years. Beloved by television viewers in the 50s for her stint on Disney’s original The Mickey Mouse Club, and by film buffs for her numerous roles in a series of popular teen-oriented movies in the 60s, Funicello became a pop culture icon.
Commenting on her passing, Bob Iger, Chairman and CEO of The Walt Disney Company, said, “Annette was and always will be a cherished member of the Disney family, synonymous with the word Mousketeer, and a true Disney Legend. She will forever hold a place in our hearts as one of Walt Disney’s brightest stars, delighting an entire generation of baby boomers with her jubilant personality and endless talent. Annette was well known for being as beautiful inside as she was on the outside, and she faced her physical challenges with dignity, bravery and grace. All of us at Disney join with family, friends, and fans around the world in celebrating her extraordinary life.”
Diane Disney Miller, daughter of Walt Disney, added, “Everyone who knew Annette loved and respected her. She was one of the loveliest people I’ve ever known, and was always so kind to everyone. She was also the consummate professional, and had such great loyalty to my father. Annette will always be very special to me and Ron.” Diane’s husband, Ron Miller, who helmed the Disney company in the 1980s and worked with Annette when he was a young assistant on The Mickey Mouse Club, recalled, “She was always in good spirits and ready to help out if she needed to step in when something unexpected happened.”
Oscar®-winning composer and Disney Legend Richard Sherman, who, with his late brother Robert, wrote many of Annette’s biggest song hits, said, “Annette’s sweet, unassuming spirit, her love of people, and her capacity to exude kindness and good feelings to everyone she met was part of her beautiful charisma. Because the songs we wrote for her brought us to the attention of Walt, Bob and I always referred to Annette as our ‘lucky star.’ My wife, Elizabeth, joins me in sending a heartfelt aloha with much love to our ‘Pineapple Princess.’”
Fellow Mouseketeer and long-time friend Sharon Baird observed, “Throughout all the years we were friends she never changed from that sweet person who cared so much about others. She always had time for everyone; family, friends and fans alike. It’s no wonder she was America’s sweetheart.”
Born October 22, 1942, in Utica, New York, Funicello and her family moved to Los Angeles’ San Fernando Valley when she was four years old. She was discovered by Walt Disney at age 13 while dancing the lead in Swan Lake at the Starlight Bowl in Burbank and he invited her to audition for his new children’s TV series called The Mickey Mouse Club and was hired on the spot to become a Mouseketeer. The show debuted on October 3, 1955 and Annette soon became the most popular member of the group. The series ran for three original seasons and in reruns through the 1990s.
After leaving the Mickey Mouse Club, Funicello was the only Mouseketeer to remain under contract to Disney and appeared on the TV shows Zorro (1957), The Nine Lives of Elfego Baca (1958), and starred in the Disney feature films The Shaggy Dog (1959), Babes in Toyland (1961), The Misadventures of Merlin Jones (1964), and The Monkey’s Uncle (1965).
In the early 1960s, Annette starred in a series of beach party movies with teen idol Frankie Avalon, including Beach Party (1963), Muscle Beach Party (1964), Bikini Beach (1964), Beach Blanket Bingo (1965), and How to Stuff a Wild Bikini (1965). During this time, she recorded a series of hit top-40 pop singles, including “Tall Paul,” “First Name Initial,” “How Will I Know My Love,” and “Pineapple Princess.” Her string of successful record albums included such favorites as “Hawaiiannette” (1960), “Italiannette” (1960), and “Dance Annette” (1961).
In 1987, Funicello again teamed up with Frankie Avalon to co-produce and star in Paramount’s Back to the Beach as parents of a pair of troublesome teenagers. In 1989 and 1990, Avalon and Funicello staged a nostalgic concert tour, performing the beach party music and pop hit singles they made famous in the 1960s.
In 1987, Funicello was diagnosed with multiple sclerosis (MS), a degenerative neurological disease and in 1992 went public with her illness. Later that year, she established The Annette Funicello Research Fund for Neurological Diseases. It is dedicated to funding research into the cause, treatment and cure of multiple sclerosis and other neurological diseases and continues to be an active charity.
Despite battling MS, in the 1990’s Annette launched The Annette Funicello Teddy Bear Company, marketing a line of collectible bears on QVC, and developed her own perfume line, Cello, by Annette. In 1992, on her 50th birthday, she was named a Disney Legend. However, as she became more debilitated by MS, Annette retreated from public appearances in the late 1990s and has been cared for since that time by her second husband, rancher Glen Holt, who she married in 1986. She was previously married to Jack Gilardi from 1965 until their divorce in 1981. She has three children from her first marriage; Gina, Jack Jr. and Jason, and three young grandchildren.
Summing up the life of the iconic star, Diane Disney Miller quoted a verse from Byron’s “She Walks in Beauty,” that she felt “seemed to have been written for Annette:
She walks in beauty, like the night
Of cloudless climes and starry skies,
And all that’s best of dark and bright
Meet in her aspect and her eyes
Thus mellow’d to that tender light
Which Heaven to gaudy Day denies.
In lieu of flowers, donations in Annette’s memory can be made to The Annette Funicello Research Fund at annetteconnection.com.
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Review: "Catch that Kid" is a Kiddie Action Flick (Happy B'day, Kristen Stewart)
TRASH IN MY EYE No. 13 (of 2004) by Leroy Douresseaux
Catch that Kid (2004)
Running time: 91 minutes (l hour, 31 minutes)
MPAA – PG for some language, thematic elements and rude humor
DIRECTOR: Bart Freundlich
WRITERS: Michael Brandt and Derek Haas (based upon the Danish film Klatreøsen by Nikolaj Arcel, Hans Fabian Wullenweber, and Erlend Loe)
PRODUCERS: Andrew Lazar and Uwe Schott
CINEMATOGRAPHER: Julio Macat
EDITOR: Stuart Levy
COMPOSER: George S. Clinton
ADVENTURE/COMEDY/CRIME/FAMILY with elements of action and thriller
Starring: Kristen Stewart, Corbin Bleu, Max Thieriot, Jennifer Beals, Sam Robards, John Carroll Lynch, James Le Gros, Michael Des Barres, Stark Sands, and Grant Hayden Scott & Shane Avery Scott
The subject of this movie review is Catch that Kid, a 2004 adventure-comedy and crime film from Fox 2000 Pictures, a division of 20th Century Fox. The film is an early starring role for actress Kristen Stewart, who would go on to star in the Twilight films.
Fox’s Catch that Kid, a remake of the smash 2002 Danish film, Klatreøsen (Catch that Girl), is a kind low watt and low-tech version of Spy Kids (lacking the Spy Kids franchise’s imagination and fantastical aspects) and a juvenile version of Mission: Impossible, replete with car chases, computer hacking, and breaking and entering heavily secured structures.
Maddy (Kristen Stewart) is a budding climber, hoping to be like her father, Tom (Sam Robards), who climbed Mount Everest. Tom, however, sustained a severe injury while at Everest, that’s come back to haunt him. Without an expensive, experimental (but highly successful) surgery, he will likely remained mostly paralyzed. When a large multinational bank, for which her mother, Molly (Jennifer Beals, Flashdance), provides high tech security, refuses to loan her family the money, Maddy takes things into her own hands.
She convinces two boy friends to help her bypass the state of the art electronic security, and rob the bank of 250,000 dollars. A complication is that both boys are in love with Maddy and vie for her attention against each other. The computer whiz, Austin (Corbin Bleu), and the mechanically inclined, Gus (Max Thieriot), may, however, have just the talent that when combined with Maddy’s spunk and climbing skills could bring them success
The film is quite well directed by Bart Freundlich, a well-considered director of independent art films. Although the concept is farfetched, the action and jokes should sit well with most kids and even some teens, never mind the moral implications of robbing a bank to save your father’s life.
Catch that Kid is largely meant to be like “Kim Possible” or Totally Spies,” those animated shows where kids go on dangerous missions. Picture this as a high-octane action movie for kids, sans the pyrotechnics and violence. In that light, it’s entertaining (at times, even to more mature minds), and Freundlich keeps the level of suspense high. It may be difficult for adults to identify with kiddie action heroes, but these characters are doing the Tom Cruise or Bruce Willis things for the children.
5 of 10
B-
Catch that Kid (2004)
Running time: 91 minutes (l hour, 31 minutes)
MPAA – PG for some language, thematic elements and rude humor
DIRECTOR: Bart Freundlich
WRITERS: Michael Brandt and Derek Haas (based upon the Danish film Klatreøsen by Nikolaj Arcel, Hans Fabian Wullenweber, and Erlend Loe)
PRODUCERS: Andrew Lazar and Uwe Schott
CINEMATOGRAPHER: Julio Macat
EDITOR: Stuart Levy
COMPOSER: George S. Clinton
ADVENTURE/COMEDY/CRIME/FAMILY with elements of action and thriller
Starring: Kristen Stewart, Corbin Bleu, Max Thieriot, Jennifer Beals, Sam Robards, John Carroll Lynch, James Le Gros, Michael Des Barres, Stark Sands, and Grant Hayden Scott & Shane Avery Scott
The subject of this movie review is Catch that Kid, a 2004 adventure-comedy and crime film from Fox 2000 Pictures, a division of 20th Century Fox. The film is an early starring role for actress Kristen Stewart, who would go on to star in the Twilight films.
Fox’s Catch that Kid, a remake of the smash 2002 Danish film, Klatreøsen (Catch that Girl), is a kind low watt and low-tech version of Spy Kids (lacking the Spy Kids franchise’s imagination and fantastical aspects) and a juvenile version of Mission: Impossible, replete with car chases, computer hacking, and breaking and entering heavily secured structures.
Maddy (Kristen Stewart) is a budding climber, hoping to be like her father, Tom (Sam Robards), who climbed Mount Everest. Tom, however, sustained a severe injury while at Everest, that’s come back to haunt him. Without an expensive, experimental (but highly successful) surgery, he will likely remained mostly paralyzed. When a large multinational bank, for which her mother, Molly (Jennifer Beals, Flashdance), provides high tech security, refuses to loan her family the money, Maddy takes things into her own hands.
She convinces two boy friends to help her bypass the state of the art electronic security, and rob the bank of 250,000 dollars. A complication is that both boys are in love with Maddy and vie for her attention against each other. The computer whiz, Austin (Corbin Bleu), and the mechanically inclined, Gus (Max Thieriot), may, however, have just the talent that when combined with Maddy’s spunk and climbing skills could bring them success
The film is quite well directed by Bart Freundlich, a well-considered director of independent art films. Although the concept is farfetched, the action and jokes should sit well with most kids and even some teens, never mind the moral implications of robbing a bank to save your father’s life.
Catch that Kid is largely meant to be like “Kim Possible” or Totally Spies,” those animated shows where kids go on dangerous missions. Picture this as a high-octane action movie for kids, sans the pyrotechnics and violence. In that light, it’s entertaining (at times, even to more mature minds), and Freundlich keeps the level of suspense high. It may be difficult for adults to identify with kiddie action heroes, but these characters are doing the Tom Cruise or Bruce Willis things for the children.
5 of 10
B-
----------------
Labels:
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Happy Birthday, Liz
Well, Elizabeth, I can't help that the Birthday Fairy has come around again. But I can wish you a Happy Birthday... and many, many more.
Monday, April 8, 2013
Review: "The Lost World: Jurassic Park" is Both Different and Good
TRASH IN MY EYE No. 26 (of 2013) by Leroy Douresseaux
The Lost World: Jurassic Park (1997)
Running time: 129 minutes (2 hours, 9 minutes)
MPAA – PG-13 for intense sci-fi terror and violence
DIRECTOR: Steven Spielberg
WRITERS: David Koepp (from a novel The Lost World by Michael Crichton)
PRODUCERS: Gerald R. Molen and Colin Wilson
CINEMATOGRAPHER: Janusz Kaminski
EDITOR: Michael Kahn
COMPOSER: John Williams
Academy Award nominee
SCI-FI/ACTION/ADVENTURE/THRILLER
Starring: Jeff Goldblum, Julianne Moore, Pete Postlethwaite, Arliss Howard, Richard Attenborough, Vince Vaughn, Vanessa Lee Chester, Richard Schiff, Peter Stormare, Harvey Jason, Ariana Richards, and Joseph Mazzello
The subject of this movie review is The Lost World: Jurassic Park, a 1997 science fiction adventure film and thriller from director Steven Spielberg. It is the sequel to the 1993 film, Jurassic Park. The Lost World: Jurassic Park is loosely based on the 1995 novel, The Lost World, from author Michael Crichton. The first film is based on Crichton’s 1990 novel, Jurassic Park.
The Lost World: Jurassic Park opens four years after the events depicted in the first film. The story focuses on Dr. Ian Malcolm (Jeff Goldblum), a mathematician, chaos theorist, and one of the survivors of the disaster at Jurassic Park (located on the island of Isla Nublar). Ian is invited to the home of John Hammond (Richard Attenborough), the billionaire industrialist who created Jurassic Park. Hammond has lost control of his company, InGen, to his unscrupulous nephew, Peter Ludlow (Arliss Howard). Hammond asks Ian to lead a team to Isla Sorna; also known as “Site B,” this is where he initially engineered the dinosaurs before moving them to Jurassic Park.
Isla Sorna has become a “lost world,” where dinosaurs have been living free in the wild. Hammond wants the island to become a nature preserve. He needs a team to document the dinosaurs in their natural habitat, documentation Hammond hopes to use to rally support for the creation of a nature preserve. Ian initially refuses, as he has his daughter, Kelly Curtis Malcolm (Vanessa Lee Chester), in his custody. Ian changes his mind and rushes to the island when he learns that his girlfriend, Dr. Sarah Harding (Julianne Moore), is part of the team and is already on the island. Once on Isla Sorna, Ian discovers many unexpected visitors to an island full of unpredictable dinosaurs.
The Lost World: Jurassic Park is the only one of the three Jurassic Park films that I did not see during its theatrical release. When it was first released in 1997, I thought about seeing it, but a friend of mine (Pete) told me he hated it. I did see The Lost World when it first arrived on VHS, and though I liked the movie, I could see that it paled in comparison to Jurassic Park: the movie, memories of it, and the feelings it evoked. Since I first saw The Lost World, I have seen it countless other times (as with Jurassic Park). I have either liked it or had mixed feelings, leaning towards the positive, about it. Recently, I have started to like The Lost World more and more with each viewing.
The Lost World and the original Jurassic Park are different films. Jurassic Park is a fantasy adventure, wearing a genre suit that is half science fiction-techno thriller and half action thriller. In spite of its violence and intense elements, Jurassic Park is a family film and juvenile fantasy filled with a sense of wonder and discovery. The Lost World is an adult drama that is part monster movie, part science fiction adventure, and part action-thriller.
The Lost World does not have a sense of wonder and discovery about it. It is darker, where its forebear is light and magical (thanks to the magic of Hollywood visual and special effects). The Lost World is the dark side of the mess adults make of the world with their corporations, schemes, mistakes, and even good intentions. Where is the fun in that? As scary and amazing as the Velociraptors are in the Jurassic Park, they’re just filthy, nasty, ugly things that need to be killed in The Lost World. Even the cameo appearance of Jurassic Park’s child stars, Ariana Richards and Joseph Mazzello, as, respectively, Lex and Tim Murphy, only serves to remind that this movie is something different from the first movie.
I think when you accept what The Lost World is and also is not (Jurassic Park), you can really enjoy the sequel. I think it is a fine movie, although not the all-time great I think Jurassic Park is. I am also glad that Jeff Goldblum appears in The Lost World. The third film, Jurassic Park III, clearly misses Goldblum’s acerbic, but resourceful Dr. Ian Malcolm. He is the main reason I have come to really like The Lost World: Jurassic Park and why I’ll probably watch it again… soon.
8 of 10
A
NOTES:
1998 Academy Awards, USA: 1 nomination: “Best Effects, Visual Effects” (Dennis Muren, Stan Winston, Randy Dutra, and Michael Lantieri)
1998 Image Awards: 1 nomination: “Outstanding Youth Actor/Actress” (Vanessa Lee Chester)
1998 Razzie Awards: 3 nominations: “Worst Reckless Disregard for Human Life and Public Property,” “Worst Remake or Sequel,” and “Worst Screenplay” (David Koepp)
Sunday, April 07, 2013
The Lost World: Jurassic Park (1997)
Running time: 129 minutes (2 hours, 9 minutes)
MPAA – PG-13 for intense sci-fi terror and violence
DIRECTOR: Steven Spielberg
WRITERS: David Koepp (from a novel The Lost World by Michael Crichton)
PRODUCERS: Gerald R. Molen and Colin Wilson
CINEMATOGRAPHER: Janusz Kaminski
EDITOR: Michael Kahn
COMPOSER: John Williams
Academy Award nominee
SCI-FI/ACTION/ADVENTURE/THRILLER
Starring: Jeff Goldblum, Julianne Moore, Pete Postlethwaite, Arliss Howard, Richard Attenborough, Vince Vaughn, Vanessa Lee Chester, Richard Schiff, Peter Stormare, Harvey Jason, Ariana Richards, and Joseph Mazzello
The subject of this movie review is The Lost World: Jurassic Park, a 1997 science fiction adventure film and thriller from director Steven Spielberg. It is the sequel to the 1993 film, Jurassic Park. The Lost World: Jurassic Park is loosely based on the 1995 novel, The Lost World, from author Michael Crichton. The first film is based on Crichton’s 1990 novel, Jurassic Park.
The Lost World: Jurassic Park opens four years after the events depicted in the first film. The story focuses on Dr. Ian Malcolm (Jeff Goldblum), a mathematician, chaos theorist, and one of the survivors of the disaster at Jurassic Park (located on the island of Isla Nublar). Ian is invited to the home of John Hammond (Richard Attenborough), the billionaire industrialist who created Jurassic Park. Hammond has lost control of his company, InGen, to his unscrupulous nephew, Peter Ludlow (Arliss Howard). Hammond asks Ian to lead a team to Isla Sorna; also known as “Site B,” this is where he initially engineered the dinosaurs before moving them to Jurassic Park.
Isla Sorna has become a “lost world,” where dinosaurs have been living free in the wild. Hammond wants the island to become a nature preserve. He needs a team to document the dinosaurs in their natural habitat, documentation Hammond hopes to use to rally support for the creation of a nature preserve. Ian initially refuses, as he has his daughter, Kelly Curtis Malcolm (Vanessa Lee Chester), in his custody. Ian changes his mind and rushes to the island when he learns that his girlfriend, Dr. Sarah Harding (Julianne Moore), is part of the team and is already on the island. Once on Isla Sorna, Ian discovers many unexpected visitors to an island full of unpredictable dinosaurs.
The Lost World: Jurassic Park is the only one of the three Jurassic Park films that I did not see during its theatrical release. When it was first released in 1997, I thought about seeing it, but a friend of mine (Pete) told me he hated it. I did see The Lost World when it first arrived on VHS, and though I liked the movie, I could see that it paled in comparison to Jurassic Park: the movie, memories of it, and the feelings it evoked. Since I first saw The Lost World, I have seen it countless other times (as with Jurassic Park). I have either liked it or had mixed feelings, leaning towards the positive, about it. Recently, I have started to like The Lost World more and more with each viewing.
The Lost World and the original Jurassic Park are different films. Jurassic Park is a fantasy adventure, wearing a genre suit that is half science fiction-techno thriller and half action thriller. In spite of its violence and intense elements, Jurassic Park is a family film and juvenile fantasy filled with a sense of wonder and discovery. The Lost World is an adult drama that is part monster movie, part science fiction adventure, and part action-thriller.
The Lost World does not have a sense of wonder and discovery about it. It is darker, where its forebear is light and magical (thanks to the magic of Hollywood visual and special effects). The Lost World is the dark side of the mess adults make of the world with their corporations, schemes, mistakes, and even good intentions. Where is the fun in that? As scary and amazing as the Velociraptors are in the Jurassic Park, they’re just filthy, nasty, ugly things that need to be killed in The Lost World. Even the cameo appearance of Jurassic Park’s child stars, Ariana Richards and Joseph Mazzello, as, respectively, Lex and Tim Murphy, only serves to remind that this movie is something different from the first movie.
I think when you accept what The Lost World is and also is not (Jurassic Park), you can really enjoy the sequel. I think it is a fine movie, although not the all-time great I think Jurassic Park is. I am also glad that Jeff Goldblum appears in The Lost World. The third film, Jurassic Park III, clearly misses Goldblum’s acerbic, but resourceful Dr. Ian Malcolm. He is the main reason I have come to really like The Lost World: Jurassic Park and why I’ll probably watch it again… soon.
8 of 10
A
NOTES:
1998 Academy Awards, USA: 1 nomination: “Best Effects, Visual Effects” (Dennis Muren, Stan Winston, Randy Dutra, and Michael Lantieri)
1998 Image Awards: 1 nomination: “Outstanding Youth Actor/Actress” (Vanessa Lee Chester)
1998 Razzie Awards: 3 nominations: “Worst Reckless Disregard for Human Life and Public Property,” “Worst Remake or Sequel,” and “Worst Screenplay” (David Koepp)
Sunday, April 07, 2013
--------------------
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