Happy Birthday, Anna

44.

2011 NAACP Image Award Winners in Film Categories

The 42nd NAACP Image Awards ceremony was held Friday night (March 4th) at The Shrine Auditorium in Los Angeles, California. The Image Awards celebrate and honor the accomplishments of people of color in the fields of film, television, music, and literature. The awards also honor individuals or groups who promote social justice through creative endeavors.

This honor isn’t just for African-Americans/Black people, as Latino and Asian and Asian American artists have also received awards and nominations. In fact, Sofia Vergara, the Columbia-born actress and star of ABC’s hit series, “Modern Family,” won an Image Award this year. I was unable to watch the entire awards broadcast (on FOX), so a hearty thank you to the website Current.com for their complete winners list.

42ND NAACP Image Awards Film Winners List:

Outstanding Motion Picture: “For Colored Girls”

Outstanding Actor in a Motion Picture: Denzel Washington – “The Book of Eli”

Outstanding Actress in a Motion Picture: Halle Berry – “Frankie and Alice”

Outstanding Supporting Actor in a Motion Picture: Samuel L. Jackson – “Mother and Child”

Outstanding Supporting Actress in a Motion Picture: Kimberly Elise – “For Colored Girls”

Outstanding Independent Motion Picture: “Frankie and Alice”

Outstanding Foreign Motion Picture: “Biutiful”

Outstanding Writing in a Motion Picture (Theatrical or Television): TIE

• Mary King, Anna Waterhouse, Joe Shrapnel, Marko King, Jonathan Watters, Cheryl Edwards – “Frankie and Alice”

• Michael Elliot – “Just Wright”

Outstanding Directing in a Motion Picture (Theatrical or Television): Tyler Perry – “For Colored Girls”

2011 NAACP Image Award Winners in Television Categories

42ND NAACP Image Awards Television Winners List:

Outstanding Comedy Series: “Tyler Perry’s House of Payne”
Outstanding Actor in a Comedy Series: David Mann – “Meet the Browns”
Outstanding Actress in a Comedy Series: Vanessa Williams – “Desperate Housewives”
Outstanding Supporting Actor in a Comedy Series: Ice Cube – “Are We There Yet?”
Outstanding Supporting Actress in a Comedy Series: Sofia Vergara – “Modern Family”
Outstanding Directing in a Comedy Series: Kevin Rodney Sullivan – “Modern Family” (Game Changer)
Outstanding Writing in a Comedy Series: Aaron McGruder – “The Boondocks”

Outstanding Drama Series: “Grey’s Anatomy”
Outstanding Actor in a Drama Series: LL Cool J – “NCIS: Los Angeles”
Outstanding Actress in a Drama Series: Regina King – “Southland”
Outstanding Supporting Actor in a Drama Series: Terrence Howard – “Law & Order: Los Angeles”
Outstanding Supporting Actress in a Drama Series: S. Epatha Merkerson – “Law & Order”
Outstanding Writing in a Dramatic Series: Shonda Rhimes – “Private Practice” – (Did You Hear What Happened to Charlotte King?)
Outstanding Directing in a Dramatic Series: Millicent Shelton – “Men of a Certain Age” (Go with the Flow)

Outstanding TV Movie, Mini-Series or Dramatic Special: “Sins of the Mother”
Outstanding Actor in a TV Movie, Mini-Series or Dramatic Special: Idris Elba – “Luther”
Outstanding Actress in a TV Movie, Mini-Series or Dramatic Special: Jill Scott – “Sins of the Mother”

Outstanding Actor in a Daytime Drama Series: Rodney Saulsberry – “The Bold and the Beautiful”
Outstanding Actress in a Daytime Drama Series: Tatyana Ali – “The Young and the Restless”
Outstanding News/Information (Series or Special): “Unsung”
Outstanding Talk Series: “The View”
Outstanding Reality Series: “Sunday Best”
Outstanding Variety (Series or Special): “UNCF An Evening of Stars Tribute to Lionel Richie”
Outstanding Children’s Program: “True Jackson, VP”
Outstanding Performance in a Youth/Children’s Program (Series or Special): Keke Palmer – “True Jackson, VP”
Outstanding Documentary (Theatrical or Television): “For Love of Liberty: The Story of America’s Black Patriots”

2011 NAACP Image Award Winners in Music Categories

42ND NAACP Image Awards Music Winners List:

Outstanding Male Artist: Usher

Outstanding Female Artist: Mary J. Blige

Outstanding Duo, Group or Collaboration: John Legend and The Roots

Outstanding New Artist: Willow Smith

Outstanding Jazz Album: “From Billie Holiday to Edith Piaf – Live in Marciac” – The Wynton Marsalis Quintet and Richard Galliano

Outstanding Gospel Album (Traditional or Contemporary): “You Are Not Alone” – Mavis Staples

Outstanding World Music Album: “VOCAbuLarieS” – Bobby McFerrin

Outstanding Music Video: “Un-thinkable (I’m Ready)” – Alicia Keys

Outstanding Song: “Bittersweet” – Fantasia Barrino

Outstanding Album: “Wake Up!” – John Legend and The Roots

Review: "Faster" is One Angry Movie

TRASH IN MY EYE No. 20 (of 2011) by Leroy Douresseaux

Faster (2010)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – R for strong violence, some drug use and language
DIRECTOR: George Tillman Jr.
WRITERS: Tony Gayton and Joe Gayton
PRODUCERS: Tony Gayton, Liz Glotzer, Martin Shafer, and Robert Teitel
CINEMATOGRAPHER: Michael Grady
EDITOR: Dirk Westervelt

CRIME/ACTION

Starring: Dwayne Johnson, Billy Bob Thornton, Carla Gugino, Oliver Jackson-Cohen, Maggie Grace, Xander Berkeley, Adewale Akinnuoye-Agbaje, Mike Epps, Moon Bloodgood, and Tom Berenger

Released during the 2010 Thanksgiving holiday weekend, Faster is a hard-boiled revenge thriller starring Dwayne Johnson (formerly The Rock). The title, “Faster,” really doesn’t fit this movie, nor does it indicate just how mean this flick is.

The day he is released from prison, a convicted bank robber, known only as “Driver” (Dwayne Johnson), hits the streets. He is on a mission to take revenge on the men who killed his brother, Gary (Matt Gerald), and got him sent to prison for 10 years. Tracking Driver are two detectives, the professional Cicero (Carla Gugino) and a burnout known as “Cop” (Billy Bog Thornton). Meanwhile, an unknown person, someone on Driver’s hit list, hires a flamboyant and egocentric hit man known as “Killer” (Oliver Jackson-Cohen) to stop Driver.

Faster is one angry movie, but while some of it is quite good, the movie mostly feels undeveloped. Director George Tillman, Jr. helms the film with what seems like a ham-fisted determination to shock the audience with each moment of violence or bloody payback. It works… sometimes. Faster is a blunt instrument that punishes the audience for its bloodlust and love of retribution. What the film lacks are those fine touches that can transform a crime film from mere action movie to hard-boiled classic. These touches include a deeper insight into the hero, a clearer adversary, and a better use of the setting, among other things.

For most of Faster, Dwayne Johnson is a huffing, puffing force of nature, so much so that you might miss the moments in this film when Johnson, without a word of dialogue, conveys so much of Driver’s pain and grief. Hiding behind the depiction of a murderous badass is a quieter portrayal of a man struggling with spiritual issues like redemption and especially forgiveness.

Faster wastes good characters in Carla Gugino’s Cicero and Adewale Akinnuoye-Agbaje’s evangelist character. Billy Bob Thornton and Oliver Jackson-Cohen actually get some time to develop their characters, although Jackson-Cohen’s Killer seems out of place here.

I’ve said this many times before about many other movies (as have other critics and reviewers): Faster is good, but it could have been much more than the one-note action flick that it is.

6 of 10
B

Friday, March 04, 2011

--------------------------

Oscar Nominee Diane Lane Cast as "Martha Kent" in New Superman Movie

Diane Lane Cast as Martha Kent in Warner Bros. Pictures’ and Legendary Pictures’ New Superman Movie

 

BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures and Legendary Pictures announced today that Oscar®-nominated actress Diane Lane will play Martha Kent, the only mother Clark Kent has ever known, in the new Superman movie to be directed by Zack Snyder.

 

Snyder stated, “This was a very important piece of casting for me because Martha Kent is the woman whose values helped shape the man we know as Superman. We are thrilled to have Diane in the role because she can convey the wisdom and the wonder of a woman whose son has powers beyond her imagination.”

Lane will star with Henry Cavill, who was recently announced as the new Clark Kent/Superman.

Lane earned an Academy Award® nomination for her performance in the 2002 drama “Unfaithful.” She most recently starred in the family hit “Secretariat.” She next stars in the HBO feature “Cinema Verite,” opposite Tim Robbins and James Gandolfini. Lane’s long list of film credits also includes “Nights in Rodanthe,” “Hollywoodland,” “Must Love Dogs,” “Under the Tuscan Sun,” “Perfect Storm,” “My Dog Skip,” “Chaplin,” “The Cotton Club” and “A Little Romance,” to name only a portion.

Charles Roven, Emma Thomas, Christopher Nolan and Deborah Snyder are the producers of the film. The screenplay is being written by David S. Goyer based on a story by Goyer and Nolan. Thomas Tull and Lloyd Phillips are serving as executive producers.

Slated for release in December 2012, the new Superman movie will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

Review: "Megamind" More Than Mindless Superhero Action

TRASH IN MY EYE No. 19 (of 2011) by Leroy Douresseaux

Megamind (2010)
Running time: 96 minutes (1 hour, 36 minutes)
MPAA – PG for action and some language
DIRECTOR: Tom McGrath
WRITERS: Alan Schoolcraft and Brent Simons
PRODUCERS: Lara Breay and Denise Nolan Cascino
EDITOR: Michael Andrews
COMPOSERS: Lorne Balfe and Hans Zimmer

ANIMATION/SUPERHERO/COMEDY/ACTION with elements of romance

Starring: Will Ferrell, Tina Fey, Jonah Hill, David Cross, Brad Pitt, J.K. Simmons, Ben Stiller, Justin Long, Bill Hader, and Amy Poehler

It is not a rousing tale of a superhero family-that-plays-together like The Incredibles. It lacks the heartwarming, cuddliness of Despicable Me. Still, Megamind, a 2010 computer-animated movie from DreamWorks Animation, is a top notch superhero movie. It takes a different path, turning the ups-and-downs of friendship, dating, relationships, and career into a movie that mixes action comedy, romantic comedy, and superheroes.

Megamind (Will Ferrell) is a super-intelligent, blue-skinned alien who was sent here as a baby by his parents before their world was destroyed. Metro Man (Brad Pitt) also came to earth as a baby. Megamind grew up to be a supervillain, and Metro Man became a superhero and the defender of Metro City. Megamind and Metro Man have fought each other for years, and Metro Man always wins.

Then, one day, Megamind actually kills Metro Man. Metro City becomes Megamind’s playground, but he soon finds his life boring and pointless with a superhero to fight. Megamind creates a new superhero he names Titan (Jonah Hill), but instead of using his powers for good (and for fighting Megamind), Titan turns bad. Meanwhile, Megamind falls in love with Roxanne Ritchi (Tina Fey), a reporter he used to kidnap to irritate Metro Man. Now, Megamind and Roxanne have to save the city.

Not only is the animation sleek, gracefully, and colorful in Megamind, but it is also spectacular. As befitting a good superhero movie, there are big action set pieces, and the explosions, fights, and mass destruction look nearly as awesome as anything found in a Transformers movie. From a technical point of view, this film should have gotten an Academy Award nomination for animated feature film and at least sound editing.

Perhaps, what held this movie back from greater acclaim is that quite a bit of Megamind seems recycled from other films, even if those similarities were unintentional. It seems like the odd man out, especially because before Megamind debuted, movie audiences had already seen a 3D animated film about a supervillain, the aforementioned Despicable Me. While Despicable Me is a heartwarming tale of a reluctant surrogate father and three cute little girls, Megamind is actually an adult-leaning film about mid-life crisis and relationship disappointments.

Megamind rises above any faults because of its voice cast. They tackle the various comic tones of the screenplay with wit and, occasionally, with style and substance. I think Will Ferrell is a brilliant comic actor with impeccable timing. Truthfully, Megamind would be pedestrian filler material, but Ferrell’s voice performance offers so many textures and layers that add richness to Megamind the character.

Tina Fey’s sparkling, witty turn creates a winning Lois Lane-like star reporter in Roxanne Ritchi. Brad Pitt proves, as he did in Sinbad: Legend of the Seven Seas (2003), that voice-acting for animated characters is not his thing. Jonah Hill is surprisingly good as the spurned nerd-turned-villain, and J.K. Simmons is pitch perfect as the Warden of Metro City Prison.

The advertising campaign for Megamind failed the film because it emphasized the fantastic action scenes, special effects, inventive mechanical creatures and devices, while ignoring the heart of the story. Megamind is about the search to be accepted, to belong, and to be loved. It is a Woody Allen-like take on the superhero movie, and is, in fact, much better than Allen’s recent relationship comedies.

8 of 10
A

Thursday, March 03, 2011

 

----------------------

 

 

Tom Hanks and Sandra Bullock Headline New Stephen Daldry Movie

Cameras Roll on “Extremely Loud & Incredibly Close” as It Heads from the Page to the Big Screen

Hanks and Bullock Headline the Cast under the Direction of Stephen Daldry

BURBANK, Calif.--(BUSINESS WIRE)--Principal photography is underway on Warner Bros. Pictures’ feature film adaptation of Jonathan Safran Foer’s acclaimed novel “Extremely Loud & Incredibly Close.” The film stars Sandra Bullock and Tom Hanks, and is being directed by Stephen Daldry (“The Reader,” “The Hours”) and produced by Scott Rudin (“The Social Network,” “True Grit”).

“Extremely Loud & Incredibly Close” also stars Thomas Horn, making his acting debut as 11-year-old Oskar Schell, an exceptional child with an off-kilter world view and a daunting mission ahead of him.

Oskar is convinced that his father (Hanks), who died in the 9/11 attacks on the World Trade Center, has left a final message for him hidden somewhere in the city. Feeling disconnected from his grieving mother (Bullock) and driven by a relentlessly active mind that refuses to believe in things that can’t be observed, Oskar begins searching New York City for the lock that fits a mysterious key he found in his father’s closet. His journey through the five boroughs takes him beyond his own loss to a greater understanding of the observable world around him.

Shooting entirely in New York, Daldry directs the film from a screenplay by Eric Roth (“Forrest Gump,” “The Insider”). Celia Costas (“Doubt,” “Closer”) serves as executive producer with Mark Roybal (“Doubt”) and Nora Skinner (“The Reader”).

Also starring in the film are James Gandolfini as Ron, a new friend of Oskar’s mom; Zoe Caldwell as the boy’s grandmother; Max von Sydow as the man renting a room from Oskar’s grandmother, who befriends Oskar and accompanies him on his quest; and Viola Davis and Jeffrey Wright as a couple whose own tenuous relationship has a profound effect on Oskar.

The behind-the-scenes creative team includes director of photography Chris Menges (“The Mission,” “The Killing Fields”); production designer K.K. Barrett (“Where the Wild Things Are”); and costume designer Ann Roth (“The English Patient”).

“Extremely Loud & Incredibly Close” is currently scheduled for release in 2011 and will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

Review: "Don't Be a Menace" Says "Negro, Please" to Hood Movies

TRASH IN MY EYE No. 18 (of 2011) by Leroy Douresseaux

Don’t Be a Menace to South Central While Drinking Your Juice in the Hood (1996)
Running time: 89 minutes (1 hour, 29 minutes)
MPAA – R for strong language, sexuality, some drug content and violence
DIRECTOR: Paris Barclay
WRITERS: Shawn Wayans, Marlon Wayans, and Phil Beauman
PRODUCERS: Eric L. Gold and Keenen Ivory Wayans
CINEMATOGRAPHER: Russ Brandt
EDITORS: Marshall Harvey and William Young

COMEDY

Starring: Shawn Wayans, Marlon Wayans, Tracey Cherelle Jones, Chris Spencer, Suli McCullough, Darrel Heath, Helen Martin, Lahmard J. Tate, Keenen Ivory Wayans, Kim Wayans, Vivica A. Fox, Omar Epps, Faizon Love, Bernie Mac, Antonio Fargas, LaWanda Page, and Damien Dante Wayans

The early 1990s saw a torrent of gritty urban movies, with the Oscar-nominated Boyz n the Hood being the best known. The Wayans family of comedians and comic actors, best known for the FOX Network sketch comedy series, In Living Colour, spoofed the black coming-of-age, growing-up-in-the-hood movies with the 1996 film, Don’t Be a Menace to South Central While Drinking Your Juice in the Hood.

The film follows the naïve, virginal Ashtray (Shawn Wayans), a young man sent to live in South Central Los Angeles with his father (Lahmard J. Tate), who seems to be no older than Ashtray. Ashtray falls in with his gang-banging cousin, the psychotic Loc Dog (Marlon Wayans). Ashtray gets an education in life on the streets from Loc Dog and his friends, the politically conscious Preach (Chris Spencer) and the wheel-chair bound Crazy Legs (Suli McCullough). After falling in love with Dashiki (Tracey Cherelle Jones), a young woman who has seven children by seven different men, Ashtray has to choose between the straight life and life in the inner city with Loc Dog.

Like the Wayans’ I’m Gonna Git You Sucka (1988), Don't Be a Menace to South Central While Drinking Your Juice in the Hood spoofs a genre associated with African-Americans. I’m Gonna Git You Sucka was a send-up of 1970s blaxploitation movies, but Sucka was a love letter to black exploitation films like the Shaft franchise.

Don’t Be a Menace, however, attacks the genre it spoofs. This movie’s three writers, Shawn Wayans, Marlon Wayans, and Phil Beauman, mine urban flicks such as Friday, Dead Presidents, and Juice, but especially Boyz n the Hood and Menace II Society to launch an all-out assault against “hood” films. Their self-important attitudes, reliance on violence and the worst aspects of black poverty to entertain, and their self-pitying messages to the broader society are all fodder for the Wayans’ brand of savage satire and mean-spirited parody.

Don’t Be a Menace also goes after black pop culture, especially low-brow entertainment, prison-inspired fashion, and the glorification of violence, promiscuous sex, and drug and alcohol abuse. Even certain aspects of African-American culture, politics, and religion get a swift kick from the Wayans. Pompous preachers, hypocritical Black separatists, and assorted sectarians are mocked. Everything moves to a soundtrack filled with the same kind of raunchy R&B, hip-hop, and rap that fills the soundtracks of straight urban movies.

The performances are good, with Tracey Cherelle Jones, Chris Spencer, and Suli McCullough managing to shine in what is really a Wayans fest. Don’t Be a Menace was the first time Shawn Wayans really got to show what he does best – play the straight man with deadpan perfection, while still showing his ability to be crazy when he has to be. Marlon Wayans, a brilliant physical comedian and gifted comic actor, comes close to owning this movie. I don’t know if he is just fearless or shameless, but Marlon is good.

That’s why it is a shame that Don’t Be a Menace, in spite of some really funny set pieces and some truly inspired dialogue, largely feels flat. It is as if Paris Barclay’s script and the screenplay are not on the same page. There are moments when everything comes together and delivers comedy gold, but that doesn’t happen often enough to make this movie truly great as it should be. Back in 1996, we needed Don’t Be a Menace as an antidote or counter to a rash of hood movies, and it was good enough at what it did that the film’s spoofing is still sharp.

7 of 10
B+

Wednesday, March 02, 2011

----------------------

Complete List of Winners at the 2011 Oscars

The 83rd Academy Award Winners:

Best Picture
“The King's Speech” Iain Canning, Emile Sherman and Gareth Unwin, Producers

Actor in a Leading Role
Colin Firth in “The King's Speech”

Actor in a Supporting Role
Christian Bale in “The Fighter”

Actress in a Leading Role
Natalie Portman in “Black Swan”

Actress in a Supporting Role
Melissa Leo in “The Fighter”

Animated Feature Film
“Toy Story 3” Lee Unkrich

Art Direction
“Alice in Wonderland” - Production Design: Robert Stromberg; Set Decoration: Karen O'Hara

Cinematography
“Inception” Wally Pfister

Costume Design
“Alice in Wonderland” Colleen Atwood

Directing
“The King's Speech” Tom Hooper

Documentary (Feature)
“Inside Job” Charles Ferguson and Audrey Marrs

Documentary (Short Subject)
“Strangers No More” Karen Goodman and Kirk Simon

Film Editing
“The Social Network” Angus Wall and Kirk Baxter

Foreign Language Film
“In a Better World” Denmark

Makeup
“The Wolfman” Rick Baker and Dave Elsey

Music (Original Score)
“The Social Network” Trent Reznor and Atticus Ross

Music (Original Song)
“We Belong Together” from “Toy Story 3" Music and Lyric by Randy Newman

Short Film (Animated)
“The Lost Thing” Shaun Tan and Andrew Ruhemann

Short Film (Live Action)
“God of Love” Luke Matheny

Sound Editing
“Inception” Richard King

Sound Mixing
“Inception” Lora Hirschberg, Gary A. Rizzo and Ed Novick

Visual Effects
“Inception” Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb

Writing (Adapted Screenplay)
“The Social Network” Screenplay by Aaron Sorkin

Writing (Original Screenplay)
“The King's Speech” Screenplay by David Seidler

Happy Birthday, Mr. Rollins

Or is that your father's name, Phil?  Hope you see this.

(Belated) Happy Birthday, Tracy

Between the Oscars and making sure I called you for your birthday, I forgot to post this yesterday.

March into Negromancer

It is March 2011!  Welcome to Negromancer, the rebirth of my former movie review website as a movie review and movie news blog. I’m Leroy Douresseaux, and I also blog at http://ireadsyou.blogspot.com/ and write for the Comic Book Bin (which has smart phones apps).

All images appearing on this blog are © copyright and/or trademark their respective owners.

Now, on to those birthday greetings.

And Now for the Haters: 2011 Razzie Award "Winners"

According to "The Odds" column at the The Wrap.com, there were 637 voters for this year dis-honors.  The Last Airbender and Sex and the City 2 took the brunt of these voters' ire.  Airbender is problematic, but I like Sex and the City 2:

2011 Razzie Award (not really) Winners:

Worst Picture: "The Last Airbender"


Worst Director: M. Night Shyamalan, "The Last Airbender"

Worst Actor: Ashton Kutcher, "Killers" and "Valentine's Day"

Worst Actress: Sarah Jessica Parker, Kim Cattrall, Kristin Davis and Cynthia Nixon, "Sex and the City 2"

Worst Supporting Actor: Jackson Rathbone, "The Last Airbender" and "The Twilight Saga: Eclipse"

Worst Supporting Actress: Jessica Alba, "The Killer Inside Me," "Little Fockers," "Machete" and "Valentine's Day"

Worst Screen Couple of Ensemble: "Sex and the City 2"

Worst Screenplay: M. Night Shyamalan, "The Last Airbender"

Worst Prequel, Remake, Rip-off or Sequel: "Sex and the City 2"

Worst Eye-Gouging Misuse of 3D: "The Last Airbender"

"The King's Speech" Wins Best Picture Oscar

Best Picture

“The King's Speech” Iain Canning, Emile Sherman and Gareth Unwin, Producers WINNERS

“Black Swan” Mike Medavoy, Brian Oliver and Scott Franklin, Producers

“The Fighter” David Hoberman, Todd Lieberman and Mark Wahlberg, Producers

“Inception” Emma Thomas and Christopher Nolan, Producers

“The Kids Are All Right” Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray, Producers

“127 Hours” Christian Colson, Danny Boyle and John Smithson, Producers

“The Social Network” Scott Rudin, Dana Brunetti, Michael De Luca and Ceán Chaffin, Producers

“Toy Story 3” Darla K. Anderson, Producer

“True Grit” Scott Rudin, Ethan Coen and Joel Coen, Producers

“Winter's Bone" Anne Rosellini and Alix Madigan-Yorkin, Producers

Colin Firth Wins Best Actor for "The King's Speech"

Actor in a Leading Role

Colin Firth in “The King's Speech” WINNER

Javier Bardem in “Biutiful”

Jeff Bridges in “True Grit”

Jesse Eisenberg in “The Social Network”

James Franco in “127 Hours”

Natalie Portman Wins Best Actress Oscar for "Black Swan"

Actress in a Leading Role

Natalie Portman in “Black Swan” WINNER

Annette Bening in “The Kids Are All Right”

Nicole Kidman in “Rabbit Hole”

Jennifer Lawrence in “Winter's Bone”

Michelle Williams in “Blue Valentine”
 

Tom Hooper Wins Best Director Oscar for "The King's Speech"

Directing

“The King's Speech” Tom Hooper WINNER


“Black Swan” Darren Aronofsky

“The Fighter” David O. Russell

“The King's Speech” Tom Hooper

“True Grit” Joel Coen and Ethan Coen
 

Randy Newman Wins Best Original Song Oscar for "Toy Story 3"

Music (Original Song)

“We Belong Together” from “Toy Story 3" Music and Lyric by Randy Newman WINNER

“Coming Home” from “Country Strong” Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey

“I See the Light” from “Tangled” Music by Alan Menken Lyric by Glenn Slater

“If I Rise” from “127 Hours” Music by A.R. Rahman Lyric by Dido and Rollo Armstrong

"The Social Network" Wins Best Film Editing Oscar

Film Editing

“The Social Network” Angus Wall and Kirk Baxter WINNERS

“Black Swan” Andrew Weisblum

“The Fighter” Pamela Martin

“The King's Speech” Tariq Anwar

“127 Hours” Jon Harris

“The Social Network” Angus Wall and Kirk Baxter

"Inception" Wins Best Visual Effects Oscar

Visual Effects

“Inception” Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb WINNERS

“Alice in Wonderland” Ken Ralston, David Schaub, Carey Villegas and Sean Phillips

“Harry Potter and the Deathly Hallows Part 1” Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi

“Hereafter” Michael Owens, Bryan Grill, Stephan Trojansky and Joe Farrell

“Iron Man 2” Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick

"Inside Job" Wins Best Documentary Feature Oscar

Documentary (Feature)

“Inside Job” Charles Ferguson and Audrey Marrs WINNERS

“Exit through the Gift Shop” Banksy and Jaimie D'Cruz

“Gasland” Josh Fox and Trish Adlesic

“Restrepo” Tim Hetherington and Sebastian Junger

“Waste Land” Lucy Walker and Angus Aynsley
 

"God of Love" Wins Best Live Action Short Oscar

Short Film (Live Action)

“God of Love” Luke Matheny WINNER

“The Confession” Tanel Toom

“The Crush” Michael Creagh

“Na Wewe” Ivan Goldschmidt

“Wish 143” Ian Barnes and Samantha Waite
 

"Strangers No More" Wins Best Documentary Short Oscar

Documentary (Short Subject)

“Strangers No More” Karen Goodman and Kirk Simon WINNERS

“Killing in the Name” Jed Rothstein

“Poster Girl” Sara Nesson and Mitchell W. Block

“Sun Come Up” Jennifer Redfearn and Tim Metzger

“The Warriors of Qiugang” Ruby Yang and Thomas Lennon

"Alice in Wonderland" Wins Best Costume Design Oscar

Costume Design

“Alice in Wonderland” Colleen Atwood WINNER

“I Am Love” Antonella Cannarozzi

“The King's Speech” Jenny Beavan

“The Tempest” Sandy Powell

“True Grit” Mary Zophres

Rick Baker and Dave Elsey Win Best Makeup Oscar for "The Wolfman"

Makeup

“The Wolfman” Rick Baker and Dave Elsey WINNERS

“Barney's Version” Adrien Morot

“The Way Back” Edouard F. Henriques, Gregory Funk and Yolanda Toussieng

"Inception" Wins Best Sound Editing Oscar

Sound Editing

“Inception” Richard King WINNER

“Toy Story 3” Tom Myers and Michael Silvers

“Tron: Legacy” Gwendolyn Yates Whittle and Addison Teague

“True Grit” Skip Lievsay and Craig Berkey

“Unstoppable” Mark P. Stoeckinger

"Inception" Wins Best Sound Mixing Oscar

Sound Mixing

“Inception” Lora Hirschberg, Gary A. Rizzo and Ed Novick WINNERS

“The King's Speech” Paul Hamblin, Martin Jensen and John Midgley

“Salt” Jeffrey J. Haboush, Greg P. Russell, Scott Millan and William Sarokin

“The Social Network” Ren Klyce, David Parker, Michael Semanick and Mark Weingarten

“True Grit” Skip Lievsay, Craig Berkey, Greg Orloff and Peter F. Kurland

Trent Reznor and Atticus Ross Win Best Original Score Oscar for "The Social Network"

Music (Original Score)
“The Social Network” Trent Reznor and Atticus Ross WINNERS

“How to Train Your Dragon” John Powell

“Inception” Hans Zimmer

“The King's Speech” Alexandre Desplat

“127 Hours” A.R. Rahman

Christian Bale Wins Best Supporting Actor Oscar for "The Fighter"

Actor in a Supporting Role

Christian Bale in “The Fighter” WINNER

John Hawkes in “Winter's Bone”

Jeremy Renner in “The Town”

Mark Ruffalo in “The Kids Are All Right”

Geoffrey Rush in “The King's Speech”

"In a Better World" from Denmark Wins Best Foreign Language Film Oscar

Foreign Language Film

“In a Better World” Denmark WINNER

“Biutiful” Mexico

“Dogtooth” Greece

“Incendies” Canada

“Outside the Law (Hors-la-loi)” Algeria

David Seidler Wins Best Original Screenplay Oscar for "The King's Speech"

Writing (Original Screenplay)

“The King's Speech” Screenplay by David Seidler

“Another Year” Written by Mike Leigh

“The Fighter” Screenplay by Scott Silver and Paul Tamasy & Eric Johnson; Story by Keith Dorrington & Paul Tamasy & Eric Johnson

“Inception” Written by Christopher Nolan

“The Kids Are All Right” Written by Lisa Cholodenko & Stuart Blumberg

Aaron Sorkin Wins Best Adapted Screenplay Oscar for "The Social Network"

Writing (Adapted Screenplay)

“The Social Network” Screenplay by Aaron Sorkin WINNER

“127 Hours” Screenplay by Danny Boyle and Simon Beaufoy

“Toy Story 3” Screenplay by Michael Arndt; Story by John Lasseter, Andrew Stanton and Lee Unkrich

“True Grit” Written for the screen by Joel Coen and Ethan Coen

“Winter's Bone” Adapted for the screen by Debra Granik and Anne Rosellini

"Toy Story 3" Wins Best Animated Feature Film Oscar

Animated Feature Film

“Toy Story 3” Lee Unkrich WINNER

“How to Train Your Dragon” Chris Sanders and Dean DeBlois

“The Illusionist” Sylvain Chomet

"The Lost Thing" Wins Best Animated Short Film Oscar

Short Film (Animated)

“The Lost Thing” Shaun Tan and Andrew Ruhemann WINNERS

“Day & Night” Teddy Newton

“The Gruffalo” Jakob Schuh and Max Lang

“Let's Pollute” Geefwee Boedoe

“Madagascar, carnet de voyage (Madagascar, a Journey Diary)” Bastien Dubois

Melissa Leo Wins Best Actress in a Supporting Role Oscar for "The Fighter"

Actress in a Supporting Role

Melissa Leo in “The Fighter” WINNER

Amy Adams in “The Fighter”

Helena Bonham Carter in “The King's Speech”

Hailee Steinfeld in “True Grit”

Jacki Weaver in “Animal Kingdom”

"Inception" Wins Best Cinematography Oscar

Cinematography

“Inception” Wally Pfister WINNER

“Black Swan” Matthew Libatique

“The King's Speech” Danny Cohen

“The Social Network” Jeff Cronenweth

“True Grit” Roger Deakins

"Alice in Wonderland" Wins Best Art Direction Oscar

Art Direction

“Alice in Wonderland” WINNERS
Production Design: Robert Stromberg; Set Decoration: Karen O'Hara

“Harry Potter and the Deathly Hallows Part 1”
Production Design: Stuart Craig; Set Decoration: Stephenie McMillan

“Inception”
Production Design: Guy Hendrix Dyas; Set Decoration: Larry Dias and Doug Mowat

“The King's Speech”
Production Design: Eve Stewart; Set Decoration: Judy Farr

“True Grit”
Production Design: Jess Gonchor; Set Decoration: Nancy Haigh

Complete List of Independent Spirit Award Winners; "Black Swan" Soars

The Independent Spirit Awards or Film Independent’s Spirit Awards were founded in 1984 and are awards dedicated to independent filmmakers. Film Independent is the non-profit arts organization that produces the Spirit Awards and also the Los Angeles Film Festival.
 
The 2011 winners were announced Sat., Feb. 26, 2011.
 
2011 Film Independent Spirit Award winners:
 
Best Feature
Black Swan; Producers: Scott Franklin, Mike Medavoy, Arnold W. Messer, Brian Oliver;

Best Director
Darren Aronofsky, Black Swan

Best Screenplay
The Kids Are All Right Writers: Stuart Blumberg & Lisa Cholodenko

Best Female
Natalie Portman, Black Swan

Best Male
James Franco, 127 Hours

Best First Feature
Get Low Director: Aaron Schneider
Producers: David Gundlach, Dean Zanuck

Best First Screenplay
Lena Dunham, Tiny Furniture

John Cassavetes Award (For the best feature made under $500,000)
Writers/Directors: Benny Safdie, Josh Safdie
Daddy Longlegs Producers: Casey Neistat, Tom Scott

Best Supporting Female
Dale Dickey, Winter's Bone

Best Supporting Male
John Hawkes, Winter's Bone

Best Cinematography
Matthew Libatique, Black Swan

Best Foreign Film
The King's Speech Director: Tom Hooper

Best Documentary
Exit Through The Gift Shop, Banksy

http://www.filmindependent.org/

"The Social Network" Wins Cesar Award

First given out in 1975, the César Award is the national film award of France. Some even think of the César Award as the French equivalent of the American Academy Awards. The nominations are selected by the members of the Académie des Arts et Techniques du Cinéma, and the award ceremony is held in Paris each February.  The name of the award comes from the late sculptor César Baldaccini, and the trophies are actual sculptures of the artist.

The 36th Cesar Awards were presented on Friday, February 25, 2011.  Of note to Americans, The Social Network won "Best Foreign Film."

The 36th (2011) César Award winners:

Best Film: "Of Gods and Men" ("Des Hommes Et Des Dieu")

Best Director: Roman Polanski, "The Ghost Writer"

Best Foreign Film: "The Social Network"

Best Actress: Sara Forestier, "Le Nom Des Gens" ("The Names of Love")

Best Actor: Eric Elmosnino, "Gainsbourg"

Best Supporting Actress: Anne Alvaro, "Le Bruit Des Glaçons" ("The Clink of Ice")

Best Supporting Actor: Michael Lonsdale, "Of Gods and Men" ("Des Hommes Et Des Dieux")

Best First Film: "Gainsbourg" ("Vie Héroïque")

Best Original Screenplay: Baya Kasmi, Michel Leclerc, "Le Nom Des Gens"

Best Adapted Screenplay: Robert Harris, Roman Polanski, "The Ghost Writer"

Best Documentary: "Océans"

Best Animated Film: "L’Illusioniste" ("The Illusionist")

Best Short Film: "Logorama"

Best Newcomer (Female): Leïla Bekhti, "Tout Ce Qui Brille"

Best Newcomer (Male): Edgar Ramirez, "Carlos"

Best Original Score: Alexandre Desplat, "The Ghost Writer"

Best Sound: Daniel Sobrino, Jean Goudier, Cyril Holtz, "Gainsbourg"

Best Cinematography: Caroline Champetier, "Of Gods and Men" ("Des Hommes Et Des Dieux")

Best Editing: Hervé de Luz, "The Ghost Writer"

Best Costume Design: Caroline De Vivaise, "La Princesse De Montpensier"

Best Art Direction: Hugues Tissandier, "Les Adventures Extraordinaries D'Adèle Blanc-Sec"

"Night Catches Us" Dominates 2011 Black Reel Awards

The Academy Awards are tomorrow night.  As we get closer, I'm catching up on movie awards from other organizations.  A few weeks ago, the winners of the Black Reel Awards were announced.  Night Catches Us dominated, while Tyler Perry's For Colored Girls only won 3 of the 10 nominations it received.  It is a shame that neither film received a single Oscar nomination.

2011 Black Reel Award winners:

Outstanding Film
Night Catches Us, distributed by Magnolia Pictures

Outstanding Director
Albert Hughes, Allen Hughes-The Book of Eli

Outstanding Actor
Anthony Mackie – Night Catches Us

Outstanding Actress
Kerry Washington – Night Catches Us

Outstanding Supporting Actor
Wesley Snipes – Brooklyn’s Finest

Outstanding Supporting Actress
Phylicia Rashad – For Colored Girls

Outstanding Score
The Roots – Night Catches Us

Outstanding Song
“Shine” by John Legend from Waiting for Superman

Outstanding Ensemble
For Colored Girls, distributed by Lionsgate

Outstanding Breakthrough Performance
Tessa Thompson - For Colored Girls

Outstanding Feature Documentary
Waiting for Superman

Outstanding Independent
Preacher’s Kid, distributed by Warner Bros. Pictures

Outstanding Independent Short
Katrina’s Son - Ya’ke

Outstanding Independent Documentary
For the Best and For the Onion

Outstanding Television Documentary
If God is Willing and Da Creek Don’t Rise


http://blackreelawards.wordpress.com/

Review: "Sweeney Todd" is Bloody Good" (Happy B'day, Dante Ferretti)

TRASH IN MY EYE No. 21 (of 2008) by Leroy Douresseaux

Sweeney Todd: The Demon Barber of Fleet Street (2007)
Running time: 116 minutes (1 hour, 56 minutes)
MPAA – R for graphic bloody violence
DIRECTOR: Tim Burton
WRITER: John Logan (based on the musical by Stephen Sondheim and Hugh Wheeler; originally stage by Harold Prince)
PRODUCERS: Richard D. Zanuck, Walter Parkes, Laurie MacDonald, and John Logan
CINEMATOGRAPHER: Dariusz Wolski, ASC
EDITOR: Chris Lebenzon, A.C.E.
2008 Academy Award winner

MUSICAL/DRAMA/HORROR

Starring: Johnny Depp, Helena Bonham Carter, Alan Rickman, Timothy Spall, Sacha Baron Cohen, Jamie Campbell Bower, Jayne Wisener, and Edward Sanders

Tim Burton (Beetlejuice, Charlie and the Chocolate Factory) brings the music and lyrics of Stephen Sondheim to life in his wonderfully gruesome film, Sweeney Todd: The Demon Barber of Fleet Street, based on the Tony Award-winning musical by Sondheim and Hugh Wheeler. Burton keeps most of the songs from the musical and joins his frequent leading man, Johnny Depp, for the sixth time to make fantastically macabre movie magic, one that demands that the audience accept the gory reality of murder if it’s going to be entertained by bloody revenge.

Escaping two decades of false imprisonment in Australia, Benjamin Barker (Johnny Depp) returns to London and vows to kill the evil Judge Turpin (Alan Rickman) and his nefarious henchman, Beadle Bamford (Timothy Spall), who framed him on trumped-up criminal charge in order to steal his wife. However, Barker has learned that his wife, Lucy (Laura Michelle Kelly), poisoned herself, and his now grown daughter, Johanna (Jayne Wisener), is Turpin’s ward.

Adopting the guise of Sweeney Todd, Barker resumes his trade as a barber. He sets up his business in his old Barber Shop above the pie-making premises of Mrs. Nellie Lovett (Helena Bonham Carter), who falls for the mad barber. After killing a rival who threatens to expose Sweeney’s real identity, Todd devises with Mrs. Lovett an inhuman scheme that will both get rid of the body and save Mrs. Lovett’s ailing meat pie business. Todd begins to murder his customers, cutting their throats, and Mrs. Lovett uses their flesh as the filling for her pies.

Meanwhile, Anthony (Jamie Campbell Bower), the young sailor who rescued Sweeney from the sea, has fallen madly in love with Johanna and becomes the target of Turpin’s ire, for Turpin wants to marry his young ward. Mrs. Lovett’s pies soon become the talk of London, and as business booms, she dreams of respectability and a life at the seaside with Sweeney as her husband and her young charge, Toby (Edward Sanders), alongside as her adopted son. Sweeney Todd has only one thing on his mind – cutting Judge Turpin and Beadle Bamford’s throats so severely that their arterial sprays will paint his walls.

While it may be true that Johnny Depp doesn’t have a quality singing voice, he is a great actor, and his frequent collaborator Tim Burton is a great director. In Sweeney Todd: The Demon Barber of Fleet Street, the two of them make a splendid film musical, as good, and in some ways better, than recent screen musicals Chicago, Dreamgirls, and Moulin Rouge.

Depp, all brooding, smoldering, and quite mad, as Sweeney Todd is mesmerizing on screen. His Todd is a rich character capable of so many moods and so very capable of feigning civility and humanity when there is never a moment in this movie when Todd isn’t at heart, a freaking homicidal maniac. It’s no wonder that Depp earned his third Oscar nomination as a lead actor. His colleagues in the Academy of Motion Picture Arts and Sciences can see how wonderfully fertile this character is, simply because this amazing actor can create a profound character, almost out of thin air.

Burton, often criticized for focusing on whimsical, macabre, and almost pop gothic films instead of “serious” subject matter, seems to distill everything he has done thus far in cinema into this one gruesome, luminous jewel. Burton’s creative and technical collaborators have fashioned some of the most imaginative and decorative costumes and sets. His cinematographers, editors, and lighting crews have made inventive uses of the tools and equipment of their trades and crafts. Burton is not only able to get the best of his technical staff, he is also able to get them to go out of the ordinary when it comes to creating visual splendor. Sweeney Todd is the movie where everything he has done has come together to produce the epitome of his visual style. It’s like an astonishing colorful ode to Italian filmmaker, Mario Bava, an influence on Burton.

That’s not to say that this is the Burton/Depp show alone. Stephen Sondheim’s music is not only divine, but is also excellent at storytelling, character defining, and mood making. Helena Bonham Carter, a thoroughly underrated and underutilized actress, is a surprisingly spry singer with a beautiful voice. She’s a scene stealer here, and one can argue that the film is as much her Mrs. Lovett’s as it is Depp’s murderous Todd. To put it simply, the people who made this movie made a great movie, a deliciously demented great movie.

9 of 10
A+

NOTES:
2008 Academy Awards: 1 winner for “Best Achievement in Art Direction” (Dante Ferretti-art director and Francesca Lo Schiavo-set decorator) and 2 nominations: “Best Actor in a Leading Role” (Johnny Depp) and “Best Achievement in Costume Design” (Colleen Atwood)

2008 BAFTA Awards: 2 nominations: “Best Costume Design” (Colleen Atwood) and “Best Make Up and Hair” (Ivana Primorac)

2008 Golden Globes: 2 wins: “Best Motion Picture - Musical or Comedy” and “Best Performance by an Actor in a Motion Picture - Musical or Comedy” (Johnny Depp); 2 nominations: “Best Director - Motion Picture” (Tim Burton) and “Best Performance by an Actress in a Motion Picture - Musical or Comedy” (Helena Bonham Carter)

Friday, April 25, 2008

-------------------

75 Episodes of "Hikaru No Go" Anime Available for Download

VIZ MEDIA DEBUTS ANIME SERIES HIKARU NO GO AND MÄR FOR DOWNLOAD FROM MULTIPLE LEADING ONLINE CONTENT OUTLETS

 

iTunes, PlayStation® Network, And Amazon Video On Demand Begin Offering Both Hit Adventure Series To Rent Or Own

 

VIZ Media has announced the availability of hit anime series HIKARU NO GO and MÄR for Download-To-Rent / Download-To-Own (DTR/DTO) from leading online content providers iTunes, PlayStation® Network, and Amazon Video on Demand.

The complete series for HIKARU NO GO (Episodes 1-75) and MÄR (Episodes 1-52) will be presented dubbed and uncut, and will be available immediately from the iTunes Store in the U.S. (www.iTunes.com) and Canada (www.iTunes.ca). As a special promotion, Episode 1 from each series will be available for FREE download through August 23, 2011!

Amazon Video on Demand and the PlayStation® Network video delivery service, available exclusively for the Sony PSP® (PlayStation®Portable) and PlayStation®3 (PS3™) entertainment systems, will offer Season 1 of HIKARU NO GO and MÄR, beginning with Episodes 1-3. New installments will be released every Monday. Episode 1 from each series will be available for FREE download through March 22, 2011.

All episodes are $0.99 each for Download-To-Rent and $1.99 for Download-To-Own across all platforms.

HIKARU NO GO is a unique story that revolves around the ancient Japanese strategy game of Go, and is based on the manga written by Yumi Hotta and illustrated by Takeshi Obata (also published domestically by VIZ Media). Hikaru Shindo is like any sixth-grader in Japan: a pretty normal kid with a two-tone head of hair and a penchant for antics. His life completely changes when he finds an old bloodstained go board in his grandfather's attic. The ghost of an ancient go master named Fujiwara-no-Sai was trapped in the board and soon becomes a part of Hikaru's consciousness. Together Hikaru and Sai make an unstoppable go-playing team!

MÄR is based on the hit manga series by Nobuyuki Anzai (creator also of FLAME OF RECCA), published in North America by VIZ Media. An ordinary middle-school boy with an overactive imagination, Ginta Toramizu dreams about fairy tales and make-believe lands. One day at school, a gate appears and he enters the World of MÄR, the world of his dreams. Within the World of MÄR exist ÄRM: accessories with unique powers. Soon, Ginta stumbles upon Babbo, an ÄRM that can speak, and learns that he has been summoned to this mythical world to stop the Chess Pieces, a group of rogue soldiers, from destroying the World of MÄR. Now part of Team MÄR, Ginta and Babbo fight in War Games against the Chess Pieces to save the MÄR World. But will Ginta’s mission be compromised by his ally’s secrets?

For more information on the HIKARU NO GO and MÄR anime and manga series, please visit VIZAnime.com.

(Belated) Happy Birthday, Laura

I was so focused on calling you yesterday that I forgot to post this greeting.  Better late than never... I hope.

Oscars, "Black Swan" Buzz Yahoo! Search Engine

83rd Annual Academy Awards Projections from Yahoo!: According to Yahoo! Search, Black Swan Reigns Supreme and the Web is Buzzing About Co-Host Anne Hathaway

--(BUSINESS WIRE)--The 83rd Annual Academy Awards are set to air on Sunday February 27th. As the world prepares for Hollywood’s biggest night, Yahoo! looked at which films and actors are getting the most buzz online.

According to Yahoo! the web is excited about Hollywood’s big show:

Searches for “when are the Oscars” are spiking on Yahoo!

Searches on Yahoo! for “Oscars 2011” are up 1403%

Oscar ballots are spiking on Yahoo! up 38%

Searches for the award show are split between males and females

States searching for “Oscars” the most: California, Illinois, Texas, Washington and New Jersey

Older viewers: those under 24 only make up 16% of searches for “Oscars”

Black Swan Reigns Supreme: According to Yahoo! the top searched nominated films are:

1. Black Swan
2. True Grit
3. 127 hours
4. The Kids Are Alright
5. Inception
6. The Fighter
7. Toy Story 3

According to Yahoo! the top searched nominated actresses are:

1. Natalie Portman
2. Nicole Kidman
3. Jennifer Lawrence
4. Annette Bening

According to Yahoo! the top searched nominated actors are:

1. Javier Bardem
2. James Franco
3. Colin Firth
4. Jeff Bridges

According to Yahoo! the top searched Oscar hosts are:

1. Anne Hathaway
2. Ellen DeGeneres
3. James Franco
4. Alec Baldwin
5. Hugh Jackman
6. Whoopi Goldberg
7. Jon Stewart
8. Chris Rock
9. Steve Martin

Hostess with the Most:
Yahoo! users searched for Oscar co-host Anne Hathaway more than all of the “Best Actress” nominees.

Can’t get enough of the Oscars? Check out Yahoo! Movies’ exclusive coverage complete with predictions, nominees, polls, photos and more: http://oscars.movies.yahoo.com/

Review: "The Social Network" All-American and All-World

TRASH IN MY EYE No. 17 (of 2011) by Leroy Douresseaux

The Social Network (2010)
Running time: 120 minutes (2 hours)
MPAA – PG-13 for sexual content, drug and alcohol use and language
DIRECTOR: David Fincher
WRITERS: Aaron Sorkin (based on the book The Accidental Billionaires by Ben Mezrich)
PRODUCERS: Dana Brunetti, Ceán Chaffin, Michael De Luca, and Scott Rudin
CINEMATOGRAPHER: Jeff Cronenweth
EDITORS: Kirk Baxter and Angus Wall
COMPOSER: Trent Reznor and Atticus Ross

DRAMA

Starring: Jesse Eisenberg, Andrew Garfield, Armie Hammer, Justin Timberlake, Max Minghella, Rashida Jones, Joseph Mazzello, Brenda Song, Josh Pence, and Rooney Mara

The Social Network is perhaps the most critically acclaimed film of 2010, having won close to 20 best picture honors from critics groups and organizations. Directed by David Fincher and written by Aaron Sorkin, The Social Network is a fictional account and dramatization of the founding of Facebook, the hugely popular social-networking website.

The film begins on a fall night in 2003, when Boston University student, Erica Albright (Rooney Mara), breaks up with Harvard undergrad, Mark Zuckerberg (Jesse Eisenberg). A computer programming genius, Zuckerberg sits down at his computer and lashes out in a flurry of blogging and programming that launches “FaceMash.” Zuckerberg’s new website not only captures the attention of the entire Harvard campus, but also gets the attention of a trio of budding entrepreneurs. That night, in his dorm room after the breakup, leads to what will become “The Facebook” which will eventually become the global social network, Facebook. This revolution in communication, however, brings Zuckerberg both success and a horde of broken friendships, partnerships, and lawsuits.

The Social Network is about several things. It is about Mark Zuckerberg, about the founding of Facebook, about a clash of privileged and ambitious personalities, and about perception and point of view. Most of all, The Social Network seems to be about the beginnings of a map to the future. The triumph of Aaron Sorkin’s screenplay is how he compressed all of this and dramatized in two hours what was probably dull and tedious in real life – including Zuckerberg’s legal wrangling. Sorkin makes nerds come across as sexy masters of the universe. Slimy bastards (like Justin Timberlake’s Sean Parker) seem like rock stars. Parties are shinier, and Harvard’s campus is like a hub, the nexus where all exciting places meet.

And the performances meet and match Sorkin’s exceptional screenplay. Jesse Eisenberg has made a career of playing likeable, amiable dweebs, but as Mark Zuckerberg, he turns that on its head with this outstanding, sublime performance. Eisenberg’s Zuckerberg is like a god, a genius whose indomitable spirit smolders behind a mask of petulance, detachment, and a pout. Zuckerberg should be so Garbo-cool.

I’ve thought for a long time that Justin Timberlake had the dramatic chops to pull off good roles; now, I have proof. Timberlake makes Sean Parker (founder of Napster) cool and attractive, the guy you’d want in your corner, and you’d still forgive his cocaine habit and general sliminess. Andrew Garfield almost steals the film as Eduardo Saverin, a character who is the only adult in the room (which makes him a tragic fall guy). Armie Hammer makes the most of his every moment as the twins, Cameron and Tyler Winklevoss (with actor Josh Pence doing body double duties) by giving each brother a separate, distinct personality.

The one who pulls it all together and makes The Social Network arguable the best film of 2010 is director David Fincher. The phrase, “visionary director,” gets thrown around a lot about talented hack directors (like Zack Snyder), but since Fincher’s mid-90s film, Se7en, it has been obvious that he is a true visionary. Fincher makes The Social Network operate like a suspense thriller; that’s why Sorkin’s tale of conniving nerds is never boring and always gripping. Here, computers, programming codes, and the Internet are like shiny guns, weapons that make these nerds seem like crazy, sexy, cool gangstas.

The Social Network is compelling drama – mesmerizing, hypnotic, and engaging. Everything about it works, and everyone involved should get credit for their great efforts, especially David Fincher.

10 of 10

Wednesday, February 23, 2011

---------------------------

Justin Bieber: Never Say Never "Fan Cut" Gets Limited Release

CHU ANNOUNCES EXCLUSIVE ONE-WEEK LIMITED RELEASE OF “JUSTIN BIEBER: NEVER SAY NEVER” DIRECTOR’S FAN CUT

40-Minutes of New Bieber Footage on RealD® and 3D Digital Screens In Theaters Beginning Friday, February 25th

Tickets For The Director’s Fan Cut Go On-Sale Tuesday, February 22nd at 5pm PST

HOLLYWOOD, CA (February 21, 2011) – Paramount’s Insurge Pictures today announced plans to release “JUSTIN BIEBER: NEVER SAY NEVER” DIRECTOR’S FAN CUT for an exclusive one-week run beginning Friday, February 25th in 3D theaters across the U.S. and Canada. In an unprecedented move, Paramount will release a revamped version of the star’s movie three-weekends following its initial release. Tickets for the limited engagement go on-sale Tuesday, February 22nd at 5pm PST/8pm EST.

As he began the editing process several months ago, and upon realizing the significant amount of great footage he had obtained, director Jon M. Chu began to develop with the studio an idea for a second, and more fan centric, edition of the movie. While promoting the film’s initial release, he spent dozens of hours on Twitter and Facebook engaging with fans to learn more about what they were most anxious to see. Some scenes contained in the new cut include: more of Justin’s friends and hometown life, new songs and performances, and special footage shot at fan premiere’s across the country.

“I realized I had an embarrassment of riches when I was I in the cutting room,” said Chu. “This cut allows me to retain some of the best scenes from the original movie, while incorporating previously unseen footage and new material I shot during our extensive promotional tour on behalf of the movie. Justin’s dedication to his fan base is unwavering and I was inspired as a filmmaker to attempt to provide them a unique experience that showed even more of his world.”

“JUSTIN BIEBER: NEVER SAY NEVER,” which opened nationwide on February 11th to critical acclaim, earned $30 million in its initial weekend and earned an A+ Cinemascore from women (an A overall). The new fan cut will have a running time of 115 minutes and will be available in RealD® and digital 3D in theaters across the U.S. and Canada for one-week starting Friday.

“It is a testament to the professionalism and tenacity of Jon and the production team for turning around this new version of “JUSTIN BIEBER: NEVER SAY NEVER” DIRECTOR’S FAN CUT in only a few months, giving fans an even deeper look into Justin’s life,” said Adam Goodman, President Paramount Film Group.

“JUSTIN BIEBER: NEVER SAY NEVER” DIRECTOR’S FAN CUT is the inspiring true story and rare inside look at the rise of Justin from street performer in the small town of Stratford, Ontario to internet phenomenon to global super star culminating with a dream sold out show at the famed Madison Square Garden in 3D. It is directed by Jon M. Chu and produced by Scooter Braun, Justin Bieber, Antonio “L.A.” Reid, Usher Raymond IV, Dan Cutforth and Jane Lipsitz.

For more information go to: http://www.justinbieberneversaynever.com/

About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NYSE: VIA, VIA.B), a leading content company with prominent and respected film, television and digital entertainment brands. The company's labels include Paramount Pictures, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films and Nickelodeon Movies. PPC operations also include Paramount Digital Entertainment, Paramount Famous Productions, Paramount Home Entertainment, Paramount Pictures International, Paramount Licensing Inc., Paramount Studio Group and Paramount Television & Digital Distribution.

Kansas City Film Critics Choose "The Social Network" and Christopher Nolan

As we move closer to the Academy Awards (Sun., Feb. 27th), I'm catching up on my critics awards.  Today, it's the Kansas City Film Critics Circle, which announced its movie awards in January.
Founded in 1967, The Kansas City Film Critics Circle (KCFCC) says that it is the "second oldest professional film critics" association in the United States" (behind the New York Film Critics Circle). The organization is composed of media film critics in the Kansas City metropolitan area. The KCFCC’s awards are named for the group’s founder, James Loutzenhiser, who died in November 2001.

2010 Loutzenhiser Awards (Announced January 2, 2011):

Best Film: The Social Network

Robert Altman Award for Best Director: Christopher Nolan - Inception

Best Actress: Natalie Portman - Black Swan

Best Actor: Colin Firth - The King's Speech

Best Supporting Actress: Hailee Steinfeld - True Grit

Best Supporting Actor: Christian Bale - The Fighter

Best Original Screenplay: Christopher Nolan - Inception

Best Adapted Screenplay: Aaron Sorkin - The Social Network

Best Animated Film: Toy Story 3

Best Foreign Language Film: Mother (South Korea)

Best Documentary: Exit Through the Gift Shop

Vince Koehler Award for Best Science Fiction, Fantasy or Horror Film: Inception

http://www.kcfcc.org/

Paramount Pictures Issues Casting Call for "Fun Size"

About once a year, I get an email from Paramount Pictures announcing a casting call for a new movie.  Back in 2009, I got one when Paramount was looking to cast the "Mattie Ross" character in the Coen Bros.' True Grit remake, a role that eventually went to now-Oscar-nominated Hailee Steinfeld.  At the time, the True Grit casting call said that people interested in auditioning for Mattie, "must be able to portray Caucasian."  I still laugh at that line.

Anyway, here is the casting call for the upcoming film, "Fun Size" (Must be able to portay Asiatic - HeeHee):

SEEKING LEADS FOR A MAJOR MOTION PICTURE

Seeking to cast the following for leading roles in the new Paramount Feature Film “FUN SIZE”.

No previous acting experience is necessary, but must have great energy and a wonderful sense of humor.

ALBERT: 8 years old, with chubby cheeks. Albert is undeniably a strange but intriguing little boy, combining childlike ways (like love of anything sugar) with unnerving adult habits (he’s unbeatable on the videogame “Aggravated Assault,” precocious, and is unflappable – even ingenious – in a crisis). He does not speak until the end of the movie. (LEAD)

STUART: 16 years old. Born and raised in the United States. Stuart is of Asian, East Indian or Middle Eastern descent. Slight in build, Stuart is a kid who talks twice his size. Obsessed with sci-fi and comic books, he is the co-captain of the debate team with his best friend, Roosevelt. (LEAD)

To audition for a role please visit: www.paramount.com/casting/funsize

Review: Robert Altman Signs off with Sweet "A Prairie Home Companion" (Happy B'day, Robert Altman)

TRASH IN MY EYE No. 157 (of 2006) by Leroy Douresseaux

A Prairie Home Companion (2006)
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – PG-13 for some risqué humor
DIRECTOR: Robert Altman
WRITERS: Garrison Keillor, from a story by Ken LaZebnik and Garrison Keillor (based upon the radio program “A Prairie Home Companion” created by Garrison Keillor)
PRODUCERS: Robert Altman, Wren Arthur, Joshua Astrachan, Tony Judge, and David Levy
CINEMATOGRAPHER: Edward Lachman
EDITOR: Jacob Craycroft

COMEDY/DRAMA/MUSIC

Starring: Woody Harrelson, Tommy Lee Jones, Garrison Keillor, Kevin Kline, Lindsay Lohan, Virginia Madsen, John C. Reilly, Maya Rudolph, Meryl Streep, Lily Tomlin, Marylouise Burke, L.Q. Jones, Sue Scott, Tim Russell, and Jearlyn Steele.

Director Robert Altman’s new film, A Prairie Home Companion, is a fictionalized version of Garrison Keillor’s long running, public-radio variety show, also titled "A Prairie Home Companion." In this film, A Prairie Home Companion isn’t the fabled national phenomenon that it has been for decades (since its first broadcast on July 6, 1974), but is rather an obscure local program performed at a small local venue, the Fitzgerald Theatre (where the real Prairie Home Companion is performed), and broadcast onto a single Minnesota radio station, WLT. The film opens on what is to be the show’s final performance after the better part of four decades, as the Fitzgerald has been bought by a Texas conglomerate that is going to demolish the theatre to build a parking lot.

There is much backstage drama – the death of a long time Prairie Home performer; a mysterious woman (Virginia Madsen) who seems to bring death with her stalks the halls and stage; and the theatre security, Guy Noir (Kevin Kline), is rather self-absorbed. However, the focus is on the stage and the performers. There is the whimsical, sad sack maestro, GK (Garrison Keillor), who seems to be an undertaker as much as he is the master of ceremonies and host. His stars include the country-singing Johnson sisters, Yolanda (Meryl Streep) and Rhonda (Lily Tomlin), and the cowboy duo, the Old Trailhands, Dusty (Woody Harrelson) and Lefty (John C. Reilly), and more. Still, the Prairie Home performers and crew await the arrival of the Axeman (Tommy Lee Jones), who will signal the end of both the show and the showplace.

Although Altman works from Garrison Keillor’s script and this concept is Keillor’s, Altman makes the film his own by employing the techniques that have made him a filmmaking legend: the improvisational chatter and babble, the characters overlapping dialogue, and the wandering, zooming cameral – sometimes orbital, sometimes a stationary eye, but always capturing the story that Altman is weaving.

The performances, although good, are mostly small, but the actors make the most of their moments. Each character is quirky, and each actor gives that part an idiosyncratic turn that makes this entire film seem special. In fact, the cast is in perfect harmony, and one can watch the actors building up to this synchronization as the characters continually interact with one another. In the end, the make Prairie Home’s final moments as a variety show an example of simple, heartwarming, old-fashioned harmony. Clearly the actors believe in their baggy and shelf-worn characters. It’s a testament to their faith in Altman and perhaps to a lesser extent Keillor’s creation.

Ultimately, A Prairie Home Companion is an unusual film, simple and sometimes profound. It’s a fantasy about a kind of public performance that has nothing to do with big event corporate entertainment or prepackaged amusements put together by media conglomerates, which have all the soul one would expect from plastic. A Prairie Home Companion begs you to watch such stellar talent create an idealized version of something from another time – variety radio programs – and watch them do it with such conviction that you don’t want to leave your strange new friends. You’re worried that someone might hurt them and stop what they do – you care.

7 of 10
B+

Saturday, July 22, 2006

---------------------