Sundance London Film and Music Festival - April 25 to 28, 2013:
FEATURE FILM PROGRAMME — The international and UK premieres of American independent narrative and documentary films that premiered in January at the 2013 Sundance Film Festival in Park City, Utah, U.S.A.
Blackfish (Director: Gabriela Cowperthwaite) — Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top killer whale trainer. Blackfish shows the sometimes devastating consequences of keeping such intelligent and sentient creatures in captivity. (Documentary) International Premiere
Blood Brother (Director: Steve Hoover) — Rocky went to India as a disillusioned tourist. When he met a group of children with HIV, he decided to stay. He never could have imagined the obstacles he would face, or the love he would find. Winner of the U.S. Grand Jury Prize: Documentary and the Audience Award: U.S. Documentary presented by Acura at the 2013 Sundance Film Festival. (Documentary) UK Premiere
Emanuel and the Truth About Fishes (Director and screenwriter: Francesca Gregorini) — Emanuel, a troubled girl, becomes preoccupied with her mysterious, new neighbor, who bears a striking resemblance to her dead mother. In offering to babysit her newborn, Emanuel unwittingly enters a fragile, fictional world, of which she becomes the gatekeeper. Cast: Kaya Scodelario, Jessica Biel, Alfred Molina, Frances O'Connor, Jimmi Simpson, Aneurin Barnard. (Narrative) International Premiere
God Loves Uganda (Director: Roger Ross Williams) — A powerful exploration of the evangelical campaign to infuse African culture with values imported from America’s Christian Right. The film follows American and Ugandan religious leaders fighting “sexual immorality” and missionaries trying to convince Ugandans to follow biblical law. (Documentary) European Premiere
In a World... (Director and screenwriter: Lake Bell) — An underachieving vocal coach is motivated by her father, the king of movie-trailer voice-overs, to pursue her aspirations of becoming a voiceover star. Amidst pride, sexism and family dysfunction, she sets out to change the voice of a generation. Cast: Lake Bell, Demetri Martin, Rob Corddry, Michaela Watkins, Ken Marino, Fred Melamed. Winner of the Waldo Salt Screenwriting Award: U.S. Dramatic at the 2013 Sundance Film Festival. (Narrative) International Premiere
The Inevitable Defeat of Mister and Pete (Director: George Tillman Jr., Screenwriter: Michael Starrbury) — Separated from their mothers and facing a summer in the Brooklyn projects alone, two boys hide from police and forage for food, with only each other to trust. A story of salvation through friendship and two boys against the world. Cast: Skylan Brooks, Ethan Dizon, Jennifer Hudson, Jordin Sparks, Anthony Mackie, Jeffrey Wright. (Narrative) UK Premiere
The Kings of Summer (Director: Jordan Vogt-Roberts, Screenwriter: Chris Galletta) — A unique coming-of-age comedy about three teenagers who, in the ultimate act of independence, decide to spend their summer building a makeshift house in the woods. Free from their parents’ rules, their idyllic summer quickly becomes a test of friendship. Cast: Nick Robinson, Gabriel Basso, Moises Arias, Nick Offerman, Megan Mullally, Alison Brie. (Narrative) International Premiere
Muscle Shoals (Director: Greg 'Freddy' Camalier) — Down in Alabama Rick Hall founded FAME Studios and gave birth to the Muscle Shoals sound. Mick Jagger, Keith Richards, Gregg Allman, Aretha Franklin, Etta James, Alicia Keys, Bono and others bear witness to the greatest untold American music story. (Documentary) UK Premiere
Running from Crazy (Director: Barbara Kopple) — Mariel Hemingway, granddaughter of Ernest Hemingway, strives for a greater understanding of her family history of suicide and mental illness. As tragedies are explored and deeply hidden secrets are revealed, Mariel searches for a way to overcome a similar fate. From two-time Academy Award-winning director Barbara Kopple. (Documentary) International Premiere
Touchy Feely (Director and screenwriter: Lynn Shelton) — A massage therapist is unable to do her job when stricken with a mysterious and sudden aversion to bodily contact. Meanwhile, her uptight brother's foundering dental practice receives new life when clients seek out his “healing touch.” Cast: Rosemarie DeWitt, Allison Janney, Ron Livingston, Scoot McNairy, Ellen Page, Josh Pais. (Narrative) International Premiere
Upstream Color (Director and screenwriter: Shane Carruth) — A man and woman are drawn together, entangled in the life cycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives. Cast: Amy Seimetz, Shane Carruth, Andrew Sensenig, Thiago Martins. Winner of a U.S. Dramatic Special Jury Award for Sound Design at the 2013 Sundance Film Festival and from the director of the 2004 Sundance Film Festival U.S. Grand Jury Prize: Dramatic-winning film Primer. (Narrative) UK Premiere
SPECIAL EVENT PROGRAMME — On-screen stories complemented by extraordinary off-screen experiences.
History of the Eagles Part One (Director: Alison Ellwood) — Iconic American rock band the Eagles have earned countless awards and sold more than 120 million albums worldwide, including the best-selling album of all time. Using never-before-seen home movies, archival footage and new interviews with all current and former members of the Eagles, this documentary provides an intimate look into the history of the band and the legacy of their music. Includes an extended Q&A with the Eagles. (Documentary) International Premiere
Peaches Does Herself (Director and screenwriter: Peaches) — On the advice of an old stripper, Peaches makes sexually forthright music. This electro rock opera follows Peaches' rise in popularity and her love affair with a beautiful she-male that ultimately leads her to realize who she really is. Cast: Peaches, Danni Daniels, Sandy Kane, Mignon, Sweet Machine Band, Jolly Goods. Sundance London will also host a performance by Peaches. (Narrative) UK Premiere
Sleepwalk With Me (Director: Mike Birbiglia, Screenwriters: Mike Birbiglia, Ira Glass, Joe Birbiglia, Seth Barrish) — Reluctant to confront his fears of love, honesty, and growing up, a budding standup comedian has both a hilarious and intense struggle with sleepwalking. Cast: Mike Birbiglia, Lauren Ambrose, Carol Kane, James Rebhorn, Cristin Milioti. Winner of the Best of NEXT <=> Audience Award, Presented by Adobe Systems Incorporated, at the 2012 Sundance Film Festival. Includes an extended Q&A with director and screenwriter Mike Birbiglia, moderated by comedian Jimmy Carr. (Narrative) European Premiere
UK SPOTLIGHT — Drawing on the Sundance Film Festival’s rich legacy of premiering outstanding films produced in the UK – including An Education, Four Weddings and a Funeral, In Bruges, In the Loop, Kinky Boots, and Lock, Stock, and Two Smoking Barrels – this new showcase presents a selection of UK films that premiered in Park City, Utah.
In Fear (Directed and story by: Jeremy Lovering) — Trapped in a maze of country roads with only their vehicle for protection, Tom and Lucy are terrorized by an unseen tormentor exploiting their worst fears. Eventually they realize they've let the evil in – it’s sitting in their car. Cast: Alice Englert, Iain De Caestecker, Allen Leech. (Narrative) UK Premiere
The Look of Love (Director: Michael Winterbottom, Screenwriter: Matt Greenhalgh) — The true story of British adult magazine publisher and entrepreneur Paul Raymond. A modern day King Midas story, Raymond became one of the richest men in Britain at the cost of losing those closest to him. Cast: Steve Coogan, Anna Friel, Imogen Poots, Tamsin Egerton. (Narrative) UK Premiere
The Moo Man (Directors: Andy Heathcote, Co-director: Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. (Documentary) UK Premiere
The Summit (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers' code, he might still be alive. Winner of the Editing Award: U.S. Documentary at the 2013 Sundance Film Festival. (Documentary)
SHORT FILM PROGRAMME — A wide-ranging collection of short films that screened in January at the 2013 Sundance Film Festival. All will screen together in one Short Film Programme. The winner of the Sundance London Short Film Competition will be the tenth short film featured.
The Apocalypse (Director and screenwriter: Andrew Zuchero) — Four uninspired friends try to come up with a terrific idea for how to spend their Saturday afternoon. International Premiere
Black Metal (Director and screenwriter: Kat Candler) — After a career spent mining his music from the shadows, one fan creates a chain reaction for the lead singer of a black metal band. European Premiere
The Date (Director and screenwriter: Jenni Toivoniemi) — Tino’s manhood is put to the test in front of two women when he has to host a date for Diablo, the family’s stud cat. Winner of the Short Film Jury Award: International Fiction at the 2013 Sundance Film Festival.
Irish Folk Furniture (Director: Tony Donoghue) — In Ireland, old hand-painted furniture is often associated with hard times, with poverty, and with a time many would rather forget. In this animated documentary, 16 pieces of traditional folk furniture are repaired and returned home. Winner of the Short Film Jury Award: Animation at the 2013 Sundance Film Festival.
Jonah (Director: Kibwe Tavares, Screenwriter: Jack Thorne) — When two young men photograph a gigantic fish leaping from the sea, their small town becomes a tourist attraction in this story about the old and the new. From the director of the 2012 Sundance Film Festival Short Film Grand Jury Prize-winning film FISHING WITHOUT NETS. UK Premiere
Reindeer (Director: Eva Weber) — A lyrical and haunting portrait of reindeer herding in the twilight expanses of the Lapland wilderness. Winner of a Short Film Special Jury Award at the 2013 Sundance Film Festival.
Until the Quiet Comes (Director and screenwriter: Kahlil Joseph) — Shot in the Nickerson Gardens housing projects in Watts, Los Angeles, this film deals with themes of violence, camaraderie and spirituality through the lens of magical realism. Winner of a Short Film Special Jury Award at the 2013 Sundance Film Festival. European Premiere
Whiplash (Director and screenwriter: Damien Chazelle) — An aspiring drummer enters an elite conservatory’s top jazz orchestra. Winner of the Short Film Jury Award: U.S. Fiction at the 2013 Sundance Film Festival. International Premiere
The Whistle (Director: Grzegorz Zariczny) — Marcin, a lowest-leagues football referee who lives in a small town near Krakow, dreams of better times. At his mother’s urging, he decides to change his life and find himself a girlfriend and a better job. Winner of the Short Film Grand Jury Prize at the 2013 Sundance Film Festival. UK Premiere
PANEL PROGRAMME — Discussions with renowned guest speakers providing incredible insights into the filmmaking process.
The Art of the Score: An Afternoon with David Arnold — In a career that has produced over 60 scores to date, David Arnold has written and arranged some of the most exciting music in film and television today – and has done so across myriad genres and styles. Best known for his five James Bond scores, including Casino Royale and Tomorrow Never Dies, as well as Independence Day, Stargate, Godzilla, Hot Fuzz, The Stepford Wives, and the television series Sherlock and Little Britain, his work has garnered numerous Grammy, Emmy, BAFTA, UK Royal Television Society and BMI awards and nominations. He was also Musical Director for 2012 Olympic Games and 2012 Paralympic Games in London. In a lively afternoon celebrating creativity and collaboration, Arnold and guests offer a first-hand look at the composing process – through conversation, clips and various demonstrations of his approach to film and the musical choices that have led to some of his most notable work.
Screenwriting Flash Lab — It takes years of screenwriting to have an overnight success. It also takes talent, willpower, determination, grit and more than anything – it requires failure. And yet the fear of failure can stymy creativity. What is a writer to do? Join UK and American screenwriters for a lively, honest and irreverent discussion on the creative lessons learned from their biggest “cock-ups”. A not-to-be-missed opportunity to meet fellow writers, as well as Sundance Institute’s Feature Film Program Founding Director, Michelle Satter, and International Director, Paul Federbush. Tony Grisoni (Fear and Loathing in Las Vegas, Tideland, In This World, Death Defying Acts), Peter Straughan (Tinker, Tailor, Soldier, Spy, The Debt, Men Who Stare at Goats), Lynn Shelton (Touchy Feely, Your Sister’s Sister, Humpday), moderator Mia Bays, Oscar-winning producer (Six Shooter, 30 Century Man) and marketing consultant / creative executive at Microwave, and other panelist to be announced. Co-presented with BAFTA.
Senses of Humor and Humour: US – UK Comedy — As the wisest among us have often observed, humor is a serious thing. A strangely elusive form (E.B. White once likened it to dissecting a frog; you can do it, but the thing dies in the process) comedy may be dispensed with sugarcoated smoothness, but it’s a uniquely powerful, sophisticated way of looking at the foibles of human nature and the contradictions of our lives and societies. From family dysfunction to global politics, comedians might argue that laughing at the world is simply the most sensible way of making sense of it. In a battle to establish who is funnier and why, our group of UK and US actors, comedians and filmmakers unpeel the layers and explore what’s behind the American and British “brands” of humor. With comedian, author and filmmaker Mike Birbiglia (Sleepwalk With Me), writer, director and actress Lake Bell (In A World…) and other panelists to be announced. Co-presented with BFI.
Tuesday, March 12, 2013
Monday, March 11, 2013
Review: Oz the (Not So) Great and (Not Really) Powerful
Oz the Great and Powerful (2013)
Running minutes: 130 minutes (2 hours, 10 minutes)
MPAA – PG for sequences of action and scary images, and brief mild language
DRIECTOR: Sam Raimi
WRITERS: Mitchell Kapner and David Lindsay-Abaire; from a screen story by Mitchell Kapner (based on the works of L. Frank Baum)
PRODUCER: Joe Roth
CINEMATOGRAPHER: Peter Deming
EDITOR: Bob Murawski
COMPOSER: Danny Elfman
FANTASY with elements of action, adventure, and comedy
Starring: James Franco, Mila Kunis, Rachel Weisz, Michelle Williams, Zach Braff, Bill Cobbs, Joey King, Tony Cox, Bruce Campbell, and Ted Raimi
Oz the Great and Powerful is a 2013 fantasy film from Walt Disney Pictures. Directed by Sam Raimi, this movie is based on the works of L. Frank Baum, especially Baum’s most famous book, The Wonderful Wizard of Oz, which was first published in 1900. Oz the Great and Powerful’s story takes place before the events depicted in the book, so the movie is kind of a prequel to the novel. The new movie focuses on a small-time magician who arrives in an enchanted land, where he reluctantly joins a fight to save the land from evil witches.
Oz the Great and Powerful (which I will sometimes refer to as “OGP”) is not officially connected to the 1939 film, The Wizard of Oz, which is also based on Baum’s original novel and was produced by MGM (and is now owned by Time-Warner). In terms of quality, Oz the Great and Powerful is half the movie the 1939 film is. OGP is not a bad movie; it is simply mediocre, corporate film-product that cannot hide weak characters and a poor story behind tens of millions of dollars worth of special effects.
Oz the Great and Powerful opens in 1905, where we meet Oscar “Oz” Diggs (James Franco), a small-time magician, con artist, and womanizer. His activities lead him to make a desperate escape aboard a hot air balloon. The balloon, however, is sucked into a tornado, which takes Oscar to the mysterious and strange Land of Oz. The first resident of Oz he meets is the beautiful Theodora, the Wicked Witch of the West (Mila Kunis). Theodora tells Oscar that he is the prophesized wizard who will save Oz from the wicked Glinda the Good Witch (Michelle Williams).
They travel the yellow brick road to Emerald City, the capital of Oz. There, Oscar meets Theodora’s sister, Evanora, the Wicked Witch of the East (Rachel Weisz), who sends Oscar on a mission. Joined by Finley the Flying Monkey (voice of Zach Braff) and China Girl (voice Joey King), Oscar begins a journey that takes him to Munchkinland, where he must decide whether to be great or to be a good man.
In a perfect world, Oz the Great and Powerful would be judged on its own merits, but this is not a perfect world. This is an imperfect world that is made better by a great movie first released in 1939, The Wizard of Oz. In that film, Judy Garland is still a young thing and matte paints can make you believe in dark forests and emerald cities. Thus, OGP must match up with (or perhaps against) that classic 1939 film, and OGP doesn’t win that match up.
Oz the Great and Powerful has its inventive moments, but it lacks the imagination of the 1939 film. The new film is all special effects technical wizardry, but it doesn’t have the magic, the heart, or the folksy charm of 1939 film. There are a few moments in OGP that mimic the first film’s rustic flourishes, but everything else in OGP pales before a computer-generated onslaught of elements and effects. This is not heart; this is noise.
The last half hour of Oz the Great and Powerful (before the end credits) is actually quite good, but the other 90 minutes is equal parts hits and misses. The actors and their characters are also inconsistent. Who thought James Franco was right for this part? Franco is a good actor, but half the time, I found him unconvincing as Oscar Diggs. Michelle Williams’s performance as Glinda is way too sugary, a shame as she is actually a good actor.
OGP is really an odd little movie that was super-sized and thus, made too big by corporate studio demands. Still, I think fans of all-things-Oz, young and old, will find things to like about this movie (as I have), if not fall in love with the entire movie. The last act nearly makes up for the rest of the movie, but not quite. Oz the Great and Powerful is big rather than great and overpowering rather than powerful.
5 of 10
C+
Monday, March 11, 2013
Disney's "D23" Goes to Japan in October 2013
First-Ever D23 Expo Japan to Be Held October 12–14, 2013
The Official Disney Fan Club’s Signature Event Makes Its International Debut
TOKYO--(BUSINESS WIRE)--The Walt Disney Company Japan (NYSE: DIS) announced that it will stage the first-ever D23 Expo Japan, a special event for Disney fans created by D23: The Official Disney Fan Club. D23 Expo Japan, the first Expo to be held outside the U.S., will feature an array of engaging presentations, hosted by senior Disney creative executives, showcasing what’s on the horizon from across The Walt Disney Company, including theme parks, movies, television, music, and interactive gaming. Fans will enjoy unique experiences; have the opportunity to purchase one-of-a-kind merchandise and collectibles; meet many of their favorite Disney characters; and delight in countless other surprises. D23 Expo Japan will take place October 12–14, 2013, at the Tokyo Disney Resort® in the Maihama area. Expo ticketing and program information will be announced in March.
D23 Expo Japan will also feature two special exhibitions celebrating landmark Disney milestones. First, to pay homage to The Walt Disney Company’s 90th Anniversary, D23 and the Walt Disney Archives will present Treasures of the Walt Disney Archives, featuring nine decades of treasures from the Archives’ vast collection. Plus, the Tokyo Disney Resort will celebrate its 30th year with a special retrospective exhibit. This special exhibition, presented by Oriental Land, operator of Tokyo Disney Resort, celebrates this milestone year by making D23 Expo Japan possible. Further details will be posted at http://disney.jp/D23 as they become available.
“We are thrilled to host this extraordinary, three-day event where all the wonderful worlds of Disney come together,” said Paul Candland, president, The Walt Disney Company Japan. “2013 marks The Walt Disney Company’s 90th anniversary, Disney Channel’s 10th, Disney Mobile’s fifth, the Disney–JCB Card’s fifth, Dlife’s first, and Tokyo Disney Resort’s 30th! The D23 Expo Japan allows us to show Disney’s tremendous appreciation to its fans.”
This event is supported by JCB Co., Ltd, and The Dai-ichi Life Insurance Company, Limited as official sponsors.
Disney fans from around the globe flocked to Anaheim, Calif., for the first D23 Expo: The Ultimate Disney Fan Event, in September 2009, followed by a second in August 2011. The next D23 Expo will take place August 9–11, 2013, at the Anaheim Convention Center and will feature: the 2013 Disney Legends Ceremony; a special exhibit from the Walt Disney Archives; the Collectors Forum, where Disney fans can buy, sell, and trade Disney collectibles, memorabilia, and merchandise; an all-new Fan Art Contest themed to the upcoming 50th anniversary of Mary Poppins, and a massive show floor full of special opportunities to see what’s on the horizon for Disney around the world.
About The Walt Disney Company
The Walt Disney Company, together with its subsidiaries and affiliates, is a leading diversified international family entertainment and media enterprise with five business segments: media networks, parks and resorts, studio entertainment, consumer products, and interactive. Disney is a Dow 30 company and had annual revenues of about $42.3 billion in its last fiscal year.
About D23: The Official Disney Fan Club
D23: The Official Disney Fan Club celebrates the remarkable past, present, and future of Disney, taking its name from 1923, the year Walt Disney founded his world-famous company. D23 unlocks the magic of Disney with a host of exclusive benefits, including a quarterly publication, Disney twenty-three; a rich website at www.D23.com; a weekly e-mail newsletter; an array of discounts and special offers; and free gifts throughout the year; as well as exclusive events created especially for its members.
The Official Disney Fan Club’s Signature Event Makes Its International Debut
TOKYO--(BUSINESS WIRE)--The Walt Disney Company Japan (NYSE: DIS) announced that it will stage the first-ever D23 Expo Japan, a special event for Disney fans created by D23: The Official Disney Fan Club. D23 Expo Japan, the first Expo to be held outside the U.S., will feature an array of engaging presentations, hosted by senior Disney creative executives, showcasing what’s on the horizon from across The Walt Disney Company, including theme parks, movies, television, music, and interactive gaming. Fans will enjoy unique experiences; have the opportunity to purchase one-of-a-kind merchandise and collectibles; meet many of their favorite Disney characters; and delight in countless other surprises. D23 Expo Japan will take place October 12–14, 2013, at the Tokyo Disney Resort® in the Maihama area. Expo ticketing and program information will be announced in March.
D23 Expo Japan will also feature two special exhibitions celebrating landmark Disney milestones. First, to pay homage to The Walt Disney Company’s 90th Anniversary, D23 and the Walt Disney Archives will present Treasures of the Walt Disney Archives, featuring nine decades of treasures from the Archives’ vast collection. Plus, the Tokyo Disney Resort will celebrate its 30th year with a special retrospective exhibit. This special exhibition, presented by Oriental Land, operator of Tokyo Disney Resort, celebrates this milestone year by making D23 Expo Japan possible. Further details will be posted at http://disney.jp/D23 as they become available.
“We are thrilled to host this extraordinary, three-day event where all the wonderful worlds of Disney come together,” said Paul Candland, president, The Walt Disney Company Japan. “2013 marks The Walt Disney Company’s 90th anniversary, Disney Channel’s 10th, Disney Mobile’s fifth, the Disney–JCB Card’s fifth, Dlife’s first, and Tokyo Disney Resort’s 30th! The D23 Expo Japan allows us to show Disney’s tremendous appreciation to its fans.”
This event is supported by JCB Co., Ltd, and The Dai-ichi Life Insurance Company, Limited as official sponsors.
Disney fans from around the globe flocked to Anaheim, Calif., for the first D23 Expo: The Ultimate Disney Fan Event, in September 2009, followed by a second in August 2011. The next D23 Expo will take place August 9–11, 2013, at the Anaheim Convention Center and will feature: the 2013 Disney Legends Ceremony; a special exhibit from the Walt Disney Archives; the Collectors Forum, where Disney fans can buy, sell, and trade Disney collectibles, memorabilia, and merchandise; an all-new Fan Art Contest themed to the upcoming 50th anniversary of Mary Poppins, and a massive show floor full of special opportunities to see what’s on the horizon for Disney around the world.
About The Walt Disney Company
The Walt Disney Company, together with its subsidiaries and affiliates, is a leading diversified international family entertainment and media enterprise with five business segments: media networks, parks and resorts, studio entertainment, consumer products, and interactive. Disney is a Dow 30 company and had annual revenues of about $42.3 billion in its last fiscal year.
About D23: The Official Disney Fan Club
D23: The Official Disney Fan Club celebrates the remarkable past, present, and future of Disney, taking its name from 1923, the year Walt Disney founded his world-famous company. D23 unlocks the magic of Disney with a host of exclusive benefits, including a quarterly publication, Disney twenty-three; a rich website at www.D23.com; a weekly e-mail newsletter; an array of discounts and special offers; and free gifts throughout the year; as well as exclusive events created especially for its members.
Sunday, March 10, 2013
Review: "Basic Instinct" is Still a Killer (Happy B'day, Sharon Stone)
Basic Instinct (1992)
Running time: 123 minutes (2 hours, 3 minutes)
MPAA – R for strong violence and sensuality and for drug use and language
DIRECTOR: Paul Verhoeven
WRITER: Joe Eszterhas
PRODUCER: Alan Marshall
CINEMATOGRAPHER: Jan De Bont, A.S.C.
EDITOR: Frank J. Urioste, A.C.E.
COMPOSER: Jerry Goldsmith
Academy Award nominee
THRILLER/CRIME/MYSTERY
Starring: Michael Douglas, Sharon Stone, George Dzundza, Jeanne Tripplehorn, Denis Arndt, Leilani Sarelle, Bruce A. Young, Chelcie Ross, Dorothy Malone, Wayne Knight, and Daniel von Bargen
The subject of this movie review is Basic Instinct, a 1992 erotic thriller and mystery film directed by Paul Verhoeven and written by the great Joe Eszterhas. The film follows a police detective in charge of the investigation of a brutal murder and a beautiful and seductive woman who could be involved.
Nick Curran (Michael Douglas) is a tough, but vulnerable San Francisco detective – vulnerable because he’s under the watchful eye of Internal Affairs after he’d shot and killed some tourists during a pursuit of suspects. Nick has also complicated his life by having intimate relations with the therapist, Dr. Beth Garner (Jeanne Tripplehorn), his bosses are making him see.
The story begins after a prominent community member is found bound and brutally murdered (stabbed with an ice pick) in his blood-soaked bed. Nick’s life and job get even more convoluted when he and his partner, Gus Moran (George Dzundza), are assigned to be the lead detectives in the case. The prime suspect is Catherine Tramell (Sharon Stone), a cold, calculating, and beautiful novelist with an insatiable sexual appetite. Catherine takes an immediate interest in Nick and delves into his past, but is she using him for reference in her new novel or is she dragging Nick into an even more dangerous game. As the bodies pile up, Nick wonders if a jealous rival of Catherine’s or of his and Catherine’s relationship is out to frame her… and kill him. Or is Catherine behind all the murders?
Basic Instinct was one of the most talked about and controversial movies of 1992. Protests from gay rights groups marred the film’s production shoot after the script was leaked and it was learn that all the murder suspects in the film were lesbian characters. When the film was finally released, Basic Instinct’s explicit sex, tawdry subject matter, and riveting crime plot made it one of the year’s biggest box office hits and the poster child for those who believed sex and violence in Hollywood films had finally crossed too many lines.
But the film was good… no, great. Hot sex, hot girls, beautiful locations in San Francisco and the surrounding area, swanky sets, multiple plausible murder suspects, and a cop nearly out of his mind chasing hot ass – Basic Instinct was and still is a thoroughly delightful adult thriller. Director Paul Verhoeven created a murder mystery in the tradition of films such as Out of the Past and Murder, My Sweet. If Basic Instinct weren’t a color film, it would be a modern Film-Noir classic.
There were good performances all around, and the best were Michael Douglas and Sharon Stone’s. The duo had great screen chemistry, and Ms. Stone played the part for all it was worth, making her a top-billed, highly paid actress for the next few years. Rarely had there been so much sexual tension, distrust, dishonesty, and brazenness between a screen couple that couldn’t stop “being” with one another, and Douglas coolly played the role on the way to solidifying his position as an A-list actor.
One element that was absolutely necessary in making Basic Instinct such a sexy thriller is the Oscar-nominated score (Best Music, Original Score) by the late Jerry Goldsmith (1929-2004). Haunting and alluring, it helps the film capture some of the screen magic of crime films from the golden age of Hollywood. Goldsmith also provided the right musical themes and rhythms to go with Michael and Sharon’s pummel-your-partner love scenes.
8 of 10
A
NOTES:
1993 Academy Awards: 2 nominations: “Best Film Editing” (Frank J. Urioste) and “Best Music, Original Score” (Jerry Goldsmith)
1993 Golden Globes, USA: 2 nominations: “Best Original Score - Motion Picture” (Jerry Goldsmith) and “Best Performance by an Actress in a Motion Picture – Drama” (Sharon Stone)
1992 Cannes Film Festival: 1 nomination: “Palme d'Or” (Jerry Goldsmith)
1993 Razzie Awards: 3 nominations: “Worst Actor” (Michael Douglas, also for Shining Through -1992), “Worst New Star” ("Sharon Stone's 'Tribute to Theodore Cleaver'"), and “Worst Supporting Actress” (Jeanne Tripplehorn)
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Review: "Basic Instinct 2" Doesn't Come Close to the Original (Happy B'day, Sharon Stone)
Basic Instinct 2 (2006)
Running time: 114 minutes (1 hour, 54 minutes)
MPAA – R for strong sexuality, nudity, violence, language, and some drug content
DIRECTOR: Michael Canton-Jones
WRITERS: Leora Barish & Henry Bean (based upon characters by Joe Eszterhas)
PRODUCERS: Mario Kassar, Joel B. Michaels, and Andrew G. Vajna
CINEMATOGRAPHER: Gyulas Pados (director of photography)
EDITOR: Istvan Kiraly and John Scott
COMPOSER: John Murphy
Razzie Award winner
MYSTERY/THRILLER
Starring: Sharon Stone, David Morrissey, Charlotte Rampling, David Thewlis, Hugh Dancy, Stan Collymore, Neil Maskell, Indira Varma, Heathcote Williams, and Flora Montgomery
The subject of this movie review is Basic Instinct 2, a 2006 erotic thriller and mystery film. Directed by Michael Canton-Jones, the film is a sequel to the 1992 film, Basic Instinct. Sharon Stone returns from the original film, but not her co-star, Michael Douglas. In the new film, Stone’s character, novelist Catherine Tramell, is again in trouble with the law, and she lures the Scotland Yard psychiatrist appointed to evaluate her into a seductive game.
Charged with the murder of her fiancé, Kevin Franks (Stan Collymore), best-selling novelist, Catherine Tramell (Sharon Stone), is once again in trouble with the law – this time in London. Catherine faces questioning from Dr. Michael Glass (David Morrissey), a Scotland Yard-appointed criminal psychiatrist. Before long, more people are turning up dead all around Catherine, just as it did a decade and a half ago in San Francisco. The suspects are plenty, and the players include a conniving reporter and a dirty cop, as well as many of Glass’ friends and associates. An old case of Glass’ also comes into play. Did he know that George Cheslav (unseen in the film), a psychotic patient of his, was going to kill his girlfriend? Tramell sees the case as a chance to manipulate Glass as fodder for her new novel – about a psychiatrist who may or may not have committed murder. Glass has the training to withstand Catherine’s mind games, or does he? Can he even match her willpower? And what happens when the evidence from the murders start pointing to him as much as it does to Catherine?
Basic Instinct 2 isn’t good, nor is it really bad. It starts off with a bang, but most of it is dry, dull, and awkward, in spite of a good moment here and there and a killer ending that leaves the viewer asking questions just as the first film did. One wonders why we really needed a sequel to the San Francisco-based neo-noir, Basic Instinct, although there has been talk of one ever since the film became a blockbuster hit in 1992. Leora Barish and Henry Bean’s script is a good murder mystery, but it’s wrong for the Catherine Tramell character. Tramell certainly belongs in a lurid murder mystery; this just isn’t the one. Putting her in this British-based tale of deception and hard sex is like putting Shrek in The Lord of the Rings just because the former is a fantasy-based character and the latter is an epic fantasy.
Director Michael Canton-Jones (Scandal) tries to give this film some style, and judging from the explicit “love scenes,” he knows how to direct a hot sex scene. Sharon Stone still is Catherine Tramell, but she’s trying to hard, and Canton swoops in on her every wicked facial expression. For fans of the original, this is merely a curiosity piece and one that tries the patience.
3 of 10
C-
Saturday, August 19, 2006
NOTES:
2007 Razzie Awards: 4 wins: “Worst Actress” (Sharon Stone), “Worst Picture” (A.K.A. Basically, It Stinks, Too-Sony and Columbia), “Worst Prequel or Sequel” (A.K.A. Basically, It Stinks, Too), and “Worst Screenplay” (Leora Barish and Henry Bean, based on characters created by Joe Eszterhas); 3 nominations: “Worst Director” (Michael Caton-Jones), “Worst Screen Couple” (Sharon Stone's lop-sided breasts.), and “Worst Supporting Actor” (David Thewlis, also for The Omen-2006)
-----------------
Saturday, March 9, 2013
Chris Nolan's Next Project, "Interstellar," Due November 2014
CHRISTOPHER NOLAN’S “INTERSTELLAR” TO BE CO-PRODUCED AND JOINTLY DISTRIBUTED BY PARAMOUNT PICTURES AND WARNER BROS. PICTURES
FILM WILL BE RELEASED IN THEATERS AND IMAX® ON NOVEMBER 7, 2014
Paramount To Distribute Domestically, Warner Bros. Pictures Internationally
Paramount Pictures and Warner Bros. Pictures jointly announced today that writer/director Christopher Nolan’s “Interstellar” will be co-produced and distributed by the two studios, with Paramount Pictures handling Domestic distribution and Warner Bros. Pictures distributing the film Internationally. “INTERSTELLAR” will be released beginning November 7, 2014, in theaters and IMAX®.
Directed and written by Academy Award-nominee Nolan (“INCEPTION,” “THE DARK KNIGHT RISES”), “INTERSTELLAR” is based on a script by Jonathan Nolan. The film will be produced by Emma Thomas and Christopher Nolan of Syncopy Films and Obst of Lynda Obst Productions. Kip Thorne will executive produce. The film will depict a heroic interstellar voyage to the furthest reaches of our scientific understanding.
Brad Grey, Chairman and CEO of Paramount Pictures said, “As a filmmaker and storyteller, Chris has continuously entertained the world with his extraordinary and unparalleled talents. I am pleased beyond measure to welcome him to the Paramount Pictures family. Partnering with Chris, Emma, Lynda and Warner Bros. to release this original idea next November is the perfect way to start the Thanksgiving and holiday movie season for audiences around the world.”
Jeff Robinov, President, Warner Bros. Pictures Group, said, “Christopher Nolan is truly one of the great auteurs working in film today, and we’re extremely proud of our successful and ongoing collaboration with him and Emma Thomas. We are excited to be teaming with Paramount, and look forward to working with the Nolans, and producer Lynda Obst, on this extraordinary new project.”
About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIA, VIAB), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Famous Productions, Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.
About Warner Bros. Pictures
Warner Bros. Pictures meets worldwide tastes and demands with a diverse mix of filmed entertainment and is a global leader in the marketing and distribution of feature films. The International Division operates offices in 24 countries and releases films in over 125 international territories, either directly to theaters or in conjunction with partner companies and co-ventures. Internationally, the Studio has been the market leader in six of the last 13 years, having surpassed $1 billion in grosses a total of 15 years, 12 of which were consecutive years, and crossed $2 billion five times, including 2004, 2007, 2010, 2011 and 2012.
FILM WILL BE RELEASED IN THEATERS AND IMAX® ON NOVEMBER 7, 2014
Paramount To Distribute Domestically, Warner Bros. Pictures Internationally
Paramount Pictures and Warner Bros. Pictures jointly announced today that writer/director Christopher Nolan’s “Interstellar” will be co-produced and distributed by the two studios, with Paramount Pictures handling Domestic distribution and Warner Bros. Pictures distributing the film Internationally. “INTERSTELLAR” will be released beginning November 7, 2014, in theaters and IMAX®.
Directed and written by Academy Award-nominee Nolan (“INCEPTION,” “THE DARK KNIGHT RISES”), “INTERSTELLAR” is based on a script by Jonathan Nolan. The film will be produced by Emma Thomas and Christopher Nolan of Syncopy Films and Obst of Lynda Obst Productions. Kip Thorne will executive produce. The film will depict a heroic interstellar voyage to the furthest reaches of our scientific understanding.
Brad Grey, Chairman and CEO of Paramount Pictures said, “As a filmmaker and storyteller, Chris has continuously entertained the world with his extraordinary and unparalleled talents. I am pleased beyond measure to welcome him to the Paramount Pictures family. Partnering with Chris, Emma, Lynda and Warner Bros. to release this original idea next November is the perfect way to start the Thanksgiving and holiday movie season for audiences around the world.”
Jeff Robinov, President, Warner Bros. Pictures Group, said, “Christopher Nolan is truly one of the great auteurs working in film today, and we’re extremely proud of our successful and ongoing collaboration with him and Emma Thomas. We are excited to be teaming with Paramount, and look forward to working with the Nolans, and producer Lynda Obst, on this extraordinary new project.”
About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIA, VIAB), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Famous Productions, Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.
About Warner Bros. Pictures
Warner Bros. Pictures meets worldwide tastes and demands with a diverse mix of filmed entertainment and is a global leader in the marketing and distribution of feature films. The International Division operates offices in 24 countries and releases films in over 125 international territories, either directly to theaters or in conjunction with partner companies and co-ventures. Internationally, the Studio has been the market leader in six of the last 13 years, having surpassed $1 billion in grosses a total of 15 years, 12 of which were consecutive years, and crossed $2 billion five times, including 2004, 2007, 2010, 2011 and 2012.
Friday, March 8, 2013
"The Wizard of Oz" Still the Greatest Fantasy Film Ever
The Wizard of Oz (1939)
Running time: 101 minutes (1 hour, 41 mintues)
MPAA – G
DIRECTOR: Victor Fleming
WRITERS: Noel Langley, Florence Ryerson, and Edgar Allan Woolf (based upon the novel by L. Frank Baum)
PRODUCER: Mervyn LeRoy
CINEMATOGRAPHER: Harold Rosson (photographed by: in Technicolor)
EDITOR: Blanche Sewell
COMPOSER: Herbert Stothart
SONGS: Harold Arlen and E.Y. Harburg
Academy Award winner
FANTASY/ADVENTURE/FAMILY/MUSICAL
Starring: Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Jack Haley, Billie Burke, Margaret Hamilton, Charley Grapewin, and Clara Blandick
The subject of this movie review is The Wizard of Oz, a 1939 musical fantasy and adventure film from MGM (Metro-Goldwyn-Mayer). The film is based on The Wonderful Wizard of Oz, a children’s fantasy novel written by L. Frank Baum and first published in 1900.
Although Victor Fleming was credited as the film’s director, several other directors worked on the film, including King Vidor, George Cuko, and Mervyn LeRoy (who produced the film along with Arthur Freed). In fact numerous people who contributed to this film did not receive any screed credit, such as Arthur Freed (writer and producer), Ogden Nash (writer) and Herman J. Mankeiwicz (writer).
Various critics and popular polls often name it one of the “ten best movies of all time,” and in 2010, the Library of Congress said it was the most watched movie of all time. I’ve lost track of how many times I’ve watched it, but I consider The Wizard of Oz to be the greatest fantasy film of all time.
Since it was first released over six decades ago, The Wizard of Oz has stood the test of time as a great fantasy film. And though computers have revolutionized the use of special effects in movies, The Wizard of Oz, with its painted backdrops, handmade costumes, and ordinary makeup effects is as potent as any modern fantasy film filled with super SFX.
In the story, a tornado whisks a Kansas farm girl named Dorothy (Judy Garland) and her dog Toto to the magical Land of Oz where she encounters many strange and wonderful beings. She embarks upon a quest to the Emerald City to see the Wizard of Oz, who reportedly has it in his powers to send Dorothy back to Kansas. Along the way she gathers a group of fellow travelers who also wish a boon from the Wizard: The Scarecrow (Ray Bolger) who wants a brain; The Tin Man (Jack Haley) who wants a heart; and The Cowardly Lion (Bert Lahr) who wants courage. To get what they want, however, they must face off with The Wicked Witch of the West (Margaret Hamilton) who wants a pair of magical ruby slippers that Dorothy wears.
Anyone who has seen The Wizard of Oz is already aware of the magical hold the film has had and continues to have over audiences. Like a good fantasy film, it is filled with fantastical elements, but the heart of the story is the quest for something dear. For Dorothy, it is a way home; for her friends it is something they wrongly believe is missing from their lives and personalities. Like a great family film, The Wizard of Oz endears itself by entertaining all ages with a wonderful story, memorable songs and lines, and loveable characters. It is also in a way an adventure film, but the vicarious thrill of the adventure doesn’t come from destruction, but comes from sharing the quest with friends and loved ones.
The Wizard of Oz is undoubtedly one of the great American films. Watch it, and one can’t help but marvel how the filmmakers came together to make a film that approaches perfection with nearly every scene and in nearly every moment.
10 of 10
NOTES:
1940 Academy Awards: 2 wins: “Best Music, Original Score” (Herbert Stothart) and “Best Music, Original Song” (Harold Arlen-music for E.Y. Harburg-lyrics for the song "Over the Rainbow"); 4 nominations: “Best Picture” (M-G-M), “Best Art Direction” (Cedric Gibbons and William A. Horning), “Best Cinematography, Color” (Harold Rosson), and “Best Effects, Special Effects” (A. Arnold Gillespie-photographic and Douglas Shearer-sound)
1939 Cannes Film Festival: 1 nomination: “Palme d'Or” (Victor Fleming)
1989 National Film Preservation Board, USA: National Film Registry
---------------------
Five Major Studios Sign Theatrical Digital Distribution Deal
Lionsgate, Universal Pictures, The Walt Disney Company, Warner Bros. Entertainment Inc. and Paramount Pictures Sign on to DCDC Distribution Service Platform
BURBANK, Calif. & LOS ANGELES--(BUSINESS WIRE)--The Digital Cinema Distribution Coalition (DCDC) announced today that it has reached agreements with Lionsgate, Universal Pictures, The Walt Disney Company, Warner Bros. Entertainment Inc. and Paramount Pictures to provide each with theatrical digital delivery services across North America. DCDC, formed by AMC Theatres, Regal Entertainment Group, Cinemark Theatres, Universal Pictures and Warner Bros., has created a network for next generation satellite and terrestrial digital distribution capable of supporting feature, promotional, pre-show and live content distribution into theatres using the latest in digital distribution technologies. The network is designed to provide a highly reliable and cost effective distribution model for distributors and exhibitors alike. As digital distribution replaces the use of traditional, physical media for content distribution, users of the network will have access to a host of delivery options and resources.
Speaking on behalf of DCDC, Randolph Blotky stated, “DCDC’s service platform is the state of the art for digital delivery of various kinds of content to theatres in North America. Its business model will assure long-term consistent low cost pricing to content providers and exhibitors across the industry. We are very excited to welcome Warner Bros. Entertainment, Lionsgate, The Walt Disney Company, Universal Pictures and Paramount Pictures to our service.”
Darcy Antonellis, President, Technical Operations, and Chief Technology Officer, Warner Bros. Entertainment added, “The vision of creating a cross-industry distribution service to benefit distributors, exhibitors, service providers and consumers is becoming a reality. We're extremely pleased to be working with our colleagues to bring to fruition a powerful distribution network that is advantageous for us all.”
Nikki Rocco, President, Universal Pictures Distribution, added, “With the majority of the domestic theatrical market now digital, the ability to efficiently distribute films via satellite to a large subset of our exhibitor partners will further ensure moviegoers have access to the latest and highest quality theatrical entertainment. Universal is excited to work with DCDC in the satellite delivery of our films, as it rolls out its satellite platform over the coming months.”
“DCDC’s new satellite service provides a seamless and secure system that will enable us to streamline and expedite access to our latest content,” said Dave Hollis, Executive Vice President, Theatrical Exhibition Sales and Distribution, The Walt Disney Studios. “This is a crucial advancement in theatrical distribution, and we’re thrilled to be on board.”
“The wide-spread adoption of DCDC’s platform is a game-changer,” said Dan Fellman, President, Domestic Distribution, Warner Bros. Pictures. “The service ensures that audiences have the most high-quality entertainment experience while exhibitors and content providers achieve a strategic, secure and cost-effective new business model. We are very pleased to join DCDC and our partner studios in this initiative.”
“We are pleased that Lionsgate can again be at the forefront of digital cinema and be part of the state of the art digital delivery system that will benefit the entire industry,” said Richie Fay, Lionsgate’s President of Domestic Theatrical Distribution.
“All of us at Paramount believe the advancement of digital distribution technologies will help to further our goal to bring the finest entertainment to audiences in a seamless and secure manner, and the DCDC will be a great partner for us to achieve that goal,” said Megan Colligan, Paramount Pictures’ President of Domestic Marketing and Distribution.
“DCDC is creating a technological superhighway,” said Tim Warner, CEO and President, Cinemark Theatres. “It’s one port access to thousands of screens, for both movies and alternative content, from all content providers.”
DCDC is expected to complete the initial network roll-out before year-end. Deluxe/EchoStar LLC will be providing operations support for the DCDC network.
About Warner Bros. Entertainment:
Warner Bros. Entertainment is a global leader in all forms of entertainment and their related businesses across all current and emerging media and platforms. A Time Warner Company, the fully integrated, broad-based Studio is home to one of the most successful collections of brands in the world and stands at the forefront of every aspect of the entertainment industry from feature film, television and home entertainment production and worldwide distribution to Blu-ray and DVD, digital distribution, animation, comic books, video games, product and brand licensing and broadcasting.
About Universal Pictures:
Universal Pictures is a division of Universal Studios (www.universalstudios.com). Universal Studios is part of NBCUniversal. NBCUniversal is one of the world’s leading media and entertainment companies in the development, production and marketing of entertainment, news and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment networks, a premier motion picture company, significant television production operations, a leading television stations group and world-renowned theme parks. Comcast Corporation owns a controlling 51% interest in NBCUniversal, with GE holding a 49% stake.
About The Walt Disney Company:
The Walt Disney Company, together with its subsidiaries and affiliates, is a leading diversified international family entertainment and media enterprise with five business segments: media networks, parks and resorts, studio entertainment, consumer products and interactive. Disney is a Dow 30 company and had annual revenues of about $42.3 billion in its last fiscal year.
About Lionsgate:
Lionsgate is a leading global entertainment company with a strong and diversified presence in motion picture production and distribution, television programming and syndication, home entertainment, family entertainment, digital distribution, new channel platforms and international distribution and sales. Its feature film business has been fueled by such recent successes as the blockbuster first installment of The Hunger Games franchise, the 13th highest-grossing domestic release of all time, The Twilight Saga: Breaking Dawn – Part 2, which has grossed more than $800 million at the worldwide box office, Warm Bodies, Texas Chainsaw 3D, The Expendables 2, The Possession, Sinister, The Cabin in the Woods and Arbitrage. With the January 2012 acquisition of Summit Entertainment, the Company has now added the blockbuster Twilight Saga franchise, which has grossed more than $3.3 billion at the worldwide box office, to its current slate, giving the Company the two premier young adult franchises in the world. The Lionsgate and Summit brands remain synonymous with original, daring, quality entertainment in markets around the world.
About Paramount Pictures Corporation:
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIA, VIAB), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Famous Productions, Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.
BURBANK, Calif. & LOS ANGELES--(BUSINESS WIRE)--The Digital Cinema Distribution Coalition (DCDC) announced today that it has reached agreements with Lionsgate, Universal Pictures, The Walt Disney Company, Warner Bros. Entertainment Inc. and Paramount Pictures to provide each with theatrical digital delivery services across North America. DCDC, formed by AMC Theatres, Regal Entertainment Group, Cinemark Theatres, Universal Pictures and Warner Bros., has created a network for next generation satellite and terrestrial digital distribution capable of supporting feature, promotional, pre-show and live content distribution into theatres using the latest in digital distribution technologies. The network is designed to provide a highly reliable and cost effective distribution model for distributors and exhibitors alike. As digital distribution replaces the use of traditional, physical media for content distribution, users of the network will have access to a host of delivery options and resources.
Speaking on behalf of DCDC, Randolph Blotky stated, “DCDC’s service platform is the state of the art for digital delivery of various kinds of content to theatres in North America. Its business model will assure long-term consistent low cost pricing to content providers and exhibitors across the industry. We are very excited to welcome Warner Bros. Entertainment, Lionsgate, The Walt Disney Company, Universal Pictures and Paramount Pictures to our service.”
Darcy Antonellis, President, Technical Operations, and Chief Technology Officer, Warner Bros. Entertainment added, “The vision of creating a cross-industry distribution service to benefit distributors, exhibitors, service providers and consumers is becoming a reality. We're extremely pleased to be working with our colleagues to bring to fruition a powerful distribution network that is advantageous for us all.”
Nikki Rocco, President, Universal Pictures Distribution, added, “With the majority of the domestic theatrical market now digital, the ability to efficiently distribute films via satellite to a large subset of our exhibitor partners will further ensure moviegoers have access to the latest and highest quality theatrical entertainment. Universal is excited to work with DCDC in the satellite delivery of our films, as it rolls out its satellite platform over the coming months.”
“DCDC’s new satellite service provides a seamless and secure system that will enable us to streamline and expedite access to our latest content,” said Dave Hollis, Executive Vice President, Theatrical Exhibition Sales and Distribution, The Walt Disney Studios. “This is a crucial advancement in theatrical distribution, and we’re thrilled to be on board.”
“The wide-spread adoption of DCDC’s platform is a game-changer,” said Dan Fellman, President, Domestic Distribution, Warner Bros. Pictures. “The service ensures that audiences have the most high-quality entertainment experience while exhibitors and content providers achieve a strategic, secure and cost-effective new business model. We are very pleased to join DCDC and our partner studios in this initiative.”
“We are pleased that Lionsgate can again be at the forefront of digital cinema and be part of the state of the art digital delivery system that will benefit the entire industry,” said Richie Fay, Lionsgate’s President of Domestic Theatrical Distribution.
“All of us at Paramount believe the advancement of digital distribution technologies will help to further our goal to bring the finest entertainment to audiences in a seamless and secure manner, and the DCDC will be a great partner for us to achieve that goal,” said Megan Colligan, Paramount Pictures’ President of Domestic Marketing and Distribution.
“DCDC is creating a technological superhighway,” said Tim Warner, CEO and President, Cinemark Theatres. “It’s one port access to thousands of screens, for both movies and alternative content, from all content providers.”
DCDC is expected to complete the initial network roll-out before year-end. Deluxe/EchoStar LLC will be providing operations support for the DCDC network.
About Warner Bros. Entertainment:
Warner Bros. Entertainment is a global leader in all forms of entertainment and their related businesses across all current and emerging media and platforms. A Time Warner Company, the fully integrated, broad-based Studio is home to one of the most successful collections of brands in the world and stands at the forefront of every aspect of the entertainment industry from feature film, television and home entertainment production and worldwide distribution to Blu-ray and DVD, digital distribution, animation, comic books, video games, product and brand licensing and broadcasting.
About Universal Pictures:
Universal Pictures is a division of Universal Studios (www.universalstudios.com). Universal Studios is part of NBCUniversal. NBCUniversal is one of the world’s leading media and entertainment companies in the development, production and marketing of entertainment, news and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment networks, a premier motion picture company, significant television production operations, a leading television stations group and world-renowned theme parks. Comcast Corporation owns a controlling 51% interest in NBCUniversal, with GE holding a 49% stake.
About The Walt Disney Company:
The Walt Disney Company, together with its subsidiaries and affiliates, is a leading diversified international family entertainment and media enterprise with five business segments: media networks, parks and resorts, studio entertainment, consumer products and interactive. Disney is a Dow 30 company and had annual revenues of about $42.3 billion in its last fiscal year.
About Lionsgate:
Lionsgate is a leading global entertainment company with a strong and diversified presence in motion picture production and distribution, television programming and syndication, home entertainment, family entertainment, digital distribution, new channel platforms and international distribution and sales. Its feature film business has been fueled by such recent successes as the blockbuster first installment of The Hunger Games franchise, the 13th highest-grossing domestic release of all time, The Twilight Saga: Breaking Dawn – Part 2, which has grossed more than $800 million at the worldwide box office, Warm Bodies, Texas Chainsaw 3D, The Expendables 2, The Possession, Sinister, The Cabin in the Woods and Arbitrage. With the January 2012 acquisition of Summit Entertainment, the Company has now added the blockbuster Twilight Saga franchise, which has grossed more than $3.3 billion at the worldwide box office, to its current slate, giving the Company the two premier young adult franchises in the world. The Lionsgate and Summit brands remain synonymous with original, daring, quality entertainment in markets around the world.
About Paramount Pictures Corporation:
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIA, VIAB), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Famous Productions, Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.
Thursday, March 7, 2013
Review: "The Master" Piece
TRASH IN MY EYE No. 17 (of 2013) by Leroy Douresseaux
The Master (2012)
Running time: 144 minutes (2 hours, 24 minutes)
MPAA – R for sexual content, graphic nudity and language
WRITER/DIRECTOR: Paul Thomas Anderson
PRODUCERS: Paul Thomas Anderson, Megan Ellison, Daniel Lupi, and JoAnne Sellar
CINEMATOGRAPHER: Mihai Malaimare Jr.
EDITORS: Leslie Jones and Peter McNulty
COMPOSER: Jonny Greenwood
DRAMA
Starring: Joaquin Phoenix, Philip Seymour Hoffman, Amy Adams, Jesse Plemons, Ambyr Childers, Rami Malek, Laura Dern, and Kevin J. O’Connor
The Master is a 2012 film drama from writer/director Paul Thomas Anderson (There Will Be Blood). The film follows a World War II Naval veteran who returns to America unsettled and uncertain of his future – until he is tantalized by a new religion and its charismatic leader. The Master is also noted for its similarities to the life of L. Ron Hubbard, the founder of Scientology.
The Master opens with a brief look at Freddie Quell (Joaquin Phoenix) and his service during World War II. After the war, Freddie is sex-obsessed and an alcoholic, and he struggles to adjust to post-war life. Early in 1950, Freddie is jobless and drifting, when he stows away on the yacht of Lancaster Dodd (Philip Seymour Hoffman), the founder and leader of a philosophical movement called “The Cause.”
Seeing something in Freddie, Dodd takes him into the movement, and Freddie travels with Dodd along the East Coast, spreading the teachings of The Cause. Freddie’s erratic and violent behavior, however, makes Dodd’s followers, especially Dodd’s wife, Peggy (Amy Adams), suspicious of him.
First, let me say, The Master is a film overflowing with quality. The cinematography by Mihai Malaimare Jr. is some of the best that I’ve ever seen. The colors practically pulse with enchantment. Every so often, I come across a film score that affects me in ways that just seem to inspire me to better things. Jonny Greenwood, the lead guitarist and keyboardist of the rock band, Radiohead, delivers such a score for The Master.
Yada, yada, yada: do I have to say that Joaquin Phoenix, Philip Seymour Hoffman, and Amy Adams deliver stellar performances? Of course, they do; it’s some of the best work these three actors have ever done.
Anderson takes what he gets from his collaborators and delivers a vibrant, uncompromising film in The Master. It is a trip down the piss-gold, yellow brick road into the American heart of darkness, delving into themes of master-disciple relationships, the yearning for success, and our urge to uncover each other’s secrets. The Master is challenging and frustrating, but for serious movie audiences, it is simply a gift.
Greenwood’s score, which Anderson uses to maximum effect, makes me think that, in some ways, The Master is a science fiction film. As much as the film delves into the past, it is about where the characters are going – their futures. At times, The Master looks like a weird science fiction film made in the late 1940s or early 1950s. The Master seems out of time, a movie that belongs to a time over a half-century ago, and it was trying to predict what the psychological state of affairs would be like after “The Cause” took over the world.
Anderson refuses to settle the matters of the characters by the end of this film –sorry for that semi-spoiler. However, The Master is the kind of movie that proves that film is indeed an art form and not merely a commercial endeavor for people and corporations that want fame and money.
9 of 10
A+
NOTES:
2013 Academy Awards: 3 nominations: “Best Performance by an Actor in a Leading Role” (Joaquin Phoenix), “Best Performance by an Actor in a Supporting Role” (Philip Seymour Hoffman), and “Best Performance by an Actress in a Supporting Role” (Amy Adams)
2013 BAFTA Awards: 4 nominations: “Leading Actor” (Joaquin Phoenix), “Original Screenplay” (Paul Thomas Anderson), “Supporting Actor” (Philip Seymour Hoffman), and “Supporting Actress” (Amy Adams)
2013 Golden Globes, USA: 3 nominations: “Best Performance by an Actor in a Motion Picture – Drama” (Joaquin Phoenix), “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Philip Seymour Hoffman) and “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Amy Adams)
Tuesday, March 05, 2013
Happy Birthday, M.A.D.
I recently remembered that you loved those initials... and the magazine and it copycats and competitors. So have a MAD Happy Birthday.
Wednesday, March 6, 2013
First "Hobbit" Film Over a Billion Dollars in Worldwide Box Office
“The Hobbit: An Unexpected Journey” Crosses One Billion Dollars and Still Climbing
BURBANK, Calif.--(BUSINESS WIRE)--“The Hobbit: An Unexpected Journey” has surpassed the billion dollar milestone at the worldwide box office. The joint announcement was made today by Toby Emmerich, President and Chief Operating Officer, New Line Cinema; Gary Barber, Chairman and Chief Executive Officer, Metro-Goldwyn-Mayer Studios; Dan Fellman, President of Domestic Distribution, Warner Bros. Pictures; and Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.
To date, the blockbuster has earned $301.4 million domestically. With its recent release in China, where it has grossed $37.3 million in 10 days, the film has earned a staggering estimated $700 million internationally, for a global total of $1 billion to date. “The Hobbit: An Unexpected Journey” becomes only the 15th film in history to exceed one billion dollars worldwide.
In making the announcement, Fellman stated, “We could not be more proud to have reached this amazing benchmark. Together with our partners at MGM and New Line, everyone at Warner Bros. congratulates Peter Jackson and his entire cast and crew on the extraordinary success of this film.”
Kwan Vandenberg said, “From Berlin to Beijing, it is so gratifying to see how the release of ‘The Hobbit: An Unexpected Journey’ has been such an event with audiences around the world. We know that moviegoers everywhere are already excited about the next film, as are we.”
“The Hobbit: An Unexpected Journey,” a production of New Line Cinema and Metro-Goldwyn-Mayer (MGM) Pictures, is the acclaimed first film in Oscar®-winning filmmaker Peter Jackson’s epic “The Hobbit” Trilogy, based on the timeless novel by J.R.R. Tolkien. The film recently earned three Oscar® nominations, for Best Production Design, Best Makeup and Hairstyling, and Best Visual Effects.
From Academy Award®-winning filmmaker Peter Jackson comes “The Hobbit: An Unexpected Journey,” the first of a trilogy of films adapting the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien. The three films tell a continuous story set in Middle-earth 60 years before “The Lord of the Rings,” which Jackson and his filmmaking team brought to the big screen in the blockbuster trilogy that culminated with the Oscar®-winning “The Lord of the Rings: The Return of the King.”
The film stars Ian McKellen, Martin Freeman, Richard Armitage, James Nesbitt, Ken Stott, Sylvester McCoy, Barry Humphries, Cate Blanchett, Ian Holm, Christopher Lee, Hugo Weaving, Elijah Wood and Andy Serkis.
The screenplay for “The Hobbit: An Unexpected Journey” is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro, based on the novel by J.R.R. Tolkien. Jackson also produced the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Boyens and Eileen Moran serving as co-producers.
New Line Cinema and Metro-Goldwyn-Mayer Pictures Present a WingNut Films Production, “The Hobbit: An Unexpected Journey.” All three films in “The Hobbit” Trilogy, also including “The Hobbit: The Desolation of Smaug,” and the final film, “The Hobbit: There and Back Again,” are productions of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), with New Line managing production. Warner Bros. Pictures is handling worldwide theatrical distribution, with select international territories as well as all international television distribution being handled by MGM.
www.thehobbit.com
BURBANK, Calif.--(BUSINESS WIRE)--“The Hobbit: An Unexpected Journey” has surpassed the billion dollar milestone at the worldwide box office. The joint announcement was made today by Toby Emmerich, President and Chief Operating Officer, New Line Cinema; Gary Barber, Chairman and Chief Executive Officer, Metro-Goldwyn-Mayer Studios; Dan Fellman, President of Domestic Distribution, Warner Bros. Pictures; and Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.
To date, the blockbuster has earned $301.4 million domestically. With its recent release in China, where it has grossed $37.3 million in 10 days, the film has earned a staggering estimated $700 million internationally, for a global total of $1 billion to date. “The Hobbit: An Unexpected Journey” becomes only the 15th film in history to exceed one billion dollars worldwide.
In making the announcement, Fellman stated, “We could not be more proud to have reached this amazing benchmark. Together with our partners at MGM and New Line, everyone at Warner Bros. congratulates Peter Jackson and his entire cast and crew on the extraordinary success of this film.”
Kwan Vandenberg said, “From Berlin to Beijing, it is so gratifying to see how the release of ‘The Hobbit: An Unexpected Journey’ has been such an event with audiences around the world. We know that moviegoers everywhere are already excited about the next film, as are we.”
“The Hobbit: An Unexpected Journey,” a production of New Line Cinema and Metro-Goldwyn-Mayer (MGM) Pictures, is the acclaimed first film in Oscar®-winning filmmaker Peter Jackson’s epic “The Hobbit” Trilogy, based on the timeless novel by J.R.R. Tolkien. The film recently earned three Oscar® nominations, for Best Production Design, Best Makeup and Hairstyling, and Best Visual Effects.
From Academy Award®-winning filmmaker Peter Jackson comes “The Hobbit: An Unexpected Journey,” the first of a trilogy of films adapting the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien. The three films tell a continuous story set in Middle-earth 60 years before “The Lord of the Rings,” which Jackson and his filmmaking team brought to the big screen in the blockbuster trilogy that culminated with the Oscar®-winning “The Lord of the Rings: The Return of the King.”
The film stars Ian McKellen, Martin Freeman, Richard Armitage, James Nesbitt, Ken Stott, Sylvester McCoy, Barry Humphries, Cate Blanchett, Ian Holm, Christopher Lee, Hugo Weaving, Elijah Wood and Andy Serkis.
The screenplay for “The Hobbit: An Unexpected Journey” is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro, based on the novel by J.R.R. Tolkien. Jackson also produced the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Boyens and Eileen Moran serving as co-producers.
New Line Cinema and Metro-Goldwyn-Mayer Pictures Present a WingNut Films Production, “The Hobbit: An Unexpected Journey.” All three films in “The Hobbit” Trilogy, also including “The Hobbit: The Desolation of Smaug,” and the final film, “The Hobbit: There and Back Again,” are productions of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), with New Line managing production. Warner Bros. Pictures is handling worldwide theatrical distribution, with select international territories as well as all international television distribution being handled by MGM.
www.thehobbit.com
Tuesday, March 5, 2013
Review: Average "Willow" Entertains
Willow (1988)
Running time: 126 minutes (2 hours, 6 minutes)
MPAA – PG
DIRECTOR: Ron Howard
WRITERS: Bob Dolman; based upon a story by George Lucas
PRODUCER: Nigel Wooll
CINEMATOGRAPHER: Adrian Biddle
EDITORS: Daniel Hanley, Michael Hill, and Richard Hiscott
COMPOSER: James Horner
Academy Award nominee
FANTASY/ADVENTURE
Starring: Warwick Davis, Val Kilmer, Joanne Whalley, Jean Marsh, Patricia Hayes, Billy Barty, Pat Roach, Gavan O’Herlihy, David Steinberg, Mark Northover, Kevin Pollack, Rick Overton, Maria Holvoe, Julie Peters, Mark Vande Brake, Dawn Downing, Tony Cox, and Ruth & Kate Greenfield
The subject of this movie review is Willow, the 1988 fantasy film that was a collaboration between George Lucas and Ron Howard. Joe Johnston was also an associate producer on the film.
The 1988 film, Willow, which Ron Howard directed, was George Lucas’ attempt to do for fantasy films what Star Wars had done for science fiction films, but Willow’s box office receipts barely paid back the film’s production costs. Lucas reportedly studied mythology from around the world in the process of writing this film’s story, but in the end, he borrowed heavily from author J.R.R. Tolkien’s The Lord of the Rings (which nearly a decade and a half later became an international super hit film trilogy) the way he borrowed from author Frank Herbert’s Dune for Star Wars. Willow is by no means great, but it’s a good, entertaining fantasy adventure for the juvenile, teens, and adults who like fantasy films, although Willow is low-wattage compared to the intensity of Peter Jackson’s The Lord of the Rings films.
In the story, Willow Ufgood (Warwick Davis), the member of a dwarfish race called the “Nelwyn,” takes possession of Elora Danan (Ruth & Kate Greenfield), a special baby girl sought by an evil sorceress, Queen Bavmorda (Jean Marsh). Bavmorda wants to kill Elora because a certain prophecy says the child will cause Bavmorda’s destruction. Willow, who is also an apprentice sorcerer, must take the baby girl back to her people, all while being pursued by Bavmorda’s soldiers. Through the difficult journey, Willow is joined on his quest by the boastful and loony swordsman, Madmartigan (Val Kilmer), and two sarcastic brownies, a type of diminutive fairy.
Although Willow borrows from such high fantasy tales at the Rings trilogy, the film is more grounded in reality, more earthy. In Willow, magic is inconsistent, and practitioners must rely as much on their wits and skills to survive as they do on magic. The film is notable for the fact that the hero is played by a dwarf actor, and the both of the powerful magic users are old women. However, nothing much about the film stands out as memorable, except for James Horner’s fabulous score, which borrows heavily from other musical sources, in particularly Mozart. The other item of note is a giant two-headed dragon that appears in the middle of the film’s narrative. It was one of the early attempts at adding computer-generated characters into live action film.
5 of 10
B-
Friday, May 20, 2005
NOTES:
1989 Academy Awards: 2 nominations: “Best Effects, Sound Effects Editing” (Ben Burtt and Richard Hymns) and “Best Effects, Visual Effects” (Dennis Muren, Michael J. McAlister, Phil Tippett, and Christopher Evans)
1989 Razzie Awards: 2 nominations: “Worst Screenplay” (Bob Dolman; George Lucas-story) and “Worst Supporting Actor” (Billy Barty)
Ron Howard, Warwick Davis to Tweet "Willow" Anniversary
DIRECTOR RON HOWARD AND STAR WARWICK DAVIS REUNITE ON TWITTER TO CELEBRATE THE 25th ANNIVERSARY OF "WILLOW"
WHAT:
Join Director Ron Howard and star Warwick Davis for an exclusive Artist to Artist Twitter chat in celebration of the 25th anniversary of Willow! Fans can even join in the conversation by tweeting questions using the hashtag #WillowChat.
In celebration of its 25th anniversary, the unforgettable classic, Willow, has been fully digitally restored and debuts on Blu-ray and DVD Combo Pack March 12, 2013 from Lucasfilm Ltd. and Twentieth Century Fox Home Entertainment.
The Willow Blu-ray and DVD include a dazzling array of extras with never-before-seen exclusive content such as deleted scenes with remarks from Ron Howard, a personal video diary of Warwick Davis, matte paintings and much more. In addition, look out for Ron Howard’s new introduction for the original 1988 featurette “The Making of an Adventure,” as well as special effect legend Dennis Muren’s new intro to his piece, “From Morf to Morphing: The Dawn of Digital Filmmaking.”
WHO:
Director, Ron Howard - @RealRonHoward
Actor, Warwick Davis - @WarwickADavis
WHEN:
Tuesday, March 12
2:00pm – 2:30pm PST
WHERE:
Twitter - #WillowChat
WHAT:
Join Director Ron Howard and star Warwick Davis for an exclusive Artist to Artist Twitter chat in celebration of the 25th anniversary of Willow! Fans can even join in the conversation by tweeting questions using the hashtag #WillowChat.
In celebration of its 25th anniversary, the unforgettable classic, Willow, has been fully digitally restored and debuts on Blu-ray and DVD Combo Pack March 12, 2013 from Lucasfilm Ltd. and Twentieth Century Fox Home Entertainment.
The Willow Blu-ray and DVD include a dazzling array of extras with never-before-seen exclusive content such as deleted scenes with remarks from Ron Howard, a personal video diary of Warwick Davis, matte paintings and much more. In addition, look out for Ron Howard’s new introduction for the original 1988 featurette “The Making of an Adventure,” as well as special effect legend Dennis Muren’s new intro to his piece, “From Morf to Morphing: The Dawn of Digital Filmmaking.”
WHO:
Director, Ron Howard - @RealRonHoward
Actor, Warwick Davis - @WarwickADavis
WHEN:
Tuesday, March 12
2:00pm – 2:30pm PST
WHERE:
Twitter - #WillowChat
Monday, March 4, 2013
"War Witch" Tops 2013 Canadian Screen Awards
by Leroy Douresseaux
War Witch was named the “Best Motion Picture” of 2012 at the 2013 Canadian Screen Awards. Kim Nguyen, director of War Witch, won “Achievement in Direction.”
This was the inaugural Canadian Screen Awards, which honor achievements in Canadian film and television production, as well as achievements in digital media. In 2012, the formerly separate Genie Awards (for film) and Gemini Awards (for television) merged into a single ceremony, the Canadian Screen Awards.
War Witch, which is also known by its French-language name, Rebelle, swept away nearly all competition at the inaugural Canadian Screen Awards broadcast gala Sunday night (March 3, 2013). The Congo-set drama about child soldiers won in 10 of the 12 categories for which it was nominated.
War Witch’s teen star, Rachel Mwanza, won “Actress in a Leading Role.” Mwanza once lived on the streets of Kinshasa (the capital of the Democratic Republic of the Congo). Now, she is earning accolades internationally for her performance as Komona, a child forced to kill her parents and join a local warlord’s band of soldiers
The 2013 Canadian Screen Award winners:
Film categories:
Best Motion Picture: War Witch
Achievement in Direction: Kim Nguyen, War Witch
Actor in a Leading Role: James Cromwell, Still Mine.
Actress in a Leading Role: Rachel Mwanza, War Witch.
Actor in a Supporting Role: Serge Kanyinda, War Witch.
Actress in a Supporting Role: Seema Biswas, Midnight’s Children
Original Screenplay: Kim Nguyen, War Witch
Adapted Screenplay: Salman Rushdie, Midnight’s Children
Art Direction/Production Design: Emmanuel Frechette and Josée Arsenault, War Witch.
Make-Up: Colleen Quinton, Kathy Kelson, Michelle Cote, and Martin LaPointe, Laurence Anyways.
Costume Design: Xavier Dolan and François Barbeau, Laurence Anyways.
Cinematography: Nicolas Bolduc, War Witch.
Editing: Richard Comeau, War Witch.
Music - Original Score: Howard Shore, Cosmopolis.
Music - Original Song: Howard Shore, Emily Haines, James Shaw, “Long to Live” (from Cosmopolis)
Overall Sound: Claude La Haye, Daniel Bisson, Bernard Gariepy Stroble, War Witch.
Sound Editing: Martin Pinsonnault, Jean-Francois, B. Sauve, Simon Meilleur, and Claire Pochon, War Witch.
Feature Length Documentary Award: Sarah Polley and Anita Lee, Stories We Tell.
Short Documentary: Ariel Nasr and Annette Clarke, The Boxing Girls of Kabul.
Live Action Short Drama: Miranda de Pencier and Stacey Aglok MacDonald, Throat Song.
Animated Short: Dominic Étienne Simard and Julie Roy, Paula.
Visual Effects: Dennis Beradi, Jason Edwardh, Matt Glover, Trey Harrell, Leann Harvey, Jo Hughes, Ethan Lee, Scott Riopelle, Eric Robinson, and Kyle Yoneda, Resident Evil: Retribution.
Television categories:
Dramatic Series: Flashpoint.
Comedy Program/Series: Less Than Kind.
International Drama: The Borgias.
Lead Actor in a Dramatic Role: Enrico Colantoni, Flashpoint.
Lead Actress in a Dramatic Role: Meg Tilly, Bomb Girls.
Lead Actor in a Comedic Role: Gerry Dee, Mr. D.
Lead Actress in a Comedic Role: Wendel Meldrum, Less Than Kind.
Reality/Competition Program: Dragon’s Den.
News Anchor: Peter Mansbridge, CBC News The National.
Sports Host or Analyst: Brian Williams, London 2012 Olympic Games.
Host in a Variety, Lifestyle, Reality/Competition, Performing Arts or Talk Program: George Stroumboulopoulos, George Stroumboulopoulos Tonight.
Previously announced awards:
Claude Jutra Award for Best First Feature Film: Jason Buxton, Blackbird.
Cineplex Golden Reel Award: Resident Evil: Retribution
Academy Special Film Award: Victor Loewy, former head of Alliance and Vivafilm.
War Witch was named the “Best Motion Picture” of 2012 at the 2013 Canadian Screen Awards. Kim Nguyen, director of War Witch, won “Achievement in Direction.”
This was the inaugural Canadian Screen Awards, which honor achievements in Canadian film and television production, as well as achievements in digital media. In 2012, the formerly separate Genie Awards (for film) and Gemini Awards (for television) merged into a single ceremony, the Canadian Screen Awards.
War Witch, which is also known by its French-language name, Rebelle, swept away nearly all competition at the inaugural Canadian Screen Awards broadcast gala Sunday night (March 3, 2013). The Congo-set drama about child soldiers won in 10 of the 12 categories for which it was nominated.
War Witch’s teen star, Rachel Mwanza, won “Actress in a Leading Role.” Mwanza once lived on the streets of Kinshasa (the capital of the Democratic Republic of the Congo). Now, she is earning accolades internationally for her performance as Komona, a child forced to kill her parents and join a local warlord’s band of soldiers
The 2013 Canadian Screen Award winners:
Film categories:
Best Motion Picture: War Witch
Achievement in Direction: Kim Nguyen, War Witch
Actor in a Leading Role: James Cromwell, Still Mine.
Actress in a Leading Role: Rachel Mwanza, War Witch.
Actor in a Supporting Role: Serge Kanyinda, War Witch.
Actress in a Supporting Role: Seema Biswas, Midnight’s Children
Original Screenplay: Kim Nguyen, War Witch
Adapted Screenplay: Salman Rushdie, Midnight’s Children
Art Direction/Production Design: Emmanuel Frechette and Josée Arsenault, War Witch.
Make-Up: Colleen Quinton, Kathy Kelson, Michelle Cote, and Martin LaPointe, Laurence Anyways.
Costume Design: Xavier Dolan and François Barbeau, Laurence Anyways.
Cinematography: Nicolas Bolduc, War Witch.
Editing: Richard Comeau, War Witch.
Music - Original Score: Howard Shore, Cosmopolis.
Music - Original Song: Howard Shore, Emily Haines, James Shaw, “Long to Live” (from Cosmopolis)
Overall Sound: Claude La Haye, Daniel Bisson, Bernard Gariepy Stroble, War Witch.
Sound Editing: Martin Pinsonnault, Jean-Francois, B. Sauve, Simon Meilleur, and Claire Pochon, War Witch.
Feature Length Documentary Award: Sarah Polley and Anita Lee, Stories We Tell.
Short Documentary: Ariel Nasr and Annette Clarke, The Boxing Girls of Kabul.
Live Action Short Drama: Miranda de Pencier and Stacey Aglok MacDonald, Throat Song.
Animated Short: Dominic Étienne Simard and Julie Roy, Paula.
Visual Effects: Dennis Beradi, Jason Edwardh, Matt Glover, Trey Harrell, Leann Harvey, Jo Hughes, Ethan Lee, Scott Riopelle, Eric Robinson, and Kyle Yoneda, Resident Evil: Retribution.
Television categories:
Dramatic Series: Flashpoint.
Comedy Program/Series: Less Than Kind.
International Drama: The Borgias.
Lead Actor in a Dramatic Role: Enrico Colantoni, Flashpoint.
Lead Actress in a Dramatic Role: Meg Tilly, Bomb Girls.
Lead Actor in a Comedic Role: Gerry Dee, Mr. D.
Lead Actress in a Comedic Role: Wendel Meldrum, Less Than Kind.
Reality/Competition Program: Dragon’s Den.
News Anchor: Peter Mansbridge, CBC News The National.
Sports Host or Analyst: Brian Williams, London 2012 Olympic Games.
Host in a Variety, Lifestyle, Reality/Competition, Performing Arts or Talk Program: George Stroumboulopoulos, George Stroumboulopoulos Tonight.
Previously announced awards:
Claude Jutra Award for Best First Feature Film: Jason Buxton, Blackbird.
Cineplex Golden Reel Award: Resident Evil: Retribution
Academy Special Film Award: Victor Loewy, former head of Alliance and Vivafilm.
Sunday, March 3, 2013
Review: "Sinister" is Indeed Sinister
Sinister (2012)
Running time: 110 minutes (1 hour, 50 minutes)
MPAA – R for disturbing violent images and some terror
DIRECTOR: Scott Derrickson
WRITERS: Scott Derrickson and C. Robert Cargill
PRODUCERS: Jason Blum and Brian Kavanaugh-Jones
CINEMATOGRAPHER: Christopher Norr (D.o.P.)
EDITOR: Frédéric Thoraval
COMPOSER: Christopher Young
HORROR/MYSTERY/THRILLER
Starring: Ethan Hawke, Juliet Rylance, Fred Dalton Thompson, James Ransone, Michael Hall D’Addario, Clare Foley, and Nick King with Vincent D’Onofrio (no screen credit)
Sinister is a 2012 supernatural horror film and mystery thriller from director Scott Derrickson. Starring Ethan Hawke, the film focuses on a true-crime writer who finds a cache of 8mm "snuff" films in his new home and then begins an investigation of what seems like the work of a serial killer.
Ellison Oswalt (Ethan Hawke) is a washed up true-crime novelist whose last hit was a decade ago, a controversial book called Kentucky Blood. He is desperate to find a murder case that he can turn into another hit true-crime novel. Ellison moves his family into a Pennsylvania house where the previous family was found murdered. Four of the family members were hanging from a tree, while a fifth member, a daughter, was missing.
Oddly, Ellison does not tell his wife, Tracy (Juliet Rylance), about the house’s terrible history, and the family never really settles into their new home. Their son, Trevor (Michael Hall D’Addario), starts having the worst night terrors he’s ever had, and their daughter, Ashley (Clare Foley), is painting bizarre pictures on the walls.
Ellison finds a box containing some reels of Super 8 film and a projector. This discovery leads him to begin researching a serial killer whose career dates back to the 1960s. As Ellison tries to solve this mystery, a sinister force threatens him and his family.
Watching Sinister, I was reminded of how important sound effects and music are to horror films, thrillers, and other scary movies. There are indeed some creepy visuals and ideas in Sinister, but sound is what makes this movie really work the scares. Creaking noises in the house, footsteps in the night, gusts of wind, and everything that seems determined to go bump in the night, especially when someone is alone. The excellent sound effects in this movie had me watching the film in what was almost like a fetal position. And the music: it won’t make you shake your ass, but it’ll have you quaking in your boots.
I don’t want to spoil too much for potential viewers, but I must complain about the villain. He was less supernatural disturbing and more low-rent death metal scary. Sinister’s ending is a bit of a letdown, compared to the sheer frightener that the rest of this flick is.
Ethan Hawke carries this movie because the story is largely centered on Ellison Oswalt (a moniker that apparently blends the names of writer Harlan Ellison and actor/comedian Patton Oswalt). It’s a good performance with depth. Horror movie require that the viewer suspend disbelief, but this film explains why someone would do stupid things when faced with the supernatural. Ellison Oswalt is obsessed with writing a book, and his obsession makes his already self-centered nature even worse, to the point that he makes nothing but bad decisions. Hawke’s performance conveys this.
I did also like James Ransone as the sadly under-utilized character, Detective So-and-So. Once again, I want to do something I generally avoid. I want to heartily recommend Sinister. Even with its ending, it’s one of the best horror movies of the year 2012.
7 of 10
A-
Sunday, March 03, 2013
Saturday, March 2, 2013
2013 Canadian Screen Awards - Film Nominees
by Leroy Douresseaux
The Canadian Screen Awards honor achievements in Canadian film and television production, as well as achievements in digital media. In 2012, the formerly separate Genie Awards (for film) and Gemini Awards (for television) merged into a single ceremony, the Canadian Screen Awards.
The 2013 Canadian Screen Awards are scheduled to be held on March 3, 2013, to honor achievements in Canadian film and television production in 2012. This will be the first-ever Canadian Screen Awards ceremony. In addition, the new Canadian Screen Awards will include awards for achievements in digital media.
The 2013 Canadian Screen Award nominations were announced on January 15, 2013. The awards ceremony will be hosted by Martin Short.
I am posting the nominations in the feature film, documentary film, and short film categories. Visit the Canadian Screen Awards website for a complete list of nominees.
FEATURE FILMS: NOMINATIONS BY CATEGORY
BEST MOTION PICTURE / MEILLEUR FILM (Sponsor / Commanditaire : Comweb Group / William F. White International Inc.)
L'AFFAIRE DUMONT - Nicole Robert
INCH'ALLAH - Luc Déry, Kim McCraw
LAURENCE ANYWAYS - Lyse Lafontaine
MIDNIGHT'S CHILDREN - David Hamilton
REBELLE / WAR WITCH - Pierre Even, Marie-Claude Poulin
STILL MINE - Tamara Deverell, Jody Colero, Avi Federgreen, Michael McGowan
ACHIEVEMENT IN DIRECTION / MEILLEURE RÉALISATION (Sponsor / Commanditaire : Pinewood Toronto Studios)
MICHAEL DOWSE - Goon
XAVIER DOLAN - Laurence Anyways
DEEPA MEHTA - Midnight's Children
KIM NGUYEN - Rebelle / War Witch
BERNARD ÉMOND - Tout ce que tu possèdes / All That You Possess
PERFORMANCE BY AN ACTOR IN A LEADING ROLE / INTERPRÉTATION MASCULINE DANS UN PREMIER RÔLE
JAMES CROMWELL – Still Mine
PATRICK DROLET - Tout ce que tu possèdes / All That You Possess
MARC-ANDRÉ GRONDIN - L'affaire Dumont
DAVID MORSE - Collaborator
MELVIL POUPAUD - Laurence Anyways
PERFORMANCE BY AN ACTRESS IN A LEADING ROLE / INTERPRÉTATION FÉMININE DANS UN PREMIER RÔLE
EVELYNE BROCHU - Inch'Allah
GENEVIÈVE BUJOLD – Still Mine
MARILYN CASTONGUAY - L'affaire Dumont
SUZANNE CLÉMENT - Laurence Anyways
RACHEL MWANZA - Rebelle / War Witch
PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE / INTERPRÉTATION MASCULINE DANS UN RÔLE DE SOUTIEN
JAY BARUCHEL - Goon
KIM COATES - Goon
STEPHAN JAMES - Home Again
SERGE KANYINDA - Rebelle
ELIAS KOTEAS - Winnie
PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE / INTERPRÉTATION FÉMININE DANS UN RÔLE DE SOUTIEN
SEEMA BISWAS - Midnight's Children
FEFE DOBSON - Home Again
ALICE MOREL MICHAUD – Les Pee Wee 3D
GABRIELLE MILLER - Moving Day
SABRINA OUAZANI - Inch'Allah
ORIGINAL SCREENPLAY / MEILLEUR SCÉNARIO (Sponsor / Commanditaire : Astral’s Harold Greenberg Fund)
JASON BUXTON - Blackbird
XAVIER DOLAN - Laurence Anyways
KIM NGUYEN - Rebelle / War Witch
MICHAEL MCGOWAN - Still Mine
BERNARD ÉMOND - Tout ce que tu possèdes / All That You Possess
ADAPTED SCREENPLAY / MEILLEURE ADAPTATION
DAVID CRONENBERG - Cosmopolis
JAY BARUCHEL, EVAN GOLDBERG - Goon
ANITA DORON - The Lesser Blessed
MARTIN VILLENEUVE - Mars et Avril
SALMAN RUSHDIE - Midnight's Children
ACHIEVEMENT IN ART DIRECTION/PRODUCTION DESIGN / MEILLEURE DIRECTION ARTISTIQUE
EMMANUEL FRECHETTE, JOSÉE ARSENAULT - Rebelle / War Witch
ARVINDER GREWAL - Antiviral
ANDRÉ GUIMOND - L'affaire Dumont
DILIP MEHTA - Midnight's Children
ANNE PRITCHARD - Laurence Anyways
ACHIEVEMENT IN CINEMATOGRAPHY / MEILLEURES IMAGES (Sponsor / Commanditaire : Christie Digital)
NICOLAS BOLDUC - Rebelle / War Witch
PHILIPPE LAVALETTE - Inch'Allah
GILES NUTTGENS - Midnight's Children
BOBBY SHORE - Goon
BRENDAN STEACY – Still Mine
ACHIEVEMENT IN COSTUME DESIGN / MEILLEURS COSTUMES
XAVIER DOLAN, FRANÇOIS BARBEAU - Laurence Anyways
PATRICIA HENDERSON - Mad Ship
WENDY PARTRIDGE - Resident Evil: Retribution
WENDY PARTRIDGE - Silent Hill: Revelation 3D
ÉRIC POIRIER - Rebelle / War Witch
ACHIEVEMENT IN EDITING / MEILLEUR MONTAGE
RICHARD COMEAU - Rebelle / War Witch
RODERICK DEOGRADES – Still Mine
VALÉRIE HÉROUX - L'affaire Dumont
SOPHIE LEBLOND - Inch'Allah
KIMBERLEE MCTAGGART – Blackbird
ACHIEVEMENT IN MAKE-UP / MEILLEURS MAQUILLAGES (Sponsor / Commanditaire : Lancôme)
KATIE BRENNAN, KAROLA DIRNBERGER, PAUL JONES - Silent Hill: Revelation 3D
BRENDA MAGALAS, LORI CAPUTI - Goon
CATHERINE DAVIES-IRVINE, TRASON FERNANDES - Antiviral
MARLÈNE ROULEAU, ANDRÉ DUVAL - L'affaire Dumont
COLLEEN QUINTON, KATHY KELSO, MICHELLE CÔTÉ, MARTIN LAPOINTE - Laurence Anyways
ACHIEVEMENT IN MUSIC - ORIGINAL SCORE / MEILLEURE MUSIQUE ORIGINALE
NOIA - Laurence Anyways
BENOIT CHAREST - Mars et Avril
DON ROOKE, HUGH MARSH, MICHELLE WILLIS – Still Mine
HOWARD SHORE - Cosmopolis
E.C. WOODLEY - Antiviral
ACHIEVEMENT IN MUSIC - ORIGINAL SONG / MEILLEURE CHANSON ORIGINALE (Sponsor / Commanditaire : Slaight Music)
EMILY HAINES, JAMES SHAW, HOWARD SHORE - Cosmopolis - Long to Live
ERLAND & THE CARNIVAL - Rufus - Wanting
ERLAND & THE CARNIVAL - Rufus - Out of Sight
ACHIEVEMENT IN OVERALL SOUND / MEILLEUR SON D'ENSEMBLE (Sponsor / Commanditaire : Deluxe Toronto Ltd.)
SYLVAIN ARSENEAULT, STEPH CARRIER, LOU SOLAKOFSKI, DON WHITE - Midnight's Children
OLIVIER CALVERT, PASCAL BEAUDIN, LUC BOUDRIAS, DANIEL BISSON - Mars et Avril
CLAUDE LA HAYE, DANIEL BISSON, BERNARD GARIÉPY STROBL - Rebelle / War Witch
PHILIP STALL, IAN RANKIN, LOU SOLAKOFSKI, JACK HEEREN - Antiviral
ZANDER ROSBOROUGH, ALLAN SCARTH - The Disappeared
ACHIEVEMENT IN SOUND EDITING / MEILLEUR MONTAGE SONORE
• PIERRE-JULES AUDET, MICHELLE CLOUTIER, THIERRY BOURGAULT D'AMICO, NATHALIE FLEURANT, CÉDRICK MARIN, NICOLAS GAGNON - L'affaire Dumont
• MARTIN PINSONNAULT, JEAN-FRANCOIS B. SAUVÉ, SIMON MEILLEUR, CLAIRE POCHON - Rebelle / War Witch
• STEPHEN BARDEN, STEVE BAINE, KEVIN BANKS, ALEX BULLICK, JILL PURDY - Resident Evil: Retribution
• SYLVAIN BRASSARD, STÉPHANE CADOTTE, ISABELLE FAVREAU, PHILIPPE RACINE - Laurence Anyways
• ALLAN SCARTH, BOB MELANSON, ZANDER ROSBOROUGH, CORY TETFORD - The Disappeared
ACHIEVEMENT IN VISUAL EFFECTS / MEILLEURS EFFETS VISUELS
• DENNIS BERARDI, KEITH ACHESON, MICHAEL BORRETT, WILSON CAMERON, MICHAEL DICARLO, TOM NAGY, BRITTON PLEWES, SCOTT RIOPELLE, MATT WHELAN, WOJCIECH ZIELINSKI - Silent Hill: Revelation 3D
• CARLOS MONZON, MARTIN BELLEAU, DOMINIC DAIGLE, NATHALIE DUPONT, GAËL HOLLARD, BENOÎT LADOUCEUR, VIVIANE LEVESQUE BOUCHARD, JÉRÉMIE LODOMEZ, ANNIE NORMANDIN, ALEXANDRA VAILLANCOURT - Mars et Avril
• DENNIS BERARDI, JASON EDWARDH, MATT GLOVER, TREY HARRELL, LEANN HARVEY, JO HUGHES, ETHAN LEE, SCOTT RIOPELLE, ERIC ROBINSON, KYLE YONEDA - Resident Evil: Retribution
• ÈVE BRUNET, MARC MORISSETTE, ALEXANDRA VAILLANCOURT - Rebelle / War Witch
• RALPH MAIERS, DEBORA DUNPHY, JOHN FUKUSHIMA, PATRICK KAVANAUGH, BILL MARTIN, CHRIS PHILIPS, JEREMY PRICE, KENTON RANNIE, LAUREN WEIDEL - Midnight's Children
THEATRICAL DOCUMENTARIES & SHORT FILMS: NOMINATIONS BY CATEGORY
TED ROGERS BEST FEATURE LENGTH DOCUMENTARY AWARD / PRIX TED ROGERS POUR LE MEILLEUR LONG MÉTRAGE DOCUMENTAIRE (Sponsor / Commanditaire : Rogers Group of Funds)
ALPHÉE DES ÉTOILES - Hugo Latulippe, Eric De Gheldere, Colette Loumède
INDIE GAME: THE MOVIE - Lisanne Pajot, James Swirsky
OVER MY DEAD BODY - Brigitte Poupart, Virginie Dubois, Stéphanie Morissette
STORIES WE TELL - Sarah Polley, Anita Lee
THE WORLD BEFORE HER - Nisha Pahuja, Ed Barreveld, Cornelia Principe
BEST SHORT DOCUMENTARY / MEILLEUR COURT MÉTRAGE DOCUMENTAIRE (Sponsor / Commanditaire : Hot Docs)
THE BOXING GIRLS OF KABUL - Ariel Nasr, Annette Clarke
THE FUSE: OR HOW I BURNED SIMON BOLIVAR - Igor Drljaca
KEEP A MODEST HEAD / NE CRÂNE PAS SOIS MODESTE - Deco Dawson, Catherine Chagnon, Craig Trudeau
LET THE DAYLIGHT INTO THE SWAMP - Jeffrey St. Jules, Anita Lee
THREE WALLS - Zaheed Mawani, Andrea Bussmann
BEST LIVE ACTION SHORT DRAMA / MEILLEUR COURT MÉTRAGE DRAMATIQUE
CHEF DE MEUTE - Chloé Robichaud, Fanny-Laure Malo, Sarah Pellerin
FROST - Jeremy Ball, Lauren Grant, Robert Munroe
LE FUTUR PROCHE / THE NEAR FUTURE - Sophie Goyette
PREMIÈRE NEIGE / FIRST SNOW - Michaël Lalancette
THROAT SONG - Miranda de Pencier, Stacey Aglok MacDonald
BEST ANIMATED SHORT / MEILLEUR COURT MÉTRAGE D'ANIMATION
BYDLO - Patrick Bouchard, Julie Roy
DEMONI - Theodore Ushev
EDMOND WAS A DONKEY - Franck Dion, Richard Van Den Boom, Julie Roy
PAULA - Dominic Étienne Simard, Julie Roy
2013 Claude Jutra Award (best feature film by a first-time film director):
Jason Buxton, Blackbird
2013 Golden Reel Award (presented to the Canadian film with the biggest box office gross of the year):
Resident Evil: Retribution
http://www.academy.ca/awards/
The Canadian Screen Awards honor achievements in Canadian film and television production, as well as achievements in digital media. In 2012, the formerly separate Genie Awards (for film) and Gemini Awards (for television) merged into a single ceremony, the Canadian Screen Awards.
The 2013 Canadian Screen Awards are scheduled to be held on March 3, 2013, to honor achievements in Canadian film and television production in 2012. This will be the first-ever Canadian Screen Awards ceremony. In addition, the new Canadian Screen Awards will include awards for achievements in digital media.
The 2013 Canadian Screen Award nominations were announced on January 15, 2013. The awards ceremony will be hosted by Martin Short.
I am posting the nominations in the feature film, documentary film, and short film categories. Visit the Canadian Screen Awards website for a complete list of nominees.
FEATURE FILMS: NOMINATIONS BY CATEGORY
BEST MOTION PICTURE / MEILLEUR FILM (Sponsor / Commanditaire : Comweb Group / William F. White International Inc.)
L'AFFAIRE DUMONT - Nicole Robert
INCH'ALLAH - Luc Déry, Kim McCraw
LAURENCE ANYWAYS - Lyse Lafontaine
MIDNIGHT'S CHILDREN - David Hamilton
REBELLE / WAR WITCH - Pierre Even, Marie-Claude Poulin
STILL MINE - Tamara Deverell, Jody Colero, Avi Federgreen, Michael McGowan
ACHIEVEMENT IN DIRECTION / MEILLEURE RÉALISATION (Sponsor / Commanditaire : Pinewood Toronto Studios)
MICHAEL DOWSE - Goon
XAVIER DOLAN - Laurence Anyways
DEEPA MEHTA - Midnight's Children
KIM NGUYEN - Rebelle / War Witch
BERNARD ÉMOND - Tout ce que tu possèdes / All That You Possess
PERFORMANCE BY AN ACTOR IN A LEADING ROLE / INTERPRÉTATION MASCULINE DANS UN PREMIER RÔLE
JAMES CROMWELL – Still Mine
PATRICK DROLET - Tout ce que tu possèdes / All That You Possess
MARC-ANDRÉ GRONDIN - L'affaire Dumont
DAVID MORSE - Collaborator
MELVIL POUPAUD - Laurence Anyways
PERFORMANCE BY AN ACTRESS IN A LEADING ROLE / INTERPRÉTATION FÉMININE DANS UN PREMIER RÔLE
EVELYNE BROCHU - Inch'Allah
GENEVIÈVE BUJOLD – Still Mine
MARILYN CASTONGUAY - L'affaire Dumont
SUZANNE CLÉMENT - Laurence Anyways
RACHEL MWANZA - Rebelle / War Witch
PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE / INTERPRÉTATION MASCULINE DANS UN RÔLE DE SOUTIEN
JAY BARUCHEL - Goon
KIM COATES - Goon
STEPHAN JAMES - Home Again
SERGE KANYINDA - Rebelle
ELIAS KOTEAS - Winnie
PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE / INTERPRÉTATION FÉMININE DANS UN RÔLE DE SOUTIEN
SEEMA BISWAS - Midnight's Children
FEFE DOBSON - Home Again
ALICE MOREL MICHAUD – Les Pee Wee 3D
GABRIELLE MILLER - Moving Day
SABRINA OUAZANI - Inch'Allah
ORIGINAL SCREENPLAY / MEILLEUR SCÉNARIO (Sponsor / Commanditaire : Astral’s Harold Greenberg Fund)
JASON BUXTON - Blackbird
XAVIER DOLAN - Laurence Anyways
KIM NGUYEN - Rebelle / War Witch
MICHAEL MCGOWAN - Still Mine
BERNARD ÉMOND - Tout ce que tu possèdes / All That You Possess
ADAPTED SCREENPLAY / MEILLEURE ADAPTATION
DAVID CRONENBERG - Cosmopolis
JAY BARUCHEL, EVAN GOLDBERG - Goon
ANITA DORON - The Lesser Blessed
MARTIN VILLENEUVE - Mars et Avril
SALMAN RUSHDIE - Midnight's Children
ACHIEVEMENT IN ART DIRECTION/PRODUCTION DESIGN / MEILLEURE DIRECTION ARTISTIQUE
EMMANUEL FRECHETTE, JOSÉE ARSENAULT - Rebelle / War Witch
ARVINDER GREWAL - Antiviral
ANDRÉ GUIMOND - L'affaire Dumont
DILIP MEHTA - Midnight's Children
ANNE PRITCHARD - Laurence Anyways
ACHIEVEMENT IN CINEMATOGRAPHY / MEILLEURES IMAGES (Sponsor / Commanditaire : Christie Digital)
NICOLAS BOLDUC - Rebelle / War Witch
PHILIPPE LAVALETTE - Inch'Allah
GILES NUTTGENS - Midnight's Children
BOBBY SHORE - Goon
BRENDAN STEACY – Still Mine
ACHIEVEMENT IN COSTUME DESIGN / MEILLEURS COSTUMES
XAVIER DOLAN, FRANÇOIS BARBEAU - Laurence Anyways
PATRICIA HENDERSON - Mad Ship
WENDY PARTRIDGE - Resident Evil: Retribution
WENDY PARTRIDGE - Silent Hill: Revelation 3D
ÉRIC POIRIER - Rebelle / War Witch
ACHIEVEMENT IN EDITING / MEILLEUR MONTAGE
RICHARD COMEAU - Rebelle / War Witch
RODERICK DEOGRADES – Still Mine
VALÉRIE HÉROUX - L'affaire Dumont
SOPHIE LEBLOND - Inch'Allah
KIMBERLEE MCTAGGART – Blackbird
ACHIEVEMENT IN MAKE-UP / MEILLEURS MAQUILLAGES (Sponsor / Commanditaire : Lancôme)
KATIE BRENNAN, KAROLA DIRNBERGER, PAUL JONES - Silent Hill: Revelation 3D
BRENDA MAGALAS, LORI CAPUTI - Goon
CATHERINE DAVIES-IRVINE, TRASON FERNANDES - Antiviral
MARLÈNE ROULEAU, ANDRÉ DUVAL - L'affaire Dumont
COLLEEN QUINTON, KATHY KELSO, MICHELLE CÔTÉ, MARTIN LAPOINTE - Laurence Anyways
ACHIEVEMENT IN MUSIC - ORIGINAL SCORE / MEILLEURE MUSIQUE ORIGINALE
NOIA - Laurence Anyways
BENOIT CHAREST - Mars et Avril
DON ROOKE, HUGH MARSH, MICHELLE WILLIS – Still Mine
HOWARD SHORE - Cosmopolis
E.C. WOODLEY - Antiviral
ACHIEVEMENT IN MUSIC - ORIGINAL SONG / MEILLEURE CHANSON ORIGINALE (Sponsor / Commanditaire : Slaight Music)
EMILY HAINES, JAMES SHAW, HOWARD SHORE - Cosmopolis - Long to Live
ERLAND & THE CARNIVAL - Rufus - Wanting
ERLAND & THE CARNIVAL - Rufus - Out of Sight
ACHIEVEMENT IN OVERALL SOUND / MEILLEUR SON D'ENSEMBLE (Sponsor / Commanditaire : Deluxe Toronto Ltd.)
SYLVAIN ARSENEAULT, STEPH CARRIER, LOU SOLAKOFSKI, DON WHITE - Midnight's Children
OLIVIER CALVERT, PASCAL BEAUDIN, LUC BOUDRIAS, DANIEL BISSON - Mars et Avril
CLAUDE LA HAYE, DANIEL BISSON, BERNARD GARIÉPY STROBL - Rebelle / War Witch
PHILIP STALL, IAN RANKIN, LOU SOLAKOFSKI, JACK HEEREN - Antiviral
ZANDER ROSBOROUGH, ALLAN SCARTH - The Disappeared
ACHIEVEMENT IN SOUND EDITING / MEILLEUR MONTAGE SONORE
• PIERRE-JULES AUDET, MICHELLE CLOUTIER, THIERRY BOURGAULT D'AMICO, NATHALIE FLEURANT, CÉDRICK MARIN, NICOLAS GAGNON - L'affaire Dumont
• MARTIN PINSONNAULT, JEAN-FRANCOIS B. SAUVÉ, SIMON MEILLEUR, CLAIRE POCHON - Rebelle / War Witch
• STEPHEN BARDEN, STEVE BAINE, KEVIN BANKS, ALEX BULLICK, JILL PURDY - Resident Evil: Retribution
• SYLVAIN BRASSARD, STÉPHANE CADOTTE, ISABELLE FAVREAU, PHILIPPE RACINE - Laurence Anyways
• ALLAN SCARTH, BOB MELANSON, ZANDER ROSBOROUGH, CORY TETFORD - The Disappeared
ACHIEVEMENT IN VISUAL EFFECTS / MEILLEURS EFFETS VISUELS
• DENNIS BERARDI, KEITH ACHESON, MICHAEL BORRETT, WILSON CAMERON, MICHAEL DICARLO, TOM NAGY, BRITTON PLEWES, SCOTT RIOPELLE, MATT WHELAN, WOJCIECH ZIELINSKI - Silent Hill: Revelation 3D
• CARLOS MONZON, MARTIN BELLEAU, DOMINIC DAIGLE, NATHALIE DUPONT, GAËL HOLLARD, BENOÎT LADOUCEUR, VIVIANE LEVESQUE BOUCHARD, JÉRÉMIE LODOMEZ, ANNIE NORMANDIN, ALEXANDRA VAILLANCOURT - Mars et Avril
• DENNIS BERARDI, JASON EDWARDH, MATT GLOVER, TREY HARRELL, LEANN HARVEY, JO HUGHES, ETHAN LEE, SCOTT RIOPELLE, ERIC ROBINSON, KYLE YONEDA - Resident Evil: Retribution
• ÈVE BRUNET, MARC MORISSETTE, ALEXANDRA VAILLANCOURT - Rebelle / War Witch
• RALPH MAIERS, DEBORA DUNPHY, JOHN FUKUSHIMA, PATRICK KAVANAUGH, BILL MARTIN, CHRIS PHILIPS, JEREMY PRICE, KENTON RANNIE, LAUREN WEIDEL - Midnight's Children
THEATRICAL DOCUMENTARIES & SHORT FILMS: NOMINATIONS BY CATEGORY
TED ROGERS BEST FEATURE LENGTH DOCUMENTARY AWARD / PRIX TED ROGERS POUR LE MEILLEUR LONG MÉTRAGE DOCUMENTAIRE (Sponsor / Commanditaire : Rogers Group of Funds)
ALPHÉE DES ÉTOILES - Hugo Latulippe, Eric De Gheldere, Colette Loumède
INDIE GAME: THE MOVIE - Lisanne Pajot, James Swirsky
OVER MY DEAD BODY - Brigitte Poupart, Virginie Dubois, Stéphanie Morissette
STORIES WE TELL - Sarah Polley, Anita Lee
THE WORLD BEFORE HER - Nisha Pahuja, Ed Barreveld, Cornelia Principe
BEST SHORT DOCUMENTARY / MEILLEUR COURT MÉTRAGE DOCUMENTAIRE (Sponsor / Commanditaire : Hot Docs)
THE BOXING GIRLS OF KABUL - Ariel Nasr, Annette Clarke
THE FUSE: OR HOW I BURNED SIMON BOLIVAR - Igor Drljaca
KEEP A MODEST HEAD / NE CRÂNE PAS SOIS MODESTE - Deco Dawson, Catherine Chagnon, Craig Trudeau
LET THE DAYLIGHT INTO THE SWAMP - Jeffrey St. Jules, Anita Lee
THREE WALLS - Zaheed Mawani, Andrea Bussmann
BEST LIVE ACTION SHORT DRAMA / MEILLEUR COURT MÉTRAGE DRAMATIQUE
CHEF DE MEUTE - Chloé Robichaud, Fanny-Laure Malo, Sarah Pellerin
FROST - Jeremy Ball, Lauren Grant, Robert Munroe
LE FUTUR PROCHE / THE NEAR FUTURE - Sophie Goyette
PREMIÈRE NEIGE / FIRST SNOW - Michaël Lalancette
THROAT SONG - Miranda de Pencier, Stacey Aglok MacDonald
BEST ANIMATED SHORT / MEILLEUR COURT MÉTRAGE D'ANIMATION
BYDLO - Patrick Bouchard, Julie Roy
DEMONI - Theodore Ushev
EDMOND WAS A DONKEY - Franck Dion, Richard Van Den Boom, Julie Roy
PAULA - Dominic Étienne Simard, Julie Roy
2013 Claude Jutra Award (best feature film by a first-time film director):
Jason Buxton, Blackbird
2013 Golden Reel Award (presented to the Canadian film with the biggest box office gross of the year):
Resident Evil: Retribution
http://www.academy.ca/awards/
Third "Hobbit" Movie Moves to December 17, 2014
“The Hobbit: There and Back Again” to Be Released December 17, 2014
BURBANK, Calif.--(BUSINESS WIRE)--“The Hobbit: There and Back Again,” the final film in Peter Jackson’s trilogy adaptation of the timeless classic The Hobbit, will now be released on December 17, 2014. The joint announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.
The film moves from its previous summer slot, and now follows the holiday release pattern of “The Hobbit: An Unexpected Journey,” which went on to become a billion-dollar global blockbuster, as well as the three films in “The Lord of the Rings” Trilogy. The second film in “The Hobbit” Trilogy, “The Hobbit: The Desolation of Smaug,” is next to be released, on December 13, 2013. All three films in the Trilogy are productions of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM).
Stated Fellman, “We’re excited to complete the Trilogy the same way we started it, as a holiday treat for moviegoers everywhere.”
Added Kwan Vandenberg, “Our holiday release of the first film set a successful precedent for this wonderful Trilogy, and we’re delighted to bring it to a conclusion in the same release window.”
From Academy Award®-winning filmmaker Peter Jackson comes “The Hobbit: There and Back Again,” the final film in an epic Trilogy adapting the enduringly popular masterpiece The Hobbit by J.R.R. Tolkien. The three films tell a continuous story set in Middle-earth 60 years before “The Lord of the Rings,” which Jackson and his filmmaking team brought to the big screen in the blockbuster trilogy that culminated with the Oscar®-winning “The Lord of the Rings: The Return of the King.”
Jackson directed “The Hobbit: There and Back Again” from a screenplay by Fran Walsh & Philippa Boyens & Peter Jackson. Jackson is also producing the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Boyens and Eileen Moran serving as co-producers.
All three films in “The Hobbit” Trilogy are productions of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), with New Line managing production. Warner Bros. Pictures is handling worldwide theatrical distribution, with select international territories as well as all international television distribution being handled by MGM.
BURBANK, Calif.--(BUSINESS WIRE)--“The Hobbit: There and Back Again,” the final film in Peter Jackson’s trilogy adaptation of the timeless classic The Hobbit, will now be released on December 17, 2014. The joint announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.
The film moves from its previous summer slot, and now follows the holiday release pattern of “The Hobbit: An Unexpected Journey,” which went on to become a billion-dollar global blockbuster, as well as the three films in “The Lord of the Rings” Trilogy. The second film in “The Hobbit” Trilogy, “The Hobbit: The Desolation of Smaug,” is next to be released, on December 13, 2013. All three films in the Trilogy are productions of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM).
Stated Fellman, “We’re excited to complete the Trilogy the same way we started it, as a holiday treat for moviegoers everywhere.”
Added Kwan Vandenberg, “Our holiday release of the first film set a successful precedent for this wonderful Trilogy, and we’re delighted to bring it to a conclusion in the same release window.”
From Academy Award®-winning filmmaker Peter Jackson comes “The Hobbit: There and Back Again,” the final film in an epic Trilogy adapting the enduringly popular masterpiece The Hobbit by J.R.R. Tolkien. The three films tell a continuous story set in Middle-earth 60 years before “The Lord of the Rings,” which Jackson and his filmmaking team brought to the big screen in the blockbuster trilogy that culminated with the Oscar®-winning “The Lord of the Rings: The Return of the King.”
Jackson directed “The Hobbit: There and Back Again” from a screenplay by Fran Walsh & Philippa Boyens & Peter Jackson. Jackson is also producing the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Boyens and Eileen Moran serving as co-producers.
All three films in “The Hobbit” Trilogy are productions of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), with New Line managing production. Warner Bros. Pictures is handling worldwide theatrical distribution, with select international territories as well as all international television distribution being handled by MGM.
Friday, March 1, 2013
Review: "The Last Exorcism" is Kinda Crazy
The Last Exorcism (2010)
Running time: 87 minutes (1 hour, 27 minutes)
MPAA – PG-13 for disturbing violent content and terror, some sexual references and thematic material
DIRECTOR: Daniel Stamm
WRITERS: Huck Botko and Andrew Gurland
PRODUCERS: Marc Abraham, Thomas A. Bliss, Eric Newman, Eli Roth
CINEMATOGRAPHER: Zoltan Honti
EDITOR: Shilpa Sahi
COMPOSER: Nathan Barr
HORROR
Starring: Patrick Fabian, Ashley Bell, Iris Bahr, Louis Herthum, Caleb Landry Jones, Tony Bentley, John Wright, Jr., Shanna Forrestall, Justin Shafer, Becky Fly, Denise Lee, Logan Craig Reid, and Adam Grimes
The Last Exorcism is a 2010 supernatural horror film. It is also a found footage film, a movie that pretends that it is made of film or video that was found somewhere. That film or video is a recording of real events that happened sometime in the past – usually the recent past. The best known examples of found footage films are The Blair Witch Project and the Paranormal Activity franchise. The Last Exorcism follows a troubled evangelical minister and the documentary crew filming his last exorcism.
The Reverend Cotton Marcus (Patrick Fabian) is a Baton Rouge, Louisiana-based evangelical minister. Years earlier, he and his wife, Shanna (Shanna Forrestall), went through the difficult birth of their son, Justin (Justin Shafer), and Cotton had a crisis of faith. After he learns of an autistic child being killed during an exorcism, Cotton begins performing fake exorcisms on people who claim to be possessed, but are probably suffering from some mental or psychological disorder.
As the film begins, Cotton decides to retire and want to perform his last exorcism. He agrees to let director/producer Iris Reisen (Iris Bahr) and cameraman Daniel Moskowitz (Adam Grimes) film his final exorcism as a documentary to help expose exorcism as a fraud. At random, Cotton chooses an exorcism request sent by farmer Louis Sweetzer (Louis Herthum), who claims that his 16-year-old daughter, Nell (Ashley Bell), is slaughtering his farm animals while she is possessed.
Cotton, Iris, and Daniel travel to the Sweetzer farm in Ivanwood, Louisiana, where they meet Louis and his hostile son, Caleb (Caleb Landry Jones). After meeting Nell, Cotton begins his fake exorcism routine with all the bells and whistles, but things turn really strange from there.
The Last Exorcism is like a cross between a horror movie and a reality television series, with the goofiness and inadvertent comedy of reality TV sometimes taking over the movie. There are moments when The Last Exorcism seems as if it is going to end up being an earnest movie crippled by its low-budget and by worn-out exorcism film clichés.
Then, the last half hour kicks in, and things get real fk-up. That’s when the party starts and we have us a horror movie. That’s it. That’s The Last Exorcism in a nutshell.
The acting from the leads is quite good. Ashley Bell’s mostly calm turn as Nell makes the moments when her character becomes possessed that much scarier, and Bell apparently did her own body contortions. Although it takes the entire movie, Patrick Fabian eventually sells Cotton Marcus as an authentic character.
As Louis Sweetzer, Louis Herthum gives an award-worthy performance. He reveals Louis’ troubled nature (which includes alcoholism), lingering grief over his wife’s death, and his stubborn religious fundamentalism in layers, one over the other. This is a performance that is both passionate and subtle. Somewhere, from some film group, there should have been at least a best supporting actor nomination for Herthum. In some ways, he gives The Last Exorcism gravitas.
6 of 10
B
Wednesday, February 27, 2013
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Happy Birthday, Uncle Phil
I haven't called you that in a long time. Happy Birthday, and many, many, many more, Grandpa.
Negromancer Marches On
Hey, it's March 2013. We made it. We have big plans... We always have big plans for a new month.
Welcome to Negromancer, a ComicBookBin blog (www.comicbookbin.com). This is rebirth of the former movie review website as a movie review and movie news website and blog.
All images and text appearing on this blog are © copyright and/or trademark their respective owners.
Welcome to Negromancer, a ComicBookBin blog (www.comicbookbin.com). This is rebirth of the former movie review website as a movie review and movie news website and blog.
All images and text appearing on this blog are © copyright and/or trademark their respective owners.
Thursday, February 28, 2013
Spielberg Announces New Shoah Foundation Challenge
Steven Spielberg Announces the Launch of the USC Shoah Foundation’s IWitness Video Challenge
“I implore educators not to allow the Holocaust to be a footnote in history, please teach this in your schools. There are 350,000 experts who just want to be useful for the remainder of their lives. Please listen to the words and the echoes and the ghosts and please teach this in your schools.” - Steven Spielberg
Steven Spielberg, USC Shoah Foundation Executive Director Dr. Stephen Smith and USC Shoah Foundation Director of Education Dr. Kori Street commemorated the Schindler’s List 20th Anniversary Limited Edition Blu-ray™ release with the global launch of the USC Shoah Foundation’s IWitness Video Challenge on Wednesday, February 27, 2013 at The Chandler School in Pasadena, CA. They were joined by middle and high school students who had participated in the program while in Beta.
IWitness Video Challenge is an online program from the USC Shoah Foundation – The Institute for Visual History and Education aimed at middle and high school students that brings thousands of taped testimonies of Holocaust survivors into the classroom for guided exploration, connecting kids with the past while engaging them in the present. For more information, please visit http://iwitness.usc.edu
Inspired by the experience of making Schindler’s List, Steven Spielberg established the USC Shoah Foundation in 1994 to videotape interviews with survivors and other witnesses of the Holocaust. Since the Foundation's inception, nearly 52,000 eyewitness testimonies have been recorded in 56 countries and in 32 languages. Today the Institute is committed to teaching with testimony, endeavoring to make the power of each story accessible to students, educators, scholars, and the general public on every continent. A powerful reminder of the heroism and humanity of those willing to stand up against intolerance, Schindler’s List will be available for the first time on Blu-ray™ on March 5, 2013. Digitally restored in high-definition from the original film negative, the Blu-ray™ release will expose the film to a whole new generation of viewers.
An edited video piece from the event is now available at: http://youtu.be/jUbhE0k3nn0
“I implore educators not to allow the Holocaust to be a footnote in history, please teach this in your schools. There are 350,000 experts who just want to be useful for the remainder of their lives. Please listen to the words and the echoes and the ghosts and please teach this in your schools.” - Steven Spielberg
Steven Spielberg, USC Shoah Foundation Executive Director Dr. Stephen Smith and USC Shoah Foundation Director of Education Dr. Kori Street commemorated the Schindler’s List 20th Anniversary Limited Edition Blu-ray™ release with the global launch of the USC Shoah Foundation’s IWitness Video Challenge on Wednesday, February 27, 2013 at The Chandler School in Pasadena, CA. They were joined by middle and high school students who had participated in the program while in Beta.
IWitness Video Challenge is an online program from the USC Shoah Foundation – The Institute for Visual History and Education aimed at middle and high school students that brings thousands of taped testimonies of Holocaust survivors into the classroom for guided exploration, connecting kids with the past while engaging them in the present. For more information, please visit http://iwitness.usc.edu
Inspired by the experience of making Schindler’s List, Steven Spielberg established the USC Shoah Foundation in 1994 to videotape interviews with survivors and other witnesses of the Holocaust. Since the Foundation's inception, nearly 52,000 eyewitness testimonies have been recorded in 56 countries and in 32 languages. Today the Institute is committed to teaching with testimony, endeavoring to make the power of each story accessible to students, educators, scholars, and the general public on every continent. A powerful reminder of the heroism and humanity of those willing to stand up against intolerance, Schindler’s List will be available for the first time on Blu-ray™ on March 5, 2013. Digitally restored in high-definition from the original film negative, the Blu-ray™ release will expose the film to a whole new generation of viewers.
An edited video piece from the event is now available at: http://youtu.be/jUbhE0k3nn0
Happy Birthday, Tracy
On the age thing - I won't go there, for the whole electronic world to see. Have a Happy Birthday and many, many, many more.
Wednesday, February 27, 2013
Oscar-Winner Anne Hathaway Returns to the Cast of "Rio 2"
Twentieth Century Fox Animation Announces RIO 2 Casting
Anne Hathaway, Jesse Eisenberg and the Rest of the Original Gang Are Back for the Follow-up to the 2011 Animated Hit
An Exciting Lineup of Top Acting and Musical Talents Joins the 'RIO' Family
LOS ANGELES--(BUSINESS WIRE)--The starring voice cast of Twentieth Century Fox's 2011 animated smash RIO is reuniting for the follow-up, RIO 2, and they are joined by a flock of top actors and musical talents new to the franchise, it was announced today by Vanessa Morrison, president of Twentieth Century Fox Animation.
The film is now in production at Blue Sky Studios. Twentieth Century Fox's international rollout begins March 20, 2014, followed by its domestic release on April 11, 2014.
Returning to RIO 2, a world rich with grandeur, character, color and music are Anne Hathaway, Jesse Eisenberg, Jemaine Clement, will.i.am, Tracy Morgan, George Lopez, Leslie Mann, Rodrigo Santoro, Brazilian singer Bebel Gilberto, Jake T. Austin, and Jamie Foxx.
Carlos Saldanha, who was inspired to create RIO based upon his experiences growing up in that city, is back as director, as are producers John C. Donkin and Bruce Anderson.
In RIO 2 we find Blu, Jewel and their three kids living the perfect domesticated life in that magical city. When Jewel decides the kids need to learn to live like real birds, she insists the family venture into the Amazon. As Blu tries to fit in with his new neighbors, he worries he may lose Jewel and the kids to the call of the wild.
Joining the RIO 2 team are Oscar® nominee Andy Garcia, Grammy® winner Bruno Mars, Emmy®/Tony® winner Kristin Chenoweth, Oscar®/Emmy®/Tony®/Grammy® winner Rita Moreno, "The Hunger Games'" Amandla Stenberg, singer/actress Rachel Crow, "Looper's" Pierce Gagnon, and "Today" news anchor Natalie Morales.
Brazilian music legend and RIO executive music producer Sergio Mendes returns along with composer John Powell. RIO 2 will feature new Brazilian artists and original music by Janelle Monáe and The Wondaland Arts Society, who also voices a role in the film. Soundtrack will be released on Atlantic Records.
Released worldwide in April 2011, RIO's global box office tally is $486 million. It also was a huge hit on DVD and Blu-ray disc.
About 20th Century Fox Film
One of the world’s largest producers and distributors of motion pictures, 20th Century Fox Film produces, acquires and distributes motion pictures throughout the world. These motion pictures are produced or acquired by the following units of 20th Century Fox Film: Twentieth Century Fox, Fox 2000 Pictures, Fox Searchlight Pictures, Fox International Productions, and Twentieth Century Fox Animation.
Anne Hathaway, Jesse Eisenberg and the Rest of the Original Gang Are Back for the Follow-up to the 2011 Animated Hit
An Exciting Lineup of Top Acting and Musical Talents Joins the 'RIO' Family
LOS ANGELES--(BUSINESS WIRE)--The starring voice cast of Twentieth Century Fox's 2011 animated smash RIO is reuniting for the follow-up, RIO 2, and they are joined by a flock of top actors and musical talents new to the franchise, it was announced today by Vanessa Morrison, president of Twentieth Century Fox Animation.
The film is now in production at Blue Sky Studios. Twentieth Century Fox's international rollout begins March 20, 2014, followed by its domestic release on April 11, 2014.
Returning to RIO 2, a world rich with grandeur, character, color and music are Anne Hathaway, Jesse Eisenberg, Jemaine Clement, will.i.am, Tracy Morgan, George Lopez, Leslie Mann, Rodrigo Santoro, Brazilian singer Bebel Gilberto, Jake T. Austin, and Jamie Foxx.
Carlos Saldanha, who was inspired to create RIO based upon his experiences growing up in that city, is back as director, as are producers John C. Donkin and Bruce Anderson.
In RIO 2 we find Blu, Jewel and their three kids living the perfect domesticated life in that magical city. When Jewel decides the kids need to learn to live like real birds, she insists the family venture into the Amazon. As Blu tries to fit in with his new neighbors, he worries he may lose Jewel and the kids to the call of the wild.
Joining the RIO 2 team are Oscar® nominee Andy Garcia, Grammy® winner Bruno Mars, Emmy®/Tony® winner Kristin Chenoweth, Oscar®/Emmy®/Tony®/Grammy® winner Rita Moreno, "The Hunger Games'" Amandla Stenberg, singer/actress Rachel Crow, "Looper's" Pierce Gagnon, and "Today" news anchor Natalie Morales.
Brazilian music legend and RIO executive music producer Sergio Mendes returns along with composer John Powell. RIO 2 will feature new Brazilian artists and original music by Janelle Monáe and The Wondaland Arts Society, who also voices a role in the film. Soundtrack will be released on Atlantic Records.
Released worldwide in April 2011, RIO's global box office tally is $486 million. It also was a huge hit on DVD and Blu-ray disc.
About 20th Century Fox Film
One of the world’s largest producers and distributors of motion pictures, 20th Century Fox Film produces, acquires and distributes motion pictures throughout the world. These motion pictures are produced or acquired by the following units of 20th Century Fox Film: Twentieth Century Fox, Fox 2000 Pictures, Fox Searchlight Pictures, Fox International Productions, and Twentieth Century Fox Animation.
Review: "The Raid: Redemption" Simply Terrific
The Raid: Redemption (2011)
Serbuan maut – original title
COUNTRY OF ORIGIN: Indonesia; Language: Indonesian
Running time: 101 minutes (1 hour, 41 minutes)
Not rated by the MPAA
EDITOR/WRITER/DIRECTOR: Gareth Huw Evans
PRODUCER: Ario Sagantoro
CINEMATOGRAPHERS: Matt Flannery (D.o.P.) and Dimas Imam Subhono (D.o.P.)
COMPOSERS: Aria Prayogi and Fajar Yuskemal (Indonesian version); Mike Shinoda and Joseph Trapanese (U.S. release)
ACTION/CRIME/MARTIAL ARTS
Starring: Iko Uwais, Joe Taslim, Doni Alamsyah, Yayan Ruhian, Pierre Gruno, Ray Sahetapy, Tegar Satrya, Iang Darmawan, Eka “Piranha” Rahmadia, and Verdi Solaiman
The Raid: Redemption is a 2011 Indonesian martial arts and crime film from director Gareth Evans. The film, which was released in the United States in 2012, showcases “pencak silat,” the traditional Indonesian martial arts. The Raid: Redemption stars Iko Uwais as a member of a SWAT team trapped in a notorious tenement building and forced to fight off ruthless criminals.
Rama (Iko Uwais) is a rookie cop and expectant father. The morning that the film begins, he joins a unit of Detachment 88 (kind of the Indonesian equivalent of an American SWAT team) as it prepares to raid one of Jakarta, Indonesia’s most notorious apartment blocks. Led by Sergeant Jaka (Joe Taslim) and Lieutenant Wahyu (Pierre Gruno), Rama and the other officers infiltrate the building in order to capture Tama Riyadi (Ray Sahetapy), a legendary mobster. But the team soon finds itself trapped in the building and forced to fight its way out. Tama’s right-hand men, Andi (Doni Alamsyah) and Mad Dog (Yayan Ruhian), lead an army of killers and thugs ready and willing to claim the bounty Tama has placed on the cops.
On the surface, The Raid: Redemption seems like a “no frills” film, but the breathtaking pencak silat brawls, duels, fights, etc are a celebration of the cinematic ballet that martial arts can be in film. This is bone-crunching frills, a kind of body-smashing version of Crouching Tiger, Hidden Dragon’s exquisite martial arts duels and clashes.
The Raid: Redemption is also the kind of movie that is especially the work of the director, film editor, and fight choreographer(s). Gareth Evans is editor and director, and actors, Iko Uwais and Yayan Ruhian, designed the fight choreography. For all the fights there are, one doesn’t resemble the other. Each fight is its own thrilling thing. It helps that Mike Shinoda and Joseph Trapanese’s musical score for the U.S. release heightens the sense of impending doom and nerve-wracking action; this is a score worth owning.
Evans manages to make a tense cop thriller full of action, without the movie turning into the ridiculous thrill machine that many Hollywood action films are. Evan also gets a number of good performances from his cast. Few gun-toting movie thugs and street-level cops are as interesting as the ones in The Raid: Redemption. Because the performances successfully construct the characters, you hate to see many of them blown away.
Sometimes, I am reluctant to recommend even movies that I really like, but I heartily recommend The Raid: Redemption. If you don’t want to read subtitles, the DVD has an English dub, so don’t use a foreign language as a reason not to see one of the best action movies in a long, long time.
9 of 10
A+
NOTES:
2013 Image Awards: 1 nomination: “Outstanding International Motion Picture”
Friday, February 22, 2013
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