Twenty-seven year-old Olivia Wilde was a supporting actor on the late television series, The O.C. She has appeared in Alpha Dog and The Next Three Days. She also appeared in TRON: Legacy in the role of program/warrior, Quorra. In conjuction with the DVD and Blu-ray release of TRON: Legacy, Disney has provided this interview with the young actress:
AN INTERVIEW WITH OLIVIA WILDE FOR TRON: LEGACY
What training did you have to undertake for the role of Quorra in TRON: Legacy?
WILDE: Quorra is the most physical role I’ve ever tackled in my career. I spent months training and transforming my body for the role. I took up cross training to get to the peak of physical fitness and then I learned all types of mixed martial arts, including Capoeira. We had an amazing stunt team that was really helpful in making us look great for the movie. In the end, I looked like a real warrior.
Did you enjoy the physical aspect of the role?
WILDE: After all that training, it was great to feel strong and powerful. I’d never been so ripped, and I never will be again. I had huge muscles and I felt like I could really protect myself, which was cool. It wasn’t easy to build up that upper body strength, but I got there in the end. I had major guns!
How intensive was the training?
WILDE: The training took months, but it was all worth it. A lot of effort goes into creating a movie like this, so you have to give your all in everything you do. For example, the fight sequence in The End Of Line Club flies by in the movie, but it actually took us four months of training to be able to accomplish. It was four months well spent.
Did you enjoy the combat choreography?
WILDE: I grew up dancing. I was a ballerina for a long time, so I think that was really helpful when it came to learning the choreography on the set. To be honest, I had a blast with it all.
How would you describe Quorra’s costume in the movie?
WILDE: Quorra’s suit was totally revolutionary. We were wearing electro-luminescent lights woven through layers of neoprene and loads of other amazing materials. Costumes like this had never been made before, so it was a complete honor to be able to wear the suit. It was so beautiful that it felt like I was wearing a sculpture.
How long did it take to get into Quorra’s costume?
WILDE: In the very beginning, the prep time for wardrobe, hair and makeup was five or six hours every day. However, once we got the hang of it, we were jumping in and out of the suits in no time.
How did the extras react to the high-tech costumes?
WILDE: I think the light suits blew everybody away. In fact, we would all get really excited every time the suits were switched on. The whole room would light up with people in these amazing costumes. You’d look around and think, ‘Oh my gosh… This is really amazing! It’s going to look awesome in the finished film.’ There was a unique glow to the room that couldn’t be achieved by CGI, so I was really glad they did not add the lights in post production.
Did you enjoy wearing the black wig for the role?
WILDE: I loved the wig because it was an iconic look that I hope inspires people. I felt really lucky that [director] Joseph Kosinski was open to having a heroine in a movie not have flowing hair. When we first talked about the role, I said, “I think it would be really cool if Quorra had a Joan Of Arc vibe to her.” That’s something I researched a lot in the beginning and that’s how we came up with her androgynous look. It made Quorra more interesting.
In what way is Quorra similar to Joan Of Arc?
WILDE: Quorra is an unlikely warrior, just like Joan Of Arc. She is both a child and a warrior – and she’s also very strong. She’s extremely compassionate and she’s completely selfless, but she also seems to be in touch with some higher power.
What about the physical similarities between Quorra and Joan Of Arc?
WILDE: Quorra’s haircut is definitely inspired by Joan Of Arc. I also noted that Joan Of Arc wore a suit of white chain mail, so I said, “Quorra’s suit has got be white.” They didn’t think anybody would get that reference, but I knew it in my head, so it was really fun to have that as an inspiration.
What do you think of Quorra?
WILDE: I love Quorra. I think she is a wonderful character and she’s been a joy to play. It would have been easy to make her a sci-fi vixen, a temptress of the TRON world, but I’m very happy that we made her a real character. She’s someone people can empathize with. I like that.
What was the rehearsal process like for the movie?
WILDE: We spent a great deal of time talking about the script and working through scenes. The writers and producers welcomed everybody’s ideas, which was really nice. I really valued the extensive rehearsal process because I feel like I was there from the very conception. We tended to focus on the family story and the human story of the movie, and the rehearsals were really important because it’s where we all learned so much about our characters.
What do you think of the music of the movie?
WILDE: Daft Punk’s music was an integral part of the shooting process. They were on set for a couple of scenes, but we’d always be playing their music if they weren’t around. If I needed to find the tone of a scene, I would listen to a Daft Punk track and I’d understand where I was in the movie. I found that really helpful and really inspiring. We were lucky to have them on board.
Do you remember the first time you walked onto the set of TRON: Legacy?
WILDE: I’m so grateful that they took the trouble to build such huge, practical sets for TRON: Legacy because they informed me on how different this world was and how non-organic it was. The sets were beautiful. They allowed me to understand where my character was from, although there was certainly some green screen work involved during the filming process, too.
Did you enjoy the green screen work?
WILDE: I found it a lot like theater because you have to imagine different worlds in your head. In that sense, it was really fun. However, I enjoyed working on the practical sets much more. The director of TRON: Legacy, Joe Kosinski, was an architect before he became a filmmaker so he had some wonderful input into the sets. The ‘safe house’ set really blew me away. It was very Kubrickian and beautiful. There would be an audible gasp whenever people walked onto that sound stage. Hopefully, all that hard work translates to the screen.
TRON: LEGACY is Available on Blu-ray 3D, Blu-ray, DVD and Movie Download A
Sunday, April 3, 2011
Saturday, April 2, 2011
Garrett Hedlund Talks "TRON: Legacy"
Twenty-six year-old Garrett Hedlund has appeared in films such as Troy, Four Brothers, Country Strong (in which he sang), but his biggest hit to date is TRON: Legacy. Disney provided this interview with Hedlund:
AN INTERVIEW WITH GARRETT HEDLUND FOR TRON: LEGACY
Hi Garrett! How does it feel to be the star of TRON: Legacy?
HEDLUND: It feels amazing, but it’s also really nerve-wracking. I’ve never done a movie where I’ve been in every single scene!
Did you have fun filming the movie?
HEDLUND: The film shoot was awesome. There were lots of stunts, shoulder rolls and crazy moves. It was quite a show for everyone watching the action from the side of the set.
Was it hard work?
HEDLUND: It was extremely intense, but I wouldn’t change a thing. I had battle scenes, disc game sequences and loads of scenes that involved a lot of imagination, agility and focus – but I’m really proud of the finished film. It’s been an awesome project to work on.
What was the scariest stunt you had to perform for the movie?
HEDLUND: I had to do a lot of wirework for the film. You get hoisted up into the air. It’s not the most comfortable experience in the world!
How long did you spend in the harness?
HEDLUND: I spent an eternity in the harness! It was intense.
What did you get up to between takes?
HEDLUND: Well, there were a lot of play fights on the set of TRON: Legacy! Whenever we were given our weapons from the movie and some spare time between set-ups, you’d find me battling it out with [co-star] Olivia Wilde.
What was it like to work with Olivia Wilde?
HEDLUND: Olivia is fantastic. We met about seven years before we started work on TRON: Legacy, so it was amazing that we got to experience this crazy film together. It was great working with her. I have a lot of respect for anybody who can do a high roundhouse kick in 4-inch heels!
What was it like to work with Jeff Bridges?
HEDLUND: I’ve always been a huge fan of Jeff Bridges, so I was really excited to (play) the role of Sam Flynn in TRON: Legacy. Jeff has such a wonderful charisma and he’s an amazing actor – and I knew I’d get along with him from the start. He’s been great to me.
Can you tell us about the light suit you get to wear in the movie?
HEDLUND: The light suits were amazing! I’m used to working in jeans and a T-shirt, so it was strange to put on a skin-tight suit that lights up by itself. You feel very special wearing something like that.
How hard is it to act in a light suit?
HEDLUND: It’s pretty difficult because it’s really tight and you can’t run around easily. The helmet also gets in the way sometimes. You have to learn to walk again wearing all this crazy get-up.
Can you tell us about the special effects in the movie?
HEDLUND: You’ll see a lot of light cycles in the movie, which are the most high-tech, amazing, futuristic motorbikes you’ve ever seen in your life. You’re going to be blown away when you see them in action. They are amazing.
Were they easy to ride?
HEDLUND: I had to learn how to ride a motorcycle for the role, but I was fine once I knew the basics. To be honest, I had to learn a lot of things for TRON: Legacy. I had to learn how to ride a motorbike, I had to learn fight choreography and I had to learn hand-to-hand combat. I really enjoyed the physical training. I got really fit by the end of it all!
How tough was all the training for the role?
HEDLUND: It was extremely tough, but it was also exciting. I started off my day with 90 minutes of motorcycle training before heading over to work on the fight training. After that, I’d have a break before another 90 minutes of exercise with the guy who trained the actors from the movie, 300.
How long did the training last?
HEDLUND: I did about two months of training. After that, I was ready for anything!
How would you describe your character in the movie?
HEDLUND: Sam Flynn is a guy whose father mysteriously disappeared 20 years ago. Sam is the biggest shareholder in a huge company called Encom, but he’s turned his back on money. He lives an independent, secluded life – but he’s about to embark on the adventure of a lifetime!
What happens to him?
HEDLUND: A friend of the family called Alan Bradley motivates Sam to go and seek his father. That’s when Sam starts to figure things out and he puts pieces of a puzzle together… He ends up entering a whole new world filled with light bikes, discs and a crazy game grid.
Does Sam like action and adventure?
HEDLUND: Of course he does! Sam is into all kinds of extreme things just because he can. He’s very interested in base jumping and motorcycles. There’s even a great chase scene with his bike at the beginning of the movie.
What was your toughest challenge during the film shoot?
HEDLUND: Everybody likes to talk about how difficult it is to work with green screen because you have to act with your imagination. Personally, I think we were lucky on TRON: Legacy because there were also a lot of sets for us to work on.
Did you enjoy working on the green screen scenes?
HEDLUND: Whenever we worked on green screen scenes, we had great direction from our director, Joseph Kosinski. He knew exactly what he wanted, which really helped, and he was always thinking ten steps ahead of us. He made the film shoot such an easy and enjoyable experience. He’s the best!
TRON: LEGACY is Available on Blu-ray 3D, Blu-ray, DVD and Movie Download April 5th!
AN INTERVIEW WITH GARRETT HEDLUND FOR TRON: LEGACY
Hi Garrett! How does it feel to be the star of TRON: Legacy?
HEDLUND: It feels amazing, but it’s also really nerve-wracking. I’ve never done a movie where I’ve been in every single scene!
Did you have fun filming the movie?
HEDLUND: The film shoot was awesome. There were lots of stunts, shoulder rolls and crazy moves. It was quite a show for everyone watching the action from the side of the set.
Was it hard work?
HEDLUND: It was extremely intense, but I wouldn’t change a thing. I had battle scenes, disc game sequences and loads of scenes that involved a lot of imagination, agility and focus – but I’m really proud of the finished film. It’s been an awesome project to work on.
What was the scariest stunt you had to perform for the movie?
HEDLUND: I had to do a lot of wirework for the film. You get hoisted up into the air. It’s not the most comfortable experience in the world!
How long did you spend in the harness?
HEDLUND: I spent an eternity in the harness! It was intense.
What did you get up to between takes?
HEDLUND: Well, there were a lot of play fights on the set of TRON: Legacy! Whenever we were given our weapons from the movie and some spare time between set-ups, you’d find me battling it out with [co-star] Olivia Wilde.
What was it like to work with Olivia Wilde?
HEDLUND: Olivia is fantastic. We met about seven years before we started work on TRON: Legacy, so it was amazing that we got to experience this crazy film together. It was great working with her. I have a lot of respect for anybody who can do a high roundhouse kick in 4-inch heels!
What was it like to work with Jeff Bridges?
HEDLUND: I’ve always been a huge fan of Jeff Bridges, so I was really excited to (play) the role of Sam Flynn in TRON: Legacy. Jeff has such a wonderful charisma and he’s an amazing actor – and I knew I’d get along with him from the start. He’s been great to me.
Can you tell us about the light suit you get to wear in the movie?
HEDLUND: The light suits were amazing! I’m used to working in jeans and a T-shirt, so it was strange to put on a skin-tight suit that lights up by itself. You feel very special wearing something like that.
How hard is it to act in a light suit?
HEDLUND: It’s pretty difficult because it’s really tight and you can’t run around easily. The helmet also gets in the way sometimes. You have to learn to walk again wearing all this crazy get-up.
Can you tell us about the special effects in the movie?
HEDLUND: You’ll see a lot of light cycles in the movie, which are the most high-tech, amazing, futuristic motorbikes you’ve ever seen in your life. You’re going to be blown away when you see them in action. They are amazing.
Were they easy to ride?
HEDLUND: I had to learn how to ride a motorcycle for the role, but I was fine once I knew the basics. To be honest, I had to learn a lot of things for TRON: Legacy. I had to learn how to ride a motorbike, I had to learn fight choreography and I had to learn hand-to-hand combat. I really enjoyed the physical training. I got really fit by the end of it all!
How tough was all the training for the role?
HEDLUND: It was extremely tough, but it was also exciting. I started off my day with 90 minutes of motorcycle training before heading over to work on the fight training. After that, I’d have a break before another 90 minutes of exercise with the guy who trained the actors from the movie, 300.
How long did the training last?
HEDLUND: I did about two months of training. After that, I was ready for anything!
How would you describe your character in the movie?
HEDLUND: Sam Flynn is a guy whose father mysteriously disappeared 20 years ago. Sam is the biggest shareholder in a huge company called Encom, but he’s turned his back on money. He lives an independent, secluded life – but he’s about to embark on the adventure of a lifetime!
What happens to him?
HEDLUND: A friend of the family called Alan Bradley motivates Sam to go and seek his father. That’s when Sam starts to figure things out and he puts pieces of a puzzle together… He ends up entering a whole new world filled with light bikes, discs and a crazy game grid.
Does Sam like action and adventure?
HEDLUND: Of course he does! Sam is into all kinds of extreme things just because he can. He’s very interested in base jumping and motorcycles. There’s even a great chase scene with his bike at the beginning of the movie.
What was your toughest challenge during the film shoot?
HEDLUND: Everybody likes to talk about how difficult it is to work with green screen because you have to act with your imagination. Personally, I think we were lucky on TRON: Legacy because there were also a lot of sets for us to work on.
Did you enjoy working on the green screen scenes?
HEDLUND: Whenever we worked on green screen scenes, we had great direction from our director, Joseph Kosinski. He knew exactly what he wanted, which really helped, and he was always thinking ten steps ahead of us. He made the film shoot such an easy and enjoyable experience. He’s the best!
TRON: LEGACY is Available on Blu-ray 3D, Blu-ray, DVD and Movie Download April 5th!
VIZ Anime Launches "Tiger and Bunny"
LIFE ISN’T EASY WHEN YOU’RE A FULLTIME SUPERHERO IN HOT NEW ANIME ACTION SERIES TIGER & BUNNY, SIMULCASTING ON VIZANIME.COM
A Washed-Up Veteran And A Rookie With An Attitude Team Up To Become The Best And Worst Superhero Duo Of All Time!
VIZ Media, LLC (VIZ Media), one of the entertainment industry’s most innovative and comprehensive publishing, animation and licensing companies, invites fans to dive into the crime-fighting action of one of the most anticipated anime series of 2011 with the simulcast premiere of TIGER & BUNNY on Saturday, April 2nd. The new series launches on VIZAnime.com, the company’s exclusive web destination for anime, the same day it debuts in Japan! New FREE weekly episodes (subtitled) will be available to stream on VIZAnime beginning at 12:00pm (PST) each Saturday.
TIGER & BUNNY (rated TV-14) is directed by Keiichi Sato (director of THE BIG O), with original character designs by Masakazu Katsura, creator of I”S and VIDEO GIRL AI (also released by VIZ Media). Stern Bild is a metropolitan city where superheroes called NEXT help to maintain peace. Sporting sponsor logos on their suits, these heroes work to solve cases and save people’s lives in order to earn Hero Points, while also helping to improve the public image of their corporate sponsors. Their activities are documented and broadcast by the popular show “HERO TV,” in which each superhero strives to become the “King of Heroes” of the year.
One such hero is Wild Tiger (real name Kotetsu T. Kaburagi), a veteran superhero who relies on his years of experience and instincts to fight crime. Though obligated to work for his boss’s best interest, Kotetsu follows his own code of honor and is even willing to cause destruction to public property for the sake of protecting the lives of his fellow citizens. Over time, he has grudgingly earned the nickname “Crusher for Justice.” Now, Kotetsu suddenly finds himself forced to team up with rookie hero Barnaby Brooks Jr.
“TIGER & BUNNY is the latest series from the famed anime studio, Sunrise, and we’re very excited to make it available to fans in North America exclusively through VIZAnime.com,” says Ken Sasaki, Sr. Vice President and General Manager of VIZ Media. “The inventive story matches a veteran hero who is dealing with all kinds of quirky personal and professional problems with a young partner who is impulsive and unmanageable. When they team up to fight crime, they also usually end up battling each other. TIGER & BUNNY is a fun new series that combines plenty action and humor with an exploration of an unlikely friendship, and we invite fans to catch the premiere!”
To view the official trailer and to follow TIGER & BUNNY on the official Facebook page, please visit http://www.facebook.com/TigerAndBunny. For more information on TIGER & BUNNY and other animated titles from VIZ Media please visit http://www.vizanime.com/.
Friday, April 1, 2011
Jeff Bridges' TRON: Legacy Interview Part 3
This is part of an interview series provided by Walt Disney:
AN INTERVIEW WITH JEFF BRIDGES FOR TRON: LEGACY
Hi Jeff! How would you describe the story of TRON: Legacy?
BRIDGES: TRON: Legacy is a father and son story set in a crazy computer world. It’s the sequel to a movie that was made 28 years ago!
How much fun did you have shooting TRON: Legacy?
BRIDGES: The movie was a lot of fun to film because every day was different. Some days, we’d be working on a sound stage with an amazing set. Other days, I’d be walking around a huge, empty warehouse wearing a leotard with little balls all over it.
That sounds a little crazy…
BRIDGES: It was very crazy and very bizarre, but it was a fun challenge because that’s how the special effects were shot. My face was covered with 100 tiny dots and I wore a helmet with two antennas sticking out of it. I am used to acting in costume, but this was very different. I soon learned to get used to it, though.
How has technology changed since you made the original movie?
BRIDGES: The first TRON movie was made nearly 30 years ago. Back then, there was no internet and there were no cell phones. There were no personal computers either. It was a completely different world.
How did you shoot the special effects for the original movie?
BRIDGES: It was all very basic back then. There was a lot of adhesive tape and tennis balls used on the set of the first film. TRON: Legacy benefits from advancements in technology since then. It’s a completely different world now.
When did you first hear about the sequel?
BRIDGES: There’s been a rumor of a TRON sequel going around Hollywood ever since the first movie was released. I kept waiting and waiting to get a script, but I never heard anything until a couple of years ago. I think Disney was very wise to wait for the right script and the right story, but it’s here now.
What went through your mind when you heard a script was on its way?
BRIDGES: I was overjoyed. To be honest, I was very excited when I heard about the original movie – and I had the same excitement when I found out that the sequel was going to be made. I couldn’t wait to read what was going to happen.
How was the original movie pitched to you?
BRIDGES: The original movie appealed to the kid in me. They said, “Do you want to play a guy who gets sucked inside a computer? We’ll be using lots of cutting edge technology to shoot the film and it’s going to be very different to anything else you’ve seen at the movies.” It was like being invited over to the house of the kid who’s got all the latest gadgets and games. I immediately said to them, “I’m in!”
How was the sequel pitched to you?
BRIDGES: The director told me it was going to be a father and son story, and he said we were going to be using cutting edge filming techniques again. It sounded great to me.
Did you hesitate before signing up for the sequel?
BRIDGES: Oh, sure. I hesitate before I sign up for anything, but I was extremely excited about the prospect of the sequel. I thought to myself, ‘I can’t wait to mess around with all that great, cutting edge technology. I can’t wait to see what the visual effects will be like now.’
What made you hesitate?
BRIDGES: I wanted to make sure the story of the sequel was strong. I knew there was going to be a lot of visual candy, but you need to care about the characters for a movie to work. As soon as I heard the story was going to be a father and son adventure, I knew it was going to work out.
Is it true that you kept your TRON helmet from the original movie?
BRIDGES: I kept the helmet and the leotard from the original film and I actually wore it for Halloween one year. I dressed up as my character, Kevin Flynn, and walked around! It got a lot of strange looks, but I didn’t care.
What science-fiction books and movies were you into when you were young?
BRIDGES: As a kid, I loved science fiction. When I was growing up, I read books by Ray Bradbury and Robert Heinlein – and I’ve always loved science fiction movies. I don’t think you can get a much better movie than 2001. However, I also like the movie Starman, which I appeared in. Science fiction is great.
Are you into video games?
BRIDGES: I was really into video games when we made the original TRON. The walls of the soundstage where we shot the original movie were lined with video games and they were all free. You didn’t have to put any money in them.
That sounds amazing…
BRIDGES: It was great! Everyone would be playing them all day long. The crew would come up to me and say, “Come on, Jeff… We need you on set.” And I’d reply, “I’m preparing, man. I’m getting into character.”
Do you play many video games now?
BRIDGES: I don’t play too many video games now. I feel like I’ve fallen away from technology. I have a love-hate relationship with the internet, although I have a website that I like to play around with.
We’ve heard a rumor that you’re interested in photography…
BRIDGES: I am! I usually take photos on the set of all my movies. In fact, you can see some of the shots on my website.
Did you take many pictures on the set of TRON: Legacy?
BRIDGES: I wanted to take lots of pictures, but the lighting was very dark on the set. I didn’t take as many pictures as I usually take, but there are a few out there.
What advice do you have for aspiring photographers?
BRIDGES: I don’t know if I have any advice! Just keep taking pictures of things you think are interesting. That’s how I started out.
And what advice would you give to aspiring actors?
BRIDGES: Train hard and practice your craft. Get involved in all aspects of drama, but keep on trying because it’s a tough industry to crack. Good luck!
TRON: LEGACY is Available on Blu-ray 3D, Blu-ray, DVD and Movie Download April 5th!
AN INTERVIEW WITH JEFF BRIDGES FOR TRON: LEGACY
Hi Jeff! How would you describe the story of TRON: Legacy?
BRIDGES: TRON: Legacy is a father and son story set in a crazy computer world. It’s the sequel to a movie that was made 28 years ago!
How much fun did you have shooting TRON: Legacy?
BRIDGES: The movie was a lot of fun to film because every day was different. Some days, we’d be working on a sound stage with an amazing set. Other days, I’d be walking around a huge, empty warehouse wearing a leotard with little balls all over it.
That sounds a little crazy…
BRIDGES: It was very crazy and very bizarre, but it was a fun challenge because that’s how the special effects were shot. My face was covered with 100 tiny dots and I wore a helmet with two antennas sticking out of it. I am used to acting in costume, but this was very different. I soon learned to get used to it, though.
How has technology changed since you made the original movie?
BRIDGES: The first TRON movie was made nearly 30 years ago. Back then, there was no internet and there were no cell phones. There were no personal computers either. It was a completely different world.
How did you shoot the special effects for the original movie?
BRIDGES: It was all very basic back then. There was a lot of adhesive tape and tennis balls used on the set of the first film. TRON: Legacy benefits from advancements in technology since then. It’s a completely different world now.
When did you first hear about the sequel?
BRIDGES: There’s been a rumor of a TRON sequel going around Hollywood ever since the first movie was released. I kept waiting and waiting to get a script, but I never heard anything until a couple of years ago. I think Disney was very wise to wait for the right script and the right story, but it’s here now.
What went through your mind when you heard a script was on its way?
BRIDGES: I was overjoyed. To be honest, I was very excited when I heard about the original movie – and I had the same excitement when I found out that the sequel was going to be made. I couldn’t wait to read what was going to happen.
How was the original movie pitched to you?
BRIDGES: The original movie appealed to the kid in me. They said, “Do you want to play a guy who gets sucked inside a computer? We’ll be using lots of cutting edge technology to shoot the film and it’s going to be very different to anything else you’ve seen at the movies.” It was like being invited over to the house of the kid who’s got all the latest gadgets and games. I immediately said to them, “I’m in!”
How was the sequel pitched to you?
BRIDGES: The director told me it was going to be a father and son story, and he said we were going to be using cutting edge filming techniques again. It sounded great to me.
Did you hesitate before signing up for the sequel?
BRIDGES: Oh, sure. I hesitate before I sign up for anything, but I was extremely excited about the prospect of the sequel. I thought to myself, ‘I can’t wait to mess around with all that great, cutting edge technology. I can’t wait to see what the visual effects will be like now.’
What made you hesitate?
BRIDGES: I wanted to make sure the story of the sequel was strong. I knew there was going to be a lot of visual candy, but you need to care about the characters for a movie to work. As soon as I heard the story was going to be a father and son adventure, I knew it was going to work out.
Is it true that you kept your TRON helmet from the original movie?
BRIDGES: I kept the helmet and the leotard from the original film and I actually wore it for Halloween one year. I dressed up as my character, Kevin Flynn, and walked around! It got a lot of strange looks, but I didn’t care.
What science-fiction books and movies were you into when you were young?
BRIDGES: As a kid, I loved science fiction. When I was growing up, I read books by Ray Bradbury and Robert Heinlein – and I’ve always loved science fiction movies. I don’t think you can get a much better movie than 2001. However, I also like the movie Starman, which I appeared in. Science fiction is great.
Are you into video games?
BRIDGES: I was really into video games when we made the original TRON. The walls of the soundstage where we shot the original movie were lined with video games and they were all free. You didn’t have to put any money in them.
That sounds amazing…
BRIDGES: It was great! Everyone would be playing them all day long. The crew would come up to me and say, “Come on, Jeff… We need you on set.” And I’d reply, “I’m preparing, man. I’m getting into character.”
Do you play many video games now?
BRIDGES: I don’t play too many video games now. I feel like I’ve fallen away from technology. I have a love-hate relationship with the internet, although I have a website that I like to play around with.
We’ve heard a rumor that you’re interested in photography…
BRIDGES: I am! I usually take photos on the set of all my movies. In fact, you can see some of the shots on my website.
Did you take many pictures on the set of TRON: Legacy?
BRIDGES: I wanted to take lots of pictures, but the lighting was very dark on the set. I didn’t take as many pictures as I usually take, but there are a few out there.
What advice do you have for aspiring photographers?
BRIDGES: I don’t know if I have any advice! Just keep taking pictures of things you think are interesting. That’s how I started out.
And what advice would you give to aspiring actors?
BRIDGES: Train hard and practice your craft. Get involved in all aspects of drama, but keep on trying because it’s a tough industry to crack. Good luck!
TRON: LEGACY is Available on Blu-ray 3D, Blu-ray, DVD and Movie Download April 5th!
Jeff Bridges' TRON: Legacy Interview Part 2
AN INTERVIEW WITH JEFF BRIDGES FOR TRON: LEGACY
How did the film shoot for TRON: Legacy compare to the film shoot for the original movie?
BRIDGES: The first movie was shot in 70 mm, black and white. Our set was mostly made from a black material called Duvetyne that was hanging on the wall along with some white adhesive tape – and that was it. They sent the film overseas where people hand-tinted all of the glowing lines into each shot frame-by-frame. It was a mammoth undertaking and it was extremely cutting edge. However, the process for the second movie was completely different.
Can you take us through the filming process for the sequel?
BRIDGES: TRON: Legacy was the first movie that I’ve been involved in where many scenes were shot without cameras. We used a process called motion capture and we shot the movie in a space called The Volume. The Volume can be any size, but the walls are covered with optical sensors. They’re not cameras, but each sensor gives information to a computer. To begin each scene, we had to stand in the shape of the letter T. You stand with your hands out and the sensors grab you – and then you carry on. You’re wearing a suit with little sensors all over it, so all of the makeup, the costumes, the camera angles, the lighting… Everything is added in post production. It was very different to anything I’d worked on before.
Were there any similarities between the shooting of the two movies?
BRIDGES: The biggest similarity between the filming of the two movies was the way that you have to act a lot with your mind. We spent a lot of both film shoots in huge rooms with no sets, so you have to imagine where you are and you have to imagine what’s going on in the scene. It’s always a challenge, but it’s also a lot of fun.
What do you think of the new light cycles in TRON: Legacy?
BRIDGES: I think they’re great. They are much better, more sophisticated and more refined than the light cycles in the original movie. [Director] Joseph Kosinski was an architect, so he came at the project from a new angle and the film has a heightened design feel to it due to this. He hired a wonderful production designer called Darren Gilford who worked in car design, so that also added a different element to the project. I’m really impressed and happy with all of the vehicles in the movie. I think they all look great.
Did it take a lot of persuading to get you on board for the sequel?
BRIDGES: Not really. Joe Kosinski made a wonderful pitch to me about the story of the movie, so I knew where the film was heading and I was immediately intrigued. This is Joe’s first film and I have to give Disney credit for taking that risk in choosing him, but he pulled it off with ease. He has a background in commercials, so when he pitched the story to me, he showed me his commercial reel and I saw the technology that was available to use in the movie. I signed onto the original TRON because I was excited about using cutting edge technology, and that’s exactly the same reason why I signed on for the sequel.
What was it like to play two different characters in the movie: Kevin Flynn and Clu?
BRIDGES: It wasn’t too difficult. The director did his best to separate the days where I played Flynn and Clu, which made the work much easier. The makeup process was very different for each of the characters, so it was much better to separate the days and keep these two apart.
What was it like to see a younger version of yourself in Clu?
BRIDGES: It was a little bizarre, but it wasn’t too strange for me because I have movies that chart my different looks over the years. However, I was amazed that they could pull off this feat with such accuracy. What they did in TRON: Legacy was amazing. They modeled Clu on the period of my life when I worked on Against All Odds – and it all looks so real. The guys who worked on it are magicians.
Did you have any input into the look of Clu?
BRIDGES: I helped in any way I could, so I gave them a lot of family pictures to use as reference. The same guys who worked on Benjamin Button came in and worked on Clu. When they first arrived, they brought along Brad Pitt’s head in a glass box and they set it down on the table. It was uncanny. It wasn’t like a wax head that you might see in a museum. In fact, it looked like Brad Pitt’s head had been cut off and it was just sitting there. You were waiting for him to, “Hi.” It was so realistic.
What inspired your performance of Clu?
BRIDGES: My inspiration came from the script and the story. That’s always the place where I start my work on a character, but then I look at aspects of myself that might apply to each character. In this case, I’m playing a couple of guys, so I would magnify certain aspects of myself for one and maybe dampen those for the other.
Video games and arcade games are constantly featured in both TRON movies. Are you a gamer?
BRIDGES: I don’t play video games much now, although I remember playing one with my daughters. I believe it was called Myst. I hope they make a movie of that game because it was a wonderful world to visit. You weren’t killing anybody in the game, but it was very dramatic. That was the last video game I got into.
Were you interested in arcade games in your youth?
BRIDGES: I think I was a grown man when arcade games came into fashion. I can remember playing Pong, but that wasn’t in my youth. I played Pong on the movie set where I met my wife, which must have been 35 years ago. That would’ve been the 80s and I was working on a movie called Rancho Deluxe with Harry Dean Stanton. I distinctly remember playing Pong there.
Were there many arcade machines on the set of the first TRON movie?
BRIDGES: When we filmed the first movie, Steven Lisberger – the director – had video games all over the soundstage and I used to get locked into them. Have you heard of a game called Battle Zone? I used to love that. They had to tear me off of that thing to get to work.
We can’t let the interview end without mentioning your Academy Award win for Crazy Heart… Where do you keep your award?
BRIDGES: It’s sitting on the shelf by my kitchen.
How did it feel to win?
BRIDGES: It was truly wonderful. To get that acknowledgement from your peers is fantastic, but the really cool thing was that the movie was all about music and it’s caused my own music to bloom. I’m in my sixties and I’ve been working on music since I was a teenager, but I’ve had to put it in the back burner. However, I’ve now been able to go back into the studio and make an album. That’s amazing for me. I couldn’t be happier.
TRON: LEGACY is Available on Blu-ray 3D, Blu-ray, DVD and Movie Download April 5th!
How did the film shoot for TRON: Legacy compare to the film shoot for the original movie?
BRIDGES: The first movie was shot in 70 mm, black and white. Our set was mostly made from a black material called Duvetyne that was hanging on the wall along with some white adhesive tape – and that was it. They sent the film overseas where people hand-tinted all of the glowing lines into each shot frame-by-frame. It was a mammoth undertaking and it was extremely cutting edge. However, the process for the second movie was completely different.
Can you take us through the filming process for the sequel?
BRIDGES: TRON: Legacy was the first movie that I’ve been involved in where many scenes were shot without cameras. We used a process called motion capture and we shot the movie in a space called The Volume. The Volume can be any size, but the walls are covered with optical sensors. They’re not cameras, but each sensor gives information to a computer. To begin each scene, we had to stand in the shape of the letter T. You stand with your hands out and the sensors grab you – and then you carry on. You’re wearing a suit with little sensors all over it, so all of the makeup, the costumes, the camera angles, the lighting… Everything is added in post production. It was very different to anything I’d worked on before.
Were there any similarities between the shooting of the two movies?
BRIDGES: The biggest similarity between the filming of the two movies was the way that you have to act a lot with your mind. We spent a lot of both film shoots in huge rooms with no sets, so you have to imagine where you are and you have to imagine what’s going on in the scene. It’s always a challenge, but it’s also a lot of fun.
What do you think of the new light cycles in TRON: Legacy?
BRIDGES: I think they’re great. They are much better, more sophisticated and more refined than the light cycles in the original movie. [Director] Joseph Kosinski was an architect, so he came at the project from a new angle and the film has a heightened design feel to it due to this. He hired a wonderful production designer called Darren Gilford who worked in car design, so that also added a different element to the project. I’m really impressed and happy with all of the vehicles in the movie. I think they all look great.
Did it take a lot of persuading to get you on board for the sequel?
BRIDGES: Not really. Joe Kosinski made a wonderful pitch to me about the story of the movie, so I knew where the film was heading and I was immediately intrigued. This is Joe’s first film and I have to give Disney credit for taking that risk in choosing him, but he pulled it off with ease. He has a background in commercials, so when he pitched the story to me, he showed me his commercial reel and I saw the technology that was available to use in the movie. I signed onto the original TRON because I was excited about using cutting edge technology, and that’s exactly the same reason why I signed on for the sequel.
What was it like to play two different characters in the movie: Kevin Flynn and Clu?
BRIDGES: It wasn’t too difficult. The director did his best to separate the days where I played Flynn and Clu, which made the work much easier. The makeup process was very different for each of the characters, so it was much better to separate the days and keep these two apart.
What was it like to see a younger version of yourself in Clu?
BRIDGES: It was a little bizarre, but it wasn’t too strange for me because I have movies that chart my different looks over the years. However, I was amazed that they could pull off this feat with such accuracy. What they did in TRON: Legacy was amazing. They modeled Clu on the period of my life when I worked on Against All Odds – and it all looks so real. The guys who worked on it are magicians.
Did you have any input into the look of Clu?
BRIDGES: I helped in any way I could, so I gave them a lot of family pictures to use as reference. The same guys who worked on Benjamin Button came in and worked on Clu. When they first arrived, they brought along Brad Pitt’s head in a glass box and they set it down on the table. It was uncanny. It wasn’t like a wax head that you might see in a museum. In fact, it looked like Brad Pitt’s head had been cut off and it was just sitting there. You were waiting for him to, “Hi.” It was so realistic.
What inspired your performance of Clu?
BRIDGES: My inspiration came from the script and the story. That’s always the place where I start my work on a character, but then I look at aspects of myself that might apply to each character. In this case, I’m playing a couple of guys, so I would magnify certain aspects of myself for one and maybe dampen those for the other.
Video games and arcade games are constantly featured in both TRON movies. Are you a gamer?
BRIDGES: I don’t play video games much now, although I remember playing one with my daughters. I believe it was called Myst. I hope they make a movie of that game because it was a wonderful world to visit. You weren’t killing anybody in the game, but it was very dramatic. That was the last video game I got into.
Were you interested in arcade games in your youth?
BRIDGES: I think I was a grown man when arcade games came into fashion. I can remember playing Pong, but that wasn’t in my youth. I played Pong on the movie set where I met my wife, which must have been 35 years ago. That would’ve been the 80s and I was working on a movie called Rancho Deluxe with Harry Dean Stanton. I distinctly remember playing Pong there.
Were there many arcade machines on the set of the first TRON movie?
BRIDGES: When we filmed the first movie, Steven Lisberger – the director – had video games all over the soundstage and I used to get locked into them. Have you heard of a game called Battle Zone? I used to love that. They had to tear me off of that thing to get to work.
We can’t let the interview end without mentioning your Academy Award win for Crazy Heart… Where do you keep your award?
BRIDGES: It’s sitting on the shelf by my kitchen.
How did it feel to win?
BRIDGES: It was truly wonderful. To get that acknowledgement from your peers is fantastic, but the really cool thing was that the movie was all about music and it’s caused my own music to bloom. I’m in my sixties and I’ve been working on music since I was a teenager, but I’ve had to put it in the back burner. However, I’ve now been able to go back into the studio and make an album. That’s amazing for me. I couldn’t be happier.
TRON: LEGACY is Available on Blu-ray 3D, Blu-ray, DVD and Movie Download April 5th!
Jeff Bridges' TRON: Legacy Interview, Part 1
Walt Disney provided this interview for the general press:
AN INTERVIEW WITH JEFF BRIDGES FOR TRON: LEGACY
What was your initial reaction when you heard that Disney was interested in making a sequel to TRON?
BRIDGES: There have been rumors of a TRON sequel circulating for many years. The first rumor probably started about 20 years ago, so I gave up on the idea because it never looked like it was going to happen. I guess Disney had the sequel on its back burners and they weren’t satisfied with any of the scripts that turned up over the years, so they waited and waited. I’m very happy they did because they held out to find the right guy to be at the helm: director Joseph Kosinski. I think they really found a terrific leader in Joe, and they also found a terrific script.
What makes Joseph Kosinski a great director?
BRIDGES: It’s always interesting to discover where a director comes from, whether he’s a writer, an actor or whatever. Joe was an architect and to have an architect at the helm of this movie was terrific. He was up to date with all of the modern techniques in special effects and he had a great visual style. He was also terrific with actors and he had great ideas. When this project was presented to me, I thought to myself, ‘This sounds like something I would love to do.’ The first movie tickled the kid in me – and the sequel did exactly the same. I get to play a guy who is sucked inside a computer and I get to play with all of the new toys that we have available to us with modern technology and filmmaking. To be involved with something so cutting edge was extremely exciting to me. I jumped at the chance to sign up.
What did you think of having Garrett Hedlund play Kevin Flynn’s son in the movie?
BRIDGES: Garrett is a great guy. I have three daughters and no sons, but when I look at Garrett, I can see that he could be my son. There’s something about him that reminds me of myself, which is why casting him as my son was perfect. He was a joy to work with and I think he did an amazing job in TRON: Legacy. He’s going to go far.
How does it feel to see people excited about the world of TRON again?
BRIDGES: It feels great. It’s very exciting. I have taken a number of trips to Comic-Con with TRON: Legacy over the last few years and you can really feel the energy of the fans at events like that. They have been really excited about the project. In fact, the fans have been an integral part in getting the TRON world back together. A few years ago, we went to Comic-Con to test a couple of minutes of film with audiences. The director, the production designer and our special effects supervisor joined forces to give audiences a two-minute taste of what the movie might be like if this project could fly and to see if people really wanted to see it. The audience really enjoyed that Disney felt they wanted to make this fantastic world come to life again. Comic-Con was very instrumental in getting this movie made.
What was the most challenging aspect of the film shoot?
BRIDGES: As an actor, I really enjoy costumes, sets and makeup. These elements inform your performance and you learn to count on them. However, a lot of TRON: Legacy was filmed without costumes, without makeup and without sets. When you don’t have these things around you, you’re thrown back to your childhood – to the time when you were a little kid playing in the garden. Back then, you didn’t have a castle and you didn’t have a sword. You had to use a stick as a sword and your castle was a box. It was all in your mind. That’s exactly what we had to do in this movie. We had to play ‘pretend’ because we didn’t have the costumes or the sets or the props. It was fascinating.
Do you ask a lot of questions when you work on a film set in an alternate universe with its own rules?
BRIDGES: Oh, sure. I ask a lot of questions with whatever film I’m working on – and the director is always the guy to go to.
What kind of questions did you ask about TRON: Legacy?
BRIDGES: Joe Kosinski was very inclusive because he allowed me into the writing process and the development of the story. I was interested in creating a modern myth, so I didn’t want the movie to just be about design and the battles. I wanted the movie to have something to say and I wanted the story to be enthralling and captivating.
What appealed to you the most in the movie’s script?
BRIDGES: One of the things that drew me to this movie was a chance to be part of creating a modern day myth. Myths are so important for us to help navigate the treacherous waters of being alive. Each age has its own challenges and I feel that technology is certainly one of ours.
Are you not happy with today’s technology?
BRIDGES: In some ways, technology is wonderful – but there is a darker side to it that we don’t examine as much as we should. We need to think about the ramifications of what we’re doing. We drink water from plastic bottles that we think are biodegradable, but then we discover that they last for hundreds of years. We bitch about oil spills, but every year we put 100 million tons of plastic into the ocean. That’s worse than the awful oil spill in 2010. I think it’s a matter of educating people and thinking about where we want to go with technology – and what we want to do with it. We could use it in beautiful ways, but I think it’s natural for us to want immediate gratification.
Are there any positive aspects to advances in technology?
BRIDGES: What are the good things about technology? Like most things in life, technology is a double-edged sword. When we made the first TRON movie, there was no internet. Now, it’s a huge part of our everyday lives. The internet gives us the chance to link up and be connected – and that’s a great thing.
Can you survive without the internet?
BRIDGES: Listen, I don’t Tweet. I don’t Facebook. I don’t do any of that stuff. It’s all too much. I have a website and I draw, but that’s about it. I went to the internet because I thought it would be a way to release an album that I created years ago. I can put it out there in the world and then I get messages from people in places like Russia saying, “I dig your thing, man.” That’s exciting. That’s a positive thing that technology can do. That’s a positive link. I’m very happy about that. Very happy indeed.
TRON: LEGACY is Available on Blu-ray 3D, Blu-ray, DVD and Movie Download April 5th!
AN INTERVIEW WITH JEFF BRIDGES FOR TRON: LEGACY
What was your initial reaction when you heard that Disney was interested in making a sequel to TRON?
BRIDGES: There have been rumors of a TRON sequel circulating for many years. The first rumor probably started about 20 years ago, so I gave up on the idea because it never looked like it was going to happen. I guess Disney had the sequel on its back burners and they weren’t satisfied with any of the scripts that turned up over the years, so they waited and waited. I’m very happy they did because they held out to find the right guy to be at the helm: director Joseph Kosinski. I think they really found a terrific leader in Joe, and they also found a terrific script.
What makes Joseph Kosinski a great director?
BRIDGES: It’s always interesting to discover where a director comes from, whether he’s a writer, an actor or whatever. Joe was an architect and to have an architect at the helm of this movie was terrific. He was up to date with all of the modern techniques in special effects and he had a great visual style. He was also terrific with actors and he had great ideas. When this project was presented to me, I thought to myself, ‘This sounds like something I would love to do.’ The first movie tickled the kid in me – and the sequel did exactly the same. I get to play a guy who is sucked inside a computer and I get to play with all of the new toys that we have available to us with modern technology and filmmaking. To be involved with something so cutting edge was extremely exciting to me. I jumped at the chance to sign up.
What did you think of having Garrett Hedlund play Kevin Flynn’s son in the movie?
BRIDGES: Garrett is a great guy. I have three daughters and no sons, but when I look at Garrett, I can see that he could be my son. There’s something about him that reminds me of myself, which is why casting him as my son was perfect. He was a joy to work with and I think he did an amazing job in TRON: Legacy. He’s going to go far.
How does it feel to see people excited about the world of TRON again?
BRIDGES: It feels great. It’s very exciting. I have taken a number of trips to Comic-Con with TRON: Legacy over the last few years and you can really feel the energy of the fans at events like that. They have been really excited about the project. In fact, the fans have been an integral part in getting the TRON world back together. A few years ago, we went to Comic-Con to test a couple of minutes of film with audiences. The director, the production designer and our special effects supervisor joined forces to give audiences a two-minute taste of what the movie might be like if this project could fly and to see if people really wanted to see it. The audience really enjoyed that Disney felt they wanted to make this fantastic world come to life again. Comic-Con was very instrumental in getting this movie made.
What was the most challenging aspect of the film shoot?
BRIDGES: As an actor, I really enjoy costumes, sets and makeup. These elements inform your performance and you learn to count on them. However, a lot of TRON: Legacy was filmed without costumes, without makeup and without sets. When you don’t have these things around you, you’re thrown back to your childhood – to the time when you were a little kid playing in the garden. Back then, you didn’t have a castle and you didn’t have a sword. You had to use a stick as a sword and your castle was a box. It was all in your mind. That’s exactly what we had to do in this movie. We had to play ‘pretend’ because we didn’t have the costumes or the sets or the props. It was fascinating.
Do you ask a lot of questions when you work on a film set in an alternate universe with its own rules?
BRIDGES: Oh, sure. I ask a lot of questions with whatever film I’m working on – and the director is always the guy to go to.
What kind of questions did you ask about TRON: Legacy?
BRIDGES: Joe Kosinski was very inclusive because he allowed me into the writing process and the development of the story. I was interested in creating a modern myth, so I didn’t want the movie to just be about design and the battles. I wanted the movie to have something to say and I wanted the story to be enthralling and captivating.
What appealed to you the most in the movie’s script?
BRIDGES: One of the things that drew me to this movie was a chance to be part of creating a modern day myth. Myths are so important for us to help navigate the treacherous waters of being alive. Each age has its own challenges and I feel that technology is certainly one of ours.
Are you not happy with today’s technology?
BRIDGES: In some ways, technology is wonderful – but there is a darker side to it that we don’t examine as much as we should. We need to think about the ramifications of what we’re doing. We drink water from plastic bottles that we think are biodegradable, but then we discover that they last for hundreds of years. We bitch about oil spills, but every year we put 100 million tons of plastic into the ocean. That’s worse than the awful oil spill in 2010. I think it’s a matter of educating people and thinking about where we want to go with technology – and what we want to do with it. We could use it in beautiful ways, but I think it’s natural for us to want immediate gratification.
Are there any positive aspects to advances in technology?
BRIDGES: What are the good things about technology? Like most things in life, technology is a double-edged sword. When we made the first TRON movie, there was no internet. Now, it’s a huge part of our everyday lives. The internet gives us the chance to link up and be connected – and that’s a great thing.
Can you survive without the internet?
BRIDGES: Listen, I don’t Tweet. I don’t Facebook. I don’t do any of that stuff. It’s all too much. I have a website and I draw, but that’s about it. I went to the internet because I thought it would be a way to release an album that I created years ago. I can put it out there in the world and then I get messages from people in places like Russia saying, “I dig your thing, man.” That’s exciting. That’s a positive thing that technology can do. That’s a positive link. I’m very happy about that. Very happy indeed.
TRON: LEGACY is Available on Blu-ray 3D, Blu-ray, DVD and Movie Download April 5th!
New People Screens "Mobile Suit Gundam UC" Ahead of Blu-ray Release
NEW PEOPLE BRINGS EPIC SCI-FI ROBOT ANIME TO THE BAY AREA WITH WEEKEND SCREENING OF MOBILE SUIT GUNDAM UC (UNICORN)
Latest Gundam UC Blu-Ray Discs Also For Sale Ahead Of General Release Date In The NEW PEOPLE Store For Special Discounted Price
NEW PEOPLE, the nation’s only entertainment complex dedicated to Japanese popular culture, brings the latest chapter of the venerable Gundam saga to the Bay Area for an exclusive series of weekend screenings. Prepare for big screen sci-fi action and impressively designed mobile suits with the premiere of the 3-episode Gundam UC (Unicorn) anime series throughout the weekend of Saturday April 2nd and Sunday April 3rd.
The cinema will present both subtitled and dubbed versions of the series on each day. Tickets for Mobile Suit Gundam UC (Unicorn) are $8.00 for Episode 1 and $10.00 each for Episodes 2 and 3. Special combo tickets are available for $26.00 online or from the NEW PEOPLE box office for all 3 Episodes in any combination over the weekend. Tickets, trailers and more details are available at: http://www.newpeopleworld.com/films
Advance copies of Mobile Suit Gundam UC (Unicorn) on Blu-ray, distributed by Bandai Entertainment, Inc., will also be on sale (on April 2-3 only) for a discounted price in the NEW PEOPLE retail store – ahead of the series’ April 7th general release.
Vol. 1: Special discounted price - $44.98 (Suggested Normal Retail Price $49.98)
Vol. 2: Special discounted price - $49.98 (Suggested Normal Retail Price $59.98)
Vol. 3: Special discounted price - $49.98 (Suggested Normal Retail Price $59.98)
U.C. (Universal Century) 0001…
A New Era is about to begin with the announcement that the settlement of space has commenced. But as the calendar change ceremony is in progress, the space station Laplace, official residence of the Earth Federation prime minister, is shattered by a terrorist bombing.
A young man named Syam, who joined the terrorists because of poverty, is caught in the explosion of Laplace and discovers something amid the wreckage. This is the forbidden box that will later be known as Laplace’s Box. Laplace’s Box is never to be opened. There are few who even know what it is. The secret of the box continues to sleep with Syam...
U.C. 0096…
The manufacturing colony Industrial 7, which is still under construction, floats at Lagrange point 1.
A youth named Banagher Links, who grew up without knowing his father, meets a mysterious girl who has stowed away on a ship bound for Industrial 7. As the white mobile suit Unicorn undergoes repeated tests and becomes the subject of diverse speculations, the hands of time begin to move. Banagher does not yet know that he has been caught up in the conflict surrounding Laplace’s Box.
What is Laplace’s Box?
What secret does it contain?
The hundred-year curse of the Universal Century is about to be resolved.
Mobile Suit Gundam UC (Unicorn) Screening Schedule:
Saturday, April 2nd:
Episode 1 (Subtitles) - 1:00pm $8.00
Episode 2 (Subtitles) - 2:30pm $10.00
Episode 3 (Subtitles) - 4:00pm $10.00
Episode 1 (Dubbed) - 5:30pm $8.00
Episode 2 (Dubbed) - 7:00pm $10.00
Episode 3 (Dubbed) - 8:30pm $10.00
Sunday, April 3rd:
Episode 1 (Dubbed) - 1:00pm $8.00
Episode 2 (Dubbed) - 2:30pm $10.00
Episode 3 (Dubbed) - 4:00pm $10.00
Episode 1 (Subtitles) - 5:30pm $8.00
Episode 2 (Subtitles) - 7:00pm $10.00
Episode 3 (Subtitles) - 8:30pm $10.00
NEW PEOPLE features the nation’s only movie theatre devoted to Japanese film and anime. The 143-seat subterranean theatre is located inside NEW PEOPLE at 1746 Post Street in San Francisco’s Japantown and features plush seating, digital as well as 35mm projection, and a THX®-certified sound system.
About NEW PEOPLE, Inc.
Based in San Francisco, California, NEW PEOPLE, Inc. (www.newpeopleworld.com) offers the latest films, art, fashion and retail brands from Japan through its unique entertainment destination as well as through licensing and distribution of selective Japanese films. NEW PEOPLE Entertainment (www.newpeopleent.com), a film division of NEW PEOPLE, Inc. strives to offer the most entertaining motion pictures straight from the "Kingdom of Pop" for audiences of all ages, especially the manga and anime generation, in North America. Some titles include DEATH NOTE, GANTZ, KAMIKAZE GIRLS, and THE TASTE OF TEA.
April 2011 Brings Negromancer Showers
Welcome to Negromancer, the rebirth of my former movie review website as a movie review and movie news blog. I’m Leroy Douresseaux, and I also blog at http://ireadsyou.blogspot.com/ and write for the Comic Book Bin (which has smart phones apps). Thank you for visiting.
All images and text appearing on this blog are © copyright and/or trademark their respective owners.
All images and text appearing on this blog are © copyright and/or trademark their respective owners.
Thursday, March 31, 2011
Brian de Palma's "Scarface" on Blu-ray in September 2011
THE POP CULTURE PHENOMENON THAT REDEFINED THE GANGSTER GENRE COMES TO BLU-RAYTM FOR THE FIRST TIME EVER SEPTEMBER 6, 2011
SCARFACE
Special Limited Edition Blu-Ray TM Kicks-Off with a National Fan Art Contest & Will Feature Collectible Packaging, New Bonus Content and Digital Copy
Plus the Ultimate Fan Gift: A Limited-Run Scarface-Themed Humidor Specially Crafted by the Renowned Daniel Marshall
Universal City, California, March 24, 2011—With machine guns blazing, the explosive underworld epic Scarface arrives on Blu-ray TM Hi-Def September 6, 2011 from Universal Studios Home Entertainment.
Considered one of the most influential gangster films ever made, Scarface’s gritty depiction of Tony Montana’s lethal ambition has made it a cultural touchstone that spans generations. Now, fans can experience the film’s raw power in the newly restored, high-resolution, high-definition picture and explosive 7.1 audio for the first time ever. Exclusive new bonus content created especially for this release reveals the film’s iconic legacy as one of the greatest crime sagas of all time. For a limited time only, Scarface Special Limited Edition Blu-rayTM comes with collectible SteelBookTM packaging, ten exclusive art cards, a digital copy of the film and a DVD of the original 1932 Scarface, making it a must-own addition to every film fan’s library. And, for the ultimate collector and cigar enthusiast, an elegantly hand-crafted Scarface-themed humidor will be made available in an exclusive, never-before-available, limited edition. Created by the renowned Daniel Marshall, the humidor’s exterior is hand painted and polished with the Marshall’s trademark “1000 coat brilliant finish.” The interior – made with untreated Spanish cedar – will properly condition and age approximately 100 cigars at optimal humidity levels. Limited to 1,000 worldwide, each individually numbered humidor comes embellished with custom medallions inspired by the iconic film and includes a certificate of authenticity.
“Nearly 30 years after it first exploded onto the screen, Scarface stands as a cultural icon with a passionate and growing fan base that continues to exert an enduring influence on not just moviemakers but artists across the entire pop-culture landscape,” said Craig Kornblau, President of Universal Studios Home Entertainment. “Now, for the first time ever, fans of this jewel in the Universal crown can enjoy Scarface with the spectacular picture and sound quality that only Blu-rayTM provides.”
A masterful collaboration between acclaimed director Brian de Palma (The Untouchables, Carlito’s Way) and Academy Award®-winning screenwriter Oliver Stone (Wall Street: Money Never Sleeps, Platoon), Scarface features extraordinary performances from a powerhouse cast that includes Academy Award® winner Al Pacino (The Godfather), Academy Award® nominee Michelle Pfeiffer (The Fabulous Baker Boys, Hairspray), Academy Award® nominee Mary Elizabeth Mastrantonio (The Color of Money, The Perfect Storm), Academy Award® nominee Robert Loggia (Jagged Edge) and Steven Bauer (Traffic). The film was nominated for three Golden Globe® Awards (including Best Actor, Best Supporting Actor and Best Original Score), and was named one of the Top 10 Gangster Films of All Time by the American Film Institute.
NATIONAL FAN ART CONTEST
To celebrate the film’s Blu-rayTM debut, fans will have a once-in-a-lifetime opportunity to design Scarface-inspired artwork using classic Tony Montana images from the film. Universal will select the Top 25 submissions based on creativity, originality, quality of composition/design and utilization of the Scarface theme. Fans will vote on their favorite 10 submissions which will then be featured as exclusive art cards in the Scarface Limited Edition Blu-rayTM. The designer who garners the highest number of fan votes will become the Grand Prize winner, and will have their art featured on both the art card and on a high-profile billboard in a major US city to promote the release.
For more information on how to enter the fan art contest and to be among the first to hear future exciting, exclusive announcements about Scarface on Blu-rayTM, join over 3.6 million fans on Facebook and visit www.facebook.com/scarfacethemovie.
BONUS FEATURES
· The Scarface Phenomenon— This all-new documentary presents Scarface as a unique phenomenon in cinema history. It explores how a film plagued by controversy leading up to its release has become a Hollywood classic, influencing a whole new generation of filmmakers and leaving a lasting imprint on popular culture.
· Deleted Scenes
· The World of Tony Montana —Experience the world of the ultimate gangster and hear from experts on the real world violence, fear and paranoia that surrounds a drug lord.
· The Rebirth —Director Brian De Palma, producer Martin Bregman, actor Al Pacino, and screenwriter Oliver Stone revisit the history of Scarface, from the inspiration of the original Howard Hawks classic to the evolution of the script.
· The Acting — Join the filmmakers, Al Pacino and Steven Bauer to discover how each of the roles was cast and how Brian De Palma worked with his actors to get unforgettable performances.
· The Creating — A fascinating, controversial and definitive journey through the making of the film, which began with the production being forced to leave its initial location in Florida. Discover how the chainsaw scene was filmed, learn about the production design, the photography, and the struggle to get the film an “R” rating.
· Scarface: The TV Version—A revealing and hilarious montage of film clips comparing the theatrical version to the network television version of Scarface.
· The Making of Scarface: The Video Game: Immerse yourself in the world of Scarface in this behind-the-scenes look at the creation of the video game.
· U-CONTROL FEATURES ON THIS BLU-RAY DISC:
· Scarface Scoreboard—Watch Scarface like never before. Keep track of the number of times the “F” word is used and monitor the bullets fired!
· Picture in Picture—Access interview footage of Brian De Palma, Al Pacino, Screenwriter Oliver Stone, and others without interruption to the movie experience. Also featured is a scene comparison between the 1983 version of Scarface and Howard Hawks’ original film.
· BD-LIVE™—Access the BD-Live™ Center through your Internet-connected player to get even more content, watch the latest trailers and more.
· pocket BLU™ app— USHE’s groundbreaking pocket BLU™ app uses iPhone™, iPad™, iPod® touch, Smartphone, Android™, PC and Macintosh to work seamlessly with a network-connected Blu-ray™ player and offers advanced features such as:
o Advanced Remote Control: A sleek, elegant new way to operate your Blu-ray™ player. Users can navigate through menus, playback and BD-Live™ functions with ease.
o Video Timeline: Users can easily bring up the video timeline, allowing them to instantly access any point in the movie.
o Mobile-To-Go: Users can unlock a selection of bonus content with their Blu-ray™ discs to save to mobile devices or to stream from anywhere there’s a Wi-Fi network, enabling them to enjoy exclusive content on the go, anytime, anywhere.
o Keyboard: Enter data into a Blu-ray™ player with your device’s easy and intuitive keyboard to facilitate such Blu-ray™ features as chatting with friends and sending messages.
SYNOPSIS
In the spring of 1980, the Mariel boatlift brought thousands of Cuban refugees to the sun-washed avenues of Miami in search of the American dream. From acclaimed director Brian DePalma, Scarface is the rags-to-riches story of Tony Montana (Al Pacino), who finds wealth, power and passion beyond his wildest dreams…at a price he never imagined. Tony Montana’s meteoric rise, lavish life and soul-destroying fall anchor an epic film that inspired a worldwide following. Pacino is at his most memorable as Montana, blasting his way to the top of Miami’s drug underworld in a bravura performance.
Technical Information
Street Date: September 6, 2011
Rating: R
Running Time: 2 Hours 50 Minutes
Number of Layers: BD-50
Aspect Ratio: 2.35:1
Technical Info: English DTS-HD Master Audio 7.1/DTS Surround 2.0, French DTS Surround 2.0 Mono, Spanish DTS Surround 2.0 Mono
Languages: English SDH, French and Spanish subtitles
Gift Set SRP: $999.99
NBCUniversal is one of the world’s leading media and entertainment companies in the development, production and marketing of entertainment, news and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment television networks, a premier motion picture company, significant television production operations, a leading television stations group and world-renowned theme parks. Comcast Corporation owns a controlling 51% interest in NBCUniversal, with GE holding a 49% stake.
SCARFACE
Special Limited Edition Blu-Ray TM Kicks-Off with a National Fan Art Contest & Will Feature Collectible Packaging, New Bonus Content and Digital Copy
Plus the Ultimate Fan Gift: A Limited-Run Scarface-Themed Humidor Specially Crafted by the Renowned Daniel Marshall
Universal City, California, March 24, 2011—With machine guns blazing, the explosive underworld epic Scarface arrives on Blu-ray TM Hi-Def September 6, 2011 from Universal Studios Home Entertainment.
Considered one of the most influential gangster films ever made, Scarface’s gritty depiction of Tony Montana’s lethal ambition has made it a cultural touchstone that spans generations. Now, fans can experience the film’s raw power in the newly restored, high-resolution, high-definition picture and explosive 7.1 audio for the first time ever. Exclusive new bonus content created especially for this release reveals the film’s iconic legacy as one of the greatest crime sagas of all time. For a limited time only, Scarface Special Limited Edition Blu-rayTM comes with collectible SteelBookTM packaging, ten exclusive art cards, a digital copy of the film and a DVD of the original 1932 Scarface, making it a must-own addition to every film fan’s library. And, for the ultimate collector and cigar enthusiast, an elegantly hand-crafted Scarface-themed humidor will be made available in an exclusive, never-before-available, limited edition. Created by the renowned Daniel Marshall, the humidor’s exterior is hand painted and polished with the Marshall’s trademark “1000 coat brilliant finish.” The interior – made with untreated Spanish cedar – will properly condition and age approximately 100 cigars at optimal humidity levels. Limited to 1,000 worldwide, each individually numbered humidor comes embellished with custom medallions inspired by the iconic film and includes a certificate of authenticity.
“Nearly 30 years after it first exploded onto the screen, Scarface stands as a cultural icon with a passionate and growing fan base that continues to exert an enduring influence on not just moviemakers but artists across the entire pop-culture landscape,” said Craig Kornblau, President of Universal Studios Home Entertainment. “Now, for the first time ever, fans of this jewel in the Universal crown can enjoy Scarface with the spectacular picture and sound quality that only Blu-rayTM provides.”
A masterful collaboration between acclaimed director Brian de Palma (The Untouchables, Carlito’s Way) and Academy Award®-winning screenwriter Oliver Stone (Wall Street: Money Never Sleeps, Platoon), Scarface features extraordinary performances from a powerhouse cast that includes Academy Award® winner Al Pacino (The Godfather), Academy Award® nominee Michelle Pfeiffer (The Fabulous Baker Boys, Hairspray), Academy Award® nominee Mary Elizabeth Mastrantonio (The Color of Money, The Perfect Storm), Academy Award® nominee Robert Loggia (Jagged Edge) and Steven Bauer (Traffic). The film was nominated for three Golden Globe® Awards (including Best Actor, Best Supporting Actor and Best Original Score), and was named one of the Top 10 Gangster Films of All Time by the American Film Institute.
NATIONAL FAN ART CONTEST
To celebrate the film’s Blu-rayTM debut, fans will have a once-in-a-lifetime opportunity to design Scarface-inspired artwork using classic Tony Montana images from the film. Universal will select the Top 25 submissions based on creativity, originality, quality of composition/design and utilization of the Scarface theme. Fans will vote on their favorite 10 submissions which will then be featured as exclusive art cards in the Scarface Limited Edition Blu-rayTM. The designer who garners the highest number of fan votes will become the Grand Prize winner, and will have their art featured on both the art card and on a high-profile billboard in a major US city to promote the release.
For more information on how to enter the fan art contest and to be among the first to hear future exciting, exclusive announcements about Scarface on Blu-rayTM, join over 3.6 million fans on Facebook and visit www.facebook.com/scarfacethemovie.
BONUS FEATURES
· The Scarface Phenomenon— This all-new documentary presents Scarface as a unique phenomenon in cinema history. It explores how a film plagued by controversy leading up to its release has become a Hollywood classic, influencing a whole new generation of filmmakers and leaving a lasting imprint on popular culture.
· Deleted Scenes
· The World of Tony Montana —Experience the world of the ultimate gangster and hear from experts on the real world violence, fear and paranoia that surrounds a drug lord.
· The Rebirth —Director Brian De Palma, producer Martin Bregman, actor Al Pacino, and screenwriter Oliver Stone revisit the history of Scarface, from the inspiration of the original Howard Hawks classic to the evolution of the script.
· The Acting — Join the filmmakers, Al Pacino and Steven Bauer to discover how each of the roles was cast and how Brian De Palma worked with his actors to get unforgettable performances.
· The Creating — A fascinating, controversial and definitive journey through the making of the film, which began with the production being forced to leave its initial location in Florida. Discover how the chainsaw scene was filmed, learn about the production design, the photography, and the struggle to get the film an “R” rating.
· Scarface: The TV Version—A revealing and hilarious montage of film clips comparing the theatrical version to the network television version of Scarface.
· The Making of Scarface: The Video Game: Immerse yourself in the world of Scarface in this behind-the-scenes look at the creation of the video game.
· U-CONTROL FEATURES ON THIS BLU-RAY DISC:
· Scarface Scoreboard—Watch Scarface like never before. Keep track of the number of times the “F” word is used and monitor the bullets fired!
· Picture in Picture—Access interview footage of Brian De Palma, Al Pacino, Screenwriter Oliver Stone, and others without interruption to the movie experience. Also featured is a scene comparison between the 1983 version of Scarface and Howard Hawks’ original film.
· BD-LIVE™—Access the BD-Live™ Center through your Internet-connected player to get even more content, watch the latest trailers and more.
· pocket BLU™ app— USHE’s groundbreaking pocket BLU™ app uses iPhone™, iPad™, iPod® touch, Smartphone, Android™, PC and Macintosh to work seamlessly with a network-connected Blu-ray™ player and offers advanced features such as:
o Advanced Remote Control: A sleek, elegant new way to operate your Blu-ray™ player. Users can navigate through menus, playback and BD-Live™ functions with ease.
o Video Timeline: Users can easily bring up the video timeline, allowing them to instantly access any point in the movie.
o Mobile-To-Go: Users can unlock a selection of bonus content with their Blu-ray™ discs to save to mobile devices or to stream from anywhere there’s a Wi-Fi network, enabling them to enjoy exclusive content on the go, anytime, anywhere.
o Keyboard: Enter data into a Blu-ray™ player with your device’s easy and intuitive keyboard to facilitate such Blu-ray™ features as chatting with friends and sending messages.
SYNOPSIS
In the spring of 1980, the Mariel boatlift brought thousands of Cuban refugees to the sun-washed avenues of Miami in search of the American dream. From acclaimed director Brian DePalma, Scarface is the rags-to-riches story of Tony Montana (Al Pacino), who finds wealth, power and passion beyond his wildest dreams…at a price he never imagined. Tony Montana’s meteoric rise, lavish life and soul-destroying fall anchor an epic film that inspired a worldwide following. Pacino is at his most memorable as Montana, blasting his way to the top of Miami’s drug underworld in a bravura performance.
Technical Information
Street Date: September 6, 2011
Rating: R
Running Time: 2 Hours 50 Minutes
Number of Layers: BD-50
Aspect Ratio: 2.35:1
Technical Info: English DTS-HD Master Audio 7.1/DTS Surround 2.0, French DTS Surround 2.0 Mono, Spanish DTS Surround 2.0 Mono
Languages: English SDH, French and Spanish subtitles
Gift Set SRP: $999.99
NBCUniversal is one of the world’s leading media and entertainment companies in the development, production and marketing of entertainment, news and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment television networks, a premier motion picture company, significant television production operations, a leading television stations group and world-renowned theme parks. Comcast Corporation owns a controlling 51% interest in NBCUniversal, with GE holding a 49% stake.
Melissa Rosenberg to Adapt "Earthseed" for Paramount Pictures
PARAMOUNT PICTURES OPTIONS EARTHSEED
HOLLYWOOD, CA (March 29, 2011) – Paramount Pictures Film Group President Adam Goodman today announced that the studio has optioned the novel EARTHSEED, with Melissa Rosenberg (“Twilight,” “Dexter,” “Highlander”) attached to pen the script and produce through her Tall Girls Productions.
Set in the future, Earthseed, written in 1983 by Pamela Sargent, was the first book in the young adult trilogy that also included Farseed, published in 2007, and Seed Seeker, published in 2010. The plot centers around a group of teenagers who have been born without traditional parents from the genetic bank of a spaceship. Earthseed is a Tor Book, Published by Tom Doherty Associates, LLC.
“Ever since I was a kid, it’s been a goal of mine to see EARTHSEED get to the screen in an awesome way. To have Melissa Rosenberg and her Tall Girls company writing and producing this material is truly a dream. There is no better voice for this material, in fact I just want to see the movie now!!!” Said Goodman.
Said Rosenberg: “EARTHSEED is an incredibly compelling world and I'm excited to dive into it. The film’s premise easily lends itself to an exciting franchise with plenty of room for invention and humor. I’m drawn to complex female characters in compelling high concept stories, and this is the perfect first movie for me to produce under my Tall Girls Productions banner.”
Rosenberg has scripted all five Twilight films and is currently writing “Highlander” for Summit. She is also actively developing “AKA Jessica Jones” for ABC and has spent four years as producer and head writer on Showtime’s “Dexter.” She is repped by UTA and 3 Arts Management.
About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NYSE: VIA, VIA.B), a leading content company with prominent and respected film, television and digital entertainment brands. The company's labels include Paramount Pictures, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films and Nickelodeon Movies. PPC operations also include Paramount Digital Entertainment, Paramount Famous Productions, Paramount Home Entertainment, Paramount Pictures International, Paramount Licensing Inc., Paramount Studio Group and Paramount Television & Digital Distribution.
HOLLYWOOD, CA (March 29, 2011) – Paramount Pictures Film Group President Adam Goodman today announced that the studio has optioned the novel EARTHSEED, with Melissa Rosenberg (“Twilight,” “Dexter,” “Highlander”) attached to pen the script and produce through her Tall Girls Productions.
Set in the future, Earthseed, written in 1983 by Pamela Sargent, was the first book in the young adult trilogy that also included Farseed, published in 2007, and Seed Seeker, published in 2010. The plot centers around a group of teenagers who have been born without traditional parents from the genetic bank of a spaceship. Earthseed is a Tor Book, Published by Tom Doherty Associates, LLC.
“Ever since I was a kid, it’s been a goal of mine to see EARTHSEED get to the screen in an awesome way. To have Melissa Rosenberg and her Tall Girls company writing and producing this material is truly a dream. There is no better voice for this material, in fact I just want to see the movie now!!!” Said Goodman.
Said Rosenberg: “EARTHSEED is an incredibly compelling world and I'm excited to dive into it. The film’s premise easily lends itself to an exciting franchise with plenty of room for invention and humor. I’m drawn to complex female characters in compelling high concept stories, and this is the perfect first movie for me to produce under my Tall Girls Productions banner.”
Rosenberg has scripted all five Twilight films and is currently writing “Highlander” for Summit. She is also actively developing “AKA Jessica Jones” for ABC and has spent four years as producer and head writer on Showtime’s “Dexter.” She is repped by UTA and 3 Arts Management.
About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NYSE: VIA, VIA.B), a leading content company with prominent and respected film, television and digital entertainment brands. The company's labels include Paramount Pictures, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films and Nickelodeon Movies. PPC operations also include Paramount Digital Entertainment, Paramount Famous Productions, Paramount Home Entertainment, Paramount Pictures International, Paramount Licensing Inc., Paramount Studio Group and Paramount Television & Digital Distribution.
Wednesday, March 30, 2011
Review: "Due Date" is Good Product
TRASH IN MY EYE No. 28 (of 2011) by Leroy Douresseaux
Due Date (2010)
Running time: 95 minutes (1 hour, 35 minutes)
MPAA – R language, drug use and sexual content
DIRECTOR: Todd Phillips
WRITERS: Alan R. Cohen, Alan Freedland, Adam Sztykiel, and Todd Phillips; from a story by Alan R. Cohen and Alan Freedland
PRODUCERS: Daniel Goldberg and Todd Phillips
CINEMATOGRAPHER: Lawrence Sher
EDITOR: Debra Neil-Fisher
COMPOSER: Christophe Beck
COMEDY
Starring: Robert Downey, Jr., Zach Galifianakis, Michelle Monaghan, Jamie Foxx, Juliette Lewis, Danny McBride, and RZA
Due Date is a comedy and road movie from Todd Phillips, the director of The Hangover. It is the story of a high-strung father-to-be forced to hitch a ride with an oddball wannabe actor if he wants to make it to the birth of his first child on time. While it isn’t nearly as funny or as outrageous as The Hangover, Due Date is entertaining and offers some pretty hysterical moments of its own.
Architect Peter Highman (Robert Downey Jr.) is on his way home from Atlanta to Los Angeles when he has an unpleasant encounter with another flyer, aspiring actor Ethan Tremblay (Zach Galifianakis), who is also going to L.A. Peter and Ethan’s meeting ends up with Peter being placed on the No Fly List. Desperate to get home for the impending birth of his child, Peter is forced to accept Ethan’s offer to hitch a ride with him and his dog, Sonny, cross-country. Thus begins a road trip to hell – the most agonizing, frustrating, terrifying, and physically painful journey of Peter’s life.
Due Date reminded me of another comedy road movie featuring a mismatched pair, Plains, Trains, and Automobiles (1987), the surprisingly poignant film starring Steve Martin and the late John Candy and directed by the late John Hughes. Due Date does have oddly touching moments, but the film really doesn’t deliver on the talents of the people involved, especially Downey, Galifianakis, and director Todd Phillips. It is a mixed bag. Sometimes, it is an action movie; other times, it is a raunchy comedy, and a few times, the film throws out some emotional moments. Due Date is funny, but for the most part, it just feels like big time Hollywood product. It entertains, delivering with the same reliability of an unspectacular Big Mac. Due Date is just average.
5 of 10
B-
Wednesday, March 30, 2011
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Review: Crazy "Old School" Ultimately Plays it Safe
TRASH IN MY EYE No. 119 (of 2003) by Leroy Douresseaux
Old School (2003)
Running time: 91 minutes (1 hour, 31 minutes)
MPAA – R for some strong sexual content, nudity and language
DIRECTOR: Todd Phillips
WRITERS: Scot Armstrong and Todd Phillips, from a story by Court Crandall and Scot Armstrong and Todd Phillips
PRODUCERS: Daniel Goldberg, Joe Medjuck, and Todd Phillips
CINEMATOGRAPHER: Mark Irwin (D.o.P.)
EDITOR: Michael Jablow
COMEDY
Starring: Luke Wilson, Will Ferrell, Vince Vaughn, Ellen Pompeo, Juliette Lewis, Leah Remini, Craig Kilborn, Jeremy Piven, Seann William Scott, Matt Walsh, and Artie Lange
When Mitch Martin (Luke Wilson) discovers that his girlfriend (Juliette Lewis) participates in group sex, it shatters his life. Under the guise of helping Mitch, his friends Bernard “Beanie” Campbell (Vince Vaughn) and Frank Ricard (Will Ferrell) hatch an idea to start their own fraternity so that they can relive the wild lives they lost when they got married. Of course, Martin reluctantly allows them to use his new house (conveniently located near a college campus) to stage their hijinks. It might be a bad idea for a number of reasons (and a good idea for a movie), not the least of which is that Mitch has his eyes on Nicole (Ellen Pompeo). Mitch had a high school crush on Nicole; she’s attracted to him, but finds their sorority boy activities immature.
Old School is very funny, and I laughed in spite of how dumb this movie is. It would have been even funnier if the movie hadn’t sold out in the end. The kind of guys that go to see a movie like this want the full raunchiness, but this movie plays it safe. By the end of the film, the horny thirty-somethings all return (for the most part) to their domestic tranquility without a notch on their belts to show for their wild times. I know that a lot of (stupid) people feel that movies should validate the American bourgeois’ value system, but this is a frickin’ comedy, and a lowbrow comedy at that, so all bets are off. Let there be no sacred cows; let the husbands screw around on their wives. This isn’t supposed to be smart and life affirming. If it were supposed to be intelligent, Old School wouldn’t have as a character one of the most tired stereotypes of film comedies set on college campuses, the evil dean of students (Jeremy Piven).
The scene I most anticipated was the one in which Vince Vaughn’s Beanie Campbell, who so wants to have sex with a co-ed, in spite of his alleged devotion to his wife and two young boys, would finally get a young lass alone with him in his room. What does Beanie do when he gets time with a co-ed? He chickens out, although the girl is quite willing. Still, a film like this is supposed to provide the yucks and lots of vicarious thrills. Beanie should have screwed her brains out. In fact, after that scene, the Beanie character loses all the intensity he had early in the film. Even Luke Wilson’s Mitch commits to a “serious relationship” by film’s end (in a very pat and neatly wrapped dénouement).
I recommend Old School for its many moments of awesome hilarity, but I pity the filmmakers for their lack of balls. This could and should have been so much funnier, so much more rebellious, and so much more subversive.
5 of 10
B-
-------------------
Tuesday, March 29, 2011
Amy Adams is the New Lois Lane
AMY ADAMS TO STAR AS LOIS LANE IN THE NEW SUPERMAN MOVIE FROM WARNER BROS. PICTURES AND LEGENDARY PICTURES
BURBANK, CA, March 27, 2011 — Warner Bros. Pictures and Legendary Pictures announced today that Amy Adams will star in the coveted role of Lois Lane in the new Zack Snyder-directed feature film.
Snyder remarked, "Second only to Superman himself, the question of who will play Lois Lane is arguably what fans have been most curious about. So we are excited to announce the casting of Amy Adams, one of the most versatile and respected actresses in films today. Amy has the talent to capture all of the qualities we love about Lois: smart, tough, funny, warm, ambitious and, of course, beautiful."
Amy Adams will star opposite Henry Cavill, who plays the new Clark Kent/Superman in the film. The main cast also includes Diane Lane and Kevin Costner, as Martha and Jonathan Kent.
Amy Adams was recently honored with her third Oscar® nomination in five years, for her performance in the true-life drama "The Fighter," with Mark Wahlberg and Christian Bale. She previously earned Oscar® nominations for her work in the acclaimed films "Doubt" and "Junebug." She has also starred in such diverse hits as "Enchanted," "Julie and Julia," "Charlie Wilson's War," and "Catch Me If You Can." She will next be seen in Walter Salles' "On the Road" with Viggo Mortensen and "The Muppets."
Charles Roven, Emma Thomas, Christopher Nolan and Deborah Snyder are the producers of the film. The screenplay is being written by David S. Goyer based on a story by Goyer and Nolan. Thomas Tull and Lloyd Phillips are serving as executive producers.
The new Superman movie will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.
BURBANK, CA, March 27, 2011 — Warner Bros. Pictures and Legendary Pictures announced today that Amy Adams will star in the coveted role of Lois Lane in the new Zack Snyder-directed feature film.
Snyder remarked, "Second only to Superman himself, the question of who will play Lois Lane is arguably what fans have been most curious about. So we are excited to announce the casting of Amy Adams, one of the most versatile and respected actresses in films today. Amy has the talent to capture all of the qualities we love about Lois: smart, tough, funny, warm, ambitious and, of course, beautiful."
Amy Adams will star opposite Henry Cavill, who plays the new Clark Kent/Superman in the film. The main cast also includes Diane Lane and Kevin Costner, as Martha and Jonathan Kent.
Amy Adams was recently honored with her third Oscar® nomination in five years, for her performance in the true-life drama "The Fighter," with Mark Wahlberg and Christian Bale. She previously earned Oscar® nominations for her work in the acclaimed films "Doubt" and "Junebug." She has also starred in such diverse hits as "Enchanted," "Julie and Julia," "Charlie Wilson's War," and "Catch Me If You Can." She will next be seen in Walter Salles' "On the Road" with Viggo Mortensen and "The Muppets."
Charles Roven, Emma Thomas, Christopher Nolan and Deborah Snyder are the producers of the film. The screenplay is being written by David S. Goyer based on a story by Goyer and Nolan. Thomas Tull and Lloyd Phillips are serving as executive producers.
The new Superman movie will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.
Monday, March 28, 2011
The Empire Awards Name "Inception" Best Film
The Empire Awards are named for Empire, Britain's best-selling film magazine. The Empire Awards are voted for entirely by the British film-going public. The 2011 Jameson Empire Awards were presented at a ceremony in London, on Sunday, March 27.
2011 Jameson Empire Awards winner:
Best Film presented by Kirin Ichiban – Inception
Best Director presented by Sony – Edgar Wright
Jameson Best Actor – Colin Firth (The King’s Speech)
Best Actress presented by Citroën – Noomi Rapace (The Girl with the Dragon Tattoo)
Best Newcomer – Chloe Moretz (Kick-Ass)
Best Comedy – Four Lions
Best Horror – The Last Exorcism
Best Sci-Fi/Fantasy – Harry Potter and the Deathly Hallows Part 1
Best Thriller – The Girl With The Dragon Tattoo
Best British Film presented by The Industry Trust – Kick-Ass
Empire Inspiration presented by HMV – Edgar Wright
Empire Hero presented by Jameson Irish Whiskey – Keira Knightley
Empire Icon – Gary Oldman
Done in 60 Seconds – 127 Hours by Maeve Stam
2011 Jameson Empire Awards winner:
Best Film presented by Kirin Ichiban – Inception
Best Director presented by Sony – Edgar Wright
Jameson Best Actor – Colin Firth (The King’s Speech)
Best Actress presented by Citroën – Noomi Rapace (The Girl with the Dragon Tattoo)
Best Newcomer – Chloe Moretz (Kick-Ass)
Best Comedy – Four Lions
Best Horror – The Last Exorcism
Best Sci-Fi/Fantasy – Harry Potter and the Deathly Hallows Part 1
Best Thriller – The Girl With The Dragon Tattoo
Best British Film presented by The Industry Trust – Kick-Ass
Empire Inspiration presented by HMV – Edgar Wright
Empire Hero presented by Jameson Irish Whiskey – Keira Knightley
Empire Icon – Gary Oldman
Done in 60 Seconds – 127 Hours by Maeve Stam
Walt Disney's "Tangled" Now on DVD and Blu-ray
TANGLED: Grossing over 400 million dollars in global theatrical sales to date, TANGLED, The Walt Disney Studios blockbuster animated feature that takes a modern twist on the famous hair-raising fable Rapunzel, debuts as the ultimate 4-Disc Disney Blu-ray Combo Pack (3D Blu-ray + Blu-ray + DVD + Digital Copy in a single package) on March 29, 2011.
As the 50th full-length animated feature in The Walt Disney Studios’ celebrated library and the first animated feature film to ever debut day-and-date on Disney Blu-ray 3D, TANGLED’s uniquely packaged home entertainment release ensures that viewers of all ages can enjoy this film on a variety of superior, hi-def media platforms while diving further into the history and quirky details behind the making of this film via amusing and informative bonus features.
Featuring unexpected heroes, magic, laughter and adventure, this animated feature is supported by an amazing cast of voice talents including Mandy Moore (“A Walk To Remember,” “The Princess Diaries”) as Rapunzel, Zachary Levi (TV’s “Chuck,” “Less Than Perfect”) as Flynn Rider, Brad Garrett (TV’s “Everybody Loves Raymond,” “’Til Death”) as Hook Hand Thug, Donna Murphy (“Spider-Man 2,” “The Fountain”) as Mother Gothel, and Ron Perlman (“Hellboy,” “Hellboy II: The Golden Army,” “The City of Lost Children”) as the Stabbington Brothers. From directors Byron Howard (“BOLT”) and Nathan Greno and the award-winning songwriter of “The Little Mermaid” and “Beauty and the Beast,” Alan Menken, TANGLED’s hair-raising adventure keeps viewers entertained throughout with its exciting storyline and memorable melodies.
TANGLED hits store shelves this spring and is available as a 4-Disc Blu-ray Combo Pack (Blu-ray 3D + Blu-ray + DVD + Digital Copy) for the suggested price of $49.99 US/$56.99 Canada, a 2-Disc Blu-ray Combo Pack (Blu-ray + DVD) for $39.99 US/$44.99 Canada and/or a 1-Disc DVD for $29.99 US/$35.99 Canada.
Sunday, March 27, 2011
Review: "Waste Land" Finds Treasure in Trash
TRASH IN MY EYE No. 27 (of 2011) by Leroy Douresseaux
Waste Land (2010)
COUNTRY OF ORIGIN: Brazil, U.K.
Running time: 99 minutes (1 hour, 39 minutes)
DIRECTORS: Lucy Walker with Karen Harley and João Jardim
PRODUCERS: Angus Aynsley and Hank Levine
CINEMATOGRAPHER: Ernesto Herrmann and Dudu Miranda with HeloÃsa Passos (co-D.o.P.)
EDITOR: Pedro Kos
COMPOSER: Moby
Academy Award nominee
DOCUMENTARY
Starring: Vik Muniz, Fabio, and TÃao Santos
Waste Land is an Oscar-nominated documentary that follows an art project initiated by Brazilian contemporary modern artist, Vik Muniz. Waste Land documents the two years in which Muniz joined forces with the “catadores,” the garbage pickers working at Jardim Gramacho. Gramacho is one of the world’s largest landfills, and it serves Rio de Janeiro, Brazil. These pickers dig in the garbage and refuse to find recyclable material, a job for which they are paid $20 to $25 per day.
Muniz guided the pickers in a process in which they used recyclable materials from Gramacho to create large-scale portraits of themselves. These portraits were sold at art auctions in London and were also exhibited at the Museum of Modern Art in São Paulo. Along the way, Waste Land portrays the lives of the garbage pickers and their working conditions.
Waste Land is one of those pure documentaries in which the director (and, in this case, co-directors) point the camera, stand back, and let the magic happen. In that way, something is documented and the subject comes to life. The film depicts Vik Muniz as such an open-hearted and warm individual, so the pickers are drawn to talk to him. Muniz is so encouraging that when he reveals the portraits to his collaborators, the viewer will likely feel the joyful emotions of the pickers.
Best of all is how the film allows the pickers to slowly bring the viewer into their personal lives. Some even open up about their histories and personal tragedies, and the stories are poignant, sad, inspirational, and even beautiful. Waste Land reveals how connected we are and how much more we can be. It says that we can change each other’s lives, and that isn’t always a bad thing. Waste Land is one of the best films you will see all year.
8 of 10
A
NOTES:
2011 Academy Awards: 1 nomination: “Best Documentary, Features” (Lucy Walker and Angus Aynsley)
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Saturday, March 26, 2011
2011 Empire Award Nomination List
The Empire Awards are named for Empire, Britain's best-selling film magazine. The Empire Awards are voted for entirely by the British film-going public.
The 2011 Jameson Empire Awards will be presented at a ceremony at the Grosvenor House Hotel in London, on Sunday, March 27.
Complete list of nominations for the 2011 Jameson Empire Awards:
Best Film
Inception
Kick-Ass
The Social Network
Scott Pilgrim Vs. The World
The King's Speech
Best British Film
127 Hours
The King's Speech
Kick-Ass
Four Lions
Monsters
Best Director
David Fincher (The Social Network)
Chris Nolan (Inception)
Edgar Wright (Scott Pilgrim Vs. The World)
Tom Hooper (The King's Speech)
Matthew Vaughn (Kick-Ass)
Best Actor
Leonardo DiCaprio (Inception)
James Franco (127 Hours)
Colin Firth (The King's Speech)
Jesse Eisenberg (The Social Network)
Aaron Johnson (Kick-Ass)
Best Actress
Natalie Portman (Black Swan)
Noomi Rapace (The Girl With The Dragon Tattoo)
Emma Watson (Harry Potter And The Deathly Hallows: Part 1)
Olivia Williams (The Ghost)
Helena Bonham Carter (The King's Speech)
Best Newcomer
Gareth Edwards (Monsters)
Chloe Moretz (Kick-Ass/Let Me In)
Jaden Smith (The Karate Kid)
Jennifer Lawrence (Winter's Bone)
Mia Wasikowska (Alice In Wonderland)
Best Thriller
The Girl With The Dragon Tattoo
Shutter Island
The Town
Black Swan
127 Hours
Best Horror
Let Me In
A Nightmare On Elm Street
The Last Exorcism
Paranormal Activity 2
The Crazies
Best Comedy
Four Lions
Get Him To The Greek
The Other Guys
Easy A
Toy Story 3
Best Sci-Fi/Fantasy
Inception
Scott Pilgrim Vs. The World
Harry Potter And The Deathly Hallows: Part 1
Kick-Ass
Alice In Wonderland
The 2011 Jameson Empire Awards will be presented at a ceremony at the Grosvenor House Hotel in London, on Sunday, March 27.
Complete list of nominations for the 2011 Jameson Empire Awards:
Best Film
Inception
Kick-Ass
The Social Network
Scott Pilgrim Vs. The World
The King's Speech
Best British Film
127 Hours
The King's Speech
Kick-Ass
Four Lions
Monsters
Best Director
David Fincher (The Social Network)
Chris Nolan (Inception)
Edgar Wright (Scott Pilgrim Vs. The World)
Tom Hooper (The King's Speech)
Matthew Vaughn (Kick-Ass)
Best Actor
Leonardo DiCaprio (Inception)
James Franco (127 Hours)
Colin Firth (The King's Speech)
Jesse Eisenberg (The Social Network)
Aaron Johnson (Kick-Ass)
Best Actress
Natalie Portman (Black Swan)
Noomi Rapace (The Girl With The Dragon Tattoo)
Emma Watson (Harry Potter And The Deathly Hallows: Part 1)
Olivia Williams (The Ghost)
Helena Bonham Carter (The King's Speech)
Best Newcomer
Gareth Edwards (Monsters)
Chloe Moretz (Kick-Ass/Let Me In)
Jaden Smith (The Karate Kid)
Jennifer Lawrence (Winter's Bone)
Mia Wasikowska (Alice In Wonderland)
Best Thriller
The Girl With The Dragon Tattoo
Shutter Island
The Town
Black Swan
127 Hours
Best Horror
Let Me In
A Nightmare On Elm Street
The Last Exorcism
Paranormal Activity 2
The Crazies
Best Comedy
Four Lions
Get Him To The Greek
The Other Guys
Easy A
Toy Story 3
Best Sci-Fi/Fantasy
Inception
Scott Pilgrim Vs. The World
Harry Potter And The Deathly Hallows: Part 1
Kick-Ass
Alice In Wonderland
Review: Excellent Cast Keeps "Little Miss Sunshine" Shining (Happy B'day, Alan Arkin)
TRASH IN MY EYE No. 186 (of 2006) by Leroy Douresseaux
Little Miss Sunshine (2006)
Running time: 101 minutes (1 hour, 41 minutes)
MPAA – R for language, some sex, and drug use
DIRECTORS: Jonathan Dayton and Valerie Faris
WRITER: Michael Arndt
PRODUCERS: Albert Berger, David T. Friendly, Peter Saraf, Marc Turtletaub, and Ron Yerxa
CINEMATOGRAPHER: Tim Suhrstedt
EDITOR: Pamela Martin
Academy Award winner
COMEDY/DRAMA
Starring: Greg Kinnear, Toni Collette, Abigail Breslin, Steve Carell, Paul Dano, and Alan Arkin, Paula Newsome, Dean Norris, and Lauren Shiohama
Seven-year old Olive Hoover’s (Abigail Breslin) deepest wish is to compete in the Little Miss Sunshine pageant in Redondo Beach, CA. Schedules and financial issues compel her parents: her mother Sheryl (Toni Collette) and her father Richard (Greg Kinnear), who is struggling to take his motivational seminar national, to make the trip from their home in New Mexico to California in a VW bus. The trio won’t be alone, though; the rest of her odd clan is coming along on this stressful road trip. That includes her heroin snorting Grandpa (Alan Arkin), her suicidal, gay uncle, Frank (Steve Carell), and her brother, Dwayne (Paul Dano), who has taken a vow of silence until he attains his dream – the Air Force Academy. Along the way, the Hoovers must learn to deal with their broken dreams, heartaches, and the broken-down VW bus. It’s the only way they’ll learn to accept themselves for who they are and to give each other the support that helps to overcome the challenges on the path of life.
Steve Carell’s hit NBC comedy, “The Office” resonates with audiences not because its portrayal of the working life in a corporate office is necessarily real, but because it captures the spirit of absurdity and idiocy that often thrives in the office space. Carell is also part of the ensemble cast of the film, Little Miss Sunshine, and perhaps, this movie resonates with audiences and critics not because it is a realistic portrayal of the nuclear and extended family (though the script does take verisimilitude to the next level). Little Miss Sunshine captures in its spirit the irritation, aggravation, and disappointments of being in a family while simultaneously capturing the essence of what makes being in a family so damn cool when it works right.
This charming little film gets it right from top to bottom – character, plot, setting, and concept. In fact, the Hoovers’ odyssey on that little VW bus and how they have to work together to make it run long enough to get them to the pageant and back is a metaphor for the hard won teamwork that it takes to keep a family in working order and working together – especially when it often seems that by every right it should be broken into hundreds of little pieces. Little Miss Sunshine doesn’t laugh at the family or their drama. Instead, it reveals the creamy inside of the family’s tough exterior through dry humor – the kind the family uses to deal with itself.
Little Miss Sunshine is also a superbly cast film because it has a superb cast. They hit their marks, and they get their moments right. Each actor knows that he or she has scenes scattered throughout the film when it’s up to the individual to not only sell his or her character, but to also sell this movie. From Steve Carell’s Frank having a run-in with a lover who spurned him to Abigail Breslin’s moment to make Olive shine at the pageant, this cast hits a home run or at least gets an extra base hit. It’s hard to find an ensemble cast that outshines them this year.
Little Miss Sunshine sometimes offers pat resolutions, but those are the sweetest pats of butter around. Sometimes, the actors seem too earnest and overact in making their characters weird and troubled. This flick, however, is filled with black humor, and ultimately, its seeming ease at reaching a resolution is hard fought. They show us the dark side of family, but it’s sweet as dark chocolate, and the aftertaste is one we’ll enjoy. Hooray to directors Jonathan Dayton and Valerie Faris who saw the magic in Michael Arndt’s script and spun gold cloth from it, and bravo to the fates for giving us an enchanting cast to bring it all to life.
8 of 10
A
Sunday, August 27, 2006
NOTES:
2007 Academy Awards: 2 wins: “Best Performance by an Actor in a Supporting Role” (Alan Arkin) and “Best Writing, Original Screenplay” (Michael Arndt); 2 nominations: “Best Motion Picture of the Year” (David T. Friendly, Peter Saraf, and Marc Turtletaub) and “Best Performance by an Actress in a Supporting Role” (Abigail Breslin)
2007 BAFTA Awards: 2 wins: “Best Actor in a Supporting Role” (Alan Arkin) and “Best Screenplay – Original” (Michael Arndt); 4 nominations: “Best Actress in a Supporting Role” (Abigail Breslin), “Best Actress in a Supporting Role” (Toni Collette), “Best Film” (Albert Berger, David T. Friendly, and Ron Yerxa), and “David Lean Award for Direction” (Jonathan Dayton and Valerie Faris)
2007 Golden Globes: 2 nominations: “Best Motion Picture - Musical or Comedy” and “Best Performance by an Actress in a Motion Picture - Musical or Comedy” (Toni Collette)
Little Miss Sunshine (2006)
Running time: 101 minutes (1 hour, 41 minutes)
MPAA – R for language, some sex, and drug use
DIRECTORS: Jonathan Dayton and Valerie Faris
WRITER: Michael Arndt
PRODUCERS: Albert Berger, David T. Friendly, Peter Saraf, Marc Turtletaub, and Ron Yerxa
CINEMATOGRAPHER: Tim Suhrstedt
EDITOR: Pamela Martin
Academy Award winner
COMEDY/DRAMA
Starring: Greg Kinnear, Toni Collette, Abigail Breslin, Steve Carell, Paul Dano, and Alan Arkin, Paula Newsome, Dean Norris, and Lauren Shiohama
Seven-year old Olive Hoover’s (Abigail Breslin) deepest wish is to compete in the Little Miss Sunshine pageant in Redondo Beach, CA. Schedules and financial issues compel her parents: her mother Sheryl (Toni Collette) and her father Richard (Greg Kinnear), who is struggling to take his motivational seminar national, to make the trip from their home in New Mexico to California in a VW bus. The trio won’t be alone, though; the rest of her odd clan is coming along on this stressful road trip. That includes her heroin snorting Grandpa (Alan Arkin), her suicidal, gay uncle, Frank (Steve Carell), and her brother, Dwayne (Paul Dano), who has taken a vow of silence until he attains his dream – the Air Force Academy. Along the way, the Hoovers must learn to deal with their broken dreams, heartaches, and the broken-down VW bus. It’s the only way they’ll learn to accept themselves for who they are and to give each other the support that helps to overcome the challenges on the path of life.
Steve Carell’s hit NBC comedy, “The Office” resonates with audiences not because its portrayal of the working life in a corporate office is necessarily real, but because it captures the spirit of absurdity and idiocy that often thrives in the office space. Carell is also part of the ensemble cast of the film, Little Miss Sunshine, and perhaps, this movie resonates with audiences and critics not because it is a realistic portrayal of the nuclear and extended family (though the script does take verisimilitude to the next level). Little Miss Sunshine captures in its spirit the irritation, aggravation, and disappointments of being in a family while simultaneously capturing the essence of what makes being in a family so damn cool when it works right.
This charming little film gets it right from top to bottom – character, plot, setting, and concept. In fact, the Hoovers’ odyssey on that little VW bus and how they have to work together to make it run long enough to get them to the pageant and back is a metaphor for the hard won teamwork that it takes to keep a family in working order and working together – especially when it often seems that by every right it should be broken into hundreds of little pieces. Little Miss Sunshine doesn’t laugh at the family or their drama. Instead, it reveals the creamy inside of the family’s tough exterior through dry humor – the kind the family uses to deal with itself.
Little Miss Sunshine is also a superbly cast film because it has a superb cast. They hit their marks, and they get their moments right. Each actor knows that he or she has scenes scattered throughout the film when it’s up to the individual to not only sell his or her character, but to also sell this movie. From Steve Carell’s Frank having a run-in with a lover who spurned him to Abigail Breslin’s moment to make Olive shine at the pageant, this cast hits a home run or at least gets an extra base hit. It’s hard to find an ensemble cast that outshines them this year.
Little Miss Sunshine sometimes offers pat resolutions, but those are the sweetest pats of butter around. Sometimes, the actors seem too earnest and overact in making their characters weird and troubled. This flick, however, is filled with black humor, and ultimately, its seeming ease at reaching a resolution is hard fought. They show us the dark side of family, but it’s sweet as dark chocolate, and the aftertaste is one we’ll enjoy. Hooray to directors Jonathan Dayton and Valerie Faris who saw the magic in Michael Arndt’s script and spun gold cloth from it, and bravo to the fates for giving us an enchanting cast to bring it all to life.
8 of 10
A
Sunday, August 27, 2006
NOTES:
2007 Academy Awards: 2 wins: “Best Performance by an Actor in a Supporting Role” (Alan Arkin) and “Best Writing, Original Screenplay” (Michael Arndt); 2 nominations: “Best Motion Picture of the Year” (David T. Friendly, Peter Saraf, and Marc Turtletaub) and “Best Performance by an Actress in a Supporting Role” (Abigail Breslin)
2007 BAFTA Awards: 2 wins: “Best Actor in a Supporting Role” (Alan Arkin) and “Best Screenplay – Original” (Michael Arndt); 4 nominations: “Best Actress in a Supporting Role” (Abigail Breslin), “Best Actress in a Supporting Role” (Toni Collette), “Best Film” (Albert Berger, David T. Friendly, and Ron Yerxa), and “David Lean Award for Direction” (Jonathan Dayton and Valerie Faris)
2007 Golden Globes: 2 nominations: “Best Motion Picture - Musical or Comedy” and “Best Performance by an Actress in a Motion Picture - Musical or Comedy” (Toni Collette)
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Friday, March 25, 2011
Review: Wesley Snipes Pumps Little Life into "Game of Death"
TRASH IN MY EYE No. 26 (of 2011) by Leroy Douresseaux
Game of Death (2010)
Running time: 86 minutes (1 hour, 26 minutes)
MPAA – R for violence and language
DIRECTOR: Giorgio Serafini
WRITERS: Jim Agnew and Megan Brown
PRODUCERS: Philippe Martinez, Rafael Primorac, Billy Dietrich
CINEMATOGRAPHER: Erik Curtis
EDITORS: Kevin Budzynski and Todd C. Ramsay
ACTION/THRILLER
Starring: Wesley Snipes, Gary Daniels, Zoe Bell, Robert Davi, Aunjanue Ellis, Quinn Duffy, Michael Maurice, and Ernie Hudson
Wesley Snipes’ latest straight-to-DVD thriller, Game of Death, only received a theatrical release in Japan. Game of Death is such a low budget action flick that it barely looks better than such high-end, television crime dramas as “NCIS: Los Angeles” and the 2010 “Hawaii Five-O.”
Game of Death centers on CIA Agent Marcus Jones (Wesley Snipes). Marcus has been assigned by his company mentor, Dietrich (Michael Maurice), to act as a bodyguard for an arms dealer, Frank Smith (Robert Davi). Smith has ties to the Detroit-based Redvale Corporation and its owner, John Redvale (Quinn Duffy). Marcus’ assignment is to gather intelligence on Smith and Redvale Corp. before taking them down.
The mission is complicated when Smith falls ill shortly after he and Marcus arrive in Detroit. The mission is compromised when a rogue CIA agent, Zander (Gary Daniels), and his team make a move to kidnap Smith at Detroit Receiving Hospital. Now, Marcus fights his way through a wave of assassins and killers, while Rachel (Aunjanue Ellis), a courageous doctor, tries to save Smith’s life.
Although it shares a title with the movie Bruce Lee was filming when he died in 1973, Snipes’ Game of Death is unlikely to become a legend among film fans. It isn’t bad. It’s just a mediocre movie all around, and what isn’t mediocre is amateurish or substandard – the directing and the writing. I watched this because I am a big fan of Wesley Snipes, but even I have to admit that it was not often I found something entertaining, interesting, or engaging about this movie. I forced myself to find something in this movie to like. If you like Wesley Snipes, rent Game of Death. Why? Just because…?
4 of 10
C
Friday, March 25, 2011
Game of Death (2010)
Running time: 86 minutes (1 hour, 26 minutes)
MPAA – R for violence and language
DIRECTOR: Giorgio Serafini
WRITERS: Jim Agnew and Megan Brown
PRODUCERS: Philippe Martinez, Rafael Primorac, Billy Dietrich
CINEMATOGRAPHER: Erik Curtis
EDITORS: Kevin Budzynski and Todd C. Ramsay
ACTION/THRILLER
Starring: Wesley Snipes, Gary Daniels, Zoe Bell, Robert Davi, Aunjanue Ellis, Quinn Duffy, Michael Maurice, and Ernie Hudson
Wesley Snipes’ latest straight-to-DVD thriller, Game of Death, only received a theatrical release in Japan. Game of Death is such a low budget action flick that it barely looks better than such high-end, television crime dramas as “NCIS: Los Angeles” and the 2010 “Hawaii Five-O.”
Game of Death centers on CIA Agent Marcus Jones (Wesley Snipes). Marcus has been assigned by his company mentor, Dietrich (Michael Maurice), to act as a bodyguard for an arms dealer, Frank Smith (Robert Davi). Smith has ties to the Detroit-based Redvale Corporation and its owner, John Redvale (Quinn Duffy). Marcus’ assignment is to gather intelligence on Smith and Redvale Corp. before taking them down.
The mission is complicated when Smith falls ill shortly after he and Marcus arrive in Detroit. The mission is compromised when a rogue CIA agent, Zander (Gary Daniels), and his team make a move to kidnap Smith at Detroit Receiving Hospital. Now, Marcus fights his way through a wave of assassins and killers, while Rachel (Aunjanue Ellis), a courageous doctor, tries to save Smith’s life.
Although it shares a title with the movie Bruce Lee was filming when he died in 1973, Snipes’ Game of Death is unlikely to become a legend among film fans. It isn’t bad. It’s just a mediocre movie all around, and what isn’t mediocre is amateurish or substandard – the directing and the writing. I watched this because I am a big fan of Wesley Snipes, but even I have to admit that it was not often I found something entertaining, interesting, or engaging about this movie. I forced myself to find something in this movie to like. If you like Wesley Snipes, rent Game of Death. Why? Just because…?
4 of 10
C
Friday, March 25, 2011
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Thursday, March 24, 2011
Production Begins on "Clash of the Titans" Sequel
Production on “Clash of the Titans 2” Underway for Warner Bros. Pictures and Legendary Pictures
Stars Sam Worthington, Ralph Fiennes and Liam Neeson Once Again Gods at War
BURBANK, Calif.--(BUSINESS WIRE)--Principal photography has begun on Warner Bros. Pictures’ and Legendary Pictures’ epic action adventure sequel to “Clash of the Titans,” being directed by Jonathan Liebesman (“Battle: Los Angeles”). Returning to star in the film are Sam Worthington (“Avatar”) as Perseus, and Academy Award® nominees Ralph Fiennes (“The English Patient,” the “Harry Potter” films) as Hades and Liam Neeson (“Schindler’s List,” “Unknown”) as Zeus.
A decade after his heroic defeat of the monstrous Kraken, Perseus—the demigod son of Zeus—is attempting to live a quieter life as a village fisherman and the sole parent to his 10-year old son, Helius.
Meanwhile, a struggle for supremacy rages between the gods and the Titans. Dangerously weakened by humanity’s lack of devotion, the gods are losing control of the imprisoned Titans and their ferocious leader, Kronos, father of the long-ruling brothers Zeus, Hades and Poseidon. The triumvirate had overthrown their powerful father long ago, leaving him to rot in the gloomy abyss of Tartarus, a dungeon that lies deep within the cavernous underworld.
Perseus cannot ignore his true calling when Hades, along with Zeus’ godly son, Ares (Edgar RamÃrez), switch loyalty and make a deal with Kronos to capture Zeus. The Titans’ strength grows stronger as Zeus’ remaining godly powers are siphoned, and hell is unleashed on earth.
Enlisting the help of the warrior Queen Andromeda (Rosamund Pike), Poseidon’s demigod son, Argenor (Toby Kebbell), and fallen god Hephaestus (Bill Nighy), Perseus bravely embarks on a treacherous quest into the underworld to rescue Zeus, overthrow the Titans and save mankind.
Jonathan Liebesman directs the film from a screenplay by Dan Mazeau & David Leslie Johnson and Steven Knight, story Greg Berlanti & David Leslie Johnson & Dan Mazeau, based on the 2010 hit “Clash of the Titans” and the 1981 film of the same name, written by the late Beverley Cross.
The film is produced by Basil Iwanyk (“The Town”), who also produced the previous “Clash of the Titans,” and Polly Cohen Johnsen (“Cats & Dogs: The Revenge of Kitty Galore”). The executive producers are Thomas Tull, Jon Jashni, William Fay, Callum McDougall, Kevin De La Noy and Louis Leterrier.
Joining Worthington, Fiennes and Neeson in the international cast are Danny Huston (“Robin Hood”), reprising his role as Poseidon, god of the sea; Edgar RamÃrez (“The Bourne Ultimatum,” TV miniseries “Carlos”) as the traitorous god of war, Ares; Bill Nighy (“Harry Potter and the Deathly Hallows – Part 1”) as Hephaestus, whose twisted, lame figure belies his Olympian origins; Toby Kebbell (“Prince of Persia: The Sands of Time”) as Agenor, imprisoned thief and son of Poseidon who joins Perseus on his journey to Tartarus; and Rosamund Pike (“Barney’s Version”) as Andromeda, the princess whose life Perseus once saved, and who now, as a queen, follows Perseus into battle.
The behind-the-scenes team bringing this mythical epic to life includes director of photography Ben Davis (“The Rite,” “Kick Ass”); production designer Charles Wood (“The Italian Job,” “The A-Team”); Academy Award®-winning editor Martin Walsh (“Chicago,” “V for Vendetta”); and costume designer Jany Temime (the “Harry Potter” films). “Clash of the Titans 2” also reunites several talents from the previous film, including Oscar®-nominated visual effects supervisor Nick Davis (“The Dark Knight,”); Oscar®-nominated prosthetics supervisor Conor O’Sullivan (“The Dark Knight,” “Saving Private Ryan”); and Academy Award®-winning special effects and animatronics supervisor Neil Corbould (“Gladiator”). Also on board are Oscar®-nominated makeup designer Paul Engelen (“Frankenstein,” “Robin Hood”) and hair designer Kevin Alexander (“Robin Hood,” “The Chronicles of Narnia: Prince Caspian”).
“Clash of the Titans 2” will be filming in studios outside London and will later shoot on location in Surrey, South Wales and in the Spanish Canary Islands on the island of Tenerife. The film is currently scheduled for release in March 2012.
A Warner Bros. Pictures presentation, in association with Legendary Pictures, a Thunder Road Film, “Clash of the Titans 2” is being co-produced by Furia de Titanes II, A.I.E. and COTT Productions and will be distributed in 3D and 2D worldwide by Warner Bros. Entertainment Companies.
Stars Sam Worthington, Ralph Fiennes and Liam Neeson Once Again Gods at War
BURBANK, Calif.--(BUSINESS WIRE)--Principal photography has begun on Warner Bros. Pictures’ and Legendary Pictures’ epic action adventure sequel to “Clash of the Titans,” being directed by Jonathan Liebesman (“Battle: Los Angeles”). Returning to star in the film are Sam Worthington (“Avatar”) as Perseus, and Academy Award® nominees Ralph Fiennes (“The English Patient,” the “Harry Potter” films) as Hades and Liam Neeson (“Schindler’s List,” “Unknown”) as Zeus.
A decade after his heroic defeat of the monstrous Kraken, Perseus—the demigod son of Zeus—is attempting to live a quieter life as a village fisherman and the sole parent to his 10-year old son, Helius.
Meanwhile, a struggle for supremacy rages between the gods and the Titans. Dangerously weakened by humanity’s lack of devotion, the gods are losing control of the imprisoned Titans and their ferocious leader, Kronos, father of the long-ruling brothers Zeus, Hades and Poseidon. The triumvirate had overthrown their powerful father long ago, leaving him to rot in the gloomy abyss of Tartarus, a dungeon that lies deep within the cavernous underworld.
Perseus cannot ignore his true calling when Hades, along with Zeus’ godly son, Ares (Edgar RamÃrez), switch loyalty and make a deal with Kronos to capture Zeus. The Titans’ strength grows stronger as Zeus’ remaining godly powers are siphoned, and hell is unleashed on earth.
Enlisting the help of the warrior Queen Andromeda (Rosamund Pike), Poseidon’s demigod son, Argenor (Toby Kebbell), and fallen god Hephaestus (Bill Nighy), Perseus bravely embarks on a treacherous quest into the underworld to rescue Zeus, overthrow the Titans and save mankind.
Jonathan Liebesman directs the film from a screenplay by Dan Mazeau & David Leslie Johnson and Steven Knight, story Greg Berlanti & David Leslie Johnson & Dan Mazeau, based on the 2010 hit “Clash of the Titans” and the 1981 film of the same name, written by the late Beverley Cross.
The film is produced by Basil Iwanyk (“The Town”), who also produced the previous “Clash of the Titans,” and Polly Cohen Johnsen (“Cats & Dogs: The Revenge of Kitty Galore”). The executive producers are Thomas Tull, Jon Jashni, William Fay, Callum McDougall, Kevin De La Noy and Louis Leterrier.
Joining Worthington, Fiennes and Neeson in the international cast are Danny Huston (“Robin Hood”), reprising his role as Poseidon, god of the sea; Edgar RamÃrez (“The Bourne Ultimatum,” TV miniseries “Carlos”) as the traitorous god of war, Ares; Bill Nighy (“Harry Potter and the Deathly Hallows – Part 1”) as Hephaestus, whose twisted, lame figure belies his Olympian origins; Toby Kebbell (“Prince of Persia: The Sands of Time”) as Agenor, imprisoned thief and son of Poseidon who joins Perseus on his journey to Tartarus; and Rosamund Pike (“Barney’s Version”) as Andromeda, the princess whose life Perseus once saved, and who now, as a queen, follows Perseus into battle.
The behind-the-scenes team bringing this mythical epic to life includes director of photography Ben Davis (“The Rite,” “Kick Ass”); production designer Charles Wood (“The Italian Job,” “The A-Team”); Academy Award®-winning editor Martin Walsh (“Chicago,” “V for Vendetta”); and costume designer Jany Temime (the “Harry Potter” films). “Clash of the Titans 2” also reunites several talents from the previous film, including Oscar®-nominated visual effects supervisor Nick Davis (“The Dark Knight,”); Oscar®-nominated prosthetics supervisor Conor O’Sullivan (“The Dark Knight,” “Saving Private Ryan”); and Academy Award®-winning special effects and animatronics supervisor Neil Corbould (“Gladiator”). Also on board are Oscar®-nominated makeup designer Paul Engelen (“Frankenstein,” “Robin Hood”) and hair designer Kevin Alexander (“Robin Hood,” “The Chronicles of Narnia: Prince Caspian”).
“Clash of the Titans 2” will be filming in studios outside London and will later shoot on location in Surrey, South Wales and in the Spanish Canary Islands on the island of Tenerife. The film is currently scheduled for release in March 2012.
A Warner Bros. Pictures presentation, in association with Legendary Pictures, a Thunder Road Film, “Clash of the Titans 2” is being co-produced by Furia de Titanes II, A.I.E. and COTT Productions and will be distributed in 3D and 2D worldwide by Warner Bros. Entertainment Companies.
Review: "Mother and Child" Honest and Real
TRASH IN MY EYE No. 25 (of 2011) by Leroy Douresseaux
Mother and Child (2009/2010)
Running time: 127 minutes (2 hour, 7 minutes)
MPAA – R for sexuality, brief nudity, and language
WRITER/DIRECTOR: Rodrigo GarcÃa
PRODUCERS: Lisa Maria Falcone and Julie Lynn
CINEMATOGRAPHER: Xavier Pérez Grobet (D.o.P.)
EDITOR: Steven Weisberg
Image Award winner
DRAMA
Starring: Naomi Watts, Annette Bening, Kerry Washington, Jimmy Smits, Samuel L. Jackson, S. Epatha Merkerson, Cherry Jones, Elpidia Carrillo, Shareeka Epps, David Morse, Eileen Ryan, Amy Brenneman, and David Ramsey
Mother and Child is an ensemble drama film released in 2010, after premiering at the 2009 Toronto International Film Festival. Focusing on the complications and complexities of motherhood and adoption, the film is poignant, powerful, and even beautiful. It is also sometimes grueling to watch.
Mother and Child opens almost 40 years earlier on a scene in which a 14-year-old girl prepares to have sex with a teen boy. She gets pregnant and later gives up her baby for adoption. 37 years later, we learn that the baby is Elizabeth Joyce (Naomi Watts), a high-powered attorney returning to Los Angeles, the place of her birth. Elizabeth takes a job at a law firm owned by a man named Paul (Samuel L. Jackson). Elizabeth begins an affair with Paul, but this is but one affair of many for a woman who uses her sex appeal to have the upper hand in situations in which she does not have control.
Meanwhile, her birth mother, Karen (Annette Bening), is a 50-something physical therapist still riddled by the guilt of giving up her baby. Although initially resistant, she begins a relationship with Paco (Jimmy Smits), a co-worker who seems to be therapeutic for Karen. At the same time, a small businesswoman, Lucy (Kerry Washington), and her husband, Joseph (David Ramsey), begin the process of adoption. However, the birthmother, a difficult young woman named Ray (Shareeka Epps), interrogates Lucy and seems hostile to Joseph.
Top to bottom, Mother and Child is filled with splendid acting, and there isn’t an actor, regardless of the size of his or her part, who does not deliver the kind of first-class performance that a professional actor should always give. Naomi Watts, Annette Bening, Sam Jackson, and Shareeka Epps give distinctive performances that add both surprising nuance to a film that rages with dark emotions and strong feelings (particularly anger, bitterness, and regret).
Writer and director Rodrigo GarcÃa composed a sumptuous screenplay rich with characters and vivid characterizations. It is Garcia’s directing, however, that is the star here, as he gives his actors the space they need to develop these characters and to deliver on the characters’ promise without slowing the film.
Still, there are moments in Mother and Child that feel contrived and overwrought, as if Garcia doesn’t trust his cast to deliver or his audience to understand his film, which is as spiritual as it is dramatic. Garcia captures how vulnerable people are when they open themselves to relationships, and he accurately depicts the bitterness people feel over perceived betrayals. Sometimes the raw emotions are too much to bear (or watch). As good as this film is, and Mother and Child is exceptionally good, I sometimes got a feeling or a notion that things were a little overdone. But don’t let that keep you from seeing one of 2010’s very best films.
8 of 10
A
NOTES:
2011 Black Reel Awards: 2 nominations: “Best Supporting Actor” (Samuel L. Jackson) and “Best Supporting Actress” (Shareeka Epps)
2011 Image Awards: 1 win: “Outstanding Supporting Actor in a Motion Picture” (Samuel L. Jackson); 2 nominations: “Outstanding Independent Motion Picture” and “Outstanding Writing in a Motion Picture-Theatrical or Television” (Rodrigo GarcÃa)
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Mother and Child (2009/2010)
Running time: 127 minutes (2 hour, 7 minutes)
MPAA – R for sexuality, brief nudity, and language
WRITER/DIRECTOR: Rodrigo GarcÃa
PRODUCERS: Lisa Maria Falcone and Julie Lynn
CINEMATOGRAPHER: Xavier Pérez Grobet (D.o.P.)
EDITOR: Steven Weisberg
Image Award winner
DRAMA
Starring: Naomi Watts, Annette Bening, Kerry Washington, Jimmy Smits, Samuel L. Jackson, S. Epatha Merkerson, Cherry Jones, Elpidia Carrillo, Shareeka Epps, David Morse, Eileen Ryan, Amy Brenneman, and David Ramsey
Mother and Child is an ensemble drama film released in 2010, after premiering at the 2009 Toronto International Film Festival. Focusing on the complications and complexities of motherhood and adoption, the film is poignant, powerful, and even beautiful. It is also sometimes grueling to watch.
Mother and Child opens almost 40 years earlier on a scene in which a 14-year-old girl prepares to have sex with a teen boy. She gets pregnant and later gives up her baby for adoption. 37 years later, we learn that the baby is Elizabeth Joyce (Naomi Watts), a high-powered attorney returning to Los Angeles, the place of her birth. Elizabeth takes a job at a law firm owned by a man named Paul (Samuel L. Jackson). Elizabeth begins an affair with Paul, but this is but one affair of many for a woman who uses her sex appeal to have the upper hand in situations in which she does not have control.
Meanwhile, her birth mother, Karen (Annette Bening), is a 50-something physical therapist still riddled by the guilt of giving up her baby. Although initially resistant, she begins a relationship with Paco (Jimmy Smits), a co-worker who seems to be therapeutic for Karen. At the same time, a small businesswoman, Lucy (Kerry Washington), and her husband, Joseph (David Ramsey), begin the process of adoption. However, the birthmother, a difficult young woman named Ray (Shareeka Epps), interrogates Lucy and seems hostile to Joseph.
Top to bottom, Mother and Child is filled with splendid acting, and there isn’t an actor, regardless of the size of his or her part, who does not deliver the kind of first-class performance that a professional actor should always give. Naomi Watts, Annette Bening, Sam Jackson, and Shareeka Epps give distinctive performances that add both surprising nuance to a film that rages with dark emotions and strong feelings (particularly anger, bitterness, and regret).
Writer and director Rodrigo GarcÃa composed a sumptuous screenplay rich with characters and vivid characterizations. It is Garcia’s directing, however, that is the star here, as he gives his actors the space they need to develop these characters and to deliver on the characters’ promise without slowing the film.
Still, there are moments in Mother and Child that feel contrived and overwrought, as if Garcia doesn’t trust his cast to deliver or his audience to understand his film, which is as spiritual as it is dramatic. Garcia captures how vulnerable people are when they open themselves to relationships, and he accurately depicts the bitterness people feel over perceived betrayals. Sometimes the raw emotions are too much to bear (or watch). As good as this film is, and Mother and Child is exceptionally good, I sometimes got a feeling or a notion that things were a little overdone. But don’t let that keep you from seeing one of 2010’s very best films.
8 of 10
A
NOTES:
2011 Black Reel Awards: 2 nominations: “Best Supporting Actor” (Samuel L. Jackson) and “Best Supporting Actress” (Shareeka Epps)
2011 Image Awards: 1 win: “Outstanding Supporting Actor in a Motion Picture” (Samuel L. Jackson); 2 nominations: “Outstanding Independent Motion Picture” and “Outstanding Writing in a Motion Picture-Theatrical or Television” (Rodrigo GarcÃa)
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Wednesday, March 23, 2011
Julie Taymor's "The Tempest" on DVD September 2011
THE TEMPEST
From the visionary Director Julie Taymor (Frida) comes a modern retelling of William Shakespeare’s masterpiece in the visually stunning and innovative feature film THE TEMPEST. Available nationwide on Blu-ray™, DVD, Movie Download, and On-Demand on September 13, 2011.
Film Synopsis:
This modern retelling of William Shakespeare’s final masterpiece is an exciting, mystical and magical fantasy with Academy Award®-winner Helen Mirren (Best Actress, The Queen, 2006) leading a star-studded cast including Russell Brand (Get Him To The Greek) and Alfred Molina (The Sorcerer’s Apprentice). Exiled to a magical island, the sorceress Prospera (Mirren) conjures up a storm that shipwrecks her enemies, and then unleashes her powers for revenge. Directed by Julie Taymor (Frida) — and complete with exclusive bonus features — The Tempest, with its innovative twist, is a supernatural dramedy filled with Shakespearean villains, lovers and fools that will leave you spellbound.
U.S. Release Date:
September 13, 2011
(Direct Prebook July 19, 2011/ Distributor Prebook August 2, 2011)
Rating: PG 13 - for some nudity, suggestive content and scary images
Feature Run Time: Approximately 110-minutes
Release Format: Blu-ray™, DVD, Movie Download & On-Demand
Suggested Retail Price: 1-Disc Blu-ray = $39.99 U.S.
1-Disc DVD = $29.99 U.S.
Movie Download High Definition = $39.99 U.S.
Movie Download Standard Definition = $29.99 U.S.
On-Demand = for pricing, please contact your television provider or favorite digital retailer
Bonus Features:
Audio Commentary with Director Julie Taymor Russell Brand Rehearsal Riff
O MISTRESS MINE Reeve Carney Music Video
And more!
Talent:
Helen Mirren (The Debt, State of Play, The Queen)
Russell Brand (Get Him To The Greek; Forgetting Sarah Marshall)
Alfred Molina (The Sorcerer’s Apprentice, Prince of Persia, An Education)
Djimon Hounsou (Blood Diamond)
Alan Cumming (“The Good Wife,” It’s Complicated)
Chris Cooper (Remember Me, The Kingdom)
David Straitharn (The Bourne Ultimatum)
Director/Writer:
Julie Taymor (Frida, Broadway’s The Lion King and Spider-Man: Turn Off the Dark)
Producers:
Julie Taymor (Frida, Broadway’s The Lion King and Spider-Man: Turn Off the Dark) and Ronald Bozeman (Confessions of a Shopaholic)
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