Review: "Sideways" is a Bit Too Pleased with Itself

TRASH IN MY EYE No. 25 (of 2005) by Leroy Douresseaux

Sideways (2004)
Running time: 123 minutes (2 hours, 3 minutes)
MPAA – R for language, some strong sexual content, and nudity
DIRECTOR: Alexander Payne
WRITERS: Jim Taylor and Alexander Payne (from the novel by Rex Pickett)
PRODUCER: Michael London
CINEMATOGRAPHER: Phedon Papamichael
EDITOR: Kevin Tent
Academy Award winner

COMEDY/DRAMA with elements of romance

Starring: Paul Giamatti, Thomas Haden Church, Virginia Madsen, Sandra Oh, Marylouise Burke, Jessica Hecht, Missy Doty, M.C. Gainey, Alysia Reiner, Shake Tukhmanyan, and Duke Moosekian

Miles Faymond (Paul Giamatti), a divorced middle school teacher and struggling/failed novelist, takes his friend Jack (Thomas Haden Church), who is to be married the following weekend, on a wine tasting tour of California. Both men are reaching middle age and feel they have nothing but disappointments to show for their life, especially Miles, who is a mean drunk and takes at least two prescription anti-depressants.

Miles has taken this trip several times, and he’s looking forward to entertaining his friend before his altar-bound day. Jack, however, wants to get laid before he gets married. In that fashion, he seduces (or is seduced) Stephanie (Sandra Oh), a bartender at a winery and Jack encourages Miles to make a move on Maya (Virginia Madsen), a waitress Miles actually knows from previous trips. The results of these two flings are wildly different for each man.

Sideways is the critical darling of 2004, with some critics apparently praising it as the film of their generation. It’s entertaining and has some wonderfully poignant and romantic moments, but road trips and traveling scenes in films are sometimes viewed as a sign that the storyteller is killing time before getting to the heart of the story, except there isn’t much heart to this story. Director Alexander Payne has certainly made a good film, but ain’t much meat on the bone. Sideways may be the glossy, short-on-substance version of an art movie. Miles, the lead character, is not having an existential crisis; he’s just joyless and often boring, while Jack is a colorless cad. I found myself glad that Jack was (only) a supporting player and wanting him to be on screen as little as possible, though his colorfully bawdy conversations do liven the film.

None of the performances stand out, especially Virginia Madsen’s, which has earned her an Oscar nomination. She plays the character so downtrodden that it’s almost difficult to accept that the girl does have college ambitions. Church’s performance, which also earned him a Oscar nod, is okay, but not worth wasting a lot of words on. Some feel Paul Giamatti was robbed as he didn’t get an Oscar nomination, but he basically played a better-dressed version of his Harvey Pekar character from American Splendor. I do give him credit for making a bore endearing, but Giamatti has a nice guy quality. I blame the character problems on the writing, that it needs Giamatti to make Miles intriguing even when the material is a little light and not well done. There are moments in Sideways when Giamatti lifts this film on his shoulders and makes the story compelling, even when his character is just being annoying. Giamatti isn’t the tall, dark, and handsome type, but he has something that works on the big screen. Maybe, that alone is enough of a reason for Oscar to come calling… eventually.

7 of 10
B+

NOTES:
2005 Academy Awards: 1 win: “Best Writing, Adapted Screenplay” (Alexander Payne and Jim Taylor); 4 nominations: “Best Motion Picture of the Year” (Michael London), “Best Achievement in Directing” (Alexander Payne), “Best Performance by an Actor in a Supporting Role” (Thomas Haden Church) and “Best Performance by an Actress in a Supporting Role” (Virginia Madsen)

2005 BAFTA Awards: 1 win: “Best Screenplay – Adapted” (Alexander Payne and Jim Taylor)

2005 Golden Globes: 2 wins: “Best Motion Picture - Musical or Comedy” and “Best Screenplay - Motion Picture” (Alexander Payne and Jim Taylor); 5 nominations: “Best Director - Motion Picture” (Alexander Payne), “Best Original Score - Motion Picture” (Rolfe Kent), “Best Performance by an Actor in a Motion Picture - Musical or Comedy” (Paul Giamatti), “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Thomas Haden Church), and “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Virginia Madsen)

-------------------

Zoe Saldana Acts "Colombiana" Out of Action Movie Ghetto

TRASH IN MY EYE No. 11 (of 2012) by Leroy Douresseaux


Colombiana (2011)
Running time: 108 minutes (1 hour, 48 minutes)
MPAA – PG-13 for violence, disturbing images, intense sequences of action, sexuality and brief strong language
DIRECTOR: Olivier Megaton
WRITERS: Luc Besson and Robert Mark Kamen
PRODUCERS: Luc Besson and Pierre-Ange Le Pogam
CINEMATOGRAPHER: Romain Lacourbas (D.o.P.)
EDITOR: Camille Delamarre
COMPOSERS: Nathaniel Méchaly and Craig Walker

ACTION with elements of drama

Starring: Zoe Saldana, Cliff Curtis, Jordi Mallà, Beto Benites, Lennie James, Michael Vartan, Amandla Stenberg, Callum Blue, Jesse Borrego, Cynthia Addai-Robinson, Ofelia Medina, and John McConnell

Colombiana is a 2011 action movie from French filmmaker, Luc Besson. An American and French co-production, Colombiana is another of Besson’s films featuring a fight girl or action chick (my terms). These lovely ladies appear in such Besson films as Nikita (1990) and The Fifth Element (1997).

Colombiana opens in Bogota, Colombia in 1992. Nine-year-old Cataleya Restrepo (Amandla Stenberg) sees her parents killed by gunmen working for the drug lord, Don Luis Sandoval (Beto Benites). With the help of the U.S. Embassy, Cataleya escapes to the United States, where she is reunited with her uncle, Emilio Restrepo (Cliff Curtis). The girl insists that he train her to be a killer.

The story moves to 2007 and finds the adult Cataleya (Zoe Saldana) working as a killer-for-hire for Emilio, but Cataleya leads a double life. First, she has a boyfriend, Danny Delanay (Michael Vartan), an artist. Secondly, she is a tag killer, murdering various criminal types and leaving messages on their bodies, messages directed to Don Luis. Meanwhile, her activities have attracted the attention of FBI Special Agent James Ross (Lennie James), who is trying to learn the identity of the tag killer. When Don Luis decides to pay attention to Cataleya’s messages to him, he sends his right hand man, Marco (Jordi Mallà), to send a message back to Cataleya.

Colombiana is a good revenge action flick. I won’t say great because the screenplay leaves Cataleya as a cipher. It’s cool that in the movie, the other characters don’t know much about her, but the audience should get to know her more than we actually do. Still, the action scenes with both young Cataleya and the sexy older Cataleya are stimulating and visceral. Zoe Saldana proves two things: that her beauty and presence make her a movie star and that she has the acting chops to elevate even B-movie material like this. Young Amandla Stenberg as young Cataleya also shows some acting chops and even a bit of “it” factor.

Colombiana isn’t high cinema, but it delivers on what it is. This is titillation cinema that pays off.

6 of 10
B

NOTES:
2012 Black Reel Awards: 1 nomination: “Best Actress” (Zoe Saldana)

2012 Image Awards: 1 nomination: “Outstanding Actress in a Motion Picture” (Zoe Saldana)

Friday, February 03, 2012

"Rango" Dominates 2012 Visual Effects Society Awards

On its website, the Visual Effects Society (VES) says that it is the only organization representing the full breadth of visual effects practitioners in the entertainment industry. This is includes artists, technologists, model makers, educators, studio leaders, supervisors, PR/marketing specialists and producers in all areas of entertainment from film, television and commercials to music videos and games. The VES has 2,300 members in 26 countries.

The 10th Annual VES Awards winners in motion picture categories:

Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture
Rise of the Planet of the Apes: Dan Lemmon, Joe Letteri, Cyndi Ochs, Kurt Williams

Outstanding Supporting Visual Effects in a Feature Motion Picture
Hugo: Ben Grossmann, Alex Henning, Rob Legato, Karen Murphy

Outstanding Visual Effects in an Animated Feature Motion Picture
Rango: Tim Alexander, Hal Hickel, Jacqui Lopez, Katie Lynch

Outstanding Animated Character in a Live Action Feature Motion Picture
Rise of the Planet of the Apes – Caesar: Daniel Barrett, Florian Fernandez, Matthew Muntean, Eric Reynolds

Outstanding Animated Character in an Animated Feature Motion Picture
Rango – Rango: Frank Gravatt, Kevin Martel, Brian Paik, Steve Walton

Outstanding Created Environment in a Live Action Feature Motion Picture
Transformers: Dark of the Moon - 155 Wacker Drive: Giles Hancock, John Hanson, Tom Martinek, Scott
Younkin

Outstanding Created Environment in an Animated Feature Motion Picture
Rango - Main Street Dirt: John Bell, Polly Ing, Martin Murphy, Russell Paul

Outstanding Virtual Cinematography in a Live Action Feature Motion Picture
Hugo: Martin Chamney, Rob Legato, Adam Watkins, Fabio Zangla

Outstanding Virtual Cinematography in an Animated Feature Motion Picture
Rango – The Dirt Saloon: Colin Benoit, Philippe Rebours, Nelson Sepulveda, Nick Walker

Outstanding Models in a Feature Motion Picture
Transformers: Dark of the Moon – Driller: Tim Brakensiek, Kelvin Chu, David Fogler, Rene Garcia

Outstanding Compositing in a Feature Motion Picture
Captain America: The First Avenger – Skinny Steve: Casey Allen, Trent Claus, Brian Hajek, Cliff Welsh

See the complete list here, at least for the time being.

The 10th Annual VES Awards will air exclusively on REELZCHANNEL Sunday, February 19 at 10pm ET/7pm PT with encore presentations throughout February. For more information on the VES Awards and the Visual Effects Society please visit http://www.visualeffectssociety.com/.

Bill Hinzman, First Zombie in "Night of the Living Dead," Dies at 76 (Bits and Bites Extra)

Bill Hizman essentially played "zombie alpha," the first zombie to appear in George A. Romero's classic film, Night of the Living Dead (as seen in the above still image from the film).

Bill Hinzman has died of cancer at age 76. He played the gaunt-faced, lumbering zombie that is sometimes referred to as the "Cemetery Zombie."  This is the zombie that brother and sister, Johnny and Barbra, see in the film's opening graveyard scene.  Hinzman's zombie attacks and kills Johnny after the young man taunts his (too easily) frightened sister with the warning, “They’re coming to get you, Barbra.”

Born S. William Hinzman in 1936, the actor also appeared in other Romero films and directed two movies of his own (FleshEaters and The Majorettes).

R.I.P. Mr. Hinzman.

Review: Strong Performances Lift "Peaceful Warrior" (Happy B'day, Nick Nolte)

TRASH IN MY EYE No. 101 (of 2007) by Leroy Douresseaux

Peaceful Warrior (2006)
Running time: 120 minutes (2 hours)
MPAA – PG-13 for sensuality, sex references, and accident scenes
DIRECTOR: Victor Salva
WRITER: Kevin Bernhardt (based upon a novel, Way of the Peaceful Warrior by Dan Millman)
PRODUCERS: Mark Amin, Robin Schorr, David Welch, and Cami Winikoff
CINEMATOGRAPHER: Sharone Meir
EDITOR: Ed Marx

DRAMA

Starring: Scott Mechlowicz, Nick Nolte, Amy Smart, Tim DeKay, Ashton Holmes, Paul Wesley, B.J. Britt, Agnes Bruckner, and Ray Wise

An exceptionally skilled and endowed gymnast, Dan Millman (Scott Mechlowicz) has everything he wants, plus a shot at the Olympics. He meets a mysterious gas station attendant whom he dubs, “Socrates” (Nick Nolte). Socrates tries to show Dan how to reach a greater potential as an athlete, but Dan eventually brushes off Socrates. Later, Dan is in an accident and sustains a horrible injury that could take away his ability to be a gymnast. During his recovery, he turns to Socrates and Joy (Amy Smart), a young woman somehow connected to Socrates, to heal. Socrates unlocks a world of sage wisdom and spiritual understanding that will teach Dan to live in “the now,” and just maybe this journey will bring him back to being a champion gymnast.

Director Victor Salva’s (Powder, the Jeepers Creepers movies) Peaceful Warrior is a lovely inspirational film, and while it doesn’t break any new ground, Salva creates moments in time that transform the film from mere motivational sports movie into a compelling narrative about appreciating the present. Inspired by true events, this spiritually-oriented film is based on the book by the real Dan Millman, who mixed fiction, metaphor, and symbolism with the facts of his life to create an inspirational philosophical story.

In Peaceful Warrior (which was initially released in 2006 and then again in 2007), Salva successfully sells the idea that non-religious spiritual thought and experience are real things and that the two can benefit, comfort, and improve the lives of practitioners. When he convinces the audience to buy into the idea that each moment is important, and the one in which we currently live is not less than the ones that have passed or the ones to come, then, Peaceful Warrior succeeds. Salva also mixes in some excellent scenes of gymnastic events.

Nick Nolte gives a beautiful performance that is so smooth and easy going. Scott Mechlowicz is nearly pitch-perfect as the arrogant, ambitious, and conflicted college athlete. Together they forge the wonderful teacher/student relationship that is the strong and brilliant heart of this film.

7 of 10
A-

Friday, July 06, 2007

---------------

"Harry Potter" Wins Big at 2012 Art Directors Guild Awards

The Art Directors Guild (ADG) is an American labor union and also a branch of the International Alliance of Theatrical and Stage Employees (IATSE) that represents motion picture and television professionals. Among the ADG’s sponsored activities are a film society and the Annual ADG Awards.

The ADG has announced the nominations for their 16th Annual Excellence in Production Design Awards. The winners were announced Saturday, February 4, 2012.

16th Annual (2012) Excellence in Production Design Awards winners:

Period Film:
HUGO Production Designer: Dante Ferretti

Fantasy Film
HARRY POTTER AND THE DEATHLY HALLOWS PART 2 Production Designer: Stuart Craig

Contemporary Film
THE GIRL WITH THE DRAGON TATTOO Production Designer: Donald Graham Burt

In addition, the guild
• presented a lifetime achievement award to Tony Walton
• inducted Robert Boyle, William Darling and Alfred Junge into its hall of fame

This year's Art Directors Guild Cinematic Imagery Award will be presented to the principal team behind the Harry Potter films, including producers David Heyman and David Barron; directors Christopher Columbus, Alfonso Cuaron, Mike Newell, David Yates; creator and author J.K. Rowling; screenwriters Steve Klove and Michael Goldenberg; production designer Stuart Craig; art director Neil Lamont; and set decorator Stephenie McMillan.

NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN IN TELEVISION:

One-Hour Single Camera Television Series
"Boardwalk Empire" (Episode: 21) Production Designer: Bill Groom

Television Movie or Miniseries
"Mildred Pierce" Production Designer: Mark Friedberg

Episode of a Half Hour Single-Camera Television Series
"Modern Family" (Episode: Express Christmas) Production Designer: Richard Berg

Episode of a Multi-Camera, Variety, or Unscripted Series
"Saturday NIght Live" (Episode: host Justin Timberlake) Production Designers: Keith Ian Raywood, Eugene Lee, Leo Yoshimura, N. Joseph De Tullio

Awards, Music, or Game Shows
83rd Annual Academy Awards Production Designer: Steve Bass

Commercials and Music Videos:
"Activision: Call of Duty" (Episode: Modern Warfare 3) Production Designer: Neil Spisak

Disney's "Lady and the Tramp" Remains Romance Movie Classic

TRASH IN MY EYE No. 62 (of 2006) by Leroy Douresseaux


Lady and the Tramp (1955) – animation
Running time: 76 minutes (1 hour, 16 minutes)
DIRECTORS: Clyde Geronomi, Wilfred Jackson, and Hamilton Luske
WRITERS: Erdman Penner, Joe Rinaldi, Ralph Wright, and Don DaGradi (based upon the story Happy Dan, the Whistling Dog by Ward Greene)
PRODUCER: Walt Disney
EDITOR: Don Halliday
BAFTA Award nominee

ANIMATION/COMEDY/MUSICAL/ROMANCE with elements of drama

Starring: (voices) Peggy Lee, Barbara Luddy, Larry Roberts, Bill Thompson, Bill Baucom, Stan Freberg, Verna Felton, and Lee Millar

Lady and the Tramp is a 1955 animated romantic film from Walt Disney Pictures. It was the 15th full-length animated feature film from Disney and is based in part on a short story originally published in Cosmopolitan Magazine. The film centers on the growing romantic relationship between two dogs, a female American Cocker Spaniel, who is from an upper middle-class family, and a male mutt who is a stray.

Because of drama and turmoil in her owners’ home, Lady (Barbara Luddy), a pampered and sheltered cocker spaniel, wanders away from the safety of her neighborhood and meets Tramp (Larry Roberts), a jolly, freedom-loving, and streetwise mutt with a heart of gold. They share romantic adventures that occasionally imperil their safety while they move towards an inevitable union. Memorable songs (written by Sonny Burke and Peggy Lee) and memorable characters including the twin Pekingese cats, Si and Am (Peggy Lee), highlight this classic, Disney’s fifteenth animated feature.

Lady and the Tramp remains Walt Disney’s signature romantic animated film; although romance often plays a part in their full-length animated films; this is the Disney animated love story. It exemplifies two particular elements that really stand out in a Disney animated features – the art of beauty and technical skills. The character animation is beautifully drawn making even characters meant to be ugly or villainous quite gorgeous and handsome eye candy. The background art, backdrops, and sets are also elegant, even stunning. The technical virtuosity on display is simply dazzling; this is text book work on animating animals. Characters move with such grace and precision that the film looks, on one hand, like museum quality high art, and, on the other hand, has such striking realism in terms of movement and rhythm.

Lady and the Tramp is probably best known for its romantic heart. A melodic score, charming and adorable songs, and the star-crossed pair of Lady and the Tramp make this an animated film that captures the romantic in the hearts of young and old viewers. That’s why this film is so memorable and also well-remembered by adults who first saw it as a child – a true Disney classic.

9 of 10
A+

Sunday, April 2, 2006

NOTES:
1956 BAFTA Awards: 1 nomination: “Best Animated Film” (USA)

2012 Annie Awards Winners - Complete List; "Rango" Wins Best Film

ASIFA-Hollywood, the Los Angeles, California branch of the International Animated Film Society, presents the Annie Awards. The Annie honors achievements in animation as a whole, including current animated productions, as well as career and lifetime achievements. At the beginning of this week, the group announced the nominations and award recipients for the 39th Annual Annie Awards.

Award recipients claimed their trophies at the 39th Annual Annie Awards in ceremony held Saturday, February 4, 2012 at UCLA's Royce Hall in Los Angeles, California.

39th (2012) Annual Annie Awards Winners:

PRODUCTION CATEGORIES

Best Animated Feature
Rango – Paramount Pictures and Nickelodeon Movies present A Blind Wink/GK Films Production

Annie Award for Best Animated Special Production
Kung Fu Panda – Secrets of the Masters – DreamWorks Animation

Best Animated Short Subject
Adam and Dog – Minkyu Lee

Best Animated Television Commercial
Twinings “Sea” – Psyop

Best General Audience Animated TV Production
The Simpsons – Gracie Films

Best Animated Television Production - Preschool
Disney Jake and the Never Land Pirates – Disney Television Animation

Best Animated Television Production – Children
The Amazing World of Gumball – Cartoon Network in Association with Dandelion Studios, Boulder Media
& Studio Soi

Best Animated Video Game
Insanely Twisted Shadow Planet – Shadow Planet Productions, Gagne/Fuelcell

INDIVIDUAL ACHIEVEMENT CATEGORIES

Animated Effects in an Animated Production
Kevin Romond “Tintin” – Amblin Entertainment, Wingnut Films and Kennedy/Marshall

Animated Effects in a Live Action Production
Florent Andorra “Transformers: Dark of the Moon” – Industrial Light & Magic

Character Animation in a Television Production
Tony Smeed “Prep & Landing: Naughty vs. Nice” – Walt Disney Animation Studios

Character Animation in a Feature Production
Jeff Gabor “Rio” – Blue Sky Studios

Character Animation in a Live Action Production
Eric Reynolds “Rise of the Planet of the Apes” – 20th Century Fox

Character Design in a Television Production
Bill Schwab “Prep & Landing: Naughty vs. Nice” – Walt Disney Animation Studios

Character Design in a Feature Production
Mark “Crash” McCreery “Rango” – Paramount Pictures and Nickelodeon Movies present A Blind Wink/GK Films Production

Directing in a Television Production
Matthew Nastuk “The Simpsons” – Gracie Films

Directing in a Feature Production
Jennifer Yuh Nelson “Kung Fu Panda 2” – DreamWorks Animation

Music in a Television Production
Grace Potter, Michael Giacchino “Prep & Landing: Naughty vs. Nice” – Walt Disney Animation Studios

Music in a Feature Production
John Williams “Tintin” – Amblin Entertainment, Wingnut Films and Kennedy/Marshall

Production Design in a Television Production
Mark Bodnar, Chris Tsirgiotis, Sue Mondt and Daniel Elson “Secret Mountain Fort Awesome” – Cartoon Network Studios

Production Design in a Feature Production
Raymond Zibach “Kung Fu Panda 2” – DreamWorks Animation

Storyboarding in a Television Production
Brian Kesinger “Prep & Landing: Naughty vs. Nice” – Walt Disney Animation Studios

Storyboarding in a Feature Production
Jeremy Spears “Winnie The Pooh” – Walt Disney Animation Studios

Voice Acting in a Television Production
Jeff Bennett as Kowalski “Penguins of Madagascar” – Nickelodeon and DreamWorks Animation

Voice Acting in a Feature Production
Bill Nighy as Grandsanta “Arthur Christmas” – Sony Pictures Animation, Aardman Animations

Writing in a Television Production
Carolyn Omine “The Simpsons -Treehouse of Horror XXII” – Gracie Films

Writing in a Feature Production
John Logan, Gore Verbinski and James Byrkit “Rango” – Paramount Pictures and Nickelodeon Movies present A Blind Wink/GK Films Productions

Editing in Television Production
Ted Machold, Jeff Adams, Doug Tiano, Bob Tomlin “Penguins of Madagascar” – Nickelodeon and DreamWorks Animation

Editing in a Feature Production
Craig Wood, A.C.E. “Rango” – Paramount Pictures and Nickelodeon Movies present A Blind Wink/GK Films Production

JURIED AWARDS
Winsor McCay Award —Walt Peregoy, Borge Ring, Ronald Searle

June Foray — Art Leonardi

Special Achievement — Depth Analysis

Review: "In America" is Powerful and Heartfelt (Happy B'day, Jim Sheridan)

TRASH IN MY EYE No. 77 (of 2004) by Leroy Douresseaux

In America (2003)
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – R for sexuality and brief language
DIRECTOR: Jim Sheridan
WRITERS: Jim Sheridan, Naomi Sheridan, and Kirsten Sheridan
PRODUCERS: Arthur Lappin and Jim Sheridan
CINEMATOGRAPHER: Declan Quinn
EDITOR: Naomi Geraghty
COMPOSERS: Gavin Friday and Maurice Seezer
Academy Award nominee

DRAMA

Starring: Paddy Considine, Samantha Morton, Sarah Bolger, Emma Bolger, Djimon Hounsou, Merrina Millsapp, Juan Hernandez, and Ciaran Cronin

In America is a 2003 semiautobiographical drama from director Jim Sheridan. This Irish/British film tells the story of an immigrant Irish family’s struggle to survive in New York City, with the story told through the eyes of the older daughter. Although gritty and dark, In American is actually an enchanting story about the bonds of family.

An out of work Irish actor takes his family to America for a fresh start. Johnny (Paddy Considine) and his wife Sarah (Samantha Morton, who received an “Best Actress” Oscar® nomination for this role) leave Ireland with their two daughters, Christy (Sarah Bolger) and Ariel (Emma Bolger), in toe and head for New York City via Canada. While Johnny pursues his acting career and Sarah works at an ice cream parlor, the children take in their new world with eyes that may be innocent, but are also world weary. When things seem most down for them, the family gets help from one of Sarah’s co-workers and Mateo (Djimon Hounsou, received an “Best Actor, Supporting Role” Oscar® nomination) an artist dying of AIDS, who brings magic and hope to the family.

Jim Sheridan and his daughters, Naomi and Kirsten, received “Best Screenplay, Screenplay Written Directly for the Screen” Oscar® nominations for writing In America, one of the best films of 2003. While the financial plight and wellness of the parents are riveting (although I found Considine and Ms. Morton’s performances a bit flat at times), the film is the daughters’ story. Christy narrates while Ariel steals one scene after another, and, in doing this, the Bolger girls (especially little Emma) give two of the best performances by young artists in the last year or so.

Although In America is a gritty tale, in a lot of ways it is told as if it came from a children’s book (albeit a dark, downbeat children’s book). Through Christy’s eyes we see the real world, but we see it through a character determined to survive and make the best of things. In Emma, the supernatural, the fantastic, and magic are possible; their presence in the real world isn’t an intrusion. It’s the just the way things are; they belong. I heartily recommend this beautiful and heartfelt drama. In America is a little more magical than it is honest, but to see Jim Sheridan weave loveliness from all this despair and sorrow is itself magic.

9 of 10
A+

NOTES:
2004 Academy Awards: 3 nominations: “Best Actor in a Supporting Role” (Djimon Hounsou, “Best Actress in a Leading Role” (Samantha Morton), and “Best Writing, Original Screenplay” (Jim Sheridan, Naomi Sheridan, and Kirsten Sheridan)

2004 Golden Globes: “Best Original Song - Motion Picture” (Bono, Gavin Friday, and Maurice Seezer for the song "Time Enough for Tears") and “Best Screenplay - Motion Picture” (Jim Sheridan, Naomi Sheridan, and Kirsten Sheridan)

2004 Black Reel Awards: 1 win: “Black Reel Film: Best Supporting Actor” (Djimon Hounsou)

2004 Image Awards: 1 nomination: “Outstanding Supporting Actor in a Motion Picture” (Djimon Hounsou)

-----------------------

Review: "North Dallas Forty" is Proud to Be a Muck-Racking Drama

TRASH IN MY EYE No. 122 (of 2006) by Leroy Douresseaux

North Dallas Forty (1979)
Running time: 118 minutes (1 hour, 58 minutes)
MPAA – R
DIRECTOR: Ted Kotcheff
WRITERS: Peter Gent, Frank Yablans, and Ted Kotcheff (from the novel by Peter Gent)
PRODUCER: Frank Yablans
CINEMATOGRAPHER: Paul Lohmann
EDITOR: Jay Kamen

DRAMA/SPORTS with elements of comedy

Starring: Nick Nolte, Mac Davis, Charles Durning, Dayle Haddon, Bo Svenson, John Matuszak, Steve Forrest, G.D. Spradlin, and Dabney Coleman

North Dallas Forty is a 1979 sports movie that is set in the world of 1970s professional football. The film is based on the 1973 novel of the same name by former NFL-player turned novelist, the late Peter Gent.

Phillip “Phil” Elliot (Nick Nolte) is a pro football player – specifically a wide receiver on the Dallas franchise (a thinly veiled version of the NFL’s Dallas Cowboys). Elliot smokes marijuana, sleeps around with sports groupies, drinks a lot, but he plays through injuries. His rebellious attitude and his tendency to ask the kind of questions that the team management doesn’t want to answer have him in hot water. His coach, B.A. Strothers (G.D. Spradlin), won’t put him in the starting lineup, and his best friend, Seth Maxwell (Mac Davis), the team’s star quarterback, thinks that Phil should just shut up sometimes. There’s a big game coming up in Chicago that will decide if Dallas gets in the playoffs, and it just may also decide Phil’s future.

North Dallas Forty remains a gritty football flick, a gridiron classic that is timeless in its portrayal of the Machiavellian front office maneuvering, favoritism, and politics of big-time professional football. This film’s unvarnished look and its rough portrayal of football life may not resemble the glitzy pro football that the NFL and its media cohorts sell us, but North Dallas Forty is about the NFL’s brand of football.

The acting isn’t all that great, but works in the context of this movie; the film also gets preachy towards the end. However, the film’s portrayal of how the players strive to win and the gut-wrenching physical pain they endure to keep playing makes North Dallas Forty a riveting sports flick. When you see team owners and management bullying and extorting players to take dangerous drugs and horrid shots of painkillers so that they can play through pain and injury (which actually makes it worse), you’ll know that you’re watching honest-to-goodness, in-your-face, muck-racking cinema.

7 of 10
B+

Friday, June 02, 2006

----------------------

Happy Anniversary, Jay and Megan

Two years already!

Black Film Critics Circle Choose "The Help" as the Best of 2011

When I posted my monthly welcome a few days ago, I mentioned that February was Oscar month.  It's also Black History Month.  How could I miss that? (Girl, he ain't nothin' but a Tom).  Anyway, this month I'll also post old reviews I wrote of Black Films.  In the spirit of Negro-centricness, I discovered another film critics of color group.

The Black Film Critics Circle (BFCC) was founded in 2010 and is a membership organization comprised of film critics of color from daily newspapers, weekly newspapers, magazines, radio, television and qualifying on-line publications.

2011 Black Film Critics Circle Awards:

Best Picture: "The Help"

Best Director: Dee Rees, "Pariah"

Best Actor: Olivier Litondo, "The First Grader"

Best Actress: Viola Davis, "The Help"

Best Supporting Actor: Albert Brooks, "Drive"

Best Supporting Actress: Octavia Spencer, "The Help"

Best Independent Film: "Pariah"

Best Adapted Screenplay: "The Help"

Best Original Screenplay: "Pariah"

Best Animated Film: "Rango"

Best Documentary: "Being Elmo: A Puppeteer's Journey"

Best Ensemble: "The Help"

Pioneer Award: Harry Belafonte

Rising Star Award: Adepero Oduye

Special Mention: "Attack the Block"

Top 10 Films (in order):
1. "The Help"
2. "The Artist"
3. "Pariah"
4. "Drive"
5. "The Descendants"
6. "Attack the Block"
7. "The Tree of Life"
8. "Hugo"
9. "The Girl with the Dragon Tattoo"
10. "Warrior"

Review: "Creepshow" is Still Fun (Happy B'day, George Romero)

TRASH IN MY EYE No. 165 (of 2005) by Leroy Douresseaux

Creepshow (1982)
Running time: 120 minutes (2 hours)
DIRECTOR: George A. Romero
WRITER: Stephen King (also partly based upon the short stories “The Crate” and “Weeds” by Stephen King)
PRODUCER: Richard P. Rubinstein
CINEMATOGRAPHER: Michael Gornick
EDITORS: Pasquale Buba, Paul Hirsch, and Michael Spolan with George A. Romero (segment “The Tide”)

HORROR/COMEDY/SCI-FI/FANTASY

Starring: Hal Holbrook, Adrienne Barbeau, Fritz Weaver, Leslie Nielsen, Carrie Nye, E.G. Marshall, Viveca Lindfors, Ed Harris, Ted Danson, Stephen King, Warner Shook, Robert Harper, Gaylen Ross, and Tom Savini with Tom Atkins

Inspired by the legendary E.C. horror comics of the 1950’s, director George A. Romero and international best-selling horror novelist Stephen King created the horror movie anthology, Creepshow. Five tales of terror: “Father’s Day,” “The Lonesome Death of Jordy Verrill,” “Something to Tide You Over,” “The Crate,” and “They’re Creeping Up on You,” make up the film, and a framing sequence (prologue/epilogue) bridges the five tales.

In “Father’s Day,” a family patriarch comes back from the grave (literally) on the seventh anniversary of his murder, by his daughter, Bedelia’s (Viveca Lindfors) hand, and he’s looking for his birthday cake. In “The Lonesome Death of Jordy Verrill, Jordy Verrill (Stephen King), a country bumpkin cursed by bad luck, finds a recently fallen meteor, and it affects shocking change upon Jordy’s body. In “Something to Tide You Over,” Richard Vickers (Leslie Nielsen) takes a gruesome revenge upon his wife Becky (Gaylen Ross) and her lover, Harry Wentworth (Ted Danson), but revenge is a two-way street and comes back from a watery grave for Richard.

In “The Crate,” Professor Henry Northrup (Hal Holbrook) takes advantage of a murderous ape-like beast found in a 150-year old crate to deal with his bestial nag of a wife, Wilma “Billie” Northrup (Adrienne Barbeau). In the closing tale, “They’re Creeping Up on You,” a wicked, wealthy man, Upson Pratt (E.G. Marshall) with a fear of germs and bugs gets his comeuppance when he goes against thousands of cockroaches.

Creepshow is delightful horror fun – a combination of thrills, chills, and cheese. Two of the tales, “Something to Tide You Over” and “The Crate” are excellent revenge tales, but all of the shorts capture the spirit of the old E.C. comics with their shock and surprise endings. Director George A. Romero (Dawn of the Dead) and screenwriter Stephen King knew exactly what they were going for and how to get it. Makeup effects artist Tom Savini ably creates the gruesome denizens that make this film sparkle, and the production elements are the finishing touch in capturing the right look and mood.

6 of 10
B

Monday, October 31, 2005

----------------------------

 

Board Game, "Candy Land," to Become Adam Sandler Movie

Sweet! Adam Sandler to Play “Candy Land”

Columbia Pictures, Happy Madison and Hasbro Team Up to Bring the Classic Game to the Big Screen

CULVER CITY, Calif.--(BUSINESS WIRE)--Columbia Pictures, Happy Madison and Hasbro, Inc. (NASDAQ:HAS) are in final talks to develop Candy Land, a live action movie based on the bestselling Hasbro board game with Adam Sandler attached to star, it was jointly announced today by Doug Belgrad, President of Columbia Pictures, Hannah Minghella, President of Production for Columbia Pictures, and Brian Goldner, Hasbro President and CEO. Kevin Lima (Enchanted) is attached to direct the project for the studio with Sandler and Robert Smigel are in talks to write the screenplay.

Commenting on the announcement, Belgrad said, "Candy Land is more than just a game. It is a brand that children, parents and grandparents know and love. The world of Candy Land offers an extraordinary canvas upon which to create a fantastical, live-action family adventure film with a larger than life part for Adam. We are thrilled to partner with Hasbro and Happy Madison on this project."

“The creative talent on board for this movie is amazing and we are excited to bring alive the world of Candy Land for kids and families everywhere,” Goldner added. “Sony/Columbia has been a wonderful creative partner as we develop another of our games, Risk, for the big screen. We are looking forward to working with Sony/Columbia and Adam Sandler and his team at Happy Madison Productions on this film.”

Candy Land is one of the most beloved and best known games of all time. Created in 1949, it has been played by generations of families. In the game, players go on a magical journey through fantastical lands made of candy, sweets, and ice cream: the Peppermint Forest, the Gum Drop Mountains, and the Lollypop Woods. Along the way, players encounter such iconic characters as Princess Frostine, Lord Licorice, Mr. Mint, and King Candy.

The project will be produced by Goldner (Transformers) and Hasbro’s Senior Vice President and Managing Director of Motion Pictures, Bennett Schneir (Battleship) along with Happy Madison Productions. At Columbia, development of Candy Land will be overseen by Sam Dickerman.


About Sony Pictures Entertainment
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production, acquisition and distribution; television production, acquisition and distribution; home entertainment acquisition and distribution; worldwide television networks; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 142 countries. Sony Pictures Entertainment can be found on the World Wide Web at http://www.sonypictures.com/.

Hasbro, Inc. (NASDAQ: HAS) is a branded play company providing children and families around the world with a wide-range of immersive entertainment offerings based on the Company’s world class brand portfolio. From toys and games, to television programming, motion pictures, video games and a comprehensive licensing program, Hasbro strives to delight its customers through the strategic leveraging of well-known and beloved brands such as TRANSFORMERS, LITTLEST PET SHOP, NERF, PLAYSKOOL, MY LITTLE PONY, G.I. JOE, MAGIC: THE GATHERING and MONOPOLY. The Hub, Hasbro’s multi-platform joint venture with Discovery Communications (NASDAQ: DISCA, DISCB, DISCK) launched on October 10, 2010. The online home of The Hub is www.hubworld.com. The Hub logo and name are trademarks of Hub Television Networks, LLC. All rights reserved.

Come see how we inspire play through our brands at http://www.hasbro.com/.

Review: Craig, Ford are Cool Cowboys in "Cowboys & Aliens"

TRASH IN MY EYE No. 10 (of 2012) by Leroy Douresseaux

Cowboy & Aliens (2011)
Running time: 118 minutes; MPAA – PG-13 for intense sequences of western and sci-fi action and violence, some partial nudity and a brief crude reference
DIRECTOR: Jon Favreau
WRITERS: Roberto Orci and Alex Kurtzman, Damon Lindelof, and Mark Fergus and Hawk Ostby; from a screen story by Mark Fergus and Hawk Ostby, and Steve Oedekerk (based upon the Platinum Studios graphic novel written by Scott Mitchell Rosenberg)
PRODUCERS: Johnny Dodge, Brian Grazer, Ron Howard, Alex Kurtzman, Damon Lindelof, Roberto Orci, and Scott Mitchell Rosenberg
CINEMATOGRAPHER: Matthew Libatique
EDITORS: Dan Lebental and Jim May
COMPOSER: Harry Gregson-Williams

SCI-FI/WESTERN/ACTION

Starring: Daniel Craig, Harrison Ford, Olivia Wilde, Sam Rockwell, Adam Beach, Paul Dano, Keith Carradine, Clancy Brown, Walton Goggins, Abigail Spencer, Noah Ringer, Buck Taylor, Ana de la Reguera, and Raoul Trujillo

Cowboys & Aliens is a 2011 Western and science fiction movie. This alien invasion film is based upon a concept created by former comic book publisher, Scott Mitchell Rosenberg, who also turned it into a graphic novel. Cowboys & Aliens is set in the Old West and pits a group of cowboys and Apaches against invading aliens. Steven Spielberg is also one of this film’s executive producers.

The story is set in the Arizona Territory, 1873. A man wakes up and discovers that he is injured and also cannot remember who he is. He stumbles into the hard desert town of Absolution, where he learns that he is Jake Lonergan (Daniel Craig), a wanted outlaw. He meets Ella Swenson (Olivia Wilde), a mysterious woman who acts as if she knows Lonergan. Also coming to town is Colonel Woodrow Dolarhyde (Harrison Ford). Apparently, Lonergan stole a large cachet of gold from Dolarhyde.

Lonergan’s punishment will have to wait, however; alien aircraft attack Absolution and abduct several citizens. Dolarhyde leads a posse into the desert to track the ships, and Lonergan only reluctantly goes along. He is somehow connected to the aliens; so says the strange metal band around Lonergan’s left wrist.

Movies that blend the Western genre with science fiction, fantasy, or horror are box office and/or critical disappointments. The two best examples are the science fiction/Western, adaptation of an old TV show, Wild Wild West (1999) and the horror/Western, comic book adaptation Jonah Hex (2010). Cowboys & Aliens is not so much a sci-fi Western as it is an alien invasion movie set in the Old West. The film never pretends to be a Western. Cowboys & Aliens is about a group of people who live in a time different from our own fighting invaders the way Attack the Block is about people in a place different from what many of us know who are fighting invaders.

Like many action movies, I found the first hour of Cowboys & Aliens to be mostly a misfire. By the second half, when the movie focuses on what it is about, the technologically disadvantaged humans versus the technologically very advanced aliens, the story slips into the comfort zone of fights, pursuits, and escapes. And the movie is very entertaining when you just sit back and let the sci-fi stuff thrill you. Yeah, this movie doesn’t require you to do a whole lot of thinking.

The performances are pretty good. Cowboys & Aliens affirms once again that Daniel Craig is a leading man; his interpretation of Jake Lonergan as the man-of-few-words and stoic cowboy makes the character more interesting than the screenplay does. Still, the biggest surprise may be Harrison Ford. Col. Dolarhyde is practically a villain, but there are moments in which Ford subtly uses emotion and Dolarhyde’s prejudices to create a complicated character that engages the imagination.

Cowboys & Aliens is not a classic Western or even a classic science fiction movie. It is an amusing film – at least half of it is.

5 of 10
B-

Wednesday, February 01, 2012

---------------------

 

African-American Film Critics Association Picks "The Tree of Life"

The African-American Film Critics Association (AAFCA) is a group of African-American film critics that give various awards for excellence in film at the end of each year. The association was founded in 2003 by Gil L. Robertson IV and Shawn Edwards.

2011 African-American Film Critics Association Awards:

Best Picture: 1. The Tree of Life

2. Drive
3. Pariah
4. Rampart
5. Shame
6. Moneyball
7. The Descendants
8. A Better Life
9. My Week With Marylin
10. The Help

Best Director: Steve McQueen (Shame)

Best Actor: Woody Harrleson (Rampart)

Best Supporting Actor: Albert Brooks (Drive)

Best Actress: Viola Davis (The Help)

Best Supporting Actress: Octavia Spencer (The Help)

Best Screenplay: Ava DuVernay (I Will Follow)

Best Breakthrough Performance: Adepero Oduye (Pariah)

Best Independent Film: Pariah

Best song: Jason Reeves & Lenka Kripac, writers, “The Show” from “Moneyball.”

Best foreign film: Alrick Brown, “Kinyarwanda.”

http://www.aafca.com/

Review: "The Weather Underground" is Interesting, but a Little Dry

TRASH IN MY EYE No. 158 (of 2004) by Leroy Douresseaux

The Weather Underground (2002)
(film received its U.S. theatrical release in June 2003)
Running time: 92 minutes (1 hour, 32 minutes)
Not rated by the MPAA
DIRECTORS: Sam Green with Bill Siegel
PRODUCERS: Carrie Lazono, Marc Smolowitz, Sam Green, and Bill Siegel
EDITORS: Dawn Logsdon and Sam Green
PHOTOGRAPHERS: Andy Black and Federico Salsano
Academy Award nominee

DOCUMENTARY

Starring: Bill Ayers, Kathleen Cleaver, Bernadine Dohrn, Brian Flanagan, David Gilbert, Todd Gitlin, Naomi Jaffe, Mark Rudd, Don Strickland, and (narrator) Lili Taylor

Some people believe that not acting against violence is itself violence, and from this belief sprang the Weathermen. Their group, The Weather Underground, was a radical offshoot of the 1960’s anti-war student group, Students for a Democratic Society. The Weather Underground not only marched in protest, but they also rioted and bombed the offices of government organizations in an attempt to bring about a revolution in America. It was not about changing the American political landscape; it was about destroying it.

The Weather Underground is a 2002 documentary about the rise and fall of The Weathermen. The film earned an Oscar® nomination in the category “Best Documentary, Features” for directors Sam Green and Bill Siegel. The filmmakers interviewed former Weathermen and compiled those interviews with archival film footage of the Vietnam War, news broadcasts, and anti-war demonstrations. They also included readings of Weathermen letters, footage of 60’s and 70’s era interviews of the Weathermen, and photographic images of the original group and related subject matter.

The film is a sobering account of the group and its members, but the Weathermen, at least now, don’t make compelling characters, either in the present or in old film footage of the group. They’re certainly not as intriguing as, say, the subjects in fellow 2004 Oscar® feature documentary nominee, Capturing the Friedmans. The Weathermen (and Weatherwomen) actually don’t go into the kind of detail that would have really brought their story to life and given the film more life, likely because some of what they might say about their activities could still be used against them in a court of law. They are understandable secretive, but no matter how coy they may be, their hints aren’t really enough to pique interest in their former activities, and even less in what they’re now doing.

In fact, the most interesting things in this film are the accounts of the Vietnam conflict and The Weather Undergrounds quasi-spiritual and philosophical connection to The Black Panthers. When the film deals with the destruction of lives on both sides of the Vietnam conflict and the FBI’s murderous war against the Panthers, that’s when The Weather Underground is most passionate, a fatal flaw in the film, actually. Every time the filmmakers and editors move from the war and the Panthers to the privileged middle class whites who made up The Weather Underground, I found myself eagerly anticipating when the filmmakers would return to the war and the Panthers. Those parts of the film are great. Of course, the Weathermen’s story is very interesting, but it is ultimately told a little too dryly here for this documentary’s own good.

7 of 10
B+

NOTES:
2004 Academy Awards: 1 nomination: “Best Documentary, Features” (Sam Green and Bill Siegel)

-----------------------

San Francisco Film Critics Choose "The Tree of Life"

The San Francisco Film Critics Circle (SFFCC) was founded in 2002 and is comprised of critics from Bay Area publications. Its membership includes film journalists from the San Francisco Chronicle, the San Jose Mercury News, the Oakland Tribune, the Contra Costa Times, the San Francisco Bay Guardian, SF Weekly, the East Bay Express, KRON-TV, Variety, and RottenTomatoes.com, among others.

2011 San Francisco Film Critics Circle Awards winners:

Best Picture
“The Tree of Life”

Best Director
Terrence Malick for “The Tree of Life”

Best Original Screenplay
J.C. Chandor for “Margin Call”

Best Adapted Screenplay
Bridget O’Connor & Peter Straughan for “Tinker Tailor Soldier Spy”

Best Actor
Gary Oldman for “Tinker Tailor Soldier Spy”

Best Actress
Tilda Swinton for “We Need to Talk About Kevin”

Best Supporting Actor
Albert Brooks for “Drive”

Best Supporting Actress
Vanessa Redgrave for “Coriolanus”

Best Animated Feature
“Rango”

Best Foreign Language Film
“Certified Copy”

Best Documentary
“Tabloid”

Best Cinematography
Emmanuel Lubezki for “The Tree of Life”

Marlon Riggs Award (for courage & vision in the Bay Area film community)
National Film Preservation Foundation, in recognition of for its work in the preservation and dissemination of endangered, culturally significant films

Special Citation for under-appreciated independent cinema:
“The Mill and the Cross”

http://sffcc.org/main/

Review: "Capturing the Friedmans" Seems Eternally Timely

TRASH IN MY EYE No. 151 (of 2004) by Leroy Douresseaux

Capturing the Friedmans (2003)
Running time: 107 minutes (1 hour, 47 minutes)
Not rated by the MPAA
DIRECTOR: Andrew Jarecki
PRODUCERS: Andrew Jarecki and Marc Smerling
CINEMATOGRAPHER: Adolfo Doring
EDITOR: Richard Hankin
COMPOSER: Andrea Morricone
Academy Award nominee

DOCUMENTARY/CRIME

Starring: Arnold Friedman, Elaine Friedman, David Friedman, Seth Friedman, Jesse Friedman, Howard Friedman, John McDermott, and Debbie Nathan

Producers Andrew Jarecki and Mark Smerling earned an Oscar® nomination for “Best Documentaries, Feature” and won several critics “Best Documentary” awards for Jarecki’s directorial effort, Capturing the Friedmans. The controversial film about a controversial child molestation case was arguably, with Errol Morris’ The Fog of War, the best film of 2003.

The Friedmans: the husband Arnold, the wife, Elaine, and the three sons:  David, Seth, and Jesse were a seemingly average upper-middle class Jewish family in Great Neck, New York until disaster struck. Arnold was an award-winning high school teacher in the 1980’s. He taught elementary school children computer classes in his home where his wife operated a toddler childcare group, and that made Arnold Friedman one of the first instructors of computer courses for children that young. However, the U.S. Postal Service began investigating Arnold for possession and dissemination of child pornography. After the local law enforcement became involved, they began an investigation that led to eventual criminal charges against Friedman and his youngest son Jesse for allegedly committing dozens of sexual acts with children during the computer classes. The arrest of Arnold and Jesse and the charges for the horrible crimes destroyed the family.

Although the case became a media sensation in 1987-88 and news organizations saturated the airwaves and newspaper pages with coverage of the investigation and trial, the best footage of what happened to the family was shot by the family members themselves, especially the footage shot by the three brothers. Jarecki composed his film with interviews of many of the event’s participants: the Friedmans, relatives, friends, attorney’s, investigators, and victims and with the footage the brothers shot, footage that was not publicly shown until this film.

Although the film presents compelling evidence that Arnold Friedman was indeed a pedophile, the film makes the argument that what really happened concerning Arnold, Jesse, and the sexual abuse charges during the computer classes may never be known. It also throws a harsh light on the reality that the police investigators (pigs) were overzealous in their investigation and that they may have coerced or encouraged children to declare that Arnold and Jesse molested them. The filmmakers also actually found and recorded on film participants who claimed that they made statements about being abused that weren’t true, as well as participants who refused to cooperate because they did not know of abuse, did not see it, or were not abused.

Beyond the meat and potatoes of the case, Capturing the Friedmans is compelling because the participants and events – both past and present are so intriguing. Fiction writers would kill or sell their souls to get material so good and so damn interesting. I can’t help but be amazed by how frank and honest the Friedmans were in the video footage they shot in the late 80’s. They spoke and acted on videotape as if they never expected anyone to see them being themselves, letting the real Friedmans that are behind closed doors come out. By the end of the film, the Friedmans have revealed themselves to have been a dysfunctional family from the moment the parents married.

Even the present day interviews are as compelling as the old footage. In fact, through present interviews, David, a highly paid party clown in New York, is the best character in the film. He’s so forceful, adamant, angry, and bitter that it borders on being laughable and poignant. You can’t take your eyes away from this film for one moment. Jarecki is a storyteller who makes every moment of his film riveting and a must-see. Would that more fiction films could be like Capturing the Friedmans.

10 of 10

NOTES:
2004 Academy Awards: 1 nomination: “Best Documentary, Features” (Andrew Jarecki and Marc Smerling)

--------------------------

February 2012: Negromancer History Month?

Welcome to Negromancer, the rebirth of my former movie review website as a movie review and movie news blog.  February is Oscar month (for the time being, as AMPAS is considering moving the Oscars to January).  I have a lot of movie reviews from the old version of the site that I have not reposted here, so many of the Oscar nominees and winners among them will appear this month.

I’m Leroy Douresseaux, and I also blog at http://ireadsyou.blogspot.com/ and write for the Comic Book Bin (which has smart phones apps and comics).

All images and text appearing on this blog are © copyright and/or trademark their respective owners.

"Abduction" is a Broken Star Vehicle for Taylor Lautner

TRASH IN MY EYE No. 9 (of 2012) by Leroy Douresseaux


Abduction (2011)
Running time: 106 minutes (1 hour, 46 minutes)
MPAA – PG-13 for sequences of intense violence and action, brief language, some sexual content and teen partying
DIRECTOR: John Singleton
WRITERS: Shawn Christensen
PRODUCERS: Doug Davison, Ellen Goldsmith-Vein, Dan Lautner, Roy Lee, and Lee Stollman
CINEMATOGRAPHER: Peter Menzies Jr. (D.o.P.)
EDITOR: Bruce Cannon
COMPOSER: Edward Shearmur

ACTION/DRAMA/MYSTERY/THRILLER

Starring: Taylor Lautner, Lily Collins, Alfred Molina, Michael Nyqvist, Denzel Whitaker, Sigourney Weaver, Antonique Smith, Jason Isaacs, Maria Bello, Roger Guenveur Smith, and Dermot Mulroney

Abduction is a 2011 action thriller starring Taylor Lautner, currently best known for his portrayal of Jacob Black in The Twilight Saga film series. The film is about a teenager who sets out to discover who he really is after discovering a baby picture of himself on a missing persons website. Abduction is also the first feature film that John Singleton has directed in six years.

Nathan Harper (Taylor Lautner) is an ordinary teenager who lives with his parents, Kevin (Jason Isaacs) and Maria (Maria Bello). Nathan partners with longtime friend, Karen Murphy (Lily Collins), for a high school sociology project. One night while doing research on the Internet, Nathan and Karen discover a baby photo that resembles Nathan on a missing persons website.

The website also has an age-progression program that allows users to see what the child would look like when he is older. When he ages the photo of the baby who is named Steven Price, Nathan is shocked to see a picture of someone who looks exactly like he does. Then, an innocent call to that missing persons website leads to the end of the life Nathan knows. Now, he and Karen are on the run, as shadowy figures chase Nathan, insisting that he has information they want. And some of them are willing to kill for it.

Abduction tries to be several things: a suspenseful character drama, an action chase movie, a lost identity mystery, and an international espionage thriller. As any one of the four, the film is weak. As all of them together, Abduction is still weak. The premise: a high school boy discovers his picture on a missing persons website, is interesting and has real-world implications. However, that premise ends up being just a tease because Abduction wants to be an espionage thriller with international implications, but it mostly ends up being a middling action movie.

Taylor Lautner is not a terrible actor, but he doesn’t accomplish much here that would make people think that he is a good actor. Watching this, I could tell that Lautner is sincere and is making an effort to be good and to make people buy into his character and the obstacles and dangers Nathan faces. In the first half of the film, his efforts come across as overacting. In the second half of this film, Lautner really sells, especially when Nathan is forced to directly confront a character that is trying to kill him.

In early 1992, John Singleton earned two Oscar nominations for his debut film, Boyz n the Hood (1991). I am actually saddened that 20 years later, Singleton has directed a film that seems like nothing more than a straight-to-DVD version of The Bourne Identity. Still, I have to give Lautner credit for his efforts, which is why I’m giving Abduction what I consider to be a generous grade.

5 of 10
C+

Tuesday, January 31, 2012

Happy Birthday, Ed

I know that you have had some difficult times lately, but you should still have a birthday shout out.

Review: "Runaway Jury" is Unrealistic, But Entertaining (Happy B'day, Gene Hackman)

TRASH IN MY EYE No. 32 (of 2005) by Leroy Douresseaux

Runaway Jury (2003)
Running time: 127 minutes (2 hours, 7 minutes)
MPAA – PG-13 for violence, language, and thematic elements
DIRECTOR: Gary Fleder
WRITERS: Brian Koppelman and David Levien, Rick Cleveland, and Matthew Chapman (based upon the novel by John Grisham)
PRODUCER: Christopher Mankiewicz, and Gary Fleder
CINEMATOGRAPHER: Robert Elswit, A.S.C.
EDITOR: William Steinkamp, A.C.E. and Jeff Williams

DRAMA/THRILLER

Starring: John Cusack, Gene Hackman, Dustin Hoffman, Rachel Weisz, Bruce Davison, Bruce McGill, Jeremy Piven, Nick Searcy, Joanna Going, Stanley Anderson, Cliff Curtis, Jennifer Beals, and Bill Nunn with Orlando Jones and (uncredited) Dylan McDermott

Runaway Jury is a 2003 legal drama/thriller from director Gary Fleder. The film is based on the 1996 novel, The Runaway Jury, by author John Grisham.

Set in New Orleans, Runaway Jury is the story of a mysterious man named Nicholas Easter (John Cusack), who talks his way onto the jury of a landmark civil case against a gun manufacturer and attempts to influence the verdict by manipulating the other jurors. Meanwhile, on the outside, Easter’s girlfriend, Marlee (Rachel Weisz) runs a game to swindle the two lawyers involved in the case into paying her 10 million dollars if they want the verdict friendly to their clients.

Wendell Rohr (Dustin Hoffman) is a torts lawyer who represents the plaintiff, Celeste Wood (Joanna Going), the widow of Jacob Wood (Dylan McDermott), who was killed in a shooting rampage at brokerage firm. She believes the gun manufacturer knew that the killer bought the gun from a store that was careless and ignored gun laws. Rankin Fitch (Gene Hackman) is a jury consultant for the defense. Fitch is almost superhuman in the way he is able to discover the pasts of jurors, examine their beliefs and mindsets, and find out who can be bought, bribed, or blackmailed. His war with Nick Easter and Marlee drives the trial to the brink of ruin for a breathtaking finale.

Runaway Jury is the latest film adapted from a bestseller by John Grisham, author of books such as The Firm and A Time to Kill, both of which were adapted into films. The novel’s original premise was about a civil action against big tobacco, but the gun industry, also a target of big lawsuits, may have seemed like an easier sell to moviegoers, as guns are a lightening rod and divider of the American public. However, the film really doesn’t turn on a change of litigants. The best thing this film has going for it is the trio of John Cusack, Gene Hackman, and Rachel Weisz because they put the drama and thrills in this film. Dustin Hoffman is good, but he seems like the odd man out. His one good chance to chew up the scenery with Hackman is decidedly one-sided with Hackman eating his lunch. Anyone seeing this movie will clearly understand what power Hackman radiates. His star power and acting ability is worlds better than most other actors. An actor in a film with him has got to bring serious game, or Hackman will sweep him away. I so loved Hackman’s performance here that I wanted to have a baby for him.

Parts of Runaway Jury certainly test the bounds of belief and reality, but this is a great legal drama even if stuff happens in this film that no judge would allow to go on in his courtroom. And I say that knowing that most judges ain’t worth crap and are as crooked as a devil in gambling parlor. Runaway Jury is wonderful entertainment, and if you turn your reasoning down a little, it’ll keep you on the edge of your seat.

7 of 10
B+

--------------------

"The Help" Cleans Up at 2012 Screen Actors Guild Awards

The Screen Actors Guild (SAG) is an American labor union that represents film and television performers worldwide. Most people probably know SAG for the various actors’ strikes or for the Screen Actors Guild Award, which SAG uses to honor outstanding performances by its members. The first SAG Awards ceremony was held in February 1995 (for films released in 1994).

The big winner last night was the 2011 hit movie, The Help.  It won two acting awards and the top prize, "Outstanding Performance by a Cast in a Motion Picture" (or Best Ensemble-Film), which is something of an upset.  Going into last night, The Artist, had to be at least a slight favorite because it has won the top prize from most film critics organizations, and it won the top prize at the Golden Globes and from both the Directors and Producers Guilds.  However, in the previous 17 years of the SAG Awards, only 9 "Best Ensemble" winners have also won the best picture Oscar.  Last year's Best Ensemble SAG winner, The King's Speech, did win the Oscar.

The 18th Annual Screen Actors Guild Awards were presented on Jan. 29, 2012 from the Shrine Auditorium in Los Angeles and aired live on TBS and TNT.

18th Annual SCREEN ACTORS GUILD AWARDS® Winners (for the year 2011):

FILM

BEST ENSEMBLE
"The Help" (Jessica Chastain, Viola Davis, Bryce Dallas Howard, Allison Janney, Chris Lowell, Ahna O'Reilly, Sissy Spacek, Octavia Spencer, Mary Steenburgen, Emma Stone, Cicely Tyson, Mike Vogel)

BEST ACTOR
Jean Dujardin, "The Artist"

BEST ACTRESS
Viola Davis, "The Help"

BEST SUPPORTING ACTOR
Christopher Plummer, "Beginners"

BEST SUPPORTING ACTRESS
Octavia Spencer, "The Help"

BEST STUNT ENSEMBLE
"Harry Potter and the Deathly Hallows: Part 2"

TELEVISION

BEST DRAMA ENSEMBLE
"Boardwalk Empire" (Steve Buscemi; Dominic Chianese; Robert Clohessy; Dabney Coleman; Charlie Cox; Josie Gallina; Lucy Gallina; Stephen Graham; Jack Huston; Anthony Laciura; Heather Lind; Kelly MacDonald; Declan McTigue; Rory McTigue; Gretchen Mol; Brady Noon; Connor Noon; Kevin O'Rourke; Aleksa Palladino; Jacqueline Pennewill; Vincent Piazza; Michael Pitt; Michael Shannon; Paul Sparks; Michael Stuhlbarg; Peter Van Wagner; Shea Whigham; Michael Kenneth Williams; Anatol Yusef)

BEST DRAMA ACTOR
Steve Buscemi, "Boardwalk Empire"

BEST DRAMA ACTRESS
Jessica Lange, "American Horror Story"

BEST COMEDY ENSEMBLE
"Modern Family" (Aubrey Anderson-Emmons; Julie Bowen; Ty Burrell; Jesse Tyler Ferguson; Nolan Gould; Sarah Hyland; Ed O'Neill; Rico Rodriguez II; Eric Stonestreet; Sofia Vergara; Ariel Winter)

BEST COMEDY ACTOR
Alec Baldwin, "30 Rock"

BEST COMEDY ACTRESS
Betty White, "Hot in Cleveland"

BEST MOVIE/MINI ACTOR
Paul Giamatti, "Too Big to Fail"

BEST MOVIE/MINI ACTRESS
Kate Winslet, "Mildred Pierce"

BEST TV STUNT ENSEMBLE
"Game of Thrones"

LIFE ACHIEVEMENT AWARD - Screen Actors Guild Awards 48th Annual Life Achievement Award:
Mary Tyler Moore

Marvel Assembles "The Avengers" on Twitter for Global Chat

“Marvel’s The Avengers” Assemble on Twitter

Marvel Studios Sponsors Global Twitter Chat with Director and Cast for Fans around the World

Participants Get Tease of “Marvel’s The Avengers” 30-Second Super Bowl Spot and Chance to Win Prizes

BURBANK, Calif.--(BUSINESS WIRE)--Marvel Studios announced today that they will be sponsoring a Global Twitter Chat on Tuesday, January 31, 2012 at 11 a.m. (PST) with cast members and the director of their highly anticipated action-adventure “Marvel’s The Avengers,” opening in theaters on May 4, 2012. The 30-minute live tweeting event features writer/director Joss Whedon and cast members Tom Hiddleston and Clark Gregg.

Fans around the world will be able to participate in the Q&A on Twitter by using the @Avengers handle and the #Avengers hashtag. Participating fans will have the opportunity to see a 10-second tease of the 30-second Super Bowl spot that will air during Super Bowl XLVI on February 5 on NBC. They will also have a chance to answer “Avengers” trivia for a chance to win “Avengers” prize packs.

International fans will be able to submit questions for the talent in their native language through a global translation tool provided by Ortsbo.com. The chat will be moderated by Marvel’s @Agent_M.

“Marvel’s The Avengers” is the Super Hero team up of a lifetime, featuring iconic Marvel Super Heroes Iron Man, The Incredible Hulk, Thor, Captain America, Hawkeye and Black Widow. When an unexpected enemy emerges that threatens global safety and security, Nick Fury, Director of the international peacekeeping agency known as S.H.I.E.L.D., finds himself in need of a team to pull the world back from the brink of disaster. Spanning the globe, a daring recruitment effort begins.

Starring Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner and Tom Hiddleston, with Stellan Skarsgård and Samuel L. Jackson, and written and directed by Joss Whedon, “Marvel’s The Avengers” is based on the ever-popular Marvel comic book series “The Avengers,” first published in 1963 and a comics institution ever since.

“Marvel’s The Avengers” is presented by Marvel Studios in association with Paramount Pictures. The film is being produced by Marvel Studios’ President Kevin Feige and executive produced by Alan Fine, Stan Lee, Jon Favreau, Louis D’Esposito, Patricia Whitcher, Victoria Alonso and Jeremy Latcham. The film is distributed by Walt Disney Studios Motion Pictures.

Follow @Avengers on Twitter for more details.

Directors Guild Chooses Michel Hazanavicius of "The Artist"

The Directors Guild of America (DGA) is the entertainment labor union that represents film and television directors. The DGA gives out the Directors Guild of America Award each year to honor outstanding achievement.

The winner of the DGA Award for “Feature Film” usually wins the best director Oscar. As of last year, only six DGA winners in the “Feature Film” category have not also won the best director Oscar. The last time this happened was for the year 2002. Rob Marshall was the DGA choice for Chicago. The Oscar went to Roman Polanski for The Pianist.

The winners of the Directors Guild of America Outstanding Directorial Achievement Awards for 2011 (as wellas the recipients of the Guild's 2012 Career Achievement Awards) were announced Saturday night (Jan. 28th). Michel Hazanavicius won the DGA's Outstanding Directorial Achievement in Feature Film for The Artist, which seems to be the latest step the film is taking on its way to Oscar glory.

The 64th Annual DGA Awards Dinner was held at the Grand Ballroom at Hollywood & Highland in Los Angeles.  There were many other categories, but I'm only concerned with the winners in the two film categories.

Outstanding Directorial Achievement in Feature Film:
MICHEL HAZANAVICIUS
The Artist
(The Weinstein Company)

Mr. Hazanavicius’ Directorial Team:
Unit Production Manager: Antoine De Cazotte
Production Manager (FR): Ségoléne Fleury
First Assistant Director (FR): James Canal
First Assistant Director (US): David Cluck
Second Assistant Directo (US): Dave Paige
Second Second Assistant Directors: Karla Strum, Ricky Robinson

Outstanding Directorial Achievement in Documentary
JAMES MARSH
Project Nim
Red Box Films, Passion Pictures, HBO Documentary Films, Roadside Attractions, BBC Films, UK Film Council

This was Mr. Marsh’s second DGA Award nomination. He was previously nominated in this category for Man on Wire in 2008.

2012 Screen Actors Guild Award Nominatons - Film Categories

The Screen Actors Guild (SAG) is an American labor union that represents film and television performers worldwide. Most people probably know SAG for the various actors’ strikes or for the Screen Actors Guild Award, which SAG uses to honor outstanding performances by its members. The first SAG Awards ceremony was held in February 1995 (for films released in 1994).

The 18th Annual Screen Actors Guild Awards will be presented on Jan. 29, 2012 from the Shrine Auditorium in Los Angeles and will air live on TBS and TNT.

18th ANNUAL SCREEN ACTORS GUILD AWARDS® NOMINATIONS (for the year 2011):

THEATRICAL MOTION PICTURES

Outstanding Performance by a Male Actor in a Leading Role
DEMIÁN BICHIR / Carlos Galindo - “A BETTER LIFE” (Summit Entertainment)
GEORGE CLOONEY / Matt King - "THE DESCENDANTS” (Fox Searchlight Pictures)
LEONARDO DiCAPRIO / J. Edgar Hoover - "J. EDGAR" (Warner Bros. Pictures)
JEAN DUJARDIN / George - "THE ARTIST" (The Weinstein Company)
BRAD PITT / Billy Beane - "MONEYBALL" (Columbia Pictures)

Outstanding Performance by a Female Actor in a Leading Role
GLENN CLOSE / Albert Nobbs - "ALBERT NOBBS” (Roadside Attractions)
VIOLA DAVIS / Aibileen Clark - “THE HELP” (DreamWorks Pictures / Touchstone Pictures)
MERYL STREEP / Margaret Thatcher - “THE IRON LADY” (The Weinstein Company)
TILDA SWINTON / Eva - “WE NEED TO TALK ABOUT KEVIN” (Oscilloscope Laboratories)
MICHELLE WILLIAMS / Marilyn Monroe - “MY WEEK WITH MARILYN” (The Weinstein Company)

Outstanding Performance by a Male Actor in a Supporting Role
KENNETH BRANAGH / Sir Laurence Olivier - “MY WEEK WITH MARILYN” (The Weinstein Company)
ARMIE HAMMER / Clyde Tolson - "J. EDGAR" (Warner Bros. Pictures)
JONAH HILL / Peter Brand - "MONEYBALL" (Columbia Pictures)
NICK NOLTE / Paddy Conlon - “WARRIOR” (Lionsgate)
CHRISTOPHER PLUMMER / Hal - “BEGINNERS” (Focus Features)

Outstanding Performance by a Female Actor in a Supporting Role
BÉRÉNICE BEJO / Peppy - "THE ARTIST" (The Weinstein Company)
JESSICA CHASTAIN / Celia Foote - “THE HELP” (DreamWorks Pictures / Touchstone Pictures)
MELISSA McCARTHY / Megan - “BRIDESMAIDS” (Universal Pictures)
JANET McTEER / Hubert Page - "ALBERT NOBBS” (Roadside Attractions)
OCTAVIA SPENCER / Minny Jackson - “THE HELP” (DreamWorks Pictures / Touchstone Pictures)

Outstanding Performance by a Cast in a Motion Picture:

1. THE ARTIST (The Weinstein Company):
BÉRÉNICE BEJO / Peppy
JAMES CROMWELL / Clifton
JEAN DUJARDIN / George
JOHN GOODMAN / Al Zimmer
PENELOPE ANN MILLER / Doris

2. BRIDESMAIDS (Universal Pictures):
ROSE BYRNE / Helen
JILL CLAYBURGH / Annie’s Mom
ELLIE KEMPER / Becca
MATT LUCAS / Gil
MELISSA McCARTHY / Megan
WENDI McLENDON-COVEY / Rita
CHRIS O’DOWD / Rhodes
MAYA RUDOLPH / Lillian
KRISTEN WIIG / Annie

3. THE DESCENDANTS (Fox Searchlight Pictures):
BEAU BRIDGES / Cousin Hugh
GEORGE CLOONEY / Matt King
ROBERT FORSTER / Scott Thorson
JUDY GREER / Julie Speer
MATTHEW LILLARD / Brian Speer
SHAILENE WOODLEY / Alexandra King

4. THE HELP (DreamWorks Pictures / Touchstone Pictures):
JESSICA CHASTAIN / Celia Foote
VIOLA DAVIS / Aibileen Clark
BRYCE DALLAS HOWARD / Hilly Holbrook
ALLISON JANNEY / Charlotte Phelan
CHRIS LOWELL / Stuart Whitworth
AHNA O’REILLY / Elizabeth Leefolt
SISSY SPACEK / Missus Walters
OCTAVIA SPENCER / Minny Jackson
MARY STEENBURGEN / Elaine Stein
EMMA STONE / Skeeter Phelan
CICELY TYSON / Constantine Jefferson
MIKE VOGEL / Johnny Foote

5. MIDNIGHT IN PARIS (Sony Pictures Classics):
KATHY BATES / Gertrude Stein
ADRIEN BRODY / Salvador Dali
CARLA BRUNI / Museum Guide
MARION COTILLARD / Adriana
RACHEL McADAMS / Inez
MICHAEL SHEEN / Paul
OWEN WILSON / Gil

SAG HONORS FOR STUNT ENSEMBLES:

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
1. THE ADJUSTMENT BUREAU (UNIVERSAL PICTURES)
2. COWBOYS & ALIENS (UNIVERSAL PICTURES)
3. HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 (WARNER BROS. PICTURES)
4. TRANSFORMERS: DARK OF THE MOON (PARAMOUNT PICTURES)
5. X-MEN: FIRST CLASS (20TH CENTURY FOX)

2012 Screen Actors Guild Award Nominations: Primetime TV Categories

The 18th Annual Screen Actors Guild Awards will be presented on Jan. 29, 2012 from the Shrine Auditorium in Los Angeles and will air live on TBS and TNT.

18th ANNUAL SCREEN ACTORS GUILD AWARDS® NOMINATIONS (for the year 2011):

PRIMETIME TELEVISION

Outstanding Performance by a Male Actor in a Television Movie or Miniseries
LAURENCE FISHBURNE / Thurgood Marshall - “THURGOOD” (HBO)
PAUL GIAMATTI / Ben Bernanke - “TOO BIG TO FAIL” (HBO)
GREG KINNEAR / Jack Kennedy - “THE KENNEDYS” (REELZ CHANNEL)
GUY PEARCE / Monty Beragon - “MILDRED PIERCE“ (HBO)
JAMES WOODS / Richard Fuld - “TOO BIG TO FAIL” (HBO)

Outstanding Performance by a Female Actor in a Television Movie or Miniseries
DIANE LANE / Pat Loud - “CINEMA VERITE” (HBO)
MAGGIE SMITH / Violet, Dowager Countess of Grantham - “DOWNTON ABBEY” (PBS)
EMILY WATSON / Janet Leach - “APPROPRIATE ADULT” (Sundance Channel)
BETTY WHITE / Caroline Thomas - “HALLMARK HALL OF FAME: THE LOST VALENTINE” (CBS)
KATE WINSLET / Mildred Pierce - “MILDRED PIERCE” (HBO)

Outstanding Performance by a Male Actor in a Drama Series
PATRICK J. ADAMS / Mike Ross - “SUITS” (USA)
STEVE BUSCEMI / Enoch “Nucky” Thompson - “BOARDWALK EMPIRE” (HBO)
KYLE CHANDLER / Eric Taylor - “FRIDAY NIGHT LIGHTS” (DirecTV)
BRYAN CRANSTON / Walter White - “BREAKING BAD” (AMC)
MICHAEL C. HALL / Dexter Morgan - “DEXTER” (Showtime)

Outstanding Performance by a Female Actor in a Drama Series
KATHY BATES / Harriet Korn - “HARRY’S LAW” (NBC)
GLENN CLOSE / Patty Hewes - “DAMAGES” (DirecTV)
JESSICA LANGE / Constance - “AMERICAN HORROR STORY” (FX)
JULIANNA MARGULIES / Alicia Florrick - “THE GOOD WIFE” (CBS)
KYRA SEDGWICK / Dept. Chief Brenda Leigh Johnson - “THE CLOSER” (TNT)

Outstanding Performance by a Male Actor in a Comedy Series
ALEC BALDWIN / Jack Donaghy - “30 ROCK” (NBC)
TY BURRELL / Phil Dunphy - “MODERN FAMILY” (ABC)
STEVE CARELL / Michael Scott - “THE OFFICE” (NBC)
JON CRYER / Alan Harper - “TWO AND A HALF MEN” (CBS)
ERIC STONESTREET / Cameron Tucker - “MODERN FAMILY” (ABC)

Outstanding Performance by a Female Actor in a Comedy Series
JULIE BOWEN / Claire Dunphy - “MODERN FAMILY” (ABC)
EDIE FALCO / Jackie Peyton - “NURSE JACKIE” (Showtime)
TINA FEY / Liz Lemon - “30 ROCK” (NBC)
SOFIA VERGARA / Gloria Delgado-Pritchett - “MODERN FAMILY” (ABC)
BETTY WHITE / Elka Ostrovsky - “HOT IN CLEVELAND” (TV Land)

Outstanding Performance by an Ensemble in a Drama Series:

1. BOARDWALK EMPIRE (HBO)
STEVE BUSCEMI / Enoch “Nucky” Thompson
DOMINIC CHIANESE / Leander Cephas Whitlock
ROBERT CLOHESSY / Ward Boss Jim Neary
DABNEY COLEMAN / Commodore Louis Kaestner
CHARLIE COX / Owen Sleater
JOSIE & LUCY GALLINA / Emily Schroeder
STEPHEN GRAHAM / Al Capone
JACK HUSTON / Richard Harrow
ANTHONY LACIURA / Eddie Kessler
HEATHER LIND / Katy
KELLY MACDONALD / Margaret Schroeder
RORY & DECLAN McTIGUE / Teddy Schroeder
GRETCHEN MOL / Gillian Darmody
BRADY & CONNOR NOON/ Tommy Darmody
KEVIN O’ROURKE / Mayor Edward Bader
ALEKSA PALLADINO / Angela Darmody
JACQUELINE PENNEWILL / Lilian
VINCENT PIAZZA / Lucky Luciano
MICHAEL PITT / Jimmy Darmody
MICHAEL SHANNON / Agent Nelson Van Alden
PAUL SPARKS / Mickey Doyle
MICHAEL STUHLBARG / Arnold Rothstein
PETER VAN WAGNER / Isaac “Icky” Ginsburg
SHEA WHIGHAM / Sheriff Elias Thompson
MICHAEL KENNETH WILLIAMS / Chalky White
ANATOL YUSEF / Meyer Lansky

2. BREAKING BAD (AMC)
JONATHAN BANKS / Mike
BETSY BRANDT / Marie Schrader
RAY CAMPBELL / Tyrus Kitt
BRYAN CRANSTON / Walter White
GIANCARLO ESPOSITO / Gus Fring
ANNA GUNN / Skyler White
RJ MITTE / Walter White, Jr.
DEAN NORRIS / Hank Schrader
BOB ODENKIRK / Saul Goodman
AARON PAUL / Jesse Pinkman

3. DEXTER (Showtime)
BILLY BROWN / Chicago Mike
JENNIFER CARPENTER / Debra Morgan
JOSH COOKE / Louis
AIMEE GARCIA / Jamie Batista
MICHAEL C. HALL / Dexter Morgan
COLIN HANKS / Travis Marshall
DESMOND HARRINGTON / Joey Quinn
RYA KIHLSTEDT / Michelle
C.S. LEE / Vince Masuka
EDWARD JAMES OLMOS / Professor Gellar
JAMES REMAR / Harry Morgan
LAUREN VELEZ / Lt. Maria LaGuerta
DAVID ZAYAS / Sgt. Angel Batista

4. GAME OF THRONES (HBO)
AMRITA ACHARIA / Irri
MARK ADDY / King Robert Baratheon
ALFIE ALLEN / Theon Greyjoy
JOSEF ALTIN / Pypar
SEAN BEAN / Lord Eddard “Ned” Stark
SUSAN BROWN / Septa Mordane
EMILIA CLARKE / Daenerys Targaryen
NIKOLAJ COSTER-WALDAU / Ser Jaime Lannister
PETER DINKLAGE / Tyrion Lannister
RON DONACHIE / Ser Rodrik Cassel
MICHELLE FAIRLEY / Lady Catelyn Stark
JEROME FLYNN / Bronn
ELYES GABEL / Rakharo
AIDAN GILLEN / “Littlefinger” Petyr Baelish
JACK GLEESON / Joffrey Baratheon
IAIN GLEN / Ser Jorah Mormont
JULIAN GLOVER / Grand Maester Pycelle
KIT HARINGTON / Jon Snow
LENA HEADEY / Queen Cersei Lannister
ISAAC HEMPSTEAD WRIGHT / Bran Stark
CONLETH HILL / Lord Varys
RICHARD MADDEN / Robb Stark
JASON MOMOA / Khal Drogo
RORY McCANN / Sandor Clegane
IAN McELHINNEY / Barristan Selmy
LUKE McEWAN / Rast
ROXANNE McKEE / Doreah
DAR SALIM / Qotho
MARK STANLEY / Grenn
DONALD SUMPTER / Maester Luwin
SOPHIE TURNER / Sansa Stark
MAISIE WILLIAMS / Arya Stark

5. THE GOOD WIFE (CBS)
CHRISTINE BARANSKI / Diane Lockhart
JOSH CHARLES / Will Gardner
ALAN CUMMING / Eli Gold
MATT CZUCHRY / Cary Agos
JULIANNA MARGULIES / Alicia Florrick
CHRIS NOTH / Peter Florrick
ARCHIE PANJABI / Kalinda Sharma
GRAHAM PHILLIPS / Zach Florrick
MAKENZIE VEGA / Grace Florrick

Outstanding Performance by an Ensemble in a Comedy Series:

1. 30 ROCK (NBC)
SCOTT ADSIT / Pete Hornberger
ALEC BALDWIN / Jack Donaghy
KATRINA BOWDEN / Cerie
KEVIN BROWN / Dotcom
GRIZZ CHAPMAN / Grizz
TINA FEY / Liz Lemon
JUDAH FRIEDLANDER / Frank Rossitano
JANE KRAKOWSKI / Jenna Maroney
JOHN LUTZ / Lutz
JACK MCBRAYER / Kenneth Parcell
TRACY MORGAN / Tracy Jordan
KEITH POWELL / Toofer

2. THE BIG BANG THEORY (CBS)
MAYIM BIALIK / Amy Farrah Fowler
KALEY CUOCO / Penny
JOHNNY GALECKI / Leonard Hofstadter
SIMON HELBERG / Howard Wolowitz
KUNAL NAYYAR / Rajesh Koothrappali
JIM PARSONS / Sheldon Cooper
MELISSA RAUCH / Bernadette Rostenkowski

3. GLEE (FOX)
DIANNA AGRON / Quinn Fabray
CHRIS COLFER / Kurt Hummel
DARREN CRISS / Blaine Anderson
ASHLEY FINK / Lauren Zizes
DOT MARIE JONES / Coach Beiste
JANE LYNCH / Sue Sylvester
JAYMA MAYS / Emma Pillsbury
KEVIN McHALE / Artie Abrams
LEA MICHELE / Rachel Berry
CORY MONTEITH / Finn Hudson
HEATHER MORRIS / Brittany Pierce
MATTHEW MORRISON / Will Schuester
MIKE O’MALLEY / Burt Hummel
CHORD OVERSTREET / Sam Evans
LAUREN POTTER / Becky Johnson
AMBER RILEY / Mercedes Jones
NAYA RIVERA / Santana Lopez
MARK SALLING / Noah ‘Puck’ Puckerman
HARRY SHUM, JR. / Mike Chang
IQBAL THEBA / Principal Figgins
JENNA USHKOWITZ / Tina Cohen-Chang

4. MODERN FAMILY (ABC)
AUBREY ANDERSON-EMMONS / Lily
JULIE BOWEN / Claire
TY BURRELL / Phil
JESSE TYLER FERGUSON / Mitchell
NOLAN GOULD / Luke
SARAH HYLAND / Haley
ED O’NEILL / Jay
RICO RODRIGUEZ / Manny
ERIC STONESTREET / Cameron
SOFIA VERGARA / Gloria
ARIEL WINTER / Alex

5. THE OFFICE (NBC)
LESLIE DAVID BAKER / Stanley Hudson
BRIAN BAUMGARTNER / Kevin Malone
CREED BRATTON / Creed Bratton
STEVE CARELL / Michael Scott
JENNA FISCHER / Pam Beesly Halpert
KATE FLANNERY / Meredith Palmer
ED HELMS / Andy Bernard
MINDY KALING / Kelly Kapoor
ELLIE KEMPER / Erin Hannon
ANGELA KINSEY / Angela Martin
JOHN KRASINSKI / Jim Halpert
PAUL LIEBERSTEIN / Toby Flenderson
B.J. NOVAK / Ryan Howard
OSCAR NUÑEZ / Oscar Martinez
CRAIG ROBINSON / Daryll Philbin
JAMES SPADER / Robert California
PHYLLIS SMITH / Phyllis Lapin-Vance
RAINN WILSON / Dwight Schrute
ZACH WOODS / Gabe Lewis

SAG HONORS FOR STUNT ENSEMBLES:

Outstanding Action Performance by a Stunt Ensemble in a Television Series
1. DEXTER (SHOWTIME)
2. GAME OF THRONES (HBO)
3. SOUTHLAND (TNT)
4. SPARTACUS: GODS OF THE ARENA (STARZ)
5. TRUE BLOOD (HBO)

LIFE ACHIEVEMENT AWARD - Screen Actors Guild Awards 48th Annual Life Achievement Award:
MARY TYLER MOORE

Happy Birthday, Anna Victoria!

You are 6-years-old already.  I can't believe it.  Where has the time gone?  Have a great one and kiss an Angry Bird for me.

Happy 2nd Birthday, Negromancer (Blog Version)

Two years ago, I relaunched my former website, Negromancer.com, as a blog on Google Blogger.  I had toyed with the idea of turning Negromancer into a blog for years, and after shutting down the site in May 2007, I toyed with the idea of restarting it as a blog for at least a year.

Thank you for making my decision to blog worth every minute of it.  Now, let's pop some imaginary bottles of Krissy.